Читать книгу The Honey-Pot - Countess Barcynska - Страница 4

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V

"Damn! She's turned off the gas!"

Maggy stopped machining. The small room was plunged in darkness. Alexandra groped for matches and lit the candles. It was not easy to work by the flickering light, but both girls went on with what they were doing. There was something grim about the task. One associates the alteration of frills and furbelows with some small pleasure to the adapter; but there was none here. Necessity impelled them, kept them out of their beds. They were heavy with sleep. The air of the room was close and unpleasant.

Maggy had all but finished turning Alexandra's coat and skirt. Alexandra had adapted two Indian shawls into an effective dress for Maggy. The work was too hastily done to bear inspection at close quarters or much strain by its wearer. They had been steadily at it for five hours.

It was Maggy who gave in first. She finished machining with a savage jerk, leaving the handle to revolve by itself.

"Let's go to bed," she said. "I'll get up half an hour earlier and finish that."

Alexandra went on. She was not going to be beaten for the sake of half an hour. Besides, she knew that Maggy in the cashmere shawl arrangement would please De Freyne. She, at any rate, would pass muster.

"I'm not so very tired now," she answered without looking up, "and I may be in the morning."

Maggy shook her hair down and slipped out of her clothes with the celerity that comes of practise between the acts. She did not even trouble to take the paint off her face. She got into bed and lay watching Alexandra working by the guttering candle-light. She did not talk. She was too utterly tired.

At last Alexandra's work was done. She hung up the dress and put away the needles and cotton. She had a strong inclination to get into bed without more ado than Maggy had shown; but habit was not to be denied. She knew she would not be able to rest properly unless she was clean and cool. She brushed her hair, washed her face and hands, brushed her teeth. A huge sigh from Maggy's bed made her turn.

"Am I keeping you awake?"

"No. I sighed because you're so different to me. I couldn't wash to-night. And I knew my hair'd be a mat in the morning and the pillow pink from my cheeks."

"I wish you didn't paint. There's no harm in girls doing it if they need it, but you spoil yourself."

"Force of habit. Mother made up my face from the time I was ten."

Alexandra in her nightdress knelt down at the side of her bed. Maggy never said prayers. To see Alexandra say them, she said, was the nearest she would ever get to such things. She had never been taught to pray when a child.

"Might as well drop Him a hint that we're at the end of our tether," she suggested presently.

When Alexandra rose from her knees Maggy was sitting up in bed watching her, her hands clasping her legs.

"And you mean to say that you believe somebody hears you!" she said wonderingly.

"Yes."

"And does what you ask?"

"Yes—in the end."

"Then He must be pretty deaf.... You look nice saying your prayers. If I were God I couldn't refuse you anything. P'raps He's a woman-hater. Women get the worst of it everywhere, I think. If we do wrong, we have to pay for it. If we don't do wrong, we have to pay just the same. We're made so that we're not fit to be working all the time. Oh, it's a hell of a world for women! I can stand anything when I feel it's fair and just. I can't see any justice where we're concerned. They have an inspector Johnnie to see that the scales in the grocery-shops are fair, but if a woman wants to make a bargain she's got to do it on the heavy side."

"The law courts are the scales."

"The law? Aren't the scales against us there too? If we want a divorce we've got to be knocked about as well as—other things. If we're deserted and ruined before we're married we can get so many shillings a week until the kid's in his teens. And if there's no kid or it dies, well, p'raps your God'll help us, but the law won't. It's all too hard to fight against, and one can't make head or tail of it. Look at the White Slave Traffic. They'll flog a man if they catch him at it, but they won't flog De Freyne and give him hard labor for the dirty work he's doing every day of his life, though everybody knows about it. Why, he's only a—what's it called?—procurer for the nobility and gentry and all the rich bounders. And we're not all in yet, but we shall be. My word, one hears a lot about the chorus-girl being on the make-haste and living you-know-how. One doesn't hear how she's driven into it, like cattle into a dirty pen. I'm done, Lexie. I shan't hold out long."

Alexandra blew out the remaining candle. In the darkness one could just make out the two narrow beds and the glimmer of the window.

"You mustn't give in, Maggy," came Alexandra's voice after a pause. "When one meets the man one cares about one doesn't want to come to him with nothing to give."

"Why not? There isn't a man in a hundred who comes to a woman with a clean slate. Why should they expect us to have nothing written on ours?"

