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In the 'forties Punch, as we have already noted, stood in with "the group of middle-class men of enthusiasm and sagacity" whose leaders in Parliament were Cobden and Bright. Their views were from the first strongly anti-militaristic, and were shared up to a certain point by Punch. In his early years he was, with some reserves, distinctly pacificist. If by 1854 he was a whole-hearted supporter of the Crimean War, it was not due to any change of personnel. The gentle Doyle resigned because of Punch's "No Popery" campaign. Thackeray severed his connexion with the paper because of its attacks on Palmerston, the Prince Consort and Louis Napoleon. But the men who dominated the policy of Punch in his ultra-humanitarian days remained when he was most bellicose. Leech, who drew the "Home of the Rick-burner," was responsible for "General Février" and the Crimean and Mutiny cartoons. Mark Lemon was still editor, Douglas Jerrold and Gilbert à Beckett were his right hand men and most voluminous contributors. It was a conversion, if you like, but it was not dictated by expediency, nor did it involve a sacrifice of conviction or a desertion of the cause of the underdog. It was partly due to a John Bullish resentment of anything savouring of foreign aggression or intervention. Along with all his criticisms of Palmerston's Parliamentary opportunism, Punch gave "the judicious bottle-holder" credit for keeping us out of wars by his stiffness. Punch supported Cobden and Bright in the battle over the Corn Laws, but distrusted and thoroughly disapproved of the attitude of the Manchester School towards the reform of the conditions of Labour—witness his "Few words with John Bright" over the Factory Act of 1847. Above all, he could not stomach the over-candid friend who invariably sided against his country.

"GENERAL FÉVRIER" TURNED TRAITOR

"Russia has two Generals in whom she can confide—Generals Janvier and Février."—Speech of the late Emperor of Russia.

With this much by way of preface we may note that the anti-militaristic tirades of these early years are mainly directed against the needless pomp and pageantry, expense and extravagance of the services. Punch's campaign against duelling is another matter, and here at least he never recanted his detestation of "the law of the pistol." He did not spare even the Duke of Wellington, but made sarcastic reference to his meeting with Lord Winchilsea in 1843, and in his cartoon represented the principals wearing frock-coats and fool's caps. There is an indignant letter to Peel the following March, when that statesman refused to bring in a Bill against duelling, or to reprimand the Irish Attorney-General for challenging in open court the opposing counsel in the O'Connell trial; and when Peel further declined to grant a pension to the widow of Colonel Fawcett, a distinguished officer who lost his life in a duel, this refusal prompted a famous cartoon a fortnight later, accompanied by this vitriolic comment:—

If a statue be ever erected to the living honour or the memory of Sir Robert Peel, the artist will wholly fail in his illustration of the true greatness of the statesman unless he deck the bronze with widow's cap and weepers. In the long and sinuous career of the noble baronet, we know of nothing equal to his denial of a pension to Mrs. Fawcett, and, almost in the same week, his speech in favour of the "laws of honour" as they exist. In one hand does the Prime Minister hold the scales of justice, and in the other a duelling-pistol!

Punch's remedy for the evasion of the law was to let the principals go free, but to hang the seconds without hesitation.

THE LAW OF THE PISTOL.

