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Chapter II.
The Story Told by Two

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Roger waited. He knew that Virginia was gathering her forces together, and that he might expect the unexpected.

"I want you to tell me all about that girl in mourning who lives at the Château de la Roche," she said after a moment; "and what her brother did."

Roger was slow in answering. "It's not a pleasant story for your ears. I was sorry this afternoon that I had spoken even as freely as I did about it before you. Loria took me to task rather, after you'd gone up to the château, and he was right. By Jove! Virginia, I believe that if I'd said nothing, the idea of buying the place would never have occurred to you."

"Perhaps not," she admitted. "But it has occurred to me, and once I have an idea in my head I keep it tenaciously—as all my long-suffering friends know to their sorrow. Will you go to-morrow to the agent whose address I have and make inquiries?"

"Certainly, if you wish."

"Oh, you think if no one thwarts me, I'll get over the fancy. But I won't! I'm going to have that château among the olive trees for mine if it costs me fifty thousand pounds (which it won't, I know), even if I only live in it for one month out of five years. The thing is, to feel it's my own. So now, you see, as the place is practically my property, naturally I'd like to know something of the people who have been its owners."

"I don't see why. When one buys a house one doesn't usually agitate oneself much about the family history of one's predecessors."

"Roger, you know this is different. I want you and no one to else tell me. Still, if you won't——"

"Oh, if you insist you must be gratified, I suppose, up to certain limits. What do you want to know?"

"Everything."

"H'm! Rather too large an order, my child. However, to begin with, the Dalahaides of the Château de la Roche were English in the last generation, but the family is of French origin. When the last member of the French branch died, a banker in London was the next heir. He gave the château and the Dalahaide house in Paris as a wedding present to his son, who was about to be married. The bride and bridegroom came over on their honeymoon, and took such a fancy to the château that they made their home there, or rather between it and the old house in Paris. This young couple had in time a son, and then a daughter. Perhaps you saw the daughter to-day?"

"Yes, it was she. You didn't ask me about her before."

"No; the fact is, I thought that further conversation on the subject would be too painful for poor Loria. You must have seen that he was upset."

"I couldn't help seeing. But go on."

"Well, the father and mother and their two children were a most devoted family. They were all handsome and clever and popular, and if they were not millionaires, they were extravagant, for they gave delightful entertainments here and in Paris, and their purses were open for any one who wished to dip in his fingers.

"The son Maxime, always called Max, inherited his father's generous, reckless, extravagant ways. He was drawn into the fastest set in Paris, and lost a lot of money at baccarat. That wouldn't have mattered much, perhaps, if at the same time some large investments of the father's hadn't gone wrong and crippled the family resources. Then, as misfortunes generally come in crowds, there was a slight earthquake along this part of the coast, and the château was partly ruined, as you saw to-day, for they were not able then to have it restored. 'Next year,' they said; but there was no next year for the Dalahaides. Only a few months after the first two blows came the third, which was to crush the family for ever. Max Dalahaide was accused of murder, tried, and condemned."

"What—he is dead, then? I thought you said—I——" Virginia's heart gave so sudden and violent a bound that she stammered, and grew red and white under the revealing moonlight. She was thinking of the portrait—seeing it again, looking into the eyes which had seemed to speak. Dead! Executed as a murderer! The thought was horrible; it stifled her.

"No, he is not dead," answered Roger gravely; "at least, if he is I haven't heard of it. But—if he still exists—one can't call it living—he must have wished a hundred times a day to die and be out of his misery. Perhaps death has come to him. It might, and I not have known; for from out of the pit which has engulfed him, seldom an echo reaches the world above."

"Roger, you frighten me! What do you mean?" the girl exclaimed.

"Forgive me, child. I forgot for a moment, and was thinking aloud. I don't often forget you, do I? I said to-day that Max Dalahaide was dead in life. That is true. Family influence, the tremendous eloquence of a man engaged to plead his cause, the fact that Max insisted upon his innocence, while the evidence was entirely circumstantial, saved him from the guillotine, which I believe he would have preferred, in his desperation. He was sent to that Hades upon earth, New Caledonia, a prisoner for life."