"Because when a man marries nature makes him want a pure woman, not for his own sake but because of the children she will probably have. For myself, I know I would rather show a clean slate to the man I loved and who loved me in a decent way whatever his life had been, than let a man who was nothing to me write his name there first. That must be wrong because it's against nature."

"Is it? I don't know. You can argue better than I can. You don't lose your temper. Let's bring it down to ourselves and our difficulties. The stage is a honey-pot and we girls are the honey in it, and the men are the flies buzzing round. They won't leave us alone. They make it almost impossible for us to live a decent life. And if it's decent it isn't beautiful. You can't call it beautiful, Lexie. This room's the limit. Think of the food we eat. Generally beastly. And our clothes. Everything's ugly and makeshift, and yet we've only got to stretch out our little fingers—"

"More than our little fingers."

"Well, if you like. Anyway, what are we waiting for? There's no sense in it. It won't get us any forrader. Why don't you leave me alone? I'd almost made up my mind to give in when I met you. I should rather enjoy cutting a dash and having everything I want and going one better than the other girls who crow over us, and snapping my fingers at the management like Mortimer did to-day. If a man was going to marry me and give me a nice broad ring and a little home there'd be some reason for going on like this and keeping good; but men don't ask chorus-girls to marry them, as a rule—not by a long chalk! Oh, goodnight!"

She twisted on to her side, and the bedsprings groaned.

From neighboring churches clocks began striking twelve. The noises from the street subsided. Only an occasional footfall was heard or a cart rumbling past. Sometimes a shrill voice broke the stillness, sometimes a drunken song.

The girls slept.

At dawn a cool breeze moved the dingy window curtain. Maggy woke and peered through the gray light at Alexandra, sleeping.

She looked as though she were dead and at peace.

Maggy wondered if that was the better fate.

VI

De Freyne did not seem to notice the efforts of the two girls in obeying his instructions to smarten up their appearance: he said nothing. But for all that, the change did not escape him. Maggy, in the draped cashmere affair struck him as likely to appeal to a Jew or a gentleman from Manchester. He had a particular individual of each type in his mind, and awaited a propitious moment for exploiting her to one or the other. For the next few days the attention of the girls would have to be devoted to rehearsals, not men.

De Freyne's exploitation of his chorus naturally had it roots in commercialism and self-interest. The girls themselves very seldom thanked him for his introductions. They were astute enough to understand that the advantage was at least mutual. Not that De Freyne expected any thanks. It was a trite observation of his that theatrical people were the most ungrateful lot in the world. He himself was a shining illustration of the dictum, but that did not lessen its truth. He got his "turn" from his wealthy stage-door dilettanti. It might be a social one in the shape of admittance to elevated circles; a select club, a shooting party, a cruise on a big yacht. Sometimes it was an invitation by a young and indiscreet member of the peerage to his country house and a photograph in the illustrated papers to proclaim it. De Freyne was very partial to reading beneath the group: "From left to right: The Marquis of Perth, Lady Angela Coniston, Sir Francis Manningtree, Mr. De Freyne...." This was prestige dear to his heart. He toed the line successfully between Society and Bohemianism. Most of the rich rascals and all the rich fools of the world were at his service.

But what gave him most satisfaction was to be able to put an important City man under an obligation. It often resulted in special information concerning stocks and shares that brought him large profits. He would have sacrificed any girl's reputation for a one-fourth per cent. turn of the market, and frequently did so.

In this regard he mentally pigeon-holed Maggy. It would not be difficult to find her a partner in the dance to which he should set the Mephistophelean measure. Alexandra he looked at with a cold eye. He wasn't sure of her. He had nothing to say against her looks, but he had no use for prudish high-steppers. Quick of apprehension where girls were concerned, he put her down in that category. The chorus would bear thinning out a bit. As a matter of policy, De Freyne always engaged more girls than he wanted.

For another week rehearsals went on, growing more frequent and longer. The clever stage-manager goes nearer creating silk purses out of sows' ears than any human being. No one in the early days of rehearsal would associate the pouting, obtuse, wooden young woman with the airy fairy sylphs who ravish the eye on a first night; yet they are one and the same, trained by methods similar to those used in schooling performing animals, by coaxing, bullying and inexhaustible patience.

