Читать книгу The Key to Yesterday - Charles Buck - Страница 4

Steele himself had not been a failure at his art. There was in him no want of that sensitive temperament and dream-fire which gives the artist, like the prophet, a better sight and deeper appreciation than is accorded the generality. The only note missing was the necessity for hard application, which might have made him the master where he was satisfied to be the dilettante. The extreme cleverness of his brush had at the outset been his handicap, lulling the hard sincerity of effort with too facile results. Wealth, too, had drugged his energies, but had not crippled his abilities. If he drifted, it was because drifting in smooth seas is harmless and pleasant, not because he was unseaworthy or fearful of stormier conditions. In Saxon, he had not only recognized a greater genius, but found a friend, and with the insouciance of a graceful philosophy he reasoned it out to his own contentment. Each craft after its own uses! Saxon was meant for a greater commerce. His genius was intended to be an argosy, bearing rich cargo between the ports of the gods and those of men. If, in the fulfillment of that destiny, the shallop of his own lesser talent and influence might act as convoy and guide, luring the greater craft into wider voyaging, he would be satisfied. Just now, that guidance ought to be away from the Marston influence where lay ultimate danger and limitation. He was glad that where people discussed Frederick Marston they also discussed his foremost disciple. Marston himself had loomed large in the star-chart of painting only a dozen years ago, and was now the greatest of luminaries. His follower had been known less than half that long. If he were to surpass the man he was now content to follow, he must break away from Marston-worship and let his maturer efforts be his own – his ultimate style his own. Prophets and artists have from the beginning of time arisen from second place to a preëminent first – pupils have surpassed their teachers. He had hoped that these months in a new type of country and landscape would slowly, almost insensibly, wean Saxon away from the influence that had made his greatness and now in turn threatened to limit its scope.

The cabin to which he brought his guest was itself a reflection of Steele’s whim. Fashioned by its original and unimaginative builders only as a shelter, with no thought of appearances, it remained, with its dark logs and white “chinking,” a thing of picturesque beauty. Its generous stone chimneys and wide hearths were reminders of the ancient days. Across its shingled roof, the sunlight was spotted with shadows thrown down from beeches and oaks that had been old when the Indian held the country and the buffalo gathered at the salt licks. Vines of honeysuckle and morning-glory had partly preëmpted the walls. Inside was the odd mingling of artistic junk that characterizes the den of the painter.

Saxon’s enthusiasm had been growing that morning since the automobile had left the city behind and pointed its course toward the line of knobs. The twenty-mile run had been a panorama sparkling with the life of color, tempered with tones of richness and soft with haunting splendor. Forest trees, ancient as Druids, were playing at being young in the almost shrill greens of their leafage. There were youth and opulence in the way they filtered the sun through their gnarled branches with a splattering and splashing of golden light. Blossoming dogwood spread clusters of white amid endless shades and conditions of green, and, when the view was not focused into the thickness of woodland interiors, it offered leagues of yellow fields and tender meadows stretching off to soberer woods in the distance. Back of all that were the hills, going up from the joyous sparkle of the middle distance to veiled purple where they met the bluest of skies. Saxon’s fingers had been tingling for a brush to hold and his lids had been unconsciously dropping, that his eyes might appraise the colors in simplified tones and values.

At last, they had ensconced themselves, and a little later Saxon emerged from the cabin disreputably clad in a flannel shirt and briar-torn, paint-spotted trousers. In his teeth, he clamped a battered briar pipe, and in his hand he carried an equally battered sketching-easel and paint-box.

Steele, smoking a cigar in a hammock, looked up from an art journal at the sound of a footstep on the boards.

“Did you see this?” he inquired, holding out the magazine. “It would appear that your eccentric demi-god is painting in Southern Spain. He continues to remain the recluse, avoiding the public gaze. His genius seems to be of the shrinking type. Here’s his latest sensation as it looks to the camera.”

Saxon took the magazine, and studied the half-tone reproduction.