"But—he was English!"

"No. His parents had been English, but he, having been born in France, was a French subject. He had even served his time in the army. Naturally he was amenable to French law; and he is buried alive in Noumea, the most terrible prison in the world."

"And he was innocent!"

Roger, who had been gazing out over the sea, turned a surprised look upon Virginia.

"No! He was not innocent," he said quickly. "Everything proved his guilt. It is impossible that he should have been innocent."

"His sister believed in him."

"Yes, his sister. What does that prove? The father thought him guilty, and killed himself. As for the mother—who knows? At all events, she died—broken-hearted. Every penny the family possessed, after their great losses, went for Maxime's defense; but, except that his life was saved, it was in vain."

"You knew him—he was your friend—yet you believed in his guilt?"

"I hardly knew him well enough to call myself a friend. I admired him, certainly Max Dalahaide was the handsomest, wittiest, most fascinating fellow I ever met. Neither man nor woman could resist him, if he set out to conquer. Loria and he were like brothers; yet Loria thought with the rest of the world. He can't be blamed for disloyalty, either, for really there was nothing else to think, if one used one's reason."

"If he had been my friend, I would not have used my reason!" exclaimed Virginia. "What is the use of reason, when one has instinct?—and that is never wrong. But it is good of you to defend the Marchese, for I know you don't like him."

"Don't I?" echoed Roger. "If I don't, I'm afraid it is because you do. You won't have me, dear; you've told me that, and I don't mean to bother you again; but I'm weak enough to be jealous when I think there's danger of your saying 'Yes' to anybody else."

"I don't know that there is any such danger in this case," said Virginia. "But the Marchese is very handsome, and rather romantic, and he sings like an angel. Oh, yes, I am almost in love with him when he sings—or I was till yesterday. And how he dances! It's poetry. When I am waltzing with the Marchese Loria I invariably make up my mind that I will accept him next time he asks. Then, afterward, something holds me back. To-day, in that valley of shadows, he affected me quite differently. It was as if—as if the shadows had shut down between us. I saw him in the shadow, his features changed—repellent. As the French say, he 'made me horror.' Yet I didn't know why. Now I begin to understand. It was my precious instinct warning me, saying: 'This man is disloyal. Don't trust him.'"

"You are unjust," said Roger. "I should like to let you misjudge him, but I can't be a bounder, you know. He really behaved extremely well in the Dalahaide affair. The man couldn't believe, against a mountain of evidence; nevertheless, he did what he could for his friend, guilty as he thought him. All this happened four years ago, when you were a demure little schoolgirl—if you ever could have been demure!—in your own Virginia, not allowed even to hear of, much less read, the great newspaper scandals of the moment. I can't remember every detail of the affair, but it was said to be largely through Loria's efforts that Max was saved from capital punishment for his crime."

"You haven't told me yet what that crime was."

"Yes. I have said it was murder."

"Ah! but that is only a crude statement. I ask for the story."

"You won't have it from me, my child," answered Roger coolly. "I'm not a sensation-monger. It was a horrid affair, and one doesn't talk of such things to little girls. You know all from me that you will know. Buy your château, if you choose. You've money enough to squander on twenty such toys and not miss it. No doubt poor Madeleine Dalahaide will be benefited by the exchange—her castle for your money. Fortunate for her, perhaps, that she is the last of the French Dalahaides, and has the right to sell the château."

"You will tell me nothing more?"

"Nothing."

"Then I will tell you one thing. I believe that the man was innocent. I have seen his portrait. I have seen his sister. That is enough for me. But what you will not tell me I shall learn for myself, and then—and then—you shall see what you shall see."