When the chorus were at last up to concert pitch and the principals letter-perfect, the dress rehearsal took place. Maggy was in the front row, looking big and beautiful in a Futurist creation of rose fleshings and black chiffon. The front row girls were very carefully chosen for opulence of figure. Alexandra had been relegated to the back. She was disappointing in tights, which means nothing more than that if a butcher did not approve her an artist might.

It was over at last, the long performance with its glitter, glare and gaiety. There was nothing in it, but all London would flock to see it because the music was catchy and the girls so pretty and the whole show so symbolical of the light side of life. For several days afterwards rehearsals were frequent. The usual "cuts" and alterations had to be made, the show licked into shape.

On one of these occasions Maggy received a message from De Freyne. He wanted to see her. Leaving Alexandra in the dressing room she went up to the managerial office. It was nearly one o'clock.

"I'm glad you took my advice," he said in a friendly tone. "You've been turning yourself out much better."

"Thanks," Maggy answered. "Is that all?"

"No. I'm going to put you in the way of dressing really well. A very decent chap wants to know you. You'll be lucky if he likes you."

"That's your opinion. Well, he can like me as much as he likes. But I'm straight."

De Freyne chewed the end of his mustache.

"You get these silly notions from the girl you live with," he said impatiently. "I'll mix advice with a bit of prophecy. If you don't try and make yourselves more agreeable you'll find you're in—"

"Queer Street?"

"It's equivalent—Garrick Street and Maiden Lane—out of a shop. It doesn't hurt you to be nice to a fellow, does it? He may ask you to lunch. Duchesses lunch."

"I'm not a duchess, and I'm particular who I lunch with."

At the end of her sentence the door opened and a man looked in. He had heard her, and was amused.

Maggy's look as she turned to acknowledge De Freyne's introduction was inimical. She knew perfectly well what that introduction portended. She must be hard. She had repulsed other men. She could take care of herself. But this man—what was his name—Woolf?—loomed tall and big over her, big as Fate, possessive. He exercised a spell: he appealed to her. She knew it in the first moment that she looked at him. She knew she would like to lunch with him, and that she would inwardly be disappointed if she had the strength of mind to refuse. When the invitation came she accepted it with cheeky reservation.

"All right, Mr. Woolf, so long as you don't think I'm Little Red Riding-hood and included in the menu."

The capitulation satisfied her conscience. Then she remembered Alexandra.

"I must go and tell my friend not to wait for me," she said.

"Miss Hersey?" supplied De Freyne. "You might also ask her to come in here in ten minutes, will you?"

"My car's outside," said Woolf. "You'll find me at the stage-door."

Maggy ran along to the dressing room where she had left Alexandra. The other girls had gone.

"Lexie, I'm going out to lunch," she began breathlessly. "I wish you were coming too. Do you mind? I shan't be long. I'll cut home as quickly as I can."

She could not hide her excitement. It showed in an added sparkle of the eyes, a catch in the voice. Alexandra wondered what else besides an invitation to lunch could have created this effect. It caused her vague uneasiness. But prospective enjoyment was so clearly written all over Maggy's face that she refrained from expressing it.

"Of course I don't mind," she said. "I hope you will enjoy yourself."

"You are a dear!" Maggy felt awkward. "You—you don't think it's wrong?"

"There's nothing wrong in going to lunch with anybody. Especially if he's—all right, and knows you are, too."

"He's nice, I think."

"I'm glad. But be careful, Maggy."

"Rather!"

Maggy moved to one of the mirrors and took up a powder-puff.

"You've got heaps on already," deprecated Alexandra.

"Have I?" She powdered over the rouge. "I do look rather like puff pastry—in layers, don't I? Well, I haven't time to take any of it off. Lexie, De Freyne wants to see you in a minute or two. I don't think it's anything important. He seems in a good temper. Ta-ta, dear."

She ran out and made for the stage-door where Woolf was waiting for her. His car, a big open one, was drawn up opposite it. Maggy wished the girls had not all gone. They had twitted her so often about her lack of a male escort. Now there was no one to see her get in.

"Where are we going?" she asked. "The Savoy?"

"Not this time," said Woolf. "My house is not far off."

"I'd prefer the Savoy," she persisted, although she had never actually been to that restaurant.

Woolf was the sort of man who invariably gets his own way with women. In addition to being characteristically obstinate he was indifferent to any opinion that clashed with his own. If it was one that suited him so much the better; if not, he ignored it. So long as he paid the piper he considered he had the right to call the tune. But before paying he scanned the bill carefully. He was not a gentleman. He met gentlemen sometimes, and was adaptive enough to be mistaken for one. He belonged to one or two nearly-good clubs. He was a man about town in the sense that he was to be seen wherever money could purchase an entrance.