Punch as Pacifist

The choice of the Army as a profession is discussed in one of the series named "The Complete Letter-writer," which appeared in 1844. Mr. Benjamin Allpeace, guardian to young Arthur Baytwig, pronounces against it as a gilded fraud. At best soldiers are evils of the earth, and the pomp and pageantry of war mere gimcrackery. The reality is "misery and anguish, blood and tears." This was the year in which the Prince de Joinville, Louis Philippe's third son, after bombarding Tangier and occupying Mogador, made himself notorious by his bellicose pamphleteering; but Punch was equally severe on Lord Maidstone for his patriotic rhymes in the Morning Post, and on the warlike philanthropists of Exeter Hall, who were much exercised by the Prince's ill-will towards Great Britain. Punch, prohibited in France not for the first or last time for his comments on French politics, ridiculed the Chauvinists on both sides with impartial satire, and published a "Woman's Plea for Peace with France" on the ground of our debt to that country in wine, fashion, the ballet, Jullien (the popular musician and conductor resident in London, who would have to flee in case of war), and cosmetics. Later on, in the same year, we come across "Entente Cordiale" cartoons, in which Punch assumes the rôle of the pacificator of Europe, and a letter to French editors protesting against the notion that John Bull is a plotter. Punch had already given a half serious support to Captain Warner, the eccentric inventor, who professed to have invented a long-range invisible shell to blow up ships at a distance, hailing it as a means of ending war, and developed the argument further in a curious article on the "Science of Warfare," à propos of the benevolent object of some inventors at Fulham. Their aim, it seems, was to put an end to war by making it so truly terrific that, as in the classic example of the Kilkenny cats, it would terminate its own existence by its very ferocity. Thus do we find in the mid 'forties a foreshadowing of the sinister uses of applied science and a justification of the doctrine of "frightfulness." In 1845, in connexion with the intended reorganization or calling out of the Militia, we find the first of many satirical references to the famous Brook Green Volunteer—Brook Green being "one of the bolts of the great Gate of London," as Hammersmith was the key to the metropolis on the western side. Punch at this time was a bitter critic of the methods of recruiting, and his anti-militaristic zeal reached a climax in a protest against the advertisements used at Birmingham and elsewhere, in which he calls the recruiting sergeant "the clown in the bloody pantomime of glory." He had already fallen foul of Sir Charles Napier for his defence of the "cat" in 1844. The issue of August 15, 1846, contains a personal appeal to the Queen to abolish flogging in the Army. Here is the last stanza of "Lines on the Lash: to the Queen":—

Let thy queenly voice be heard—

Who shall dare to disobey?—

It but costs thy Royal word,

And the lash is cast away.

With thyself it rests to scour

From our arms the loathsome stain;

Then of mercy show thy power,

And immortal be thy reign!

This may not be great poetry, but doggerel verse can be simple and passionate. The appeal was not granted until 1881.

A SILLY TRICK

John Bull: "Come, come, you foolish fellow; you don't suppose I'm to be frightened by such a turnip as that!"

The Invasion Scare

In 1848 the French invasion scare was in full swing, but Punch maintained an attitude of satirical scepticism. Impetus was lent to the alarm by the letter of Lord Ellesmere to The Times, and by the letter of the Duke of Wellington. These were welcomed by Punch as a letting-off of alarmist steam. "Folks who feared an invasion, authorized by Lord Ellesmere and the Duke of Wellington, have said their say, have contributed their quota to absurdity, and, satisfied with the effect, may now rest content for life." In the same vein the suggestion of the formation of a National Guard who should train and practise shooting on Sundays provokes sarcastic comment on this new form of "Sunday balls." The enrolment of Special Constables, as a precaution against the violence of the "physical force" extremists among the Chartists, is a frequent theme of comment generally jocular and unsympathetic.

England's immunity from the general upheaval made for optimism. Cobden in 1848 and 1849 was still in favour with Punch as the "cleverest Cob" in England and the apostle of "Peace, Retrenchment, and Reform." His Arbitration Motion in the latter year met with Punch's cordial approval:—

PEACE AND WAR IN PARLIAMENT

Mr. Cobden took a businesslike view of the question, and by the practicability of his notions obtained the expressed goodwill—could more be expected?—of the Prime Minister and the Foreign Secretary. For ourselves, we entirely accord with the position of Mr. Cobden, and have a most cheerful faith in the ultimate prosperity of his doctrines, for they are mingling themselves with the best thoughts of the people, who are every day more and more assured that whatever may be the cause of war, they are the first sacrificed for it; it is they who pay the cost. Just as the sheep is stripped of his skin for the noisy barbarous drum, to beat the lie of glory, so are the people stripped to pay for the music.

The romance of one era is the reality of the next. The Arbitration Question has taken root, and will grow and spread. They show a cedar in the gardens at Paris—a cedar of hugest girth and widest shape—that, some century ago, was brought from Lebanon in the cap of a traveller. The olive twig, planted by Mr. Cobden in Westminster, will flourish despite the blighting wit of mess-rooms, and rise and spread into a tree that shall offer shade and security to all nations.

In a similar vein is the welcome extended to the Peace Congress in Paris:—

THE PARLIAMENT OF PEACE IN PARIS

Anyway, the cause of peace has been reverently preached, and reverently listened to, in the warlike city of Paris. Within a walk of the tomb of the great peace-breaker—who turned kingdoms into graves, and whose miserable purple was dyed in the heart's blood of human freedom—even there peace has been worshipped. Napoleon in his violet robe—beset with golden bees—the bees that, as in the lion of the olden day, swarmed in carcases—Napoleon, with his Pope-blessed crown clipping his homicidal brain, is, after all, a portentous, glistering evil—contrasted with our Quaker friend [Joseph Sturge], who, risen in the Hall of St. Cecilia, condemns aggressive war as an abomination, a nuisance that it behoves man, in this season of his soul's progress, with all his heart and all his mind, to denounce and renounce as un-Christian, vile, and brutifying. The drab against the purple; and, in our small thoughts, the drab, so preaching, carries it.

