Читать книгу The Vanity Girl - Compton Mackenzie - Страница 5

II

Оглавление

Table of Contents

If Norah had been a journalist like her suitor, Wilfred Curlew, she would have described the resolution she made on that September morning as an epoch-making resolution, for since the effect of it was rapidly and firmly to set her on the path of independence it certainly deserved one of the great antediluvian epithets.

Some months ago the Hadens had moved from their house in Trelawney Road because the landlord was so disobliging—as a matter of fact, he was unwilling to wait any longer for the arrears of rent—and they were now inhabiting Shelley Mansions, a gaunt block of flats built on the frontier of West Kensington to withstand the vulgar hordes of Fulham, and as such considered the ultimate outpost of gentility. Most of the tenants, indeed, like the Foreign Legion, were recruited from people who found that their native land was barred to them for various reasons; but if Shelley Mansions lacked the conveniences of civilized flat-life, such as lifts and hall-porters, they possessed one great convenience that was peculiar in West Kensington—nobody bothered about his neighbor's business. Mrs. Haden's elder daughter, Doris, was no longer at home, having recently gone on the stage and almost immediately afterward married; and the small flat, with two empty spare rooms so useful for boxes, was comparatively much larger than the Caffyns' house in Lonsdale Road, the respectability and solid charms of which were spoiled by overcrowding.

Mr. Haden was supposed to be in Burma; but people in the secure heart of West Kensington used to say that Mr. Haden had never existed, a topic that Norah remembered being debated at school, to the great perplexity of the younger girls, who could not imagine how, if there was no Mr. Haden, there could possibly be a Doris and Lily Haden. Nowadays, with years of added knowledge, Norah would have liked to ask her friend more particularly about her absent father; but she was of a cautious temperament, and decided it was easier to accept the Oriental interior of the Shelley Mansions drawing-room as evidence of the truth of the Burmese legend. Her instinct was always against too much intimacy with anybody, and she rather dreaded the responsibility of a secret that might interfere with the freedom of her relations with Lily. Whatever the origins of the household, she decided it was a much more amusing household than the one in Lonsdale Road, and if No. 17 could have achieved the same atmosphere by banishing Mr. Caffyn to Burma, Norah would willingly have packed him off by the next boat.

Mrs. Haden had a loud voice, an effusive manner, and a complexion like a field of clover seen from the window of a passing train. Her coiffure resembled in shape and texture a tinned pineapple; it was, too, almost the same color, probably on account of experimenting with henna on top of peroxide. Norah's inclination to be shocked at her hostess's appearance was mitigated by the pleasure it gave her in demonstrating that Lily's really golden hair was not more likely to prove permanent. Mrs. Haden earned her living by teaching elocution and by reciting. These recitations were mostly interruptions to the conversation of afternoon parties in private houses; but once a year at the Bijou Theater, Notting Hill, she gave a grand performance advertised in the press, when her own recitations were supplemented by a couple of one-act plays never acted before or since, for the production of which some moderately well-known professional friends used to give their services free in order to help Mrs. Haden and the authors. Notwithstanding her energy, she found it very hard to make both ends meet. Norah distinctly remembered that Doris and Lily Haden had left school on account of unpaid fees, and some of the objections raised now to her friendship with Lily were due to Mrs. Caffyn's knowledge that the tradesmen of West Kensington would not allow even a week's credit to the residents of Shelley Mansions. If Mrs. Haden could have overcome their prejudice, her hospitality would doubtless have been illimitable; with all the difficulties they made, it was extensive enough, and she need not have bothered to consecrate a special day to it. But perhaps it pleased her to think that she owned one of the days of the week, for she used to refer to the fame of her Thursdays with as much pride as if they were family jewels.