"You'll be quite chaperoned at my place," he assured Maggy. "I've a man and his wife."

"I don't need a man and his wife to look after me," she retorted sharply.

He gave her an attentive stare. "Who does look after you?" His meaning was obvious.

"Myself, of course. Why don't we go to the Savoy?"

"How persistent you are. Do you want to know why, really? Promise you won't be offended?"

"If I am I'll hop out."

"Well ... when you let me buy you some pretty clothes I'll take you there."

He half expected she might "hop out," especially as the car had come to a standstill in a traffic block. She looked hot-tempered. But Maggy was too level-headed to be sensitive on the score of clothes.

"I suppose that king in the story wouldn't have been seen with his beggar maid at the Savoy until he'd dressed her out," she remarked ironically. "Well, you won't go there with me any time, anyway."

"Why not?"

"Because this young woman provides her own wardrobe."

"We shall see."

Woolf liked her spirit, otherwise her independence might have irritated him.

Arrived at his house he gave her in charge of his man's wife. Maggy disliked the woman on sight. There was something furtive about her. She gave the impression of being one who was used to waiting on ladies in a single man's house. Sly and secret amusement lurked in her eyes. She lingered, unostentatiously, while Maggy prinked herself in front of the glass. After a minute or two she turned, and intimated that she was ready.

"Wouldn't you like to take off your hat, miss?"

There was something unpleasantly insinuating in the smooth tones.

"No, thanks," said Maggy shortly.

"You've left your purse on the table, miss."

"Have I? There's nothing in it. It'll be quite safe."

The woman led the way downstairs and ushered her into a room half-library, half-drawing-room.

"Find everything you wanted?" inquired Woolf, coming forward to meet her.

"Yes, thanks. What a swanky bed-room! Silver hair-brushes and face powder and hairpins! Is it yours?"

"No, it's the visitors' room. I'm glad you like it."

"I didn't say I liked it. It looked as if you always had it ready for a lady. I don't like the look of your man's wife either."

Woolf laughed at the downright expression of opinion.

"She's all right," he said significantly. "She's as quiet as the grave and much deeper."

"She's no good."

"Who is! Are you?" He took her hand and tried to draw her to him. Maggy's form grew rigid.

"Hands off," she said coolly. "There's nothing doing here."

"Won't you let me kiss you?"

"No."

"Why not?"

"For the same reason that I keep my hat on, and you don't. One's out of respect for me and the other's respect for myself."

"You're a funny girl!" Woolf drew back and looked at her. "Why are you on the defensive?"

"Haven't I need to be?"

"Not with me, surely. I want to be friends with you."

"Friends!" She threw up her chin aggressively. "I've only got one in the world."

"And who is he?" Woolf asked with quick curiosity.

"She's a girl. I chum with her."

"Women can't be friends with each other," he asserted didactically. "Especially when they're of the same profession. A Hottentot woman and her civilized sister have only one occupation—the study and pursuit of man. You're like doctors, all at each other's throats. Some of you practise homeopathy, the others are allopaths. The first marry and take their husbands in small doses, the allopaths believe in quantity. Your friend would probably leave you to-morrow if she got a good enough chance."

"Talk about some one you know," Maggy responded.

The contentious conversation was interrupted by the entrance of Woolf's man announcing lunch. They went into the dining room. Maggy was hungry and did justice to an excellent meal. But she refused to drink anything stronger than lemon squash, and when Woolf pressed her for her reason for such abstinence she gave him none. She had seen her mother suffer from alcoholic excess. The smell of spirits always turned her sick.

When they were alone Woolf leant towards her.

"Now let's talk," he said. "What do you want me to do for you?"

"Nothing," replied Maggy shortly.

"Do you dislike me?"

She looked at him and away again.

"No. That doesn't mean you're fascinating. You're the sort of man who might get round a girl like me if I was fool enough to listen to you. Lexie—that's my chum—would tell you off at once."

"I should think she's a man-hater." Woolf was beginning to feel a distinct antipathy towards Maggy's friend.

"No, she isn't. Only men aren't much in our line. You can see prowling beasts without going to the Zoo."

Maggy's conversational trick of generalizing led away from the point Woolf wanted to press.

