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ACKNOWLEDGMENTS

—— VOGLER ——

I would like to make grateful acknowledgment to my many great teachers, Sister Angelique Dryden and others at St. Dominic High School, and to Dave Johnson, Mel Sloan, Dick Harber, Mort Zarkoff, Drew Casper, Wolfram von Hanwehr, and Irwin Blacker at the USC School of Cinema Arts.

Many thanks to Fritz Springmeyer for his artistic insights and advice.

—— McKENNA ——

I owe an unpayable debt to the many teachers, classmates, colleagues and students who have helped shape me and the contents of this book. Foremost among them is Annette Insdorf who has graciously provided me a professional home as a teacher at Columbia University's School of the Arts. I can't begin to list the theatre artists who have collaborated with and inspired me over the years, but I must note Jaston Williams and Joe Sears who have helped me make a living in the trade. I am deeply grateful to my friend Susan Dansby for her suggestions and editorial input. Finally, I'd like to thank my mother and my sister for their patience and willingness to play.

Memo from the Story Department

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