Читать книгу Dora Thorne - Charlotte M. Brame - Страница 11

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In a small, pretty villa, on the banks of the Arno, Ronald Earle established himself with his young wife. He had gone direct to Eastham, after leaving Earlescourt, his heart aching with sorrow for home and all that he had left there, and beating high with joy at the thought that now nothing stood between him and Dora. He told her of the quarrel—of his father's stern words—and Dora, as he had foreseen clung round his neck and wept.

She would love him all the more, she said. She must love him enough to make up for home and every one else.

Yet, strange to say, when Ronald told his pretty, weeping wife all that happened, he made no mention of Valentine Charteris—he did not even utter her name.

Ronald's arrangements were soon made. He sent for Stephen Thorne and his wife, and told them how and when he had married Dora.

"I am sorry for it," said Stephen. "No good will ever come of such an unequal match. My girl had better have stayed at home, or married the young farmer who loved her. The distance between you is too great, Mr. Earle, and I fear me you will find it out."

Ronald laughed at the idea that he should ever tire of Dora. How little these prosaic, commonplace people knew of love!

The good lodge keeper and his wife parted from Dora with many tears. She was never to brighten their home again with her sweet face and gay voice. She was going away to strange lands over the sea. Many dark forebodings haunted them; but it was too late for advice and interference now.

The first news that came to the villa on the banks of the Arno was that Stephen Thorne and his wife had left the lodge and taken a small farm somewhere in the county of Kent. Lady Earle had found them the means, and they had left without one word from Lord Earle. He never asked whither they had gone.

Despite his father's anger and his mother's sorrow, despite his poverty and loss of position, Ronald for some months was very happy with his young wife. It was so pleasant to teach Dora, to watch her sweet, dimpled face and the dark eyes grow large with wonder; to hear her simple, naive remarks, her original ideas; to see her pretty, artless ways; above all, it was pleasant to be so dearly loved.

He often thought that there never had been, never could be, a wife so loving as Dora. He could not teach her much, although he tried hard. She sang simple little ballads sweetly and clearly; but although master after master tried his best, she could never be taught to play—not even as much as the easy accompaniments of her own songs. Ronald hoped that with time and attention she would be able to sketch, but Dora never managed it. Obediently enough she took pencil and paper in her hands and tried, but the strokes would never come straight. Sometimes the drawing she made would resemble something so comical that both she and Ronald laughed heartily; while the consciousness of her own inferiority grieved her, and large, bright tears would frequently fall upon the paper. Then Ronald would take the pencils away, and Dora would cling around his neck and ask him if he would not have been happier with a cleverer wife.

"No, a thousand times, no," he would say; he loved Dora better in her artless simplicity than he could have loved the cleverest woman in the world.

"And you are quite sure," said Dora, "that you will never repent marrying me?"

"No, again," was the reply. "You are the crowning joy of my life."

It was pleasant to sit amid the oleanders and myrtles, reading the great poems of the world to Dora. Even if she did not understand them, her face lighted with pleasure as the grand words came from Ronald's lips. It was pleasant, too, to sit on the banks of the Arno, watching the blue waters gleaming in the sun. Dora was at home there. She would say little of books, of pictures, or music; but she could talk of beautiful Nature, and never tire. She knew the changing colors of the sky, the varied hues of the waves, the different voices of the wind, the songs of the birds. All these had a separate and distinct meaning for her.

Ronald could not teach her much more. She liked the beautiful poems he read, but never could remember who had written them. She forgot the names of great authors, or mixed them up so terribly that Ronald, in despair, told her it would be better not to talk of books just yet—not until she was more familiar with them.

But he soon found out that Dora could not read for many minutes together. She would open her book, and make a desperate attempt; then her dark eyes would wander away to the distant mountains, or to the glistening river. She could never read while the sun shone or the birds sang.

Seeing that, Ronald gave up all attempts at literature in the daytime; when the lamps were lighted in the evening, and the fair face of Nature was shut out, he tried again, and succeeded for ten minutes; then Dora's eyes drooped, the white lids with their jetty fringe closed; and with great dismay he found that over the masterpieces of the world Dora had fallen asleep.

Two long, bright years had passed away before Ronald began to perceive that he could educate his pretty young wife no further. She was a strange mixture of ignorance and uncultivated poetry. She could speak well; her voice was sweet, her accent, caught from him, good; alone he never noticed any deficiencies, but if he met an English friend in Florence and brought him home to dine, then Ronald began to wish that Dora would leave off blushing and grow less shy, that she could talk a little more, and that he might lose all fear of her making some terrible blunder.

