Читать книгу Drones, Baby, Drones - Christina Lamb - Страница 3
ОглавлениеAnne Adams Maxine & Shauna
London theatre includes: Burning Bridges (Theatre 503). Chicago theatre includes: The Old Masters, Cherry Orchard (Steppenwolf Theatre Company); Mauritius (Northlight Theatre); Orange Lemon Egg Canary (Uma Productions); This Is Our Youth, Life and Limb, Imagining Brad (Pine Box Theatre). Anne can be seen in Braden LuBell’s web series Quick & Dirty, as well as upcoming feature films Samuel Street directed by Aliakbar Campwala and 55 Steps directed by Bille August. Also a writer, her play Strange Country was the inaugural recipient of New Light Theater Project’s New Light New Voices Award, and was produced this past July in NYC.
Joseph Balderamma Jay & Ramon
Joseph trained at LAMDA, was a member of NYT and studied History at the University of Glasgow. Theatre includes: Labyrinth (Hampstead); The White House Murder Case (Orange Tree); The Miser (Royal Exchange); Wet Weather Cover (King’s Head/West End); No Such Cold Thing (Tricycle); The Accidental Death of an Anarchist (Colchester); Hamlet, Arabian Nights, The Merchant of Venice (Creation), Cinderella is Not Enough, Biloxi Blues (CPP), Romeo and Juliet (ETT Tour/Hong Kong). Television includes: Benidorm; Capital; I Live With Models; Not Going Out; The Armada: 12 Days To Save England; Borgia; Episodes; Schizo Samurai Shitzu; Canoe Man; Holby City; Bremner, Bird and Fortune; The Omid Djalili Show; The Bill; The Vice; The Robinsons. Film includes: Tad Jones: The Hero Returns; Spectre; Meet The Firm: Revenge In Rio; Jack and Jill; The Nutcracker: The Untold Story. Radio includes: The Clinton’s, Prayers For The Stolen, The Weapon, The Old Man and The Sea; We Are Water (BBC). As a regular voice artist, Joseph has recorded numerous voice overs, commercials and audio books and is the voice of regular character Cotter in the video game version of Game of Thrones.
Sam Dale General Ben Crow & Clive Stafford-Smith
Sam trained at Central School of Speech & Drama. Theatre includes: Comedians (Wyndham’s/UK tour); Dancing at Lughnasa (Garrick/UK & Ireland tour); A Handful of Dust for Shared Experience (Lyric/Riverside/UK tour); Gaslight (Theatr Clwyd); The Possessed (Almeida/Théâtre de L’Europe);Julius Caesar (Birmingham Rep); Hamlet (AFTLS US tour); The Beaux’ Stratagem (Stephen Joseph Theatre, Scarborough); Says I Says He (Sheffield Crucible/Mickery Theatre, Amsterdam). Television includes: Chips With Everything; Rock Follies (Series 2);Harry’s Game; Catchpenny Twist; The Government Inspector; All Creatures Great and Small. Film includes: Brothers and Sisters; Animal Shadows. Radio includes: Sam has done a multitude of radio dramas, readings and live broadcasts, both for the BBC and for various independent companies. He has been a member of the BBC Radio Drama Company on three occasions.
Raj Ghatak Captain Mario Garcia
Theatre includes: Hector (ATG); The Low Road, The Spiral, Free Outgoing, Shades/Unheard Voices (Royal Court); The Bad, Sad and Broken Hearted, Soho Cinders (Soho Theatre); Golgotha (Conspirators Kitchen/Tristan Bates); Bombay Dreams (West End); The Great Extension, High Heel Parrotfish and Airport 2000 (Theatre Royal Stratford East). Television includes: Eastenders; Taboo; Dead Set; The 7.39; Sinchronicity. Film includes: Mrs Brown’s Boys D’Movie; Starter for 10; Defrosted; Diary of a Thagee.
Tom McKay Doug & Pete
Tom trained at LAMDA. Theatre includes: Dedication (Nuffield); Julius Caesar (The Globe); The Great Game (Tricycle/US tour/Public Theatre NYC); Greta Garbo Came to Donegal (Tricycle); Frost Nixon (Donmar Warehouse/West End); Rough Cuts (Royal Court); On The Third Day (West End); Gladiator Games (Sheffield Crucible/Theatre Royal Stratford East); Macbeth (Almeida); The Arab Israeli Cookbook (Gate);Romeo & Juliet (Theatre Royal Bath); Henry V (National Theatre); Simplicity (Orange Tree); Elizabeth Rex (Birmingham Rep); Mother Clap’s Molly House (Aldwych Theatre/National Theatre); Macbeth, Lord of the Flies (RSC). Film includes: The Harrow; Kill Command; Wrong Turn 3; Clubbed; The Feral Generation; Imagine Me & You; Chromophobia.