“His miracle is his color,” announced the first disciple, briefly. “The black and white gives no idea. As to his personality, it seems to be that of the poseur– almost of the snob. His very penchant for frequent wanderings incognito and revealing himself only through his work is in itself a bid for publicity. He arrogates to himself the attributes of traveling royalty. For my master as the man, I have small patience. It’s the same affectation that causes him to sign nothing. The arrogant confidence that no one can counterfeit his stroke, that signature is superfluous.”

Steele laughed.

“Why not show him that some one can do it?” he suggested. “Why not send over an unsigned canvas as a Marston, and drag him out of his hiding place to assert himself and denounce the impostor?”

“Let him have his vanities,” Saxon said, almost contemptuously. “So long as the world has his art, what does it matter?” He turned and stepped from the low porch, whistling as he went.

The stranger strolled along with a free stride and confident bearing, tempted by each vista, yet always lured on by other vistas beyond.

At last, he halted near a cluster of huge boulders. Below him, the creek reflected in rippled counterpart the shimmer of overhanging greenery. Out of a tangle of undergrowth beyond reared two slender poplars. The middle distance was bright with young barley, and in the background stretched the hills in misty purple.

There, he set up his easel, and, while his eyes wandered, his fingers were selecting the color tubes with the deft accuracy of the pianist’s touch on the keys.

For a time, he saw only the thing he was to paint; then, there rose before his eyes the face of a girl, and beyond it the sinister visage of the South American. His brow darkened. Always, there had lurked in the background of his thoughts a specter, some Nemesis who might at any moment come forward, bearing black reminders – possible accusations. At last, it seemed the specter had come out of the shadow, and taken the center of the stage, and in the spotlight he wore the features of Señor Ribero. He had intended questioning Ribero, but had hesitated. The thing had been sudden, and it is humiliating to go to a man one has never met before to learn something of one’s self, when that man has assumed an attitude almost brutally hostile from the outset. The method must first be considered, and, when early that morning he had inquired about the diplomat, it had been to learn that a night train had taken the man to his legation in Washington. He must give the problem in its new guise reflection, and, meanwhile, he must live in the shadow of its possible tragedy.

There was no element of the coward’s procrastination in Saxon’s thoughts. Even his own speculation as to what the other man might have been, had never suggested the possibility that he was a craven.

He held up his hand, and studied the scar. The bared forearm, under the uprolled sleeve, was as brown and steady as a sculptor’s work in bronze.

Suddenly, he heard a laugh at his back, a tuneful laugh like a trill struck from a xylophone, and came to his feet with a realization of a blue gingham dress, a girlish figure, a sunbonnet and a huge cluster of dogwood blossoms. The sunbonnet and dogwood branches seemed conspiring to hide all the face except the violet eyes that looked out from them. Near by stood a fox terrier, silently and alertly regarding him, its head cocked jauntily to the side.

But, even before she had lowered the dogwood blossoms enough to reveal her face, the lancelike uprightness of her carriage brought recognition and astonishment.

“Do you mind my staring at you?” she demanded, innocently. “Isn’t turn-about fair play?”

“But, Miss Filson,” he stammered, “I – I thought you lived in town!”

“Then, George didn’t tell you that we were to be the closest sort of neighbors?” The merriment of her laugh was spontaneous. She did not confide to Saxon just why Steele’s silence struck her as highly humorous. She knew, however, that the place had originally recommended itself to its purchaser by reason of just that exact circumstance – its proximity.

The man took a hasty step forward, and spoke with the brusqueness of a cross-examiner:

