Читать книгу Hints to Pilgrims - Charles Brooks - Страница 3

IN this Christmas season, when snowflakes fill the air and twilight is the pleasant thief of day, I sometimes pause at the window of a toy-shop to see what manner of toys are offered to the children. It is only five o'clock and yet the sky is dark. The night has come to town to do its shopping before the stores are shut. The wind has Christmas errands.

And there is a throng of other shoppers. Fathers of families drip with packages and puff after street cars. Fat ladies – Now then, all together! – are hoisted up. Old ladies are caught in revolving doors. And the relatives of Santa Claus – surely no nearer than nephews (anæmic fellows in faded red coats and cotton beards) – pound their kettles for an offering toward a Christmas dinner for the poor.

But, also, little children flatten their noses on the window of the toy-shop. They point their thumbs through their woolly mittens in a sharp rivalry of choice. Their unspent nickels itch for large investment. Extravagant dimes bounce around their pockets. But their ears are cold, and they jiggle on one leg against a frosty toe.

Here in the toy-shop is a tin motor-car. Here is a railroad train, with tracks and curves and switches, a pasteboard mountain and a tunnel. Here is a steamboat. With a turning of a key it starts for Honolulu behind the sofa. The stormy Straits of Madagascar lie along the narrow hall. Here in the window, also, are beams and girders for a tower. Not since the days of Babel has such a vast supply been gathered. And there are battleships and swift destroyers and guns and armoured tanks. The nursery becomes a dangerous ocean, with submarines beneath the stairs: or it is the plain of Flanders and the great war echoes across the hearth. Château-Thierry is a pattern in the rug and the andirons are the towers of threatened Paris.

But on this Christmas night, as I stand before the toy-shop in the whirling storm, the wind brings me the laughter of far-off children. Time draws back its sober curtain. The snow of thirty winters is piled in my darkened memory, but I hear shrill voices across the night.

Once upon a time – in the days when noses and tables were almost on a level, and manhood had wavered from kilts to pants buttoning at the side – once there was a great chest which was lodged in a closet behind a sitting-room. It was from this closet that the shadows came at night, although at noon there was plainly a row of hooks with comfortable winter garments. And there were drawers and shelves to the ceiling where linen was kept, and a cupboard for cough-syrup and oily lotions for chapped hands. A fragrant paste, also, was spread on the tip of the little finger, which, when wiggled inside the nostril and inhaled, was good for wet feet and snuffles. Twice a year these bottles were smelled all round and half of them discarded. It was the ragman who bought them, a penny to the bottle. He coveted chiefly, however, lead and iron, and he thrilled to old piping as another man thrills to Brahms. He was a sly fellow and, unless Annie looked sharp, he put his knee against the scale.

But at the rear of the closet, beyond the lamplight, there was a chest where playing-blocks were kept. There were a dozen broken sets of various shapes and sizes – the deposit and remnant of many years.

These blocks had once been covered with letters and pictures. They had conspired to teach us. C had stood for cat. D announced a dog. Learning had put on, as it were, a sugar coat for pleasant swallowing. The arid heights teased us to mount by an easy slope. But we scraped away the letters and the pictures. Should a holiday, we thought, be ruined by insidious instruction? Must a teacher's wagging finger always come among us? It was sufficient that five blocks end to end made a railway car, with finger-blocks for platforms; that three blocks were an engine, with a block on top to be a smokestack. We had no toy mountain and pasteboard tunnel, as in the soft fashion of the present, but we jacked the rug with blocks up hill and down, and pushed our clanking trains through the hollow underneath. It was an added touch to build a castle on the summit. A spool on a finger-block was the Duke himself on horseback, hunting across his sloping acres.

There was, also, in the chest, a remnant of iron coal-cars with real wheels. Their use was too apparent. A best invention was to turn playthings from an obvious design. So we placed one of the coal-cars under the half of a folding checkerboard and by adding masts and turrets and spools for guns we built a battleship. This could be sailed all round the room, on smooth seas where the floor was bare, but it pitched and tossed upon a carpet. If it came to port battered by the storm, should it be condemned like a ship that is broken on a sunny river? Its plates and rivets had been tested in a tempest. It had skirted the headlands at the staircase and passed the windy Horn.