"You doubt me," he said. "You'd believe in me if I wanted to marry you—"

"Oh, cut it! You don't!" she interjected.

"Marriage is an institution for the protection of women who wear flannel petticoats. It doesn't follow that a girl can't trust a man because he offers her a lot more than most wives get."

"He offers her a lot more because he knows it won't last for long. I'm practical."

"If you were practical you'd listen to my offer."

"Oh, I'll listen."

"Well, I'd like to make you really comfortable. You ought to have a smart little place of your own, and dainty things, and money to spend."

"It's as old as the hills. I daresay I'm not the only girl you've made that proposition to. Try somebody else. I'm going now."

"You mean you won't think about it?"

Maggy was silent for a minute.

"Oh, I shall think about it right enough, don't you worry," she said in an odd voice. "I shall think about it when I'm hungry. I shall think about it when I'm tired. It's a long way from the theater to King's Cross Road. I shall think about it when I see the other girls sneering at me because I haven't got a boy. I shall think about it in the summer time when people go to the sea and take off their clothes, and I shall think of it in the winter when I'd like a few more on. You needn't think I don't know that you're tempting me." Her voice nearly broke.

"Then be friends," urged Woolf again. "What's to prevent you?"

"Lexie. Lexie would be cut up. Lexie has made me think more of myself since I've known her than I ever did before. If it wasn't for her do you think I'd traipse home night after night to that slummy little room that's dear at fifteen shillings a week? She's not used to the life, and if she can hold out against it I ought to be able to who've never known anything better. Well, thanks for a nice lunch. You've fed the hungry. That's one good mark for you."

Woolf led her back into the other room and shut the door.

"You'll kiss me before you go," he said imperiously.

He had her by the wrists. His strong grasp sent a thrill through her. Though she resisted she wished there were no harm in letting him kiss her, wished that his offer were not based on wrong-doing. It was not only because he could give her material things that she was tempted. She had stumbled across a man who made a direct call to her nature, and she knew it. De Freyne, callously unselective, could not have deliberately chosen an individual more likely to encompass Maggy's surrender. Woolf was not young: nearly forty. But he was so blatantly good-looking, so—so swaggering. Maggy knew he was selfish and probably a little unkind, possibly bad-tempered, that he would never care for a woman in the way that women crave to be cared for, tenderly, protectively. All the same, she knew that she would get too fond of him if she saw him often and that he would go to her head....

Even now she felt dizzy. Her habitual self-confidence deserted her. She experienced an overmastering desire to fling herself into his arms and cry and cry, to tell him how difficult everything was, and how she had tried.... But she knew perfectly well that he would not understand. He was a man who would never understand women's feelings because he did not think them worth understanding. As long as there were women in the world, plenty of pretty ones, their feelings did not matter. Flowers did not feel when one picked them, or if they did, well, that was what they were there for: to be picked.

"You don't want to kiss me against my will, do you?"

Maggy struggled free. As a matter of fact Woolf's grasp had relaxed. He was quite ready for the interview to end. He had a business appointment at three and did not want to be late for it. If Maggy had offered him her soul at three that afternoon, or what interested him far more, her substance, he would not have foregone his appointment. That was the man.

"Well, good-by," he said, without further persuasion. "You can go home in my car. I'll 'phone to the garage now."

Maggy went to get her purse and gloves. When she returned Woolf was no longer in the room. It was five minutes to three.

"The car is at the door, miss," the man told her. "Mr. Woolf had an appointment to keep. He asked me to say would you ring him up any time you wished to speak to him. This is his telephone number, miss." He handed her a card.

He helped her into the car and tucked the linen rug round her with just that touch of familiarity which the good servant avoids. Maggy knew perfectly well what he and his wife thought about her. Unused as she was to servants, good or bad, she was quick enough to appreciate that they took their tone from their employer and his habits.

She leant back in the car and gave herself up to the luxury of being driven in it. The celerity with which she was whirled from the affluence of Piccadilly and Regent Street to the grimy purlieus of the King's Cross Road had a disheartening effect upon her. When the chauffeur stopped at her door she was sure she saw disparagement in his face. He would return to his own place and tell Woolf's man and his wife to what sort of a lodging-house he had taken her, and they would make impertinent jokes at her expense. She despised herself for caring what the man thought or said. Alexandra wouldn't have cared a button. She would have scorned the man for scorning her.

