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76 From a letter to Christopher Tolkien

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28 July 1944 (FS 39)

As to Sam Gamgee. I quite agree with what you say, and I wouldn’t dream of altering his name without your approval; but the object of the alteration was precisely to bring out the comicness, peasantry, and if you will the Englishry of this jewel among the hobbits. Had I thought it out at the beginning, I should have given all the hobbits very English names to match the shire. The Gaffer came first; and Gamgee followed as an echo of old Lamorna jokes.1 I doubt if it’s English. I knew of it only through Gamgee (Tissue) as cottonwool was called being invented by a man of that name last century. However, I daresay all your imagination of the character is now bound up with the name. Plain news is on the airgraph; but the only event worth of talk was the performance of Hamlet2 which I had been to just before I wrote last. I was full of it then, but the cares of the world have soon wiped away the impression. But it emphasised more strongly than anything I have ever seen the folly of reading Shakespeare (and annotating him in the study), except as a concomitant of seeing his plays acted. It was a very good performance, with a young rather fierce Hamlet; it was played fast without cuts; and came out as a very exciting play. Could one only have seen it without ever having read it or knowing the plot, it would have been terrific. It was well produced except for a bit of bungling over the killing of Polonius. But to my surprise the part that came out as the most moving, almost intolerably so, was the one that in reading I always found a bore: the scene of mad Ophelia singing her snatches.

The Letters of J. R. R. Tolkien

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