Bob Marley: The Untold Story

Bob Marley: The Untold Story
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What was it about Bob Marley that made him so popular in a world dominated by rock’n’roll?How is that he has not only remained the single most successful reggae artist ever, but has also become a shining beacon of radicalism and peace to generation after generation of fans across the globe?On May 11, 1981, a little after 11.30 in the morning, Bob Marley died. The man who introduced reggae to a worldwide audience, in his own lifetime he had already become a hero figure in the classic mythological sense. From immensely humble beginnings and with talent and religious belief his only weapons, the Jamaican recording artist applied himself with unstinting perseverance to spreading his prophetic musical message.And he had achieved it: only a year earlier, Bob Marley and The Wailers' tour of Europe had seen them perform to the largest audiences a musical act had up to that point experienced. Record sales of Marley's albums before his death were spectacular; in the years since his death they have become phenomenal, as each new generation discovers afresh the remarkable power of his music.Chris Salewicz, who had a sequence of adventures with Bob Marley in Jamaica in 1979, offers us a comprehensive and detailed account of Bob Marley's life and the world in which he grew up and came to dominate. Never-before-heard interviews with dozens of people who knew Marley are woven through a narrative that brings to life not only the Rastafari religion and the musical scene in Jamaica, but also the spirit of the man himself.

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Chris Salewicz. Bob Marley: The Untold Story

Dedication

Contents

Map

Introduction

JAMAICA

NATURAL MYSTIC

KINGSTON

TRENCH TOWN ROCK

NICE TIME

DUPPY CONQUEROR

THE ROD OF CORRECTION

CATCH A FIRE

NATTY DREAD

RASTAMAN VIBRATION

EXODUS

PEACE CONCERT

UPRISING

ZIMBABWE

LEGEND

Plates

Sources

Index

Acknowledgements

Other Works

Praise for Chris Salewicz’s Redemption Song

Copyright

About the Publisher

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BOB MARLEY THE UNTOLD STORY

CHRIS SALEWICZ

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Unlike the more humble Bunny, this tall, gangly and arrogant youth was older than Bob. He had been born Winston Hubert McIntosh on 19 October 1944 in the west of Jamaica, in the coastal hamlet of Bluefields, Westmoreland, to Alvera Coke and James McIntosh. His father had left his mother soon after the child was born. Taken into the care of an aunt, the first sixteen years of his life had been spent first in the pleasant coastal town of Savanna-la-Mar and then the rough section of west Kingston called Denham Town. In 1956, after his aunt died, he moved in with an uncle who lived in Trench Town. Lonely and isolated, the boy was consumed with an urgent need to make it as a musician. Unlike Bob and Bunny, however, whose guitar-playing had only developed perfunctorily as they concentrated on their vocal skills, Peter McIntosh was a competent guitarist, owning his own cheap acoustic model. As a boy he had piano lessons for two years, until his mother could no longer afford them.

Nesta and Bunny first encountered Peter when they literally walked into him as he rounded a Trench Town corner while he was playing his guitar and singing. Peter was especially fond of Stan Jones’s much covered country-cowboy song ‘(Ghost) Riders in the Sky’, with its ‘yippey yi-yay’ chorus, a simultaneous hit in 1949 for three separate artists, Burl Ives, Bing Crosby, and Vaughn Monroe – apocryphally, it was ‘(Ghost) Riders in the Sky’ he was singing when he bumped into Nesta and Bunny. Falling into conversation with this relative newcomer to the area, they learned that Peter already had plenty of songs he had written: he had decided much earlier that his course of life would be as a singer. Peter had learned to play the guitar by observing a bushman in Savanna-la-Mar, who would play his instrument by the roadside or on the seashore. Every day, Peter would study the man’s hands and watch where he placed them. After some time, he asked the bushman to hand him the guitar. He proceeded to perform a perfect rendition of a song the man had himself been playing. ‘Who taught you to play like that?’ asked the bushman. ‘You did,’ replied Peter. It was the older boy’s skill on the instrument that inspired Nesta to pay serious attention to mastering the guitar. After a while he was thwarted in any further progress. Peter’s battered instrument simply fell to pieces.

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