Читать книгу Uncle Terry - Charles Clark Munn - Страница 6

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Of beaux she hardly knew the meaning, and it must be said the few young men who remained on the island after reaching the age of courtship were neither in garb nor manners such as would attract a girl like Telly.

One special talent she was gifted with and that the ability to draw and paint well. Even as a child at school she would draw pictures on a slate that were surprising, and when older, and she obtained materials, she worked until she became, in a way, quite an artist. As Uncle Terry put it, "Makin' picters comes nat'rl to the gal."

She had never received even the first lessons in that charming art, but for all that every room in the house had dozens of her efforts, large and small, hanging on the walls, and in the oddest frames. Some were of strips of thin board covered with little shells or dried moss, and others of rustic handiwork and mounted with fir cones.

There was but one shadow in her life and that the fact that no one of the relatives she imagined she must have in far-off Sweden ever made any effort to learn the fate of her parents, who she knew had gone down so near her home. The story of her rescue with all its pitiful details was familiar to her and in her room were treasured all the odd bits of wreckage: the locket that contained her parents' pictures; the two rings; the last message of her mother; and even the wooden shoe that had floated ashore. How many times she had looked at those two pictured faces, one a reflection of her own, how many tears she had shed in secret over them, and how, year after year, she wondered if ever in her life some relative would be known to her, no one, not even her foster-parents, ever knew. Neither did they know how many times she had tried to imagine the moment when her despairing mother, with death near, and with prayers and tears, had cast her adrift, hoping that the one little life most dear to that mother might be saved. The fatal reef where those parents had gone down also held for her a weird fascination, and at times the voice of the ocean seemed like the despairing cries of mortals. One picture, and it was her best, was a view of the wreck, as near as Uncle Terry could describe it, with human forms clinging to the ice-clad rigging and tempestuous seas leaping over them. The subject held an uncanny influence over her, and she had spent months on the picture. But this shadow of her life she kept carefully guarded from all.