Rose Reynolds Meredith & Alice
Rose trained at Guildhall. Theatre includes: My Children! My Africa! (Tristan Bates/Trafalgar Studios);Twelfth Night (Sheffield Crucible/ETT); Titus Andronicus, Mad World My Masters, Candice (RSC); Tiger Tail (Nuffield). Film includes: The World’s End; Drunk Dialling (short film); On The Edge (short film). Television includes: Crackanory Series 4; Wasted; Poldark 2; Hastings Music Festival; Doctors; Our Zoo.
Mehmet Ergen Director, The Kid
Mehmet has been Artistic Director of Arcola Theatre since founding it in 2000. Previously he was Artistic Director of the Southwark Playhouse (which he co-founded) from 1993 to 1999, and Associate Producer at BAC. Mehmet is also Artistic Director of Arcola Istanbul (Talimhane Theatre), which he founded in 2008. He has won a variety of awards for his work including: the Time Out Award for Outstanding Achievement, a Time Out Award for Best Fringe Production, the Angela Carter Award, the Peter Brook Empty Space Award and the WhatsOnStage Award for Best New Musical. His productions at the Arcola include Clarion, Enemy of the People, Cradle Will Rock, Shrapnel: 34 Fragments of a Massacre, Don Gil of the Green Breeches, Mare Rider, Sweet Smell of Success and The Painter. Other work includes Bastard of Istanbul, After Miss Julie, It Felt Empty..., Pillowman, King Lear, Macbeth, Fool for Love, Betrayal, Ashes to Ashes, Water’s Edge, Dumb Show, Lost in the Stars, In the Jungle of the Cities, Piano - after Platonov. His work has been seen in Netherlands, Germany, Turkey, Sweden, Cyprus and Canada. He has just finished filming Inferno, appearing with Tom Hanks.
Nicolas Kent Director, This Tuesday
Nicolas Kent was Artistic Director of the Tricycle Theatre, London, from 1984 to 2012. He has directed productions at over 100 theatres around the world including the West End, New York, the National Theatre, RSC, Royal Court, Donmar Warehouse, Hampstead Theatre, Lyric Hammersmith and Young Vic. He is known for his political pieces at the Tricycle, where the verbatim plays he directed became known as the Tricycle Tribunal plays. Half the Picture, The Colour of Justice (The Stephen Lawrence Inquiry), Nuremberg, Srebrenica and Bloody Sunday (Olivier Award for Special Achievement) were all broadcast by the BBC, and two were performed in the Houses of Parliament and on Capitol Hill. In 2009, he directed the 9-hour trilogy The Great Game – Afghanistan (nominated for an Olivier) in London, which subsequently toured the USA, and had two command performances for the Pentagon in Washington in 2011. He collaborated with Gillian Slovo on Guantanamo (2004) and The Riots (2012) and most recently on Another World which he directed this year at the National Theatre. He directed The Nightmares of Carlos Fuentes at Arcola in 2014.
David Greig Writer, The Kid
David is currently under commission to write new plays for the Royal Court and the National Theatre of Scotland and is developing an original television series with co-creators David Harrower and John Crowley for Sister Pictures. He became Artistic Director of the Royal Lyceum Theatre in Edinburgh in 2016. Theatre includes: The Suppliant Women (Actors Touring Company/Lyceum); The Lorax (Old Vic); Lanark (The Lyceum, Edinburgh International Festival); Charlie and the Chocolate Factory (West End/Broadway (2017)); The Events (Actors Touring Company/Young Vic/Brageteatret & Schauspielhaus Wien); The Strange Undoing of Prudencia Hart (NTS at Tron Theatre/Royal Court/Welsh Centre/CLF Theatre/UK tour); Fragile / Cello (Young Vic/Southwark Playhouse/Latitude Festival);Dunsinane (Hampstead Theatre/UK Tour); Midsummer (Traverse/Soho Theatre/Tricycle/International tour); Miniskirts of Kabul (Tricycle); Damascus (Traverse/Tricycle); Being Norwegian (Shunt Vaults); The American Pilot (The Other Place/Soho Theatre/Manhattan Theatre Club).