So, again, Punch breaks a lance in defence of the Peace Congress in the year 1850 at Frankfort. What if it were inspired by visionary aims? All great reformers, idealists and benefactors—Harvey, Jenner, Stephenson—had been ridiculed by unthinking and unimaginative critics:—

TO THE LAUGHERS

The Peace Congress is a capital joke. It's so obvious a subject for fun that we haven't thought it worth while to waste a laugh on it. All manner of pens have been poking the public in the ribs about it—paper pellets of all colours and weights have been slung at it—arrows from all quivers have been emptied on its vulnerable sides.

"Preach Peace to the World!" The poor noodles! "Inculcate the supremacy of right over might!" Ineffable milk-and-water spoonies! "Hold out to nations brotherhood for warfare, the award of justice instead of the bayonet!" The white-faced, lily-livered prigs!

"Why, it's the merest Utopianism," says the Economist.

"It's neither more nor less than Christianity," sneers the Statist; "Trade is the peace-maker," says the Doctor of the Manchester School; "Diplomacy keeps the world quiet," jocularly declares the Red-tapist; "Peace indeed, the designing democrat!" growls the Absolutist; "Peace, with a bloated Aristocracy still rampant!" snarls the Red Republican. And they all drown in a chorus of contemptuous laughter the pleading voices of the poor Peace Congressists in the Church of St. Paul.

But there are some voices which refuse to join in this chorus. And there are some, too, of the wise and the great who can discern in this gathering of friends of peace, this little Babel of various tongues, this tiny congress of many races, a thing in no way to be ridiculed any more than the acorn is to be ridiculed when Science declares that its heart contains the Oak.

The pacificist note had already been sounded when the Duke of Wellington publicly declared in 1849 that it was time ignorance should cease in the Army, on which Punch remarked "When the aforesaid ignorance ceases, how long will the British Army last?" And in the same year, while condemning the Government for refusing to pay for enlarging the National Gallery, he protested against the Naval Estimates as past a joke "when £158,000 might be spent on a frigate including her total loss at sea." On naval matters Punch foretold many things, but he did not foresee the advent or predict the cost of the super-Dreadnought. Indeed, if the truth be told, he was extremely sceptical as to the efficiency of ironclads at all. They were "ferreous freaks": vessels "made in foundries were sure to founder." He is on safer ground altogether when he assails with great spirit and caustic irony the refusal of the Admiralty in 1850 to admit naval surgeons to the wardroom, and proclaimed in vehement accents that he was "made positively ill" by the arguments of those who opposed Captain Boldero's proposals. The status and dignity of Army and Navy doctors and surgeons were near to his heart, and he scornfully resented the view that while "glory may be written on a drum head, it is not to be put down on lint."

The turning point at which Punch's pacificist zeal began to cool was reached in 1849, and the change grew out of a generous sympathy with Italy and Hungary. The repeated warnings addressed by Palmerston to Austria, the independent action which so often embarrassed his colleagues and annoyed his Sovereign, and his support of Turkey in refusing to surrender Kossuth (though he subsequently repudiated any responsibility for his welcome in England), were warmly praised by Punch, who welcomed his declaration as a "bugle note." In 1850 Punch waxed humorous at the expense of Sir Francis Head, who wrote a book in which he demonstrated that 150,000 Frenchmen could invade London with the greatest ease. The coup d'ètat of 1851, and suspicion of the aims of Louis Napoleon, whom Punch described as a "perjured homicide," converted him into a supporter of rifle clubs as "patriotic and needful." The Russell Cabinet fell over the Local Militia Bill, Palmerston carrying an amendment which omitted the word "local" from the title of the Bill, so as to make the Militia generally available as an Army Reserve. Palmerston had already resigned, or been dismissed, for exceeding his functions as Foreign Minister by expressing his private approval of the policy of Louis Napoleon, but in spite of this Punch regretted the loss of the strong man of the Cabinet. The year 1852 opened in gloom and misgiving, faithfully reflected in the lines on "Retrospect and Prospect: or 1851 and 1852," with their picture of the anxious vigil of England.

