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A CROFTING VILLAGE.

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The sight of a crofting village is at first rather surprising to one accustomed to large towns. The low roofs are not far from the ground. Often, while driving, if you turn a corner swiftly, you run the risk of being thrown out of the trap on to one of the chimneys. It does not take much imagination, especially in the dim dusk, to transform a low-thatched cot into some weird animal that might begin to walk along the hill-side at any moment. So irregularly grouped are the townships, dropped here and there, as it were, that you might fancy the houses had begun at one time to run a race with each other, and in the middle of it had suddenly stopped. Dr. Johnson complained that the windows were fixed into the walls and could not, in consequence, be opened to let in the air. That fault exists to some extent still: I have been told, however, that peat reek is very purifying, and that its thick fumes make short work of any noxious germs that might lodge about the nooks of the interior. Great changes are gradually coming over many of the clachans, changes not loved by an artist or a devotee of the picturesque. Instead of thatch, held down by ropes weighted with heavy stones, there is often to be seen a roofing of tarred cloth or corrugated iron. Romance might attach itself to a roof of thatch, but corrugated iron, with its distressing parallelism, could never awaken a genuine lyric note. Further, it does not make a very comfortable seat, whereas thatch is soft. Now, children in the Highlands are rather fond of sitting and even playing on the roof: thatch is less cruel on bare feet than iron is.

Literary Tours in The Highlands and Islands of Scotland

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