Virginia slept restlessly that night. In her dreams she was always in the Valley of the Shadow, striving to find her way out into the sunlight; and sometimes the valley seemed but the entrance to that bottomless pit of shame where Maxime Dalahaide was entombed. She awoke from a dream forgotten, in a spasm of cold fear, before it was dawn, and switching on the electric light near the bed, she drew her watch from under the pillow. It was just six o'clock; and for a few moments Virginia lay still, thinking over the events of yesterday. After all, what did they mean for her? Nothing, said Reason; everything, said a Voice to which she could give no name.

Suddenly her heart began to beat quickly with the excitement of a strange thought that seemed to spring out of herself, and then turn to face her. It pushed the girl from her bed, and she rose, shivering; for even here at Cap Martin it was cold in the early morning before the vivid sun had warmed the air.

She was used to lying in bed until a fire of fragrant pine cones and olive wood crackled on the hearth, and her own maid had filled the bath in the bathroom adjoining. But now she bathed in the cold, dressing herself in her riding-habit, and even arranging her hair without help. By seven her toilet was made, and, turning off the electric light, she found that the sky was pink and golden with the winter sunrise.

The girl rang for coffee, and ordered her horse to be ready. She and Kate Gardiner never met before ten o'clock, at earliest; thus three hours would pass before any one save her maid would begin to wonder where she was; and for the maid she would leave a line of explanation, mentioning that she had gone out on business, and that nothing was to be said unless Lady Gardiner inquired.

Virginia had a ride of nearly two hours before she could reach the destination she had planned; but neither the fresh air, the beauty of the scene, nor the exercise which she loved, could calm the fever in her blood. It was as if some power stronger than herself pushed her on; and though she had always been too healthy in mind and body to suffer from superstition, she now believed, half fearfully, that such an influence had possession of her.

"What is the matter with me?" she asked. "I am no longer myself. It is as if I were only an instrument in hands that use me as they will. Why do I go this morning to the Château de la Roche? I don't know. I don't know what I shall say to excuse myself when I am there. Yet, somehow, the words will come to me—I feel it."

For it was to the château above the Valley of the Shadow that she was going.

When she reached the gates, half-way up the slope of the wooded hill which the whole party had climbed together yesterday, suddenly the nervous exaltation that had carried her courageously so far, broke like a violin string too tightly drawn. She was horrified at her own boldness. She half turned back; then, setting her lips together, she slipped down from her saddle and opened the gate.

This morning no slim, black-clad figure moved among the wilderness of neglected flowers. Virginia tethered her mare, ascended the two or three stone steps, and struck the mailed glove of iron which formed the knocker on the oak of the door. Its echoes went reverberating through wide, empty spaces, and for some moments she stood trembling at her audacity. She said to herself that she could not knock again. If no one answered the last summons she would take it as a sign that she ought not to have come, and she would steal away. But just as the limit of time she mentally set had passed, and she was in the act of turning from the door, it opened.

The servant who had guided Virginia and her friends through the house the day before appeared, his pale, dignified old face showing such evident signs of surprise that the American girl, who had never flinched before any one or anything, stammered and blushed as she asked for Mademoiselle Dalahaide.

The old man politely ushered her in, but he was unable to hide his embarrassment. Mademoiselle should be informed at once, if she were at home, but, in fact, it was possible—— He hesitated, and Virginia saw well that he prepared a way of escape for his young mistress in case she wished to avoid the unexpected caller.

"Pray tell mademoiselle that—that——" Virginia began. She had meant to finish by saying that her business was urgent. But—supposing when she found herself face to face with the girl in black, the fugitive desires which had dragged her here refused to be clothed in coherent words?

As the servant waited respectfully for the end of the message, a door which Virginia remembered as leading into the family chapel suddenly opened. Mademoiselle Dalahaide came slowly out, her head bent, her long black dress sweeping the stone floor of the hall in sombre folds. She did not see the stranger at first; but a faint ejaculation from the lips of the old Frenchman caused the dark head to be quickly raised.

The eyes of the two girls met. Mademoiselle Dalahaide drew back a little, her tragically arresting face unlighted by a smile. She looked the question that she did not speak; but she gave the American no greeting, and there was something of displeasure or distrust in her level, searching look.