THERE'S ALWAYS SOMETHING

"I'm very sorry, Palmerston, that you cannot agree with your fellow-servants; but as I don't feel inclined to part with John, you must go, of course."

"Defence not defiance" is the keynote of the appeal, "Speak, Mr. Cobden!" but it foreshadowed a cleavage which was soon to develop into bitter antagonism:—

Armaments useless our money to spend on,

Certainly we should be acting like geese;

But have we any sure ground to depend on,

In trusting our neighbours will leave us at peace?

Speak, Mr. Cobden!

The services of Volunteer Rifle Corps were accepted by the Government, and Punch (who was extremely satirical at the expense of the Oxford University authorities for discouraging the O.U.R.C.) can fairly claim to have been the inventor of camouflage on the strength of the following suggestions as to equipment. Under the heading of "Safety Uniforms" the reader finds:—

In accordance with the practical suggestions of several distinguished military officers, and others, care has been taken to provide a great variety of patterns and uniforms, the colours of which, assimilating to every conceivable shade of surrounding objects, cause the wearer to present as indistinct a mark as possible to the enemy's aim. Besides the neutral greys corresponding to the mixed colours of the heath, and the brown mixture identical with the colour of the mud, samples have been manufactured of slate-colour and brick-dust red, calculated for house-top service amongst the chimney pots, of bright green with mother-of-pearl and gilt buttons intermingled, adapted for field fighting in case of an invasion occurring at the time of the daisies and buttercups, of straw colour for a harvest or stubble brigade, and of snowy white, which would be a suitable tint if we were to be attacked simultaneously by the foe and the frost. A splendid pattern has also been made of cloth of gold and silver, the dazzling effect of which under a glare of sunshine, in the midst of a Turneresque landscape, would be such as utterly to bewilder the aim of the most expert marksman. All these wonderful uniforms, warranted incapable of being hit, besides a regulation rifle guaranteed never to miss, to be had at Messrs. Punch and Co.'s, Army Clothiers, 85, Fleet Street, where every species of Gentlemanlike Dressing is supplied to those requiring a superior article and good cut.

Death of "The Duke"

The challenge to Cobden to declare himself soon gave place to direct attacks on the pacificists, and the death of the Duke of Wellington gave Punch a fresh text on which to expound the doctrine of preparation.

RENDERING UP THE SWORD

Our Arthur sleeps—our Arthur is not dead.

Excalibar shall yet leap from the sheath,

Should e'er invading foot this England tread—

Upstirring, then, his marble tomb beneath.

Our Wellington's undying fire shall burn

Through all our veins—until the foeman say,

"Behold, their Arthur doth to life return!"

And awestruck from the onset shrink away.

Moreover, Punch defends the martial pageantry at the Duke's funeral at this juncture on the ground that it served to show to "Continental despots and bigots with what enthusiasm we yet honour military heroism; that if we have abjured the life of strife, we have not renounced the spirit of valour."

ABERDEEN SMOKING THE PIPE OF PEACE

Itinerant Newsman, No. 1: "I say, Bill, what are you givin' 'em?"

Ditto, No. 2: "Grand Massacre of the French, and Terrible Slaughter of the British Troops."

Outbreak of War

Throughout 1852 and 1853 there is a steady crescendo of hostility in the references to Cobden, Bright and the Quaker pacificists. In this, both pen and pencil are wielded with aim and purpose, as evidenced in the cartoon "No danger," and the verses in "Ephraim Smug." In the Russo-Turkish quarrel Punch's long and consistent distrust—to put it mildly—of the Tsar Nicholas was the governing factor which determined him to espouse the side of the Porte, inspired his cartoons "Turkey in Danger" and "Paws off, Bruin," and, most astonishing of all, reconciled him, though most reluctantly, to the alliance with his bête noire, the Emperor Napoleon III. For when war came in the spring of 1854 the predictions and misgivings of alarmists and prophets were falsified, and Great Britain was arrayed not against but on the side of France. In the interval dividing the outbreak of hostilities between Russia and Turkey from Great Britain's declaration of war on March 28, 1854, Punch threw all his weight into the balance with the War party in the Cabinet, and bitterly resented the alleged pro-Russian sympathies of Lord Aberdeen. These are hinted at in the cartoon in which the Prime Minister is shown with the British Lion saying "I must let him go," and are unmistakably indicated in the charges against Lord Aberdeen of blacking the Tsar's boots, and prosecuting the war in a dilatory and half-hearted way. The Manchester School and the "Pilgrimage to Russia" of the deputation from the Society of Friends to carry to the Tsar their protest against the war are severely handled. On the other hand belief in the righteousness of our cause did not blind Punch to the negligence and worse of those charged with the conduct of military operations and the equipment of our forces. He regrets the typical English attitude, in regard to preparations, that the whole thing was "rather a bore." The need of organized efficiency is preached in every number, and, above all, the debt of honour owed by the nation to the rank and file of our fighting men and to their dependents. Quite early in the war we find this excellent plea on behalf of "The girls they leave behind them":—