It was to one of these enslaved Thursdays that Lily had invited Norah, who at first sat shyly back in a wicker chair within the shade of a palm, afraid, so fiercely did Mrs. Haden fix her during a recitation of "Jack Barrett Went to Quetta," that the creakings of her chair were irritating the reciter. Gradually the general atmosphere of freedom and jollity communicated itself to the strange guest, and when the room was so full of tobacco smoke that it was impossible for anybody to recite or to sing or to dance without being almost asphyxiated, she had no qualms about obeying Mrs. Haden's deafening proclamation that everybody must stay to supper. A young man with a long nose, a long neck, an extravagantly V-shaped waistcoat like a medieval doublet, and a skin like a Blue Dorset cheese attached himself to Norah and advised her to sit close to him because he knew his way about the flat. Presumably the advantage of knowing your way about the flat was that you sat still while other people waited on you, and that you obtained second helpings from dishes that did not go round once. Norah seldom resisted an invitation that enabled her to keep quiet while others worked, not because she was lazy, but because rushing about was inclined to heighten her complexion unbecomingly; moreover, since the young man in the V-shaped waistcoat was enough like her notion of a distinguished actor to rouse a mild interest in him, and not sufficiently unlike a gentleman to destroy that interest, she was ready to listen to the advice he was anxious to give her about all sorts of things, but chiefly about the stage.

"Are you studying with Mrs. Haden?" he asked; and when Norah shook her head he turned to her gravely and said: "Oh, but you ought, you know. They may tell you she's a bit old-fashioned, but don't you believe them. Pearl Haden knows her job in and out, and if you've got any talent she'll produce it. Look at me. I was going out with Ma Huntley this autumn as her second walking gentleman, but she wouldn't offer more than two ten, and, as I told her, I really didn't feel called upon to accept less than three. After all, I can always get seven by waiting, and I didn't see why Ma should have me for two ten, especially as she expected me to find my own wigs and ruffles. No, you take my advice and study with Pearl Haden."

"You really recommend her, do you?" asked Norah, condescendingly.

She had never until that moment thought of going on the stage or of taking lessons in elocution from anybody, but the idea of being able to patronize the mother of a friend appealed to her, and, though she was a little doubtful of the way her brothers and sisters would accept her rendering of "Jack Barrett Went to Quetta," she supposed that Wilfred would admire it. One of the charms of being engaged was the security of admiration it provided.

"Though, of course," continued the gentleman in the V-shaped waistcoat, "with your appearance you oughtn't to have to bother much about anything else."

This was very gratifying to Norah; even if there should be trouble when she got home, the evening would have been worth while for this assurance that her looks were capable of making an impression upon artistic society.

"You really think I ought to go on the stage?" she asked, assuming the manner of a person who for a long while has been trying to make up her mind on this very point.

"Everybody ought to go on the stage," the gentleman in the V-shaped waistcoat enthusiastically announced; "at least, of course, not everybody, but certainly everybody who is obviously cut out for the profession like you. But don't be in a hurry to make up your mind," he added. "You're very young." He must have been nearly twenty-five himself. "There's no need to hurry. I was driven to it."

Norah appeared interested and sympathetic. She really was rather interested, because the idea had passed through her mind that Wilfred might go on the stage. If this young man could earn seven pounds a week, surely Wilfred, who was much better looking, could earn ten pounds a week, in which case they might be married at once.

"What drove you to it?" she asked, and then blushed in confusion; being driven to anything was associated in Norah's mind with drink, and she thought the young man might be embarrassed by her question.

"Oh, a woman!" he replied, in a lofty tone. "But don't let's talk about things that are past and over. Let's eat and drink to-day, for to-morrow—Did you ever read Omar Khayyam? A man in our crowd introduced me to him last year. I tell you, after Omar Khayyam Kipling isn't in it. I suppose you read a good deal of poetry?"

"A good deal," Norah admitted. "At least, I used to read a good deal."

This was true; she had read several volumes at school under the menaces of the literature mistress.

"Well, if I may offer you some advice," said the young man, "go on reading poetry. I may as well confess right out that poetry has been my salvation. Have some more of this shape? It's a little soft, but the flavor's excellent." After supper Norah took Lily aside and told her she must go home at once.

"But, Norah," protested the daughter of the flat, without being able to conceal a slight inflection of scorn, "the evening's only just beginning. Lots of people come in after supper always."

Norah resented Lily's tone of superiority; but inasmuch as this was her first experiment in open defiance, she decided not to go too far this time, especially as she was not quite sure how far her father's unreasonableness might not extend.

"Cyril Vavasour will see you home," said Lily. "He's awfully gone on you. He told me you were one of the most beautiful girls he'd ever met."

