Читать книгу Carnival - Compton Mackenzie - Страница 10

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THE great event came about because Mrs. Raeburn, in return for similar favors in the past, went to superintend the behavior of pasty-faced Claude and Percy so that her sister could spend a fortnight with a brother-in-law lately elected to the Urban Council of an unimportant town in Suffolk. So, with some misgivings on the side of his wife, Charlie was left in charge of 17 Hagworth Street.

One day Mr. Vergoe came downstairs to ask his landlord if he would let Jenny and Alfie and Edie accompany him to the pantomime of "Aladdin" at the Grand Theater. Charlie saw no harm in it, and the party was arranged. It appeared that Miss Lilli Vergoe had been temporarily released from the second line of girls at the Orient Theater of Varieties in order to make one of a quartette of acrobatic dancers in the pantomime. Under the circumstances, her grandfather considered himself bound to attend at least one performance, although he felt rather like a mute at his own obsequies.

It was a clear winter's evening when they set out, a rosy-cheeked, chattering, skipping party. Mr. Vergoe, wrapped in a muffler almost as wide as a curtain, walked in the middle. Jenny held his hand. Edie jigged on the inside, and Alfie, to whom had been intrusted the great responsibility of the tickets, walked along the extreme edge of the curb, occasionally jolting down with excitement into the frozen gutter. They hurried along the wide raised pavement that led up to the theater. They hurried past the golden windows of shops still gay with the aftermath of Christmas. They hurried faster and faster till presently the great front of the theater appeared in sight, when they all huddled together for a wild dash across the crowded thoroughfare. Ragged boys accosted them, trying to sell old programmes. Knowing men inquired if they wanted the shortest way to the pit.

"No, thank you," said Mr. Vergoe proudly. "We have seats in the dress circle."

The knowing men looked very respectful and moved aside from the welded plutocracy of Edie, Alfie, Jenny and Mr. Vergoe. Fat women with baskets of fat oranges tried to tempt them by offering three at once, but Mr. Vergoe declined. Oranges would not be polite in the dress circle.

In the vestibule Alfie was commanded to produce the tickets. There was a terrible moment of suspense while Alfie, nearly as crimson as the plush all around him, dug down into one pocket after another. Were the tickets lost? Edie and Jenny looked daggers. No; there they were: Row A, numbers 7, 8, 9, and 10. "Upstairs, please," said a magnificent gentleman in black and gold. "This way, please," said a fuzzy-haired attendant. The children walked over the thick carpet in awed silence. A glass door swung open. They were in the auditorium of the Grand Theater, Islington, in the very front row, by all that was fortunate; and, having bestowed their hats and coats beneath the elegant and comfortable tip-up chairs, they hung over the red-plush ledge of the circle and gazed down into what seemed the whole of the population of London. The orchestra had not yet come in. Down in the pit the people were laughing and talking. Up in the gallery they were laughing and talking. Babies were crying; mothers were comforting them. Everybody down below seemed to be eating oranges or buns or chocolate. Alfie let his programme flutter down, and Jenny nearly burst into tears because she thought they would all be turned out of the theater.

The whole of the vast audience was there for enjoyment. Enjoyment was in the air like a great thrill of electricity. What could be more magnificent than the huge drop curtain, with its rich landscape and lightly clothed inhabitants? What could be more exciting than the entrance, one by one, of the amazingly self-possessed musicians?

The orchestra was tuning up. The conductor appeared to the welcoming taps of fiddle-bows. One breathless moment he held aloft his baton and looked round at his attentive company, then altogether the fiddles and the drums and the flutes and the cornets, the groaning double-bass and the 'cello and the clarinets and the funny little piccolo and the big bassoon and the complicated French horns and the trombones and the triangle (perhaps the best-enjoyed instrument of all) and the stupendous cymbals started off with the overture of the Christmas pantomime of the Grand Theater, Islington.

Could it be borne, this enthusiastic overture? Was it not almost too much for children, this lilting announcement of mirth and beauty? Would not Jenny presently fall head-foremost into the pit? Would not Alfie be bound to break the seat by his perpetual leaps into the air? Would not Edie explode in her anxiety to correct Jenny, devour bull's-eyes and see more of a mysterious figure that kept peering through a little square hole in the corner of the proscenium?

The orchestra stopped for a moment. A bell had rung, shrill and pregnant with great events. Green lights appeared, and red lights: there was hardly a sound in the house. Was anything the matter?

"They're just ringing up," said Mr. Vergoe.

Slowly the rich landscape and lightly clothed inhabitants vanished into the roof.