It is to be hoped that "A Naval Officer," writing in The Times, will not vainly have called attention to the position in which the wives of soldiers will be placed by the departure of their husbands on foreign service for the defence of Europe and mankind against the enemy Nicholas. As to the soldier's pay, he half starves upon it himself, and after his semi-starvation there remains not the value of a crumb to be handed over to his wife and perhaps children. The girl—and, maybe, the little girls and boys—left by him have surely a claim superior to that of the mate and progeny of the lazy clown and the sottish and improvident mechanic. It is just that relief should be dealt out to them with no parochial hand, but with a palm a little wider open than that of the relieving officer, and in a spirit of consideration somewhat more kindly than the beadle's.

The "Soldier's Dream" of the kind lady who came to visit his wife and children is an appeal to translate the vision into reality. And there were other grievances. The breakdown of the postal service to the seat of war and the injustice of making the recipients pay 2s. for each letter are shown up in "Dead Letters from the Baltic."

WOUNDED SOLDIERS AND NIGHTINGALES

Song of the Nightingale

But this was a minor matter compared with the grievous scandal of the hospitals, disclosed by William Russell, the fearless correspondent of The Times, and ultimately remedied by the exertions of Sidney Herbert and, above all, of Florence Nightingale. This had moved the country deeply, and the indignation was not easily allayed. Florence Nightingale's services are repeatedly referred to. She was Punch's chief heroine in these years, from the day of her first mention and the publication of "The Nightingale's Song":—

THE NIGHTINGALE'S SONG TO THE SICK SOLDIER

Listen, soldier, to the tale of the tender Nightingale,

'Tis a charm that soon will ease your wounds so cruel,

Singing medicine for your pain, in a sympathizing strain,

With a jug, jug, jug of lemonade or gruel.

Singing bandages and lint, salve and cerate without stint,

Singing plenty both of liniment and lotion,

And your mixtures pushed about, and the pills for you served out,

With alacrity and promptitude of motion.

Singing light and gentle hands, and a nurse who understands

How to manage every sort of application,

From a poultice to a leech; whom you haven't got to teach

The way to make a poppy fomentation.

Singing pillows for you smoothed, smart and ache and anguish soothed,

By the readiness of feminine invention;

Singing fever's thirst allayed, and the bed you've tumbled made,

With a careful and considerate attention.

Singing succour to the brave, and a rescue from the grave,

Hear the Nightingale that's come to the Crimea,

'Tis a Nightingale as strong in her heart as in her song,

To carry out so gallant an idea.

This is only one of a whole series of poems—notably one written at the time of her dangerous illness in May, 1855—inspired by the "Lady of the Lamp," who did not forget, on her side, to acknowledge that the wounded common soldiers had behaved "like gentlemen and Christians to their nurses." Her saintship is secure, in spite of the adroit disparagement of modern iconoclasts; and the verdict of the common soldier was happily expressed by a private at a dinner given to Crimean troops by the people of Folkestone and Hythe in 1856: "We cannot forget Miss Nightingale—nor can we forget mismanagement."

"Well, Jack, here's good news from home. We're to have a medal."

"That's very kind. Maybe one of these days we'll have a coat to stick it on."

Familiar Grievances

Florence Nightingale was not forgotten by the nation; the Queen sent her an autograph letter of thanks and a brooch, but no official recognition was bestowed upon her by the British Government until 1907, when she was given the Order of Merit. As for William Russell, Punch laboured in season and out of season to secure some public acknowledgment of his humanity and courage, but the debt remained unpaid for forty years, and was then liquidated by a mere knighthood. The Crimean War was not a great war, judged by modern standards, but it assuredly was not a picnic, and it abounded in prospective plagiarism. Note, for example, the complaint of the treatment of the "Jolly Russian prisoners," in the winter of 1854:—

How jolly the prisoner, who gets for his pay,

From his captor's own purse seven shillings a day!

And that's how we pension our officer-foes,

For which we shall certainly pay through the nose.

