Читать книгу The Sisters: A gripping psychological suspense - Koren Zailckas, Claire Douglas - Страница 11

Chapter Three

The front door slams. Beatrice moves to her bedroom window just in time to see two dark figures weaving out of the front gate and towards the bus stop at the end of the road. They’re giggling, stumbling, quite obviously a little drunk. He has his arms about her slim waist as if to keep her from folding in on herself and their pose reminds her of a puppet-master holding up his marionette.

They pass a streetlamp, thrusting them into the spotlight and her stomach falls when she realizes it’s Ben. And Abi.

The number fourteen bus trundles past her window like a lethargic old man, the brakes squeaking against the still-hot tarmac as it halts. Beatrice watches as Abi disappears on to it, watches as Ben continues to wave even after the bus has rounded the corner out of sight. It’s too dark to see the expression on her brother’s face, but she can imagine it. The twinkle in his hazel eyes, the crooked smile on his full lips. It’s the look of a man who’s been stupefied, it’s a look she’s only ever seen on his face once before.

And as he turns slowly, reluctantly back towards the house, she knows – in that special way that only a twin can – that this is the start of something.

Beatrice thrusts the curtains together so vigorously that they continue to swing even when she turns away from them to pace the room. She refrains from switching the light on, preferring to listen out for the telltale sounds of the key in the lock, the clip-clop of Ben’s Chelsea boots on the flagstone hallway, the thud as he climbs the stairs two at a time to her room. Why does the realization that her brother might have found someone he likes make her want to cry?

He flings open the door, flooding the bedroom with light from the landing.

‘Why are you in the dark, you mad cow?’ he laughs, flicking the switch.

She shrugs and perches at her dressing table. Ben sits heavily on her double bed, the mattress sighs under his weight. ‘Cass and Jodie have gone out and Pam has fallen asleep at her easel again. So, how do you think it went?’ He seems genuinely concerned for her, which tugs at her heart.

‘Okay, I guess.’ She pulls the earrings from her ears. ‘I sold some pieces of jewellery. I gave Abi a necklace.’ She watches Ben’s expression carefully in the mirror, looking for signs. She notices the shy smile at the mention of Abi’s name, then his eyes meet hers and the smile snaps off his face.

He frowns. ‘Are you okay, Bea?’

‘I saw you with Abi.’ She knows she shouldn’t but she can’t help it. ‘You fancy her, don’t you? That wasn’t in the plan, Ben.’

‘Plan?’ A pulse throbs in Ben’s jaw and Beatrice knows she’s made him angry. ‘There is no plan. We all spent some time together, got a little drunk, had a laugh, and then I walked her to the bus stop. Not much to tell.’

‘You know what I mean. You have to be careful. You know what she’s been through.’

‘She’s a big girl.’ Ben lays back on the bed with his hands behind his head, staring at the ceiling. She notices he still has his boots on and this irritates her.

‘I’m supposed to be the one helping her,’ she snaps. ‘And I don’t think getting emotionally involved is good for her at the moment.’

‘Whatever, Bea. You’ve obviously decided she’s another one of your projects.’

‘Projects?’ she says querulously. ‘This is more than a coincidence, Ben … It’s a sign.’

‘I know, you’ve already said.’ Ben sits up again and sighs. ‘Look, I’ve had a lot to drink. I’m going to bed.’ He gets up and leaves the room, letting the door slam behind him.

Beatrice stares at herself in the mirror. She refuses to cry. Instead she swipes at her eyes with a cotton pad doused in oily make-up remover, then cleanses her face and throat in rhythmic strokes.

She’d known as soon as she met Abi who she was. Those big green eyes had tugged at her memory before she even had the chance to reveal her name. But the name had cemented it, of course. Abi Cavendish. The Cavendish twins. Their delicate heart-shaped faces had peered endearingly out of the newspaper reports at the time, unknowing of the future that lay ahead for them. She’d got home yesterday – was it only yesterday? – and retrieved the newspaper cutting hidden between her bras and knickers in her underwear drawer and shown it to Ben, prodding it with an excitable finger, telling him that it must mean something. Didn’t he see, she urged, didn’t he see that this was fate? She’d cut that piece out of the paper over a year ago, and now, nearly a year to the day, she meets the very girl from the story. She told him that if Abi turned up for the open studio then it was a sign that this was the woman that Beatrice was meant to help.

And she did turn up. See, Ben? Fate.

Beatrice swipes angrily at her face with her cotton pad. No, she mustn’t obsess. Today has been a good day, a success. Not only has she taken the first steps to becoming a bona fide artist but she has Abi in her life.

She knows she’s done something terrible, unforgivable. But by helping Abi she can begin to put things right. She can Be A Good Person. Karma.

She has to do whatever she can to ensure that this time Ben doesn’t stand in her way.