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III.—MORTIFICATIONS OF AN AUTHOR

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If you have a son or daughter inclinable to the folly of Authorship, pray warn them by my example of the mortifications which are the constant attendants upon it. I do not advert to the trite instances of unfair and malignant reviewing, though that is not nothing—but to the mortifications they may expect from their friends and common acquaintance. I have been a dabler this way, and cannot resist flinging out my thoughts occasionally in periodical publications. I was the chief support of the * * * * * * * * * Magazine while it lasted, under the signature of Olindo. All my friends guessed, or rather knew, who Olindo was; but I never knew one who did not take a pleasure in affecting to be ignorant of it. One would ask me, whether I had read that clever article in the * * * * * * * * * Magazine of this month (and here I began to prick up my ears) signed "Zekiel Homespun."—(Then my ears would flap down again.)—Another would praise the verses of "X. Y. Z.;" a third stood up for the "Gipsy Stranger;" a long rambling tale in prose, with all the lengthiness, and none of the fine-heartedness and gush of soul of A——n C——m to recommend it. But never in a single instance was Olindo ever hinted at. I have sifted, I have pumped them (as the vulgar phrase is) till my heart ached, to extort a pittance of acknowledgment. I have descended to arts below any animal but an Author, who is veritably the meanest of Heaven's creatures, and my vanity has returned upon myself ungratified, to choke me. When I could bear their silence no longer and have ventured to ask them how they liked "such a Paper;" a cold, "O! was that yours?" is the utmost I ever obtained from them. A fellow sits at my desk this morning, spelling The New Times over from head to tail, and I know that he will purposely skip over this article, because he suspects me to be Lepus. So confident am I of this, and of his deliberate purpose to torment me, that I have a great mind to give you his character—knowing that he will not read it—but I forbear him at present. They have two ways of doing it. "The * * * * * * * * * Magazine is very sprightly this month, Anticlericus has some good hits, the Old Baker is capital," and so forth. Or the same Magazine is "unusually dull this month," especially when Olindo happens to have an article better or longer than usual. I publish a book now and then. In the very nick of its novelty, the honey moon, as it were—when with pride I have placed my bantling on my own shelves in company with its betters, a friend will drop in, and ask me if I have anything new; then, carefully eluding mine, he will take down The Angel of the World, or Barry Cornwall, and beg me to lend it him. "He is particularly careful of new books." But he never borrows me. To one Lady I lent a little Novel of mine, a thing of about two hours' reading at most, and she returned it after five weeks' keeping, with an apology that she had "so small time for reading." I found it doubled down at the last leaf but one—just at the crisis of what I conceived to be a very affecting catastrophe. O if you write, dear Reader, keep the secret inviolable from your most familiar friends. Do not let your own father, brother, or your uncle, know it: not even your wife. I know a Lady who prides herself upon "not reading any of her husband's publications," though she swallows all the trash she can pick up besides; and yet her husband in the world's eye is a very respectable author, and has written some Novels in particular that are in high estimation. Write—and all your friends will hate you—all will suspect you. Are you happy in drawing a character? Shew it not for yours. Not one of your acquaintance but will surmise that you meant him or her—no matter how discordant from their own. Let it be diametrically different, their fancy will extract from it some lines of a likeness. I lost a friend—a most valuable one, by shewing him a whimsical draught of a miser. He himself is remarkable for generosity, even to carelessness in money matters; but there was an expression in it, out of Juvenal, about an attic—a place where pigeons are fed; and my friend kept pigeons. All the waters in the Danube cannot wash it out of his pate to this day, but that in my miser I was making reflections upon him. To conclude, no creature is so craving after applause, and so starved and famished for it, as an author: none so pitiful, and so little pitied. He sets himself up prima facie as something different from his brethren, and they never forgive him. 'Tis the fable of the little birds hooting at the bird of Pallas.

Lepus.

The Collected Works of Charles Lamb and Mary Lamb

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