Читать книгу The Crystal Button - Chauncey Thomas - Страница 14

CHAPTER VII.—The Tower of Peace and Good-Will.

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"What a magnificent square!" said Paul, as they now entered the same one he remembered crossing in the morning, and he again looked up the eight radiating avenues, between which and fronting upon the square stood various buildings of surprising magnitude and architectural beauty, far surpassing anything he had ever dreamed of. In the centre of the square was a monumental column, and in response to his questioning look, as he viewed its vast proportions and exquisite variety and harmony of decoration, his companion said: "Yes, this is now counted as one of the wonders of the world, and it is unsurpassed in beauty by any similar structure. It is called the Tower of Peace and Goodwill, and was built to commemorate the accomplishment of universal peace among the nations. Its design, as you will perceive upon studying it, is singularly appropriate in every detail to the symbolism which the great artist-architect had in mind. The base is a grand triumphal arch, which, even without the lofty column that surmounts it, would be an imposing object. Grouped around this base are bronze figures of horsemen confronting each other in deadly strife, while between them, and forcibly parting them, stand armed giants. This is intended to symbolize the power of the new civilization to control the spirits of hatred, that would otherwise inspire dissension, strife, warfare."

"I understand."

"On the lower portion of the outer wall, above the plinth, you will observe a series of bronze tablets in bas-relief. These include historical representations of all modes of warfare practiced by the ancients, and clearly show its savage character and terrible destructiveness. Above those is a contrasting series of tablets illustrating the conquests and glories of peace; and over the grand arch is the rising sun, typifying the dawn of peace. Rejoicing in its rays, on either side, are great armies who no longer display implements of bloodshed, but banners bearing emblems and mottoes of good-will. And see! over all, and in letters that can be read by all--by even you, for they are the letters in which your Old English was written, is inscribed the glorious phrase:--'On Earth Peace: Good-Will towards Men.'

"In your day you often repeated that same phrase, but it then had no meaning. Your choirs sang it, but the words were drowned by the trample of armies that then made the world an armed camp. Was it not so?"

"I confess it."

"The inscriptions you see on panels let into the upper portion of the wall are words of wisdom spoken by men of all the ages who were in any way instrumental in ushering in the reign of peace, and whose names follow the texts. Among them you will recognize that of Washington, who helped give a death-blow to kingly usurpation, and Lincoln, who aimed a similar blow at one of the primitive forms of human slavery. Those of the great social reformers, that then follow, are of course not known to you. And now, if you please, we will ascend the shaft."

Thus speaking, they passed through the main arch, and entered an inner door leading to a broad, winding passage, having no steps, by which they easily passed to the top of the grand Arch of Triumph and stood among the art-wonders of the level summit.

"Now," said the Professor, "let us take things in order, and we shall soon obtain a general impression of this masterpiece, although a score of visits may be made without exhausting interest in its countless details. Here, at the four corners, you see bronze groups of domestic animals, some standing and some reclining in peaceful attitudes under graceful foliage; and directly over the four arches are colossal statues of four noted men,--I presume you would have called them social reformers,--who would be but names to you if I should mention them now, but you will know and honor them later."

"The labor question--is it yet settled?"

"Oh, centuries ago. There could be no thought of peace until that problem was solved."

"And was it peacefully solved?"

"Yes and no. It was the momentous question in your day. You must remember the continual strife that grew out of it. Like all great issues, it finally forced itself to the front, challenged attention, and compelled action from the best minds, and then gradually wrought out its own salvation as society became organized on a wiser and truer basis. Honesty and justice were the only elements lacking in your day for its peaceful solution. As soon as these forces took the field, the field was won."

"Above us still rises the tower."

"Yes, and all other parts of the structure are but accessories to this. You will see that the shaft of the column is surrounded by a spiral gallery, which winds about it from base to summit. This gallery is supported by a continuous colonnade; and this, together with a beautiful balustrade below, a series of arches springing from the columns, and a belt of exquisite tracery above, forms a shell to the central shaft and gives the outline of the tower as seen from a distance. Within this ascending gallery, on the side next the shaft, is the passageway; and on the outside, next the colonnade, is a grand procession of marble figures, all carrying offerings to lay at the feet of Peace, who sits enthroned on the summit. Here are herdsmen with cattle, shepherds with flocks, ploughmen with teams, wagons loaded with the products of the field, the locomotive driver, fishermen with their nets, and sailors with the tiller in hand. Here are artisans with emblems of their calling, scientists with their inventions, authors with their books, orators, actors, painters, sculptors, architects, musicians,--every phase of effort is represented that in any way contributes to the necessities, comforts, or pleasures of life. Each figure in this vast collection is the work of some noted artist, and it has been an object of the highest ambition on the part of our sculptors to secure a place for their works in this collection. If you like, you can easily glance at all by entering this slowly moving elevator; or are you likely to be fatigued by the trip?"

"Even if I were, I should not know it, for my entire attention is absorbed in wonder and admiration for these marvelous works about me."

Stepping upon the moving platform, they then leisurely surveyed the vast procession that seemed moving with them to the summit, where, at a windy elevation that was at first somewhat trying to his nerves, Paul grasped the railing that surrounded the throne of Peace, and looked down upon the outspread city.

"Well, here we are," said the Professor, again assuming the office of guide. "Here Peace reigns triumphant, upheld, as you see, on a hemisphere representing the earth, with her right hand supporting a staff topped by a crystal globe, the emblem of Truth, and her left hand resting upon a disc-like ring, signifying Unity, around whose edges are inscribed the names of all the nations that subscribed to the Act of Universal Peace. Around her stand figures representing Justice, Order, Industry, and Plenty; and, emerging from the winding gallery and surrounding the throne, are figures of children, bearing their offerings of flowers and fruit, who form the advance guard of the long procession we have followed from below."

"Professor, the display of beautiful objects gracing this monument fills me with wonder that I will not try to express. Why, they are scattered with a lavishness that one expects to find only in dreamland. I have a half-feeling as if I might now be treading the summit of an air-castle, and as if a sudden stream of moonlight might awaken me to the dim realities of night. But if that be so, then let me dream on forever, for the world in which I have been accustomed to live boasts no such spectacles as this."

The Crystal Button

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