Or perhaps we built a fort upon the beach before the fire. It was a pretty warfare between ship and fort, with marbles used shot and shot in turn. A lucky marble toppled the checkerboard off its balance and wrecked the ship. The sailors, after scrambling in the water, put to shore on flat blocks from the boat deck and were held as prisoners until supper, in the dungeons of the fort. It was in the sitting-room that we played these games, under the family's feet. They moved above our sport like a race of tolerant giants; but when callers came, we were brushed to the rear of the house.

Spools were men. Thread was their short and subsidiary use. Their larger life was given to our armies. We had several hundred of them threaded on long strings on the closet-hooks. But if a great campaign was planned – if the Plains of Abraham were to be stormed or Cornwallis captured – our recruiting sergeants rummaged in the drawers of the sewing-machine for any spool that had escaped the draft. Or we peeked into mother's work-box, and if a spool was almost empty, we suddenly became anxious about our buttons. Sometimes, when a great spool was needed for a general, mother wound the thread upon a piece of cardboard. General Grant had carried black silk. Napoleon had been used on trouser-patches. And my grandmother and a half-dozen aunts and elder cousins did their bit and plied their needles for the war. In this regard grandfather was a slacker, but he directed the battle from the sofa with his crutch.

Toothpicks were guns. Every soldier had a gun. If he was hit by a marble in the battle and the toothpick remained in place, he was only wounded; but he was dead if the toothpick fell out. Of each two men wounded, by Hague Convention, one recovered for the next engagement.

Of course we had other toys. Lead soldiers in cocked hats came down the chimney and were marshaled in the Christmas dawn. A whole Continental Army lay in paper sheets, to be cut out with scissors. A steam engine with a coil of springs and key furnished several rainy holidays. A red wheel-barrow supplied a short fury of enjoyment. There were sleds and skates, and a printing press on which we printed the milkman's tickets. The memory still lingers that five cents, in those cheap days, bought a pint of cream. There was, also, a castle with a princess at a window. Was there no prince to climb her trellis and bear her off beneath the moon? It had happened so in Astolat. The princes of the gorgeous East had wooed, also, in such a fashion. Or perhaps this was the very castle that the wicked Kazrac lifted across the Chinese mountains in the night, cheating Aladdin of his bride. It was a rather clever idea, as things seem now in this time of general shortage, to steal a lady, house and all, not forgetting the cook and laundress. But one day a little girl with dark hair smiled at me from next door and gave me a Christmas cake, and in my dreams thereafter she became the princess in my castle.

We had stone blocks with arches and round columns that were too delicate for the hazard of siege and battle. Once, when a playmate had scarlet fever, we lent them to him for his convalescence. Afterwards, against contagion, we left them for a month under a bush in the side yard. Every afternoon we wet them with a garden hose. Did not Noah's flood purify the world? It would be a stout microbe, we thought, that could survive the deluge. At last we lifted out the blocks at arm's length. We smelled them for any lurking fever. They were damp to the nose and smelled like the cement under the back porch. But the contagion had vanished like Noah's wicked neighbors.

But store toys always broke. Wheels came off. Springs were snapped. Even the princess faded at her castle window.

Sometimes a toy, when it was broken, arrived at a larger usefulness. Although I would not willingly forget my velocipede in its first gay youth, my memory of sharpest pleasure reverts to its later days, when one of its rear wheels was gone. It had been jammed in an accident against the piano. It has escaped me whether the piano survived the jolt; but the velocipede was in ruins. When the wheel came off the brewery wagon before our house and the kegs rolled here and there, the wreckage was hardly so complete. Three spokes were broken and the hub was cracked. At first, it had seemed that the day of my velocipede was done. We laid it on its side and tied the hub with rags. It looked like a jaw with tooth-ache. Then we thought of the old baby-carriage in the storeroom. Perhaps a transfusion of wheels was possible. We conveyed upstairs a hammer and a saw. It was a wobbling and impossible experiment. But at the top of the house there was a kind of race-track around the four posts of the attic. With three wheels complete, we had been forced to ride with caution at the turns or be pitched against the sloping rafters. We now discovered that a missing wheel gave the necessary tilt for speed. I do not recall that the pedals worked. We legged it on both sides. Ten times around was a race; and the audience sat on the ladder to the roof and held a watch with a second-hand for records.

