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Ruins of the Flavian Amphitheatre, commonly called the Colisæum.

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There was a threefold distinction of the seats, according to the ordinary division of the people into senators, knights, and commons. The first range was called orchestra, from ορχειςθαι, because in that part of the Grecian theatres, the dances were performed; the second equestria; and the other popularia.

The Flavian amphitheatre, now better known by the name of the Colisæum, from its stupendous magnitude, excites the astonishment of the world. It was five hundred fifty feet in length, and four hundred seventy in breadth, and one hundred sixty in height. It was surrounded to the top by a portico resting on eighty arches, and divided into four stories. The arrangement of the seats was similar to that in the theatres; but there was a large box projecting from one side, and covered with a canopy of state for the accommodation of the emperor and the magistrates, who were surrounded with all the insignia of office.

As combats of wild beasts formed a chief part of the amusements, they were secured in dens around the arena or stage, which was strongly encircled by a canal, to guard the spectators against their attacks. These precautions, however, were not always sufficient, and instances occurred in which the animals sprung across the barrier.

This huge pile was commenced by Vespasian, and was reared with a portion of the materials of Nero's golden palace: its form was oval, and it is supposed to have contained upwards of eighty thousand persons. A large part of this vast edifice still remains.

Theatres, in the first ages of the commonwealth, were only temporary, and composed of wood. Of these, the most celebrated was that of Marcus Scaurus—the scenes of which were divided into three partitions, one above another, the first consisting of one hundred and twenty pillars of marble; the next, of the like number of pillars, curiously wrought in glass. The top of all had the same number of pillars adorned with gilded tablets. Between the pillars were set three thousand statues and images of brass. The cavca would hold eighty thousand men.

Pompey the great was the first who undertook the raising of a fixed theatre, which he built nobly of square stone. Some of the remains of this theatre are still to be seen at Rome.

The circi were places set apart for the celebration of several sorts of games:—they were generally oblong or almost in the shape of a bow, having a wall quite round, with ranges of seats for the convenience of spectators. At the entrance of the circus stood the carceres or lists, whence they started, and just by them, one of the metæ or marks—the other standing at the farther end to conclude the race.

The most remarkable, was the circus maximus, built by Tarquinius Priscus:—the length of it was four stadia, or furlongs, the breadth the same number of acres, with a trench of ten feet deep, and as many broad, to receive the water, and seats enough for one hundred fifty thousand men. It was extremely beautiful and adorned by succeeding princes, and enlarged to such a prodigious extent as to be able to contain in their proper seats two hundred and sixty thousand spectators.

The naumachiæ or places for the shows of sea-engagements are no where particularly described; but we may suppose them similar to the circi and amphitheatres.

The stadia were places in the form of circi, for the running of men and horses. A beautiful one was built by Domitian. The xysti were places constructed like porticos, in which the wrestlers exercised.

The Campus Martius, famous on so many accounts, was a large plain field, lying near the Tiber, whence we find it sometimes under the name of Tiberinus:—it was called Martius, because it had been consecrated by the old Romans to the god Mars. Besides the pleasant situation and other natural ornaments, the continual sports and exercises performed there, made it one of the most interesting sights near the city. Here the young noblemen practised all kinds of feats of activity, and learned the use of arms. Here were the races either with chariots or single horses. Besides this, it was nobly adorned with the statues of famous men, with arches, columns and porticos, and other magnificent structures. Here stood the villa publica or palace, for the reception and entertainment of ambassadors from foreign states, who were not allowed to enter the city.

The Roman curiæ were of two sorts, divine and civil. In the former, the priests and religious orders met for the regulation of the rites and ceremonies belonging to the worship of the gods. In the other, the senate used to assemble, to consult about the public concerns of the commonwealth. The senate could not meet in such a place, unless it had been solemnly consecrated by the augurs, and made of the same nature as a temple.

The Roman forums were public buildings about three times as long as they were broad. All the compass of the forum was surrounded by arched porticos, some passages being left as places of entrance.

There were two kinds, fora civilia and fora venalia. The first were designed for the ornaments of the city, and for the use of public courts of justice. The others were erected for the necessities and conveniences of the inhabitants, and were no doubt equivalent to our markets. The most remarkable were the Roman forum, built by Romulus, and adorned with porticos on all sides, by Tarquinius Priscus: This was the most ancient and most frequently used in public affairs.

The Julian forum, built by Julius Cæsar, with the spoils taken in the Gallic war; the area alone, cost one hundred thousand sesterces, equal to 3570 dollars.

The Augustan forum, built by Augustus Cæsar, containing statues in the two porticos, on each side of the main building. In one were all the Latin kings, beginning with Æneas: in the other all the Roman kings, beginning with Romulus, and most of the eminent persons in the commonwealth, and Augustus himself among the rest, with an inscription upon the pedestal of every statue, expressing the chief actions and exploits of the person it represented.

The forum of Trajan, erected by the emperor Trajan, with the foreign spoils he had taken in the wars; the covering was all brass, and the porticos exceedingly beautiful.

The chief fora venalia or markets, were boarium, for oxen and beef, suarium, for swine, pistorium, for bread, cupedinarium, for dainties, and holitorium, for roots, sallads and similar things.

The comitium was only a part of the Roman forum, which served sometimes for the celebration of the comitia; here stood the rostra, a kind of pulpit, adorned with the beaks of ships taken in a sea fight, from the inhabitants of Antium in Italy; here causes were pleaded, orations made, and funeral panegyrics delivered.

Roman Antiquities, and Ancient Mythology

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