Christina Lamb Writer, This Tuesday
Christina Lamb is one of Britain’s leading foreign correspondents and a bestselling author. She has reported from most of the world’s hotspots but her particular passions are Afghanistan and Pakistan which she has covered since an unexpected wedding invitation led her to Karachi in 1987 when she was just 21. Within two years she had been named Young Journalist of the Year. Since then she has won numerous awards including five times being named Foreign Correspondent of the Year and Europe’s top war reporting prize, the Prix Bayeux. She was made an OBE in 2013. Last year she won Amnesty International’s Newspaper Journalist of the Year for reporting from inside Libyan detention centres. Currently Chief Foreign Correspondent for the Sunday Times of London, her postings have included South Africa, Pakistan, Brazil and Washington and she has recently reported on the refugee crisis across Europe and camps for women enslaved by Boko Haram in Nigeria and ISIS in Iraq. She has written eight books including the bestselling The Africa House and I Am Malala and is a patron of Afghan Connection and on the board of the Institute of War and Peace Reporting. Her latest books are Farewell Kabul; From Afghanistan to a More Dangerous World and Nujeen; One Girl’s Incredible Journey from War-torn Syria in a Wheelchair.
Ron Hutchinson Writer, This Tuesday
Ron Hutchinson was Writer in Residence at the Royal Shakespeare Company and has had plays performed at the National Theatre, the Royal Court Theatre, the Goodman, the Public Theatre, the Mark Taper Forum and The Old Globe. Other stage plays include Moonlight and Magnolias, The Hook (adapted from Arthur Miller’s screenplay), Says I Says He, and Rat In The Skull, and adaptations of Mikhail Bulgakov’s Flight, and The Master and Margarita, and Carl Zuckmayer’s The Captain of Kopenick. In 2014 he directed his play about Tango, Flying Into Daylight, in its premier production. Its first foreign language production will be in Prague in 2017. Ron is a winner of the John Whiting Award and other awards including the Dramatist’s Circle Award. He is an Emmy winning feature and television writer whose credits include Murderers Among Us, The Simon Wiesenthal Story, The Josephine Baker Story, The Burning Season, The Ten Commandments and Traffic; the miniseries. Currently his six-part series based on corruption in the pharmaceutical industry is shooting in Dublin and Montreal. He lives and works in New York and has taught screenwriting at the American Film Institute in Los Angeles, and has recently returned to writing radio plays.
Lucy Sierra Design
Recent credits include: Cathy (Cardboard Citizens Tour); The Grand Journey (Bombay Sapphire Immersive Experience); The Tempest (Royal & Derngate); Giving (Hampstead); Another World: Losing Our Children to Islamic State (Shed, National Theatre); Calculating Kindness (Camden People’s Theatre); Snow White & Rose Red (Rash Dash/Cambridge Arts Theatre); Abyss (Arcola); Benefit, We Are All Misfits (Cardboard Citizens Tour); We Have Fallen (Underbelly); If You Don’t Let Us Dream, We Won’t Let You Sleep (Royal Court);Sign of The Times (Theatre Royal Bury); The Bear (Improbable Tour); Sweeney Todd, David Copperfield, White Nights (Octagon Bolton); Symmetry (Southwark Playhouse); Songs Inside (Gate); Fewer Emergencies (Oxford Playhouse). As Associate Designer: National Theatre, Royal Court, Young Vic.
Richard Williamson Lighting and Video Design
Richard trained at LAMDA. Previous work includes: Richard III, An Arab Tragedy (Swan Theatre Stratford/International tour);Jason and the Argonauts, Septimus Bean and His Amazing Machine (Unicorn); Shrapnel (also video), Mare Rider, Boy With a Suitcase, Peer Gynt, Macbeth, A Midsummer Night’s Dream, The Night Just Before the Forest, Tartuffe, Through a Cloud, King Arthur, Mojo Mickybo, The Great Theatre of the World, Tombstone Tales, The Country (Arcola Theatre); The Body (Barbican); The Easter Rising and Thereafter (Jermyn Street); Rotterdam (Theatre 503/Trafalgar Studios); The Dark Side of Love (Roundhouse); In My Name, Boris World King (Trafalgar Studios); Amphibians (Bridewell); Thrill Me (Tristan Bates/Charing Cross Theatre/UK tour); The Last Session (Tristan Bates); Twentieth Century Boy (New Wolsey Ipswich); Re:Home (also video), Brenda (The Yard); Play Size (Young Vic); The Al-Hamlet Summit (Tokyo International Festival/International tour); Strangers In Between, Ballo, Tosco, Denial, Someone To Blame (King’s Head Theatre); Summer Begins (Southwark Playhouse). Richard is Head of Production for C venues Edinburgh, and is a Trustee of the King’s Head Theatre.