Norah could not help feeling flattered by such a testimonial from one whose experience among women had evidently been immense, and though she might have expected a superlative without qualification from somebody who met her in a West Kensington drawing-room, she realized that she must expect a slight qualification from a world-wanderer like Mr. Vavasour. A few minutes later Norah and her appreciative new acquaintance descended the echoing steps of Shelley Mansions and were soon safe from any suggestion of Fulham in the landscape and walking slowly through the familiar streets of West Kensington, which in the autumnal mistiness looked grave and imposing. The sky was clear above them, and a fat, yellow moon was rolling along behind a battlement of chimney-tops.

"O moon of my delight who know'st no wane!" quoted Mr. Vavasour, in a devout apostrophe.

Perhaps it was because he imagined himself in a Persian garden much farther away from West Kensington than even Fulham was that he allowed himself to take Norah's arm; nor did she make any objection. After all, he considered her one of the most beautiful girls he had ever met, and, being engaged to be married, she could allow her arm to be taken without danger or loss of dignity.

"And so you really advise me to go on the stage?" she asked, as if she would insinuate that the taking of her arm was only a gesture of interrogation.

"Absolutely," Mr. Vavasour replied.

"Yes, but of course my father's awfully old-fashioned, and he may think I oughtn't to go on the stage."

"Too much exposed to temptation and all that, I suppose?" suggested Mr. Vavasour.

"Oh no," said Norah, irritably, withdrawing her arm. "I didn't mean that. I meant he might think the family wouldn't like it."

She had intended to give the impression of belonging to a poor but noble family without giving the impression of being snobbish, and she was rather annoyed with Mr. Vavasour for not understanding at once what she meant.

"Oh, but people from the best families go on the stage nowadays," he assured her.

"Yes, I suppose they do," Norah agreed.

"And of course you could always change your name," he added.

"Yes, of course I could do that," she admitted.

"I changed mine, for instance," he told her.

"I like the name Vavasour."

"Yes, I rather liked it myself," he said; but he did not volunteer his own name, and she did not ask him to reveal what Howards or Montagus had plucked him forever from their family tree. In any case this was not the moment to embark on fresh confidences, for they were approaching the main street and Norah was almost sure that the figure standing at the corner of Lonsdale Road on the other side was her eldest brother, Roland.

"Don't come any farther," she said. "Perhaps we'll meet again at Lily's some day."

"We shall," Mr. Vavasour announced, with conviction. "Good night." He swept his hat from his head with a flourish and Norah shook hands with him. She had been rather afraid all the way back that he would try to kiss her good night, but gentle blood and the bright arc-lamp under which they were standing combined to deter him, and they parted as ceremoniously as if his V-shaped waistcoat was really a medieval doublet.

"Oh, it was you," said Roland.

"How do you mean it was me? Who did you think it was?"

"Do you know what the time is? Half past ten!"

"Thanks very much," said Norah, sarcastically. "The wrist-watch you gave me at Christmas is not yet broken."

"Don't be silly, Norah," he protested. "Father's in an awful wax. I've been hanging about here for the last half-hour, because I couldn't stand it."

They were walking quickly down Lonsdale Road, and Norah was thinking how clumsily he walked compared with Mr. Vavasour and yet how much better looking he was.

"Did Wilfred come?" she asked.

Her brother nodded. "Yes, but I told him you weren't in, and he went off in a bit of a gloom."

They had reached the gate of No. 17 by now, and the house seemed to Norah unreasonably hushed for this hour of the evening. Beyond the railway line the sky was lit up with the glare of the Exhibition, and the music that the military band was playing—it was a selection from "The Earl and the Girl"—was distinctly audible.

"Why should father object to my going out in the evening?" she asked, turning to her brother sharply. "He used to object to your smoking."

Roland removed from his mouth the large pipe and thought ponderously for a minute. It was quite true that only two years ago his father had objected to his smoking, and that with great difficulty he had been able to persuade him that bank clerks always smoked. Since that struggle his father had yielded him a grudging admission that he was grown up. The long years before he should be a bank manager rose like a huge array of black clouds before his vision, and though he disapproved of sisters acting on their own initiative, something in this autumnal night—perhaps it was only the sound of the distant band—created in him a sudden sympathy with any aspirations to freedom. Perhaps, if Norah had encouraged him at that moment, he would have stood up for her independence; but he felt that his company only irritated her and without a word he led the way up the steps, dimly aware that he and she had already set foot upon the diverging paths of their lives.