"Oh!" exclaimed Jenny.

"Hush!" whispered Edie.

"My Gosh!" said Alfie.

A weird melody began. Demons leaped maliciously round a caldron. Green demons and red demons danced with pitchforks. The caldron bubbled and steamed. There was a crash from the cymbals. A figure sprang from the caldron, alighting on the board with a loud "ha-ha." Evil deeds were afoot, and desperate dialogue of good and ill.

The scene changed to a Chinese market-place. There were comic policemen, comic laundrywomen. There was the Princess Balroubadour in a palanquin more beautiful than the very best lampshade of the Hagworth Street parlor. There was the splendidly debonair Aladdin. There was the excruciatingly funny Widow Twankey. There was the Emperor with bass voice and mustaches trailing to the ground to be continually trodden on by humorists of every size and sort.

It would be impossible to relate every scene. It was like existence in a precious stone, so much sparkle and color was everywhere. The cave was wonderful. The journey to the Enchanted Palace through Cloudland was amazing. Then there were gilded tables, heaped with gigantic fruits, that rose from the very ground itself. There was the devilishly cunning Abanazar. There were songs and dances and tinsel and movement and jingles and processions and laughter and gongs and lanterns and painted umbrellas and magic doors and an exhaustingly funny bathing scene with real water. There was the active and slippery Genius of the Lamp, the lithe and agile Genius of the Ring, who ran right round the ledge of the circle and slid down a golden pillar back on to the stage amid thunders of applause.

To Jenny, perhaps the most real excitement of all was the appearance of her darling Lilli, first in gold and blue, and then in white, and then in black, and finally in a dress that must have been stolen from the very heart of a rainbow, such scintillating streams of color flickered and gleamed and radiated from its silken folds.

How gloriously golden looked her hair, how splendidly crimson her lips, how nobly brilliant were her eyes. And how she danced, first on one leg, then on the other; then upside down and inside out, and over one girl and under another. How the people clapped her and how pleased she looked, and how Jenny waved to her till Alfie and Edie simultaneously suppressed such an uncontrolled and conspicuous display of feelings. Then there was the transformation scene, which actually surpassed all that had gone before, with its bouquets of giant roses turning into fairies, with its clouds and lace and golden rocks and jewels and silver trees and view of magic oceans and snowy mountains and gaudy birds.

Suddenly crimson lights flared. There was a jovial shout from somewhere, and "Here we are again!" cried Joey, as round and round to "Ring a ring o' roses" galloped Clown and Pantaloon and Harlequin and Columbine. Jenny looked shyly up into Mr. Vergoe's face and could just see tears glittering in his eyes.

Down came the front cloth of the harlequinade with shops and mischievous boys and everlastingly mocked policemen and absent-minded nursemaids and swaggering soldiers. Inspiring were the feats achieved by the Clown, wild were the transformations and substitutions effected by the trim and ubiquitous Harlequin. But what Jenny loved most were the fairy entrances of Columbine, as, like a pink feather, she danced before the footlights and in and out of the shops. Oh, to be a Columbine, she thought, to dance in silver and pink down Hagworth Street with a thousand eyes to admire her, a thousand hands to acclaim the beautiful vision.

It came to an end, the pantomime of Aladdin. It came to an end with the Clown's shower of crackers. Triumph of triumphs, Jenny actually caught one.

"You and me will pull it," she whispered to Mr. Vergoe, clasping his hand in childish love.

But it came to an end, the pantomime of Aladdin; and home they went again to Hagworth Street. Home they went, all three children's hearts afire with the potential magic of every street corner. Home they went, talking and laughing and interrupting and imitating and recalling, while Mr. Vergoe thought of old days. How quiet and dark Hagworth Street seemed when they reached it.

But it was very delightful to rush in past Ruby and turn somersaults all the way to the kitchen. It was very delightful to stand in a knot round their father and tell him the whole story and recount each separate splendor, while he and Mr. Vergoe sipped a glass of Mr. Vergoe's warm whisky with a slice of lemon added. It was good fun to disconcert Ruby by tripping her up. It was fine to seize the poker and chase her all round the kitchen.

The bedtime of this never-to-be-forgotten evening came at last. Jenny and Edie lay awake and traced in the ceiling shadows startling similarities to the action of the harlequinade. Edie fell asleep, but Jenny still lay awake, her heart going pitter-pat with a big resolve, her breath coming in little gasps with the birth of a new ambition. She must go on the stage. She must dance for all the world to gaze at her. She would. She would. She must. What a world it was, this wonderful world of the stage—an existence of color and scent and movement and admiration.