The moment which Virginia had dreaded, yet sought for, had come. All self-consciousness left her. She went to meet the other in an eager, almost childlike way.

"Do forgive me," she said in English. "I had to come. I could not sleep last night. I got up before any one else was awake, because I—because I wanted so much to see you, that I couldn't wait: and I wanted to come to you alone."

Madeleine Dalahaide's faint frown relaxed. Virginia in that mood was irresistible, even to a woman. Still the girl in black did not smile. She had almost forgotten that it was necessary and polite to force a smile for strangers. She had been so much alone, she and sorrow had grown so intimate, that she had become almost primitively sincere. The ordinary, pleasant little hypocrisies of the society in which she had once lived during what now seemed another state of existence, no longer existed for her.

Nevertheless, she was not discourteous. "You are kind to have taken this trouble," she said. "It is something about the château, no doubt—some questions which perhaps you forgot to ask yesterday?"

The old man, who understood not a word of English, had discreetly and noiselessly retired, now that fate had taken the management of the situation from his hands. The two girls were alone in the great hall, the chapel door still open behind Madeleine Dalahaide, giving her a background of red and purple light from a stained-glass window.

"No," Virginia answered. "If I said that business about the château brought me, it would be merely an excuse. It would make things easier for me in beginning, but—I wish to say to you only things that are really true. I came because—because I want to help you."

The white oval of the other's face was suddenly suffused with scarlet. The dark head was lifted on the slender throat.

"Thank you," she said coldly. "But I am not in need of help. If that is your reason for thinking of buying this house, I beg——"

"But it is not my reason. What can I say that you won't misunderstand? There is one whom you love. Just now you were praying for him in that chapel. I know it. You were praying to God to help him, weren't you? What if I should be an instrument sent you to be used for that purpose?"

The tragic eyes stared at the eager, beautiful face, dazed and astonished.

Virginia went on, not seeming to choose her words, but letting them flow as they would.

"I know how you have suffered. It is only a little while that I have known, but it seems long, very long. I have seen his portrait, and partly I came up to tell you this morning that I believe in his innocence; partly that, but most of all I came to say that he must be saved."

"Saved?" echoed Madeleine Dalahaide. "But that is not possible. Only death can save him now."

Neither had uttered a name; neither was aware that it had not been spoken by the other. For Madeleine always, for Virginia in this hour, one name rang through the world. There was no need to give it form. And, strangely, Madeleine was no longer surprised at Virginia's mission. Perhaps, indeed, she believed her an incarnate answer to prayer; and in a moment all conventionalities had crumbled to pieces at their feet.

"Why do you say that?" cried the American girl. "Prisoners are released sometimes."

"Not life-prisoners at Noumea," replied the other; and the answer fell desolately on Virginia's ear. Yet the thought, lit into life by her own words, as a flame is lighted by striking a match, had given her courage which would not die.

"Then he will be the first," she said. "I have been thinking. Oh! it has all been very vague—a kind of dream. But now I see everything clearly. Time unravels mysteries not easily solved at first. His innocence must be proved. Powerful friends shall give all their thoughts, all their ingenuity——"

"We have no friends," Madeleine answered bitterly.

"You have one friend. You have me."

Then at last a sense of the strangeness of this scene rushed in a wave over the consciousness of the lonely dweller in the castle.

"I don't understand," she said slowly. "Yesterday we had never met. I only knew your name because you spoke of buying this poor, sad home of mine. I——"

"Neither do I understand," broke in Virginia. "But I have never understood myself. I only know that this seems to be the thing I was born for. And if I fail in what I want to do for you and yours, why, I shall have come into the world for nothing, that is all."

"But you are wonderful!" exclaimed Madeleine Dalahaide, realizing with sudden force the other's extreme beauty and strong magnetism. "Did you—is it possible that you ever knew my brother?"

