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Contents

Introduction

Book One: Before the Book Deal

I. Getting it right

Making time to write (and then actually writing)

Setting writing goals

Killing your inner perfectionist

Developing your voice

Making the most of your writing workshop

Learning to revise

Using sensitivity readers

Am I wasting my time and money in this MFA program?

Is there a world in which I can teach without an MFA?

Creating (and maintaining) a literary community without an MFA

Am I writing the wrong book?

II. Getting it out there

The logline and the project summary as (potential) writing tools

Why you should keep submitting work, regardless of rejection

So where should I submit?

How should I submit?

Can I send multiple submissions?

Following up with editors

Submitting to contests

Applying for awards and fellowships as an emerging writer

Is my rejection a rejection?

Book reviewing and author interviews

How to pitch

What to expect when you’re not expecting virality

Dealing with trolls and negative comments

To self-publish or not

III. Getting paid

How to financially plan

How will I get health insurance as a writer?

Should I write for free?

Can I call myself a writer if I’m not making money from my writing yet?

Supplementing your income, a.k.a. the side hustle

To teach or not to teach

Hey, Mister, where’s my money?

Can I stay in my corporate job without losing my creative edge?

If I have children, will I ever write again?

IV. Getting it represented

If I want to get my book published, I absolutely, positively need to have an agent, right?

I’m a poet. Should I be looking for an agent?

I’m ready for an agent. Is my manuscript?

How to find the right agent for your work

The agent query process

How to stay sane while you’re waiting for an agent’s response

Holy crap! An actual human agent has replied!

Preparing to submit to editors

Can we sell my first book on a proposal?

We’ve got nibbles! (a.k.a. setting up editorial phone calls)

How do I know which editor to choose?

What if the offer sucks?

Should I take a two-book deal?

What if everyone says no?

V. Everything you’ve ever wanted to know about advances, but were too afraid to ask

How do I know whether or not I got a good advance?

What is everyone else getting?

Merits of small advances

The pros and cons of big ones

Do you have to earn out to be successful?

Budgeting your advance

Book Two: After the Book Deal

I. Prepublication

Reining in your ego

The social media announcement about your big book deal

The publishing contract

Surviving the editorial letter

How to set—and meet—your book deadline

Developmental edits

Meeting your book’s team

You drive me crazy: the things authors do that drive publishing professionals nuts

When your title’s not your title

Manuscript acceptance

Setting a launch date

The blurb discussion starts

Gulp! Your cover concept is revealed

You get assigned a publicist. Or you don’t.

Little orphan writer

Internal presentations and book conferences

First-, second-, and third-pass edits (a.k.a. the last time you can change something)

On acknowledgments

The author photo

Writing your author bio

Creating an author website

The marketing brainstorm

Understanding foreign rights

Audiobook land

OMG someone wrote the same book as me!!!

Trade reviews start to come in

When the private becomes public

How to share good book news on the Internet

A few words on envy

Getting your voice out there (also known as essay time!)

Planning your book launch

The prepublication e-blast

What if I die before my book comes out?

II. PUBLICATION! (-!@#$%^&*¡:o)

Managing expectations on (and around) pub day

When your debut isn’t your debut

Typical print runs

How many books does my publisher want me to sell?

Reading your reviews

Understanding (and then never looking at) your Amazon sales ranking

My book’s sales are sluggish. Should I crawl under a rock and die?

Will your book be a bestseller?

How to get your book to book clubs

Handling people who just don’t get it

Why aren’t my friends saying anything about my book?

When Trump happens to you

Debuting after forty

Dealing with disappointment

My publisher turned down my second manuscript. What now?

Dealing with success

Film and TV options

Adapting your own book

If your book becomes a film

Revisiting awards

Welcome to list time!

III. When the show goes on the road

Avoiding overcommitment (or: learning to say no)

The DIY book tour, three possible tracks

The full-court press, national tour

Book tour FAQs

Some book tour tales of woe

Things you should pack for book tour that you might otherwise not think to pack

Prepping for live events and interviews

Authors from marginalized communities revisit their experiences on the road

IV. Postpublication (or: life after your debut)

The Great Big First-Book Comedown

The stress of the sophomore project

The world is going to want a novel, but you don’t have to give it one

Tips on entering the academic market

Should I take this weird-ass ghostwriting opportunity?

OMG my inbox: handling your email

Hiring a speaking agent

Do I need to go to parties?

Do I have to blurb? (And how, exactly, do I do it?)

What do I do with all these galleys?

Publishing your paperback

Reevaluating your professional relationships after your debut

Should I move somewhere remote?

The new face of rejections

Will my second book be successful?

Writers, it can happen to you

V. Readying the gangplank: publishing professionals and authors share their best advice for debut authors

Acknowledgments

Resources and references

Before and After the Book Deal

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