The dining-room had been cleared for action. Ordinarily at this hour the room was full of young people playing billiards on the convertible dining-table; but to-night the table had not been uncovered, the children had all gone to bed, and Mr. Caffyn was reading the Daily Telegraph, not as one might have supposed with enjoyment of the unusual peace, but, on the contrary, in a vague annoyance that his perusal of the leading article was not being interrupted by the butt-end of a cue or the chronicle of London Day by Day being punctuated by billiard-balls leaping into his lap. His patriarchal feelings had, in fact, been deeply wounded by his daughter's behavior, and though for the first time in months he had been able to put on his slippers without having to hold up a noisy game while they were being looked for, he was not at all grateful.

"I've had my supper," Norah informed him, brightly.

This really annoyed Mr. Caffyn extremely, for he had been looking forward to telling his daughter that her supper had been kept waiting until ten o'clock, when it had finally been removed in order to allow the servants to go to bed. At this moment Mrs. Caffyn, who had hurried down-stairs to the kitchen as soon as she heard Norah coming, arrived in the dining-room with a tray.

"She's had her supper," said Mr. Caffyn, indignantly.

"Oh, I was afraid—" his wife began.

"Oh no, she's had her supper," said Mr. Caffyn. "Good Heavens! I don't know what the world's coming to!"

Since her father was making a cosmic affair of her behavior in going out to supper without leave, Norah decided to give him something to worry about in earnest, and, seating herself in the arm-chair on the other side of the fireplace, she prepared to argue with him. Mrs. Caffyn began to murmur about going to bed and talking things over when father came back from the office to-morrow, but Norah waved aside all procrastination.

"I want to talk about my engagement," she began.

Roland, who had just reached the door, stopped. Wilfred Curlew was a friend of his; in fact, it was he who had first brought him to the house, and though he knew that anything in the nature of an engagement between him and one of his sisters was ridiculous, he hoped that a soothing testimony from him would prevent Wilfred's final exclusion from the family circle.

"Norah, dear child, it isn't nice to begin playing jokes upon your father at this hour, especially when he isn't very pleased with you," Mrs. Caffyn said, waving her eyes in the direction of the door.

"I'm not at all sleepy," said Norah, coldly. "And I'm not joking. I want to know if father is going to let Wilfred and me be openly engaged?" she persisted, holding up her left hand so that the gaslight illuminated the ring upon the third finger.

"And who may Wilfred be?" demanded Mr. Caffyn.

This seemed to Roland a suitable moment for his intervention, and, though he had for some time been aware that his father was growing impatient of their habitual visitor, he pretended to accept this attitude of Olympian ignorance and reminded him that Wilfred was a friend who sometimes came in during the evening.

"You said once, if you remember, that he was rather a clever fellow. As a matter of fact he's doing well, you know, considering that he's not long gone in for journalism. He's just been taken on the staff of the Evening Herald. He's been doing that murder in Kentish Town."

Mr. Caffyn rose from his chair and with an elaborate assumption of irony inquired if his daughter proposed to engage herself on the strength of a murder in Kentish Town. Norah had got up when her father did and was listening with a contemptuous expression while he dilated on the folly of long engagements.

"Yes, but I don't intend it to be a long engagement," Norah proclaimed, when he paused for a moment to chew his heavy mustache. "I intend to get married."

Mr. Caffyn swung round upon his heels and faced his daughter.

"This, I suppose, is the result of the education I've given you. Insolence and defiance! Don't say another word or you'll make me lose my temper. Not another word. Norah, I insist on silence. Do you hear me? You have grievously disappointed my fondest hopes. I have not been a strict father. Indeed, I have been too indulgent. But I never imagined my daughter capable of a folly like this. If I'd thought, twenty-one years ago, when I bought this house with the idea of creating a happy home for you all, that I should be repaid like this I would have.... I would have...."

But Mr. Caffyn's apodosis was never divulged, because, seized with an access of rage, he turned out the gas and hurried from the room. In the hall he shouted back to know if his wife was going to sit up all night. Mrs. Caffyn hurried after her husband as fast as she was able across the darkened room.

"I'm coming, dear, now. Yes, dear, I'm coming now. Ouch! My knee!... I'm sure Norah will be more sensible in the morning," she was heard murmuring on her way up-stairs.

"I suppose he thinks I shall go on living with him forever," exclaimed Norah, savagely throwing herself down into her father's arm-chair. "In my opinion most parents are fit to be only children. Light the gas again, Roland; I want to write a note to Wilfred."

The Vanity Girl

Подняться наверх