She went upstairs slowly. The period of reaction had arrived. It depressed her. The lunch was over; the pleasant excitation Woolf's company had aroused had died down. She felt "flat."

To her surprise Alexandra was not in. She put the kettle on the gas-ring and took out their tea-cups from the cupboard where they were kept. She was rather glad she had got in before her friend. It would show how she cared about her, to have hurried home and made tea.... Good old Lexie!

At the sound of steps outside she called out:

"Hurry up, Lexie. Tea!"

It was Mrs. Bell, not Alexandra.

"I've brought the bill," she observed, depositing a half sheet of paper on the table. "I'd be glad to have it squared soon. You're still one-ten behind."

"We haven't got it yet."

"You'll pay me soon? I shall have to let the room if you don't. Letting's all I have to depend on, you know. By the way, I ought to have told you, it'll be seventeen and six a week now instead of fifteen. The rents of these houses have gone up."

"Since I drove here in a car," snapped Maggy. "We'll pay you and clear."

"No, don't do that, dearie. Can't you just give me a bit on account?"

Maggy opened her purse and held it upside down. She had given threepence to Woolf's woman, and the remaining threepence to the chauffeur. They had despised the coppers, naturally, and barely thanked her. They would not have thanked her at all but for the possibility that they might see her again under more affluent circumstances.

"Something'll happen soon," said the woman, thinking of the car. "I'll treat you kind because I've a kind 'eart."

She stood away from the door to let Alexandra, who had come up, pass into the room. Maggy looked up quickly. Something was wrong. She saw it at once.

"So I'll let it stand over," went on Mrs. Bell. "The bill," she explained to Alexandra. "It seems as it's not convenient for you to pay it yet. It's disappointing, but I suppose—"

"How much is it?" asked Alexandra in a dispirited voice.

"Two pounds—five altogether with last week's bill."

To Maggy's amazement Alexandra handed her the amount.

"Write the receipt and go, please," she said.

When they were alone Maggy stood still waiting for an explanation.

"Where did you get it?"

To add to her astonishment Alexandra began to cry brokenly. She had never seen her give way before.

"Lexie, darling, what is it?" Her voice was sharp with alarm.

Alexandra stopped crying as suddenly as she had begun.

"A fortnight's salary in lieu of notice," she said. "I think I've been walking ever since. The pavements were hot, and—my head."

Maggy said nothing more. With a world of sympathy in her touch she unpinned Alexandra's hat. Alexandra sat with her hands in her lap staring in front of her. Maggy knelt on the floor and gently drew off her friend's shoes, brought slippers and put them on, after which she poured out a cup of tea and silently put it before her.

This was dire news. Lexie would tell her more by and by. Maggy knew she couldn't talk now. She couldn't have said a word herself without breaking down. Tea would relieve the tension.

There came an irresolute knock at the door, and their landlady thrust in an arm and a plate.

"Shrimps was passing so I've bought you a pint for a relish, dears," came a conciliatory whine.

To save argument Maggy took them and shut the door again.

"W-what a mixture!" she gasped hysterically. "Temptation and tea, t-tears and—shrimps!"

VII

Alexandra began to tell about her sudden dismissal. De Freyne had been in a good temper and apparently had no grievance against her. Every one in the chorus knew there was always the chance of not being kept on for the run of the piece. He was the managerial autocrat of stageland and he did what he liked. A fortnight's notice or a fortnight's salary in lieu of notice discharged his obligations so far as his chorus was concerned.

Quite formally and with much the same stereotyped form of regret as an editor employs in rejecting a suitable contribution, he told Alexandra that he did not feel himself justified in retaining her services.

"Are you—dissatisfied with me?" she faltered, utterly taken aback.

"No, not exactly. You're a hard worker."

"Then—?"

"I simply find I don't need you. I'm sorry, but there it is."

"Is it—because I didn't get a new dress when you spoke to us? I couldn't afford to," she said simply.

De Freyne fidgeted with some papers on his desk.

"Oh, that's all finished and done with," he answered without looking at her.

"But I'd like to know where I've failed, please, Mr. De Freyne. It's very important that I should know. I shall have to find another engagement."

De Freyne gave her a searching look.