“No. Why didn’t he tell me? He should have told me! He – ” He halted abruptly, conscious that his manner was one of resentment for being led, unwarned, into displeasing surroundings, which was not at all what he meant. Then, as the radiant smile on the girl’s face – the smile such as a very little girl might have worn in the delight of perpetrating an innocent surprise – suddenly faded into a pained wonderment, he realized the depth of his crudeness. Of course, she could not know that he had come there to run away, to seek asylum. She could not guess, that, in the isolation of such a life as his uncertainty entailed, associates like herself were the most hazardous; that, because she seemed to him altogether wonderful, he distrusted his power to quarantine his heart against her artless magnetism. As he stood abashed at his own crassness, he wanted to tell her that he developed these crude strains only when he was thrown into touch with so fine grained a nature as her own; that it was the very sense of his own pariah-like circumstance. Then, before she had time to speak, came a swift artistic leaping at his heart. He should have known that she would be here! It was her rightful environment! She belonged as inherently under blossoming dogwood branches as the stars belong beyond the taint of earth-smoke. She was a dryad, and these were her woods. After all, how could it matter? He had run away bravely. Now, she was here also, and the burden of responsibility might rest on the woodsprites or the gods or his horoscope or wherever it belonged. As for himself, he would enjoy the present. The future was with destiny. Of course, friendship is safe so long as love is barred, and of course it would be only friendship! Does the sun shine anywhere on trellised vines with a more golden light than where the slopes of Vesuvius bask just below the smoking sands? He, too, would enjoy the radiance, and risk the crater.

She stood, not angry, but a trifle bewildered, a trifle proud in her attitude of uptilted chin. In all her little autocratic world, her gracious friendliness had never before met anything so like rebuff.

Then, having resolved, the man felt an almost boyish reaction to light-hearted gayety. It was much the same gay abandonment that comes to a man who, having faced ruin until his heart and brain are sick, suddenly decides to squander in extravagant and riotous pleasure the few dollars left in his pocket.

“Of course, George should have told me,” he declared. “Why, Miss Filson, I come from the world where things are commonplace, and here it all seems a sequence of wonders: this glorious country, the miracle of meeting you again – after – ” he paused, then smilingly added – “after Babylon and Macedonia.”

“From the way you greeted me,” she naïvely observed, “one might have fancied that you’d been running away ever since we parted in Babylon and Macedon. You must be very tired.”

“I am afraid of you,” he avowed.

She laughed.

“I know you are a woman-hater. But I was a boy myself until I was seventeen. I’ve never quite got used to being a woman, so you needn’t mind.”

“Miss Filson,” he hazarded gravely, “when I saw you yesterday, I wanted to be friends with you so much that – that I ran away. Some day, I’ll tell you why.”

For a moment, she looked at him with a puzzled interest. The light of a smile dies slowly from most faces. It went out of his eyes as suddenly as an electric bulb switched off, leaving the features those of a much older man. She caught the look, and in her wisdom said nothing – but wondered what he meant.

Her eyes fell on the empty canvas. “How did you happen to begin art?” she inquired. “Did you always feel it calling you?”

He shook his head, then the smile came back.

“A freezing cow started me,” he announced.

“A what?” Her eyes were once more puzzled.

“You see,” he elucidated, “I was a cow-puncher in Montana, without money. One winter, the snow covered the prairies so long that the cattle were starving at their grazing places. Usually, the breeze from the Japanese current blows off the snow from time to time, and we can graze the steers all winter on the range. This time, the Japanese current seemed to have been switched off, and they were dying on the snow-bound pastures.”

“Yes,” she prompted. “But how did that – ?”

“You see,” he went on, “the boss wrote from Helena to know how things were going. I drew a picture of a freezing, starving cow, and wrote back, ‘This is how.’ The boss showed that picture around, and some folk thought it bore so much family resemblance to a starving cow that on the strength of it they gambled on me. They staked me to an education in illustrating and painting.”

“And you made good!” she concluded, enthusiastically.

“I hope to make good,” he smiled.

After a pause, she said:

“If you were not busy, I’d guide you to some places along the creek where there are wonderful things to see.”

The man reached for his discarded hat.

“Take me there,” he begged.

“Where?” she demanded. “I spoke of several places.”

“To any of them,” he promptly replied; “better yet, to all of them.”

She shook her head dubiously.

“I ought not to begin as an interruption,” she demurred.

“On the contrary,” he argued confidently, “the good general first acquaints himself with his field.”

An hour later, standing at a gap in a tangle of briar, where the paw-paw trees grew thick, he watched her crossing the meadow toward the roof of her house which topped the foliage not far away. Then, he held up his right hand, and scrutinized the scar, almost invisible under the tan. It seemed to him to grow larger as he looked.