The nation that prisoners so handsomely pays

The wages of postmen will probably raise,

And doubtless provide on a grand scale for all

The children and wives of our soldiers who fall.

Note again the criticisms of official reticence about individual acts of bravery in the lines "The Unmentioned Brave: Song by a Commanding Officer," early in 1855:—

Oh! no, we never mention them,

Their names must not be heard,

My hand Routine forbids to trace

Of their exploits one word.

Most glorious though their deeds may be,

To say it I regret,

When they expect a word from me,

They find that I forget.

You say that they are happy now,

The bravest of the brave,

A "special" pen recording how

Mere Grenadiers behave.

Of "special" pens I disapprove,

An inconvenient set,

Who oftentimes the veil remove,

And print what we forget.

The charges of incompetence in the conduct of the war and of greed among those who made profit out of it have a painfully familiar ring. Generals, beginning with Lord Hardinge, were too old; or they were "blundering cavalrymen." Heroism was kept severely in its place or inadequately rewarded, as when a drummer-boy, who had shown conspicuous gallantry at the battle of the Alma, was given £5 by the Prince Consort; or, again, when a gallant sergeant was given a silk handkerchief hemmed by the Queen. Why, asks Punch, was he not made an ensign? Of a review of wounded soldiers by the Queen he observes that it would have been more gracious if she had gone to the hospital instead of having the invalids brought up to the palace to be inspected. In the same vein is the dialogue, "Honour to the Brave":—

Flunkey (reads): "Yesterday thirty of the Invalids from the Crimea were inspected … many of the gallant fellows were dreadfully mutilated at the Alma and Inkerman. … After the inspection ten of the Guards were regaled in the Servants' Hall."

Flunkey (loq.): "Regaled in the Servants' 'All! Eh? Well, I don't think they've any call to grumble about not bein' 'Honoured Sufficient!'"

A DISTRESSED AGRICULTURIST

Landlord: "Well, Mr. Springwheat, according to the papers, there seems to be a probability of a cessation of hostilities."

Tenant (who strongly approves of war prices): "Goodness gracious! Why, you don't mean to say there's any DANGER OF PEACE?"

The navvies who volunteered for service in the Crimea are not forgotten by Punch. When cheers are raised for the fighting men and their commanders,

As loud a cheer give, England, to the Navvies' gallant band,

Who have gone to lend our warriors a stalwart helping hand.

These to their work with shovel and crowbar as true will stand

As those to theirs with bayonet, with rifle and with brand.

Combatants and Non-Combatants

The Charge of the Light Brigade10 prompts Leech's picture of "A Trump Card(igan)"; but, rather than with the officers, Punch, throughout the war, was more concerned with the rank and file, and with instances of unfair differentiation between officers and men, notably in regard to the sale of promotions and the grants of leave, satirized in the cartoon, "The New Game of Follow my Leader," in which a very diminutive bugler, advancing in front of a long file of soldiers, addresses the commander-in-chief: "Please, General, may me and these other chaps have leave to go home on urgent Private affairs?"

The efforts of the Peace Party are a constant source of derisive criticism, as in the bitter stanzas, "Mr. Gladstone's Peace Song." Even more bitter is the onslaught in the year 1856 on John Bright:—

Merrily danced the Quaker Bright,

And merrily danced that Quaker,

When he heard that Kars was in hopeless plight,

And Mouravieff meant to take her.

He said he knew it was wrong to fight,

He'd help nor Devil nor Baker,

But to see that the battle was going right,

O! merrily danced the Quaker.

