Читать книгу Sinister Street - Compton Mackenzie - Страница 10

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DURING whooping-cough Michael was sometimes allowed to sit in a room called the library, which was next to his mother's bedroom on the first floor and was therefore a dearly loved resort. Here he discovered the large volume of Don Quixote illustrated by Doré that influenced his whole life. He would pore over this work for hours, forgetting everything under a spell of chivalry. He read the tale seriously and thought it the saddest tale ever known. He wept over the knight's adventures, and big teardrops would spatter the page. He had not yet encountered much more than mild teazing at the Kindergarten, that with the unreasonableness of Nurse and his mother's absence made up the sum of the incomprehensible crosses which he had to bear. But even these were enough to make him sympathize with Don Quixote. He perceived that here was a man intent upon something—he could not understand exactly what—thwarted always by other people, thwarted and jeered at and even physically maltreated. Yet he was a man whose room was full of dragons and fairies, whose counterpane was the adventurous field of little knights-at-arms, whose curtains were ruffled by dwarfs, whose cupboards held enchanters. Michael loved the tall thin knight and envied Sancho Panza.

When whooping-cough was over, and Michael went back to Kindergarten, Nurse decided that he should sleep by himself in the room next to the night-nursery. She never explained to Michael her reasons for this step, and he supposed it to be because lately he had always woken up when she came to bed. This was not his fault, because Nurse always bumped into his cot as she came, into the room, shaking it so violently that no one could have stayed asleep. She used to look at him in a funny way with angry staring eyes, and when he sometimes spoke she would blow cheese-scented breath at him and turn away and bump into the washstand.

Everything in this new room was by Michael anticipated with dread. He would go to bed at half-past six: he would settle down in the wide white bed that stretched a long way on either side of him: the gas would be turned down: the door would be left ajar: Nurse's footsteps would gradually die away and he would be left alone.

The night was divided into two portions of equal horror. First of all he had to concentrate on closing his mouth when asleep, because Annie had told him a tale about a woman who slept with her mouth open, the result of which bad habit was that one night a mouse ran down it and choked her. Then he had to explore cautiously with his feet the ice-cold end of the bed, in case he should touch a nest of mice—another likely occurrence vouched for by Annie. Then outside, various sounds would frighten him. A dog would howl in the distance: cats would spit and wail, making Michael wonder whether they were coming through his window to claw his face. Presently, far up the street, newsboys would cry hoarsely the details of a murder or suicide. As they passed beneath his bedroom window their voices would swell to a paralyzing roar, and as the voices died away round the corner, Michael would be left shaking with fear. Once he was so frightened by a succession of these murder-shouts that he got out of bed and crept forth on to the landing, whence he peered down between the banisters into the quiet red light burning in the hall far below. While he was leaning over, a door banged suddenly on the top floor, and Michael fled barefooted down the stairs, until he reached the cold tiles of the front hall. Should he dare to descend still lower and disturb Nurse at her supper in the kitchen? Or were they all lying there, Cook and Annie and Nurse, with their throats cut? The door leading to the basement stairs was open, and he stole down over the oilcloth, past the yawning cellar, past the laundry-basket in the passage, past the cupboard under the stairs, to listen by the kitchen door. There was a murmur of voices, familiar yet unfamiliar: the kitchen door was ajar and he peered round stealthily. There was Nurse with a very red face in a heap on a chair, shaking her forefinger at Mrs. Frith, who with an equally red face was talking very indistinctly to Nurse; while between them, bolt upright and very pale, sat Annie nervously shaving from the cheese very thin segments which she ate from the knife's edge. They seemed to Michael, as he watched them, like people in a nightmare, so unreal and horrible were they: they frightened him more than ever, sitting there nodding at each other in the kitchen where the blackbeetles ran slyly in and out beneath the fender. Suddenly Annie saw Michael and waved him back; he turned at her gesture and withdrew from sight. While he stood shivering in the dark passage, Annie came out and, picking him up, carried him out of hearing.

"Whatever made you come downstairs?" she panted on the first-floor landing.

"I was frightened."

"You frightened me."

"Who are they murdering?"

"You've been having a bad dream," said Annie.

She led him upstairs again to his room and tucked him up, and at his earnest request turned the gas a trifle higher.

"Why did Nanny and Mrs. Frith look like that?" he asked.

"They're tired," said Annie.

"Why?"

"They have to work so hard to look after you."

Then she left him alone, and he fell asleep before they all came up to bed.