Ours was a roof that was flat in the center. On winter days, when snow would pack, we pelted the friendly milkman. Ours, also, was a cellar that was lost in darkened mazes. A blind area off the laundry, where the pantry had been built above, seemed to be the opening of a cavern. And we shuddered at the sights that must meet the candle of the furnaceman when he closed the draught at bedtime.

Abandoned furniture had uses beyond a first intention. A folding-bed of ours closed to about the shape of a piano. When the springs and mattress were removed it was a house with a window at the end where a wooden flap let down. Here sat the Prisoner of Chillon, with a clothes-line on his ankle. A pile of old furniture in the attic, covered with a cloth, became at twilight a range of mountains with a gloomy valley at the back. I still believe – for so does fancy wanton with my thoughts – that Aladdin's cave opens beneath those walnut bed-posts, that the cavern of jewels needs but a dusty search on hands and knees. The old house, alas, has come to foreign use. Does no one now climb the attic steps? Has time worn down the awful Caucasus? No longer is there children's laughter on the stairs. The echo of their feet sleeps at last in the common day.

Nor must furniture, of necessity, be discarded. We dived from the footboard of our bed into a surf of pillows. We climbed its headboard like a mast, and looked for pirates on the sea. A sewing-table with legs folded flat was a sled upon the stairs. Must I do more than hint that two bed-slats make a pair of stilts, and that one may tilt like King Arthur with the wash-poles? Or who shall fix a narrow use for the laundry tubs, or put a limit on the coal-hole? And step-ladders! There are persons who consider a step-ladder as a menial. This is an injustice to a giddy creature that needs but a holiday to show its metal. On Thursday afternoons, when the cook was out, you would never know it for the same thin creature that goes on work-days with a pail and cleans the windows. It is a tower, a shining lighthouse, a crowded grandstand, a circus, a ladder to the moon.

But perhaps, my dear young sir, you are so lucky as to possess a smaller and inferior brother who frets with ridicule. He is a toy to be desired above a red velocipede. I offer you a hint. Print upon a paper in bold, plain letters – sucking the lead for extra blackness – that he is afraid of the dark, that he likes the girls, that he is a butter-fingers at baseball and teacher's pet and otherwise contemptible. Paste the paper inside the glass of the bookcase, so that the insult shows. Then lock the door and hide the key. Let him gaze at this placard of his weakness during a rainy afternoon. But I caution you to secure the keys of all similar glass doors – of the china closet, of the other bookcase, of the knick-knack cabinet. Let him stew in his iniquity without chance of retaliation.

But perhaps, in general, your brother is inclined to imitate you and be a tardy pattern of your genius. He apes your fashion in suspenders, the tilt of your cap, your method in shinny. If you crouch in a barrel in hide-and-seek, he crowds in too. You wag your head from side to side on your bicycle in the manner of Zimmerman, the champion. Your brother wags his, too. You spit in your catcher's mit, like Kelly, the ten-thousand-dollar baseball beauty. Your brother spits in his mit, too. These things are unbearable. If you call him "sloppy" when his face is dirty, he merely passes you back the insult unchanged. If you call him "sloppy-two-times," still he has no invention. You are justified now to call him "nigger" and to cuff him to his place.

Tagging is his worst offense – tagging along behind when you are engaged on serious business. "Now then, sonny," you say, "run home. Get nurse to blow your nose." Or you bribe him with a penny to mind his business.

I must say a few words about paper-hangers, although they cannot be considered as toys or play – things by any rule of logic. There is something rather jolly about having a room papered. The removal of the pictures shows how the old paper looked before it faded. The furniture is pushed into an agreeable confusion in the hall. A rocker seems starting for the kitchen. The great couch goes out the window. A chair has climbed upon a table to look about. It needs but an alpenstock to clamber on the bookcase. The carpet marks the places where the piano legs came down.

And the paper-hanger is a rather jolly person. He sings and whistles in the empty room. He keeps to a tune, day after day, until you know it. He slaps his brush as if he liked his work. It is a sticky, splashing, sloshing slap. Not even a plasterer deals in more interesting material. And he settles down on you with ladders and planks as if a circus had moved in. After hours, when he is gone, you climb on his planking and cross Niagara, as it were, with a cane for balance. To this day I think of paper-hangers as a kindly race of men, who sing in echoing rooms and eat pie and pickles for their lunch. Except for their Adam's apples – got with gazing at the ceiling – surely not the wicked apple of the Garden – I would wish to be a paper-hanger.