The third year of their married life dawned; Dora was just twenty, and Ronald twenty-three. There had been no rejoicing when he had attained his majority; it passed over unnoticed and unmarked. News came to them from England, letters from the little farm in Kent, telling of simple home intelligence, and letters from Lady Earle, always sad and stained with tears. She had no good news to tell them. Lord Earle was well, but he would never allow his son's name to be mentioned before him, and she longed to see her son. In all her letters Lady Earle said: "Give my love to Dora."

In this, the third year of his married life, Ronald began to feel the pressure of poverty. His income was not more than three hundred a year. To Dora this seemed boundless riches; but the heir of Earlescourt had spent more in dress and cigars. Now debts began to press upon him, writing home he knew was useless. He would not ask Lady Earle, although he knew that she would have parted with the last jewel in her case for him.

Ronald gave himself up to the study of painting. A pretty little studio was built, and Dora spent long hours in admiring both her husband and his work. He gave promise of being some day a good artist—not a genius. The world would never rave about his pictures; but, in time, he would be a conscientious, painstaking artist. Among his small coterie of friends some approved, others laughed.

"Why not go to the Jews?" asked fashionable young men. "Earlescourt must be yours some day. You can borrow money if you like."

Ronald steadily refused to entertain the idea. He wondered at modern ideas of honor—that men saw no shame in borrowing upon the lives of their nearest and dearest, yet thought it a disgrace to be a follower of one of the grandest of arts. He made one compromise—that was for his father's sake. As an artist, he was known by Dora's name of Thorne, and, before long, Ronald Thorne's pictures were in great request. There was no dash of genius about them; but they were careful studies. Some few were sold, and the price realized proved no unwelcome addition to a small income.

Ronald became known in Florence. People who had not thought much of Mr. Earle were eager to know the clever artist and his pretty, shy wife. Then the trial of Ronald Earle began in earnest. Had he lived always away from the world, out of society, the chances are that his fate would have been different; but invitations began to pour in upon him and Dora, and Ronald, half tired of his solitude, although he never suspected it, accepted them eagerly.

Dora did not like the change; she felt lonely and lost where Ronald was so popular and so much at home.

Among those who eagerly sought Ronald's society was the pretty coquette, the Countess Rosali, an English lady who had married the Count Rosali, a Florentine noble of great wealth.

No one in Florence was half so popular as the fair countess. Among the dark, glowing beauties of sunny Italy she was like a bright sunbeam. Her fair, piquant face was charming from its delicate bright coloring and gay smiles; her hair, of the rare color painted by the old masters, yet so seldom seen, was of pure golden hue, looking always as though the sun shone upon it.

Countess Rosali, there was no denying the fact, certainly did enjoy a little flirtation. Her grave, serious husband knew it, and looked on quite calmly. To his grave mind the pretty countess resembled a butterfly far more than a rational being. He knew that, though she might laugh and talk to others, though she might seek admiration and enjoy delicate flattery, yet in her heart she was true as steel. She loved bright colors, and everything else that was gay and brilliant. She had gathered the roses; perhaps some one else had her share of thorns.

The fair, dainty lady had a great desire to see Mr. Thorne. She had seen one of his pictures at the house of one of her friends a simple little thing, but it had charmed her. It was merely a bouquet of English wild flowers; but then they were so naturally painted! The bluebells looked as though they had just been gathered. One almost fancied dew drops on the delicate wild roses; a spray of pink hawthorn, daisies and golden buttercups mingled with woodbine and meadow-sweet, told sweet stories of the English meadows.

"Whoever painted that," said the fair countess, "loves flowers, and knows what English flowers mean."

The countess did not rest until Ronald had been introduced to her, and then she would know his wife. Her grave, silent husband smiled at her evident admiration of the handsome young Englishman. She liked his clear, Saxon face and fair hair; she liked his simple, kindly manner, so full of chivalry and truth. She liked pretty Dora, too; but there were times when the dainty, fastidious countess looked at the young wife in wonder, for, as she said one evening to her husband:

"There is something in Mrs. Thorne that puzzles me—she does not always speak or look like a lady—"

Few days passed without bringing Ronald and Dora to the Villa Rosali. It would have been better for Ronald had he never left his pretty home on the banks of the Arno.