Generally speaking, the first part of the night, however bad the outside noises, was not so fearful as the second part. Mostly the second portion of the night was preceded by a bad dream in which Michael's nerves were so much shaken that he had no courage or common-sense left to grapple with the long hours in the ghastly stillness of his room. There was one dream in particular which he dreaded, and indeed it was the only one that repeated itself at regular intervals without any essential change. He would find himself alone in a long street in the middle of the night. Usually it would be shining with wet, but sometimes it would be dry and airless. This street stretched as far as one could see. It had on either side lamp-posts which burned with a steady staring illumination, long rows of lamp-posts that converged in the farthest distance. The houses all seemed empty, yet everyone was in some way a malignant personality. Down this street Michael would have to walk on and on. He would meet nobody, and the only living thing was a bony hound that pattered behind him at whatever pace he went, whether he ran or whether he loitered. He would in his dream be filled with a desire to enter one of these houses, and often he would mount the steps and knock a summons on the door—a knock that echoed all over the gloom within. While he knocked, the bony hound would howl in the shadows of the basement. Every house at which he knocked Michael would be more and more anxious to pass, more and more fearful to disturb. Yet however much he struggled against it, he would ultimately be compelled to knock his loud challenge. The street would now stretch for miles of lighted lamps before and behind him, and the knowledge would gradually be borne in upon Michael that sooner or later in one of these grey houses the door would open. He would hurry along, but however fast he travelled some house would draw him inexorably to its threshold, and he would wait in agony lest slowly the great door should swing back to a dim hall. The climax of the dream would now be reached. One house would simultaneously repel and draw him more than any of those left behind. He would struggle to go by, but he would find himself on the steps with legs that refused to carry him away. He would knock: very slowly the door would swing back and, convulsed and choking and warding off horror, Michael would wake in a frenzy of fear to his own real house of ghastly stillness, where no longer did even a belated luggage-train or jingling hansom assure him of life's continuity.

He did not always wake up suddenly: sometimes he would be aware that he was slowly waking and would struggle to keep asleep, lying for a long time without moving a muscle, in order to cheat himself into the belief that he was not awake. But gradually the strain would be too much and he would have to become conscious of the room. First of all he would turn on to his left side and view apprehensively the door ajar. This would seem to tremble, as he looked, to some invisible hand trying it. Then along the wall the wardrobe would creak, and every knot of its varnished surface would take on a fantastic countenance. He would wonder what was inside, and try to gain comfort and the sense of commonplace daytime existence by counting the cats swinging on a roundabout in one of Louis Wain's Christmas pictures. In the corner beyond the wardrobe was a large clothes-basket that crackled and snapped and must surely hold somebody inside, hidden as the Forty Thieves were hidden in the oil-jars. The fire-place, opposite the foot of the bed, seemed a centre for the noise of mice. How he hoped they would be content to play upon the hearth and not venture to leap over the fender and scuttle about the room. Then the door would begin to frighten him again, and Michael would turn very quietly on to his back, staring at the luminous ceiling where the gas-jet made a huge moon whose edges wavered perpetually. But the gas-jet itself became terrifying, when looked at too long, with its queer blue base and slim solemn shape, so melancholy, so desolate, so changeless. The ceiling would very soon become unendurable because various black marks would seem with intensest contemplation more and more like spiders and beetles. Michael would have to give up lying on his back and turn upon his right side. He would count each slat of the Venetian blinds and long passionately and sadly for the grey streaks to appear at the sides in proclamation of the approach of day. Without these grey streaks the windows were unbearable, so menacing were they with the unknown infinite night behind them. The curtains, too, would quiver, and even Michael's clothes, heaped upon a chair, would assume a worm-like vitality. The washstand made him feel oppressed, so silent and white were the jug and basin and soap-dish, so cold and chill were they. There was nothing to be done but to bury his head beneath the clothes and, trembling, try to believe in the reality of guardian angels. He would shut his eyes very tightly until the wheels of coloured lights thus evoked would circle and revolve, changing their colours in some mysterious way. These dissolving spots were a great consolation and passed the time for a little while, until the dread of fire began to come. He would fling back the clothes in a paroxysm and, heedless of any other danger, sit up with staring eyes and listening ears and keen nostrils, dreading and imagining and doubting. Surely he could hear a crackle; he could smell smoke. The house was on fire; yet not for anything could he have got out of bed to reassure himself. What might not be underneath, a burglar, a dead body, a murderer, a skeleton, a mad dog?

Underneath the clothes he would plunge, and then he would be sure that someone was coming into the room to smother him. He held his breath, waiting; with an effort he flung back the clothes again. There was nothing but the ghastly stillness and the solemn gaslight and the viewless blinds and the expectant door ajar. The bedposts would now take on a sort of humanity. They would look at him and wink and shiver. The wall-paper, normally a pattern of rosebuds and roses, began to move, to swim with unnatural life. The cistern upstairs began to clank; the bath began to drip. It must be blood—Nanny had been murdered. The blood was dripping slowly. Michael choked with horror. Somebody was tapping at the window-pane, yes, somebody was tapping. It was horrible this endless tapping. Cats must be coming in. The wardrobe creaked and rapped and groaned. Some of his clothes slid off the chair on to the floor with a soft plump; Michael tried to shriek his dismay; but his tongue was dry. Underneath him a knife was being pushed through the bed. A death-watch was ticking in the fastness of the wall at his head. A rat was gnawing his way into the room. Black-beetles were coming up the stairs.

Then along the edge of the Venetian blinds appeared a blue streak. It widened. It became more luminous. It turned from blue to grey. It turned from grey to dimmest silver. Hark! 'Cheep, cheep, cheep, cheep!' The sparrows were beginning. Their chorus rose. Their noise was cool as water to Michael's fever. An early cart rattled cheerfully down the road. It was morning.