"I never heard his name till yesterday. But I have seen you, I have seen this house, I have heard something of the story, and—I have seen his portrait. Nobody told me, of course, that it was his; nobody could. But I knew at once. And I wondered how any one who had ever known him could have believed that—that——"

"Don't be afraid to say it. Believed that he was a murderer. Oh, friends—friends! Friendship is a flower that withers with the first frost."

"You shan't have cause to think that of me—if you are going to take me for a friend."

"I shall thank heaven for you. Even if you can do nothing, to think that there is one human being in the world besides my poor aunt and me who believe in him, is like balm on an open wound. Come with me into the room where you saw the portrait. I painted it the year before—the end. I talk to it sometimes, and for a moment I almost forget the horrible truth—when the eyes smile back at me just as they used to do when we had some joke together."

"As they will again," finished Virginia.

They went into the room of the portrait and stood before it in silence. Each one felt that its look was for her.

"And yet," Madeleine said, as if answering a question, "there must be some one who thinks of us, and remembers us with kindness, giving him at least the benefit of a doubt; some one who talked to you of Max and told you the story of—of his so-called crime in such a way as not to fill your mind with horror."

"No one has told me the story yet," hesitated Virginia. "I have only heard hints. They said—the word—murder! But that is not the face of a murderer. How could any one believe it?"

"You don't know—the story?"

Virginia shook her head.

"When you know it, you will turn away from us, as every one else has."

"No—no! Be sure I will not."

"How can I be sure? Ah, almost all the solace of hope has gone now! You will hear the horrible details, and—that will be the end."

Virginia caught the slender, cold fingers that twisted together nervously. "Tell me yourself," she cried. "Tell me all—you, his sister. Then you will see how I shall bear it, and whether I shall fail you."

"I will!"

Madeleine Dalahaide's breath came unevenly. For a moment she could not speak. Then she began, her eyes not on Virginia, but on the portrait.

"There was a woman," she said in a low, choked voice. "She was an actress. Max was in love with her, or thought he was. She was handsome. I have seen her on the stage. Other men besides Max were mad about her. But she seemed to care for him. He wanted to marry her, and when father and mother didn't approve, he quarrelled with them, for the first time in his life. We had always been so happy before that—so united. Everything began to go wrong with my poor Max then. He played cards at his club, and lost a great deal of money. And as if that were not enough, father's losses came. He could do nothing for Max. Besides, the woman Max loved made him jealous. He suspected that she cared for somebody else. He told me that the last time I saw him before—the terrible thing happened. But he didn't tell the man's name. Perhaps he didn't know him. We had a long talk, for I had been his friend and confidante through all. I didn't want him to marry the woman; but even that would be better than to have him miserable, as he said he must be without her. And it was the next night that the murder was committed. But it was not known until the day after."

"Was it—the man of whom he was jealous who was murdered?"

"No, the woman, Liane Devereux. She had been shot—in the face. Oh, it was horrible! It is horrible now to talk to you of it. Her features were so destroyed that she could be recognized only by her hair, which was golden-red, and her figure—her beautiful figure which all the world admired so much. Even her hands—she must have held them up before her face, the poor creature, instinctively trying to save herself, to preserve her beauty, for they, too, were shattered. Her jewels were all gone, and she had had many jewels. Soon the police discovered that they had been pawned. And Max was accused of pawning them, to get money to pay gambling debts."

"How could they accuse him of that?"

"He really had pawned them, at her request. She wanted money, and would not listen to his objections to getting it in that way. He had pawned them on the day of the murder, and still had the tickets, which he had forgotten to enclose with the money for the jewels, when he sent it to Mademoiselle Devereux. She had asked him to pawn the things in his name, so that hers could be protected, and, of course, that went dreadfully against Max. He couldn't possibly prove, when the woman was dead, that he had pawned the jewels for her, because the money he had raised had disappeared. He would have taken it to her himself, but on returning to his own flat from the pawnbroker's he received a strange letter saying that she hated him, and never wished to see him again. It was all quite sudden, and Max was angry. Still, he might have gone, insisting that she should tell him what she meant by such a letter, but he had arranged a hurried journey to England. They arrested him on the way. He was going there in the hope of borrowing some money from his godfather, a cousin of ours, who had told Max that if at any time he should be in difficulties he must apply to him. But what proof had Max of his own intentions? Every one thought that he was escaping to England to hide himself, after having committed a cowardly murder.