Neil McKeown Sound Design
Neil has been producing music for over 20 years, recently concentrating on sound design and composition for theatre. Since moving his focus he has worked on a wide variety of shows, with Shrapnel being nominated for Best Sound Design in the 2015 Offies. Other credits include: The Local Stigmatic (Old Red Lion); Richard II, Children of War, Clarion, Shrapnel, The Revenger’s Tragedy, Mahmud ile Yezida, Between Us, The Intruder and The Bald Prima Dona (Arcola); The Bacchae, Richard III, Say your name (Blue Elephant);The Women (GSA); The Caucasian Chalk Circle, The Merchant of Venice (Brockley Jack); Tamburlaine, Troilus & Cressida, Coriolanus (Tristan Bates); His Dark Materials (Nuffield, Southampton); Henry V, Closer to Heaven (Union); The Water’s Edge (Talimhane, Istanbul); Dead in the Water (Brighton Fringe); Shang-a-Lang (King’s Head); The Door (Park Theatre).
Ben Karakashian Production Manager
Ben graduated from Royal Holloway University of London with a BA Honors in Drama and Theatre Studies. Production management credits include: Acedian Pirates (Theatre 503); Ragtime (Charing Cross Theatre); Frontier Trilogy (Rabenhof Theatre/Vienna); Home Chat (Finborough Theatre);Titanic the Musical, In the Bar of a Tokyo Hotel, The Mikado (Charing Cross Theatre); Kenny Morgan, The Divided Laing (Arcola Theatre); The Frontier Trilogy (Edinburgh Fringe Festival); Contact.com, The Man Who Shot Liberty Valance (Park Theatre); Our Ajax (Southwark Playhouse); The Bunker Trilogy (Southwark Playhouse/Seoul Performing Arts Festival/Stratford Circus).
Sarah Julie Pujol Stage Manager
Sarah Julie is a freelance Stage Manager based in London. Recent credits include Kenny Morgan, Creative Engagement Winter Season, The Dog, The Night and the Knife (Arcola); Sprung! (Kazzum); Rice Paper Tales (Trikhon); A Christmas Carol The Musical (Castle);Roaring Trade (Park); A Strange Wild Song (UK Tour); 64 Squares (UK Tour); The Secret Diary of Adrian Mole Aged 13 and 3/4 The Musical, Abigail’s Party (Curve Theatre); Yeh-Shen (Albany); The Unnatural Tragedy (Ovalhouse); The Flying Roast Goose (Blue Elephant); Foreplay (King’s Head Theatre); The Husbands (Soho Theatre/UK Tour); Talkback Festival (Tristan Bates); XY (Theatre503); The Old Woman (Palace/EU Tour).
Hanne Talbot Costume Supervisor
Hanne trained at the Royal Central School of Speech & Drama. Credits as Costume Supervisor include: Kenny Morgan revival (Arcola); Decades (Ovalhouse); A Flea In Her Ear (Tabard Theatre); Othello (Smooth Faced Gentlemen). As Wardrobe Mistress: All or Nothing: The Mod Musical (The Vaults Theatre); Pentecost (Derby Live). Hanne has assisted on productions including:Funny Girl (Menier Chocolate Factory); Sunny Afternoon (Harold Pinter Theatre); Sleeping Beauty (Matthew Bourne’s New Adventures); Wonderland (Hampstead).
Jemima Khan Co-producer
Jemima recently set up Instinct Productions, to produce quality documentaries, drama and film. Her background is in journalism; as associate editor of The New Statesman and European editor–at–large for Vanity Fair. Khan was also the executive producer for the BAFTA nominated documentary film We Steal Secrets: The Story of Wikileaks by Alex Gibney and the executive producer for the documentary films, Unmanned: America’s Drone Wars and Making A Killing: Guns, Greed and the NRA.