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[46] The King's letter to Salisbury (undated, but of 1608). Gardiner, Hist. Engl. 1603–1642, II, 43–45.

[47] This much more distinguished favour has been overlooked by Thorndike and other critics. But it is possible that Shaw, Knights of England, I, 154, may be confounding him with another Carr, a favourite of Queen Anne's.

[48] Dyce, B. and F., Vol. I, p. 53.

[49] Act IV, 14, 50–54.

[50] Cf., Lazarillo's Farewells, Act III, 3.

[51] See Chap. XXIV, below.

[52] Prologue, for a revival, in 1649, of The Woman-Hater, which D'Avenant mistakenly attributes to Fletcher.

[53] Reasons for dating an earlier version of the play about 1604 are given by Oliphant, Engl. Studien, XV, 338–339, and Thorndike, Infl. of B. and F., 70–71. In its present form, however, the play dates later than Jonson's Epicoene, 1610. See Gayley, Rep. Eng. Com., III, Introd., § 15.

[54] I heartily concur with W. W. Greg's interpretation, Pastoral Poetry and Pastoral Drama, p. 274.

[55] See Fleay, Chron. Eng. Dr., I, 312, and Thorndike, Infl. of B. and F., 64.

[56] Folio, 1647, 'mortallitie'; a misprint.

[57] See Chap. XXIII, below.

[58] See Guskar, Anglia, XXVIII, XXIX.

[59] Stiefel, Zeitschr. f. Vergl. Litt., XII (1898), 248; Engl. Stud., XXXVI; Hatcher, Anglia, Feb. 1907; and Macaulay, C. H. L., VI, 156.

[60] French Influence in English Literature, pp. 300, 308.

[61] Adapted from Cartwright in the Commendatory Poems, Folio of B. and F., 1647.

[62] Details in Inderwick, op. cit., Vols. I and II, passim.