Читать книгу The Lost Diaries - Craig Brown, Craig Brown - Страница 26

A great night out for Tony. A great night out for New Labour. And a great night out for Britain. Yup, it was the 1997 Brit Awards, that literally incredible celebration of the new explosion of British youth and talent. ‘I live in a house in a very big house in the countraaaay,’ sang Blur, and you felt your whole body rising up, and not just because it was nearly time to go.

All of us in New Labour felt it would be fantastic to forge an association with youth and optimism, so Donald Dewar was put in charge of booking a table way back in October. The eight of us – Gordon Brown, wearing his old flared jeans, the lovely Ken and Barbara Follett, Tony, me, Jack Straw (looking very casual in a cravat over a beige polo-neck), Margaret Beckett (ex-Steeleye Span, of course) and John Prescott (squeezed into his velvet loon pants) were lucky enough to share a table with the super young lads from Oasis.

At dinner, we were keen to find out what the youth of Britain really thinks about the major issues confronting this country. Over soup, Margaret, sitting next to Noel Gallagher, suggested we might harness the great energy of Britpop to help solve some of the problems facing us. Noel brought the natural verve of youth to his reply. ‘Piss off, toothy,’ he said, reaching for another can of lager.

‘Thanks, Noel. I certainly think that response gives us much to build on,’ enthused Tony. ‘Any other suggestions, lads?’

At that moment, the Oasis drummer removed Jack Straw’s specs and began to wiggle them round in the air with all the super high spirits of the young. Jack made it clear he was enjoying the joke tremendously by laughing for five to six seconds before saying, ‘Joke over, lads – joke over.’ But by this time the drummer had given them to the rhythm guitarist, who was now wearing them on his bottom.

It was left to John Prescott to break the ice. ‘Are New Labour’s plans for the renationalisation of our railways exciting much interest among the young?’ he asked.

‘Speak up, fatty!’ replied Liam Gallagher, and we all laughed appreciatively at his rough-and-ready Scouse wit while he amiably sprayed us all with a frothed-up can of Special Brew.

Tony has always been a terrific fan of pop music, and for much of the first session – by the exciting new band Blur – I noted he had his top set of teeth pressed over his bottom lip while his hands played along on his dummy guitar. Meanwhile, Jack Straw was busily trying to retrieve his spectacles, which by now had been passed by the rhythm guitarist of Oasis to the bass guitarist of Garbage, who had employed his lighter to bend them into some sort of abstract ‘mound’, reflecting the spiritual aspirations of the young.

‘I live in a house, in a very big house, in the countraaaay,’ sang Blur. I noticed that Margaret, having removed her straw hat with its lovely green ribbon, had got out her pocket calculator to work out how the aforementioned very big house in the country would be affected from a tax point of view under New Labour, if it was owner-occupied with a 50 per cent endowment mortgage, repayable over twenty-five years. ‘Best not tell him,’ she whispered to me, ‘but he’ll be 7 per cent worse off under New Labour.’

Next came Tony’s big moment. He was presenting the Lifetime Achievement award to David Bowie, a personal favourite. Tony was wearing his loose-cut Armani dark suit with a floral tie, but beneath it – and this is what viewers couldn’t see – he was kitted out in a multicoloured Aladdin Sane bodystocking, ready to meet his hero.

‘It’s been a great year of energy, youth, vitality, and great, great music,’ began Tony, ‘and believe me, we in New Labour draw terrific inspiration from your tremendous efforts.’ Sadly, the rest of his speech was drowned out for me by the organist from Screwball vomiting over Ken Follett’s double-breasted Armani suit.

PETER MANDELSON