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BLACK GOAT is an independent poetry imprint of Akashic Books created and curated by award-winning Nigerian author Chris Abani. Black Goat is committed to publishing well-crafted poetry, focusing on experimental and thematically challenging work. The series aims to create a proportional representation of female and non-American poets, with an emphasis on Africans. Series titles include:

Gomer’s Song by Kwame Dawes

The Ravenous Audience by Kate Durbin

Globetrotter & Hitler’s Children by Amatoritsero Ede

Abstraktion und Einfühlung by Percival Everett

Auto Mechanic’s Daughter by Karen Harryman

Controlled Decay by Gabriela Jauregui

eel on reef by Uche Nduka

Conduit by Khadijah Queen

to be hung from the ceiling by strings of varying length by Rick Reid

This is a work of fiction. All names, characters, places, and incidents are a product of the author’s imagination. Any resemblance to real events or persons, living or dead, is entirely coincidental.

Published by Akashic Books

©2010 Cristina García

ePUB ISBN-13: 978-1-936-07079-4

ISBN-13: 978-1-936070-01-5

Library of Congress Control Number: 2009939083

All rights reserved

Black Goat

c/o Akashic Books

PO Box 1456

New York, NY 10009

info@akashicbooks.com

www.akashicbooks.com

For Paqui

Acknowledgments

Mil gracias to Dean Rader for his generosity and brilliance.

Thank you to Donna Seaman and to Triquarterly for publishing “Twenty-Nine Palms,” and to Daniel Shapiro for including “Spell,” “Brownstone,” “Twenty-Nine Palms,” “Namesake,” and “What You Dream” in Review 78, Literature and Arts of the Americas. Also, my gratitude to Craig Perez and Jennifer Reimer of Achiote Press for their early support of my poetry.

And, of course, un gran abrazo to Chris Abani, friend without peer.

Every Angel is terrible. And yet, alas,

I sing to you …

—Rainer Maria Rilke

TABLE OF CONTENTS

Title Page

Copyright Page

PREFACE: Tapestry

PART I: 1960–1972

What You Believe

Deseo

Respuesta

What Tía Cuca Said

Bienvenido

Boy

The Twist

Kindergarten

Bike

By the Sea

Easy Out

Queens

Deseo #2

Adonis

First Time

PART II: 1973–1994

Deseo #3

Brownstone

Respuesta

Knight

Your Room

Newspapers

Report

What You Dream

Trip

Flight School

Brain

Mugging

Twenty-Nine Palms

A Pastoral

Vigilante

Namesake

His Best Friend

Girlfriend

What They Found

In Cuban

Salvation

Princeton

Deseo #4

Respuesta

Sunday

PART III: 1995–2007

Winter Tapestry

Your Advice

Distaste

Fried Rice

Twelve Years Ago

Wedding

Listen

Ode

Poultry

Angels

El Clave

Bipolar

Prayer

Deseo #5

Respuesta

Reincarnated

Ascension

Shrink

In Your Other Life

Forgetting

Spell

Bulk

Apologia

When You Die

CODA: Last Dream

PREFACE

TAPESTRY

A salon, or sunlit rotunda (our old dining room?).

You come speak to me. People who knew you come too,

whispering things.

This business of biography is a sham.

Thin green brocade of words.

Knots of grief. Can grief be a gift?

I fear it will make me your enemy but you must

trust me: I offer this in peace.

PART I

1960–1972

WHAT YOU BELIEVE

That you can speak to dogs.

That they don’t listen to you.

That women are impenetrable,

except for the obvious.

That children should like you.

That it’s possible to be a hero.

That the good things in life are bad for

you: mothers, malted milk balls, cocaine.

That there is a God but He’s ignored you.

That a family awaits you.

That you suffer for cheapness.

(Are you listening, Dad?)

That one morning you’ll wake up dead.

And that will be without pain.

DESEO

To recover the lost wealth

of boyhood, to bait you

with the magic of ordinary days.

RESPUESTA

Our childhood is dead.

Nothing is left but this:

your words against mine.

WHAT TÍA CUCA SAID

That Mami asked ¿Quién es?

when you were put in her arms.

That her teeth fell out.

That she got fat and depressed.

That three children in thirty-five

months was too much.

It’s not that she rejected you,

but this:

No one thought she was pretty anymore.

No one looked at her twice.

BIENVENIDO

This was never you—

firstborn; daughter, time

standing still for pure awe.

Celebrations and party dresses,

professional photographs.

When you were born, the revolution

soured and the deluxe world we lived in

was crumbling. Who had time to welcome

one small boy?

BOY

You gave away everything:

your candy and rapt attention, the marbles

on your Chinese checkerboard.

I winced at your misplaced trust. Why couldn’t you

toughen up? You were a boy, weren’t you?

Where did your gentleness come from?

Mornings you woke up cheerful in your crib.

The one you slept in till you were ten.

THE TWIST

We got to working on your finger snapping

first. Until you did it without missing a beat.

Fling out your elbows!

Turn your knees to rubber!

Like your life depended on it.

We made you believe you looked

cool, hermano. Twitchy, pint-sized swinger,

little Cuban Elvis in short pants and a cowlick.

This was your first, your easiest

step. Chubby Checker was next.

Now, are you ready to do the twist?

KINDERGARTEN

You wore your suit like a scratchy

blanket, little bow tie and jacket,

perfectly creased long pants, a crew cut.

Crayons and Superman lunch box in hand,

you took your place with us.

Mami made sure we looked good

on the outside, that the

world would never point to us and say less than.

Who knew the real damage

was done on the inside?

BIKE

You begged me to teach you to ride

a two-wheeler. All the other kids

knew how. You’re too short,

I said. You can’t reach

the pedals. Wait till you grow.

I don’t wanna wait till I grow,

you said. Please, okay? Please.

The Lesser Tragedy of Death

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