Читать книгу Re: Producing Women's Dramatic History - D.A. Hadfield - Страница 4

Preface

Acknowledgements

1. Women’s History: Pages and Stages

Exit: History

Performing Histories: Stage One

Performing Histories: Stage Two

Getting on with the Show

2. Producing Possibilities for Feminist Theatre

Developing Policy and Production in Canada

Beginning with the Word

Collective Creation

Who Could Do Such a Thing?

3. Dead Centre: Judith Thompson Takes on Shaw and Ibsen

Feminist Central?

The Court House Trials

Critical Verdicts

Inadmissible Evidence

Epilogue: Reviving Hedda Gabler

4. Sally into the Centre: Is Seeing Believing?

How Do You Spell “Success”?

Wanted: Single White Feminist

Re: Playing History

Playing With(out) Success

Trials and Verdicts at the Canadian Stage

Playing the Stakes

In-Credible Instruction

Reading History

5. Crossing Over, or, Reading Anger in the Margin

Reading Across Contexts

Writing the History of Mixed Blood: The Book of Jessica

In Search of Ceremony

Transforming Theatrical History

This Is (No Place) for You, Anna

Producing No Place on the Page

Reproducing No Place on Stage and Page

Of Supplements

6. Re: Visions of History

A Good Night for Feminist Theatre

Remainders

Works Cited

Index