THE BRITISH LION SMELLS A RAT

Paying the Bill

The article in which we read that "Wholesale slaughter and devastation, when you are driven to it, is the only economy of slaughter and devastation," is a definitely frank espousal of the doctrine of "frightfulness." Cobden and Bright, "our calico friends," are mercilessly assailed in every number; Cobden in particular for his pamphlet, "What next, and next?" and for his servility to America. Peace came at the end of March, 1856, with its aftermath of criticism, dissatisfaction, discontent with the Peace terms, and fierce comments on generals and contractors, mismanagement and neglect of men and horses, and on the failure of the navy. Already the Sebastopol Blue Book had appeared—a painful document with "delay," "want of——" and "unaccountable neglect" appearing on every page. The discussion of the Peace Treaty in Parliament prompts Punch to mitigated "joy and satisfaction" over what he calls "Walewski's Treaty of Peace"; to praise Lord Malmesbury—no favourite of his; to describe Lord Aberdeen as crawling out "like an old slug, now that the war-storm is over," to express his general approbation, tempered by his "preposterous love of Russia"; and to condemn Disraeli, the leader of the Opposition, for his ignominious silence in the Commons. The speeches by Lord Panmure in the Lords, and Lord Palmerston in the Commons, in moving the votes of thanks to our soldiers, sailors, marines, militia, and Foreign Legion, and those of the Leaders of the Opposition, who seconded them, were appropriate, but fell short of the merits of the theme. "Certain figures, given on official authority, tell the whole story of the two years' war with grim succinctness. We have lost 22,467 men, of whom but 3,532 died in battle or from wounds." Nothing is new: in emphasizing the demand that Russia must be made to pay the bill, and declaring that her attempts to evade the Treaty must be rigorously dealt with, Punch strikes a note all too familiar in the last two years and a half. His general attitude is summed up in the lines on "Rejoicings for Peace":—

Thank Heaven the War is ended!

That is the general voice,

But let us feign no splendid

Endeavours to rejoice.

To cease from lamentation

We may contrive—but—pooh!

Can't rise to exultation,

And cock-a-doodle-doo!

We can't pass now direct from grief to laughter,

Like supernumeraries on the stage,

To smiling happiness from settled rage;

We look before and after.

Before, to all those skeletons and corses

Of gallant men and noble horses;

After—though sordid the consideration—

Unto a certain bill to pay,

Which we shall have for many a day,

By unrepealable taxation.

Yet never fought we in a better cause,

Nor conquered yet a nobler peace.

We stood in battle for the eternal laws;

'Twas an affair of high Police,

Our arms enforced a great arrest of State;

And now remains—the Rate.

Friction with America over the dismissal of our Minister at Washington led to a remarkably frank open letter to President Pierce, of which the gist is: "Let us fight by all means if you will have it, but think what it means"; wholesome advice. On the other hand the temper of the Manchester Pacificists, who had taken to disparaging Sardinia and the cause of Italian liberty, à propos of the advance of a million pounds to Sardinia, prompted the invidious suggestion: "They possibly fear lest a blow struck anywhere for freedom should cause the countermand of a trade offer." Punch, in these days no longer Pacificist, hailed Sidney Herbert's Bill for improving the education of officers in the Army, and establishing a board to examine for commissions and promotions; but he was more enthusiastic over Sir Joseph Paxton's proposed inquiry into the barracks system, quoting with approval his remark that, while every prisoner in our gaols costs us £150 a year, "the soldier was the worst-lodged person in the Queen's Dominions."

Post-war parallels multiply at this period, the year 1856—in the recrudescence of crime and burglaries, and the garrotting scare; in wholesale criticism of Lord Palmerston. There is an excellent burlesque in the shape of an imaginary article from the Morning Herald on the execution of Palmerston on Tower Hill. Immediately after exulting over "Pam's" downfall, the writer passes to a fulsome adulation of the dead. Here, as so often time has proved, Punch was a prophet as well as a critic. Other familiar grounds for discontent are to be found in the Peace terms and undue leniency to Russia; in friction with France; wholesale speculation and peculation; unnecessary Parliamentary expenditure; and complaints of high prices, which, by the way, induced Punch to suggest abstinence as the best means of bringing down the price of sugar and butter. The return of the Guards is fitly honoured in July, and "The Nightingale's Return" in August:—

Most blessed things come silently, and silently depart;

Noiseless steals spring-time on the year, and comfort on the heart;

And still, and light, and gentle, like a dew, the rain must be,

To quicken seed in furrow and blossom upon tree.

So she, our sweet Saint Florence, modest, and still, and calm,

With no parade of martyr's cross, no pomp of martyr's palm,

To the place of plague and famine, foulness, and wounds and pain,

Went out upon her gracious toil, and so returns again.

When titles, pensions, orders, with random hand are showered,

'Tis well that, save with blessings, she still should walk undowered.

What title like her own sweet name, with the music all its own?

What order like the halo by her good deeds round her thrown?

Incapable Commanders

Lord Hardinge, the commander-in-chief, had been denounced as "the apex of incapacity," but Punch spoke kindly of that gallant old hero of the Peninsula on his resignation. He was "all bravery and kindness except when opposed to Court influence, and then he could neither snub great people nor stand up for the interests of the Army." With this statement we may bracket a useful obiter dictum on appointments generally: "Too much ability is demanded for the small places, and for the large places generally too little." No confidence is shown in the "whitewashing report" of the Chelsea Board of Inquiry into the charges brought against Lord Lucan, Lord Cardigan, and others. The Board was packed with "aristocratic officers," and its report is described as "a Chelsea Hospital salve for curing the reputations of Lucan, Cardigan, and Co."