"You may get on all right elsewhere," he said. "I'll tell you the truth for once in a way. You're not the right type. Don't you see you're not the sort of material I've got to provide? Hang it all, it's my living. Do you think I surround myself with the belles of Houndsditch and the Lord knows where because I like it? The only kind of girl I've any use for is the one who, besides working in business hours, makes a show in smart places the rest of her time. Miss Mortimer was a good instance of what I mean until she got swelled head. You're a lady and you won't do. Forget you are one and you can stop on or come back again. I mean that."

She knew what he meant, and since she had no intention of modeling herself on Miss Mortimer she also did not attempt to argue the matter. De Freyne, for some unaccountable reason, tried to justify himself.

"I daresay you think me a sort of understudy to Apollyon, but if you'll look at things impartially I'm not as bad as all that. The girls I engage come to me knowing I can find them the best market. I give them far better chances than they can get anywhere else. You and your friend are—accidents. You have either got to clear or—conform. In the case of your friend, don't you think it's rather a shame to persuade her to buck up against things? She's not like you. It's not doing her a good turn. I've given her a chance to-day...."

He let the words sink in.

Alexandra left the theater, dismissed.

Her luck looked desperately bad. It was unlikely that she would get another engagement until the autumn, if then. It was a long time to wait. True, she might go and stay with her nearest relatives, the Anglo-Indian Colonel, his wife and daughters, but they lived in Devonshire. Once in Devonshire it was morally certain that she would have to remain there, dependent on people with whom she had nothing in common. Her purse would not allow her to make frequent journeys to London to find work.

She did not want to give up the stage without a struggle. It would be horribly humiliating to own herself beaten. She believed in her dramatic ability. She was not afraid of roughing it, but she had not seen the rocks ahead. When she turned over in her mind other ways of earning a living difficulties presented themselves. She could not do office work: she knew nothing of shorthand or typewriting. She might apply for the post of children's governess or companion, but would she be acceptable for either? There would be questions as to her previous experience. All she would be able to cite would be a fortnight's stage-work in the chorus, hardly the right qualification for a guardian of youth or companionship to a lady! She could picture the instinctive drawing-back of a prospective employer and the murmured "I'm afraid you won't do...."

No, she would have to go on as she had begun or drop by the way.

She walked the sun-blistered pavements, hardly noticing where she was going, trying to think what to do, where to go. The same old heart-rending round would begin again—Denton's, Blackmoore's, Hart's, the lesser known agencies, and "nothing for you to-day. Look in again, dear."

How she was going to live she simply did not know. A fortnight's salary! ... She could not guess how many hundreds of men and women of the same profession as herself were facing the same problem without even the fortnight's salary between them and destitution.

Then there was Maggy. Unless Maggy "conformed," she would be told to go too. De Freyne's words stuck in her mind: "Isn't it rather a shame to persuade her to buck up against things? It's not doing her a good turn." "Things," of course, was a euphemism for Fate. She had never meant to impose her own moral views on Maggy. She didn't want to spoil her material prospects. Maggy had shown again and again that it was only on her, Alexandra's, account that she had elected to make a stand. There was ever a hint of irresolution behind her apparent firmness. Alexandra was fairly sure that if Maggy found a man who would gain her affection and treat her well she would be ready to be convinced that there was no harm in an unlegalized union. That she had not succumbed in the past was no argument that she would remain unassailable in the future. Alexandra was perhaps standing in her light. In one sense she was protecting her, in the other she was taking the bread out of her mouth. She did not feel herself privileged to coerce the younger girl when she could not help her or even help herself. Maggy was not fiercely virginal. Once she had taken the initial step she would lose her sensitiveness. Nature would demand that she take it sooner or later. She was frail, because at heart she was so simple, so unhesitatingly unafraid to go where her instincts led her.

Alexandra made up her mind that she would not try to influence her. It was not fair. But she hoped she would not yield to temptation. Something in the thought of Maggy surrendering twisted her heartstrings. It made her feel so dreadfully sorry. It was as though she dimly foresaw that if Maggy snatched at the sham thing Joy, she would see it turn to sorrow, to dust and ashes....

She found herself before the door of their lodging. She had walked there mechanically with dragging steps. De Freyne had said that he had given Maggy a chance that afternoon. Alexandra recalled her happy, flushed face, the look of excitation in her eyes. Maggy had evidently liked the man, whoever he was. It was only three o'clock. She did not expect her back yet. She was probably still enjoying herself tremendously. Alexandra wondered how much Maggy cared for her after all, how soon before she would leave her to fight it out alone.

The Honey-Pot

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