"There were other bits of evidence against him, too; for instance, the revolver with which the woman was shot was his, with a silver monogram on it. Everybody—even the best of his friends—believed him guilty. And father—poor father!—but I can't talk about that part. It is too cruel. Oh, you are pale, and changed! I knew it would be so. You are like the rest. But how could I expect anything else when you have heard such a story? Everything against him—nothing in his favour. Even Max himself was dazed. Over and over again he said that he had no explanation to give of the mystery."

"There is only one explanation, since he was innocent—and I'm as sure of that as before," said Virginia firmly. "It was a diabolically clever plot, planned with fiendish ingenuity, to ruin your brother—all your family, perhaps."

"Hundreds of times I have thought of that," sighed Madeleine Dalahaide. "Many, many times I spoke of it to the man who defended Max at his trial. But there was no one it would be reasonable to suspect. We had absolutely no enemy. Max had none. Everybody adored him—in his happy days."

"The man whom Liane Devereux loved better than your brother?"

"Ah, but you must see, as the advocate saw, that if she loved the other better he had no motive either to kill the woman or ruin Max. Where there had been no injury, there need be no revenge. And if Max knew who the man was he never told his name."

"There was nobody—nobody who had a right to think himself injured by your brother, even long before?"

"Not by my brother, so far as we could find out. The theory of a plot was advanced, of course, and—and I clung to it; but it fell to the ground. There seemed nothing to support it."

"And yet, from the way you speak, I can't help thinking that you suspect some one."

"Oh, I! But I am only a woman. I was a very young girl then. Every one I spoke to—even Max—thought my idea a mad one, and said it would do our case far more harm than good to have it mentioned."

"Tell me, won't you, what it was?"

Madeleine hesitated. "I dare not," she answered. "My reason says that the thing is impossible. If I wrong the man, it would be shameful to create a prejudice in your mind against one, no doubt a stranger to you, but whom you might one day meet, and, meeting, remember my words. Besides, it can do no good to speak. It would be hopeless to prove anything against him, even if his hand had been in a plot."

"Yet you said that your brother had no enemy?"

"This man was my enemy. It had not always been so. Once we were friends. But—something happened, and afterward I think he hated me."

"Is it possible that you are speaking of the Marchese Loria?"

The question sprang from Virginia's lips before she had stopped to reflect whether it were wise to ask it, and she was terrified at the effect of her impulsive words.

Madeleine Dalahaide's pale, sad face became ashen, her great eyes dilated, and there was something of fear, perhaps even of distrust, in the look she turned upon Virginia.

"You know him?" she exclaimed, her voice suddenly sharp.

"Yes," admitted the American girl.

"Then I think that you and I cannot be friends."

"Not friends? But if I give up the Marchese Loria for you?"

"I do not ask or wish you to do that."

"If he is your enemy he shall not be my friend."

"I have not said he was my enemy."

"I have heard that he loved your brother dearly."

"Perhaps."

"And yesterday——"

"What of yesterday?"

"He was with us when we rode into the valley. He turned pale, and begged not to come, because the place, he said, was connected with a great sorrow in his life."

"He would not meet me face to face! Did he suggest that you should try to save my brother?"

"No, he did not speak his name before me. He does not know what is in my mind. No one knows yet but you. It was my cousin, Roger Broom, who met you long ago, and told me that the Marchese Loria had done much to save your brother's life."

"It may be that he did. I don't deny it. But if you are to be my friend I ask you this: say nothing of Maxime Dalahaide to Loria."

C. N. Williamson & A. N. Williamson: 30+ Murder Mysteries & Adventure Novels (Illustrated)

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