Evidently Punch is in good satirical form, for he follows this sally a month later with an indignant article on the appointment of an earl's son, aged twelve, to be a Royal Page at £200 a year for four years, with a grant of £500 as outfit, and a lieutenancy in the Guards without purchase; and the simultaneous offer of a commission as ensign in a marching regiment to a heroic sergeant-major, aged forty, without money to purchase it. A bad case of "ragging" in the Guards comes in for severe castigation, and the dismissal of the offenders from the service is welcomed as a step in the right direction. Nevertheless, while he was a stern critic of extravagant and ill-conditioned officers, Punch recognized the need of decent pay, and appealed for aid from the State to remedy the long-borne grievance. Amid the discordant chorus of criticism and discontent which arose on the conclusion of Peace, happier notes are sounded in the references to the initiation, on a comprehensive basis, of the Order of Valour. The principle adopted in its bestowal is set forth in the lines which appeared in the issue of February 23, 1856:—

Till now the stars and garters

Were for birth or fortune's son,

And as oft in snug home-quarters

As in fields of fight were won.

But at length a star arises,

Which as glorious will shine

On Smith's red serge vest as upon the breast

Of Smyth's scarlet superfine.

Too long mere food for powder

We've deemed our rank and file,

Now higher hopes and prouder

Upon the soldier smile.

And if no Marshal's bâton

Private Smith in his knapsack bears,

At least in the War, the chance of the star

With his General he shares.

The first distribution of the "V.C." by the Queen was not made until June 26, 1857, and in the same vein, but with greater dignity Punch strove to render justice to the occasion:—

THE STAR OF VALOUR

Distributed by the Queen's Own Hand. June 26, 1857.

The fount of Honour, sealed till now

To all save claims of rank and birth,

Makes green the laurel on the brow

Ennobled but by soldier's worth.

Of these the bravest and the best

Who 'scaped the chance of shot and sword,

England doth, by her Queen, invest

With Valour's Cross—their great reward!

Marking her sense of something still,

A central nobleness, that lies

Deeper than rank which royal will,

Or birth, or chance, or wealth supplies.

Knighthood that girds all valiant hearts,

Knighthood that crowns each fearless brow;

That knighthood this bronze cross imparts—

Let Fleece, and Bath, and Garter bow!

The plainness of the cross aroused critical comment, to which expression was lent in the epigram, which has not lost its point yet:—

Here's Valour's Cross, my men; 'twill serve,

Though rather ugly—take it,

John Bull a medal can deserve,

But can't contrive to make it.

The Victoria Cross

But the very simplicity of the bronze cross has lent it distinction. Punch was on safer ground when he urged that doctors and firemen were well qualified to receive it; the Albert Medal, in recognition of acts of gallantry in saving life performed by anyone whatever, was not instituted till 1866. Punch's democratic bias is also agreeably shown in his plea on behalf of the artisans and artificers employed at the dockyards and arsenals, whose labours shortened the war, but who were thrown out of work on its conclusion. In answer to their petition for help to emigrate, it was intimated to them that the Government would help them if they would help themselves. The delay of the Government in fulfilling their side of the bargain, when the men had complied with this condition, gives occasion for a piece of sarcastic criticism on State parsimony. And in this context we may note the charming poem on Mother Seacole, the brave old sutler in the Crimea, beloved of all soldiers, who had fallen on evil days, but was relieved by public subscription, largely due to the appeal in Punch's columns. Lastly, and to sum up this review, we may note the shrewd common sense of the timely article setting forth the pros and cons of Army Purchase, in which the writer emphasizes the need of a higher standard of brains and ability. Under the existing tradition, the abolition of purchase would probably mean promotion by influence—an equally vicious system. To alter the way of getting a commission was of no avail unless you altered the thing itself. Efficiency was not incompatible with purchase, but it was incompatible with "taking care of Dowb"—not the only reference in Punch to the historic telegram of Lord Panmure to Lord Raglan on behalf of his protégé and relative, Captain Dowbiggin.

10. Punch welcomed Tennyson's famous poem, which originally appeared in the Examiner, but could not agree with the view expressed in "Maud" that war is better than peace, though he held that it might be the only way—as at the moment—to secure it.

ENTR'ACTE