Читать книгу Konnakkol Manual - David P. Nelson - Страница 6
ОглавлениеCONTENTS
PREFACE | ix |
ACKNOWLEDGMENTS | xi |
PART 1 TEXT AND CONTEXT | 1 |
1 · Strategy and Structure | 3 |
The Purpose of This Book | 3 |
Strategies for Learning This Material | 4 |
The Structure of This Book | 7 |
Pronunciation | 7 |
Glossary | 8 |
2 · What Is This Thing Called Tāḷa? | 9 |
Nāṭyaśastra | 9 |
Suladi Sapta Tāḷas | 10 |
The Thirty-Five-Tāḷa Scheme | 10 |
The “Capu” Tāḷas | 11 |
Rūpaka Tāḷa as a Special Case | 12 |
Tāḷas from Tiruppugaṟ, Sixteenth-Century Songs by Arunagirinadar | 12 |
The Big Four Tāḷas | 12 |
Glossary | 13 |
3 · Notation Conventions and Some Fundamental Concepts | 14 |
Notation | 14 |
Sarvalaghu and Kaṇakku: Two Fundamental Concepts | 15 |
Glossary | 18 |
4 · Three Generations, Three Directions | 19 |
The Palani Composition Revisited | 20 |
Solkaṭṭu Manual Kōrvai from Chapter 8 | 24 |
A Kōrvai in Three Naḍais | 28 |
5 · Exercises in Tiśra Naḍai and Khaṇḍa Naḍai | 30 |
Preparation for Advanced Material | 30 |
Tiśra Naḍai | 31 |
Khaṇḍa Naḍai | 35 |
6 · Misra Capu Tāḷa | 42 |
Opening Section | 43 |
Variations on the First Mōrā | 45 |
Second Mōrā Series | 47 |
Kōrvai from Solkaṭṭu Manual Chapter 8, Adapted for Miśra Capu | 52 |
A Bridge Kōrvai to Tiśra Naḍai | 54 |
Tiśra Naḍai Section | 57 |
A Tiśra Naḍai Kōrvai | 57 |
Tiśra Koraippu | 58 |
Ending Section | 62 |
Ending Kōrvai | 66 |
7 · Miśra Jāti Jhampa Tāḷa | 69 |
Opening Mōrā | 69 |
Palani Composition for Khaṇḍa, T. Ranganathan Version | 72 |
A Kōrvai in Three Nāḍais | 74 |
Tiśra Naḍai Setup and Kōrvai | 79 |
Sankīrṇa Koraippu | 83 |
Ending Section | 88 |
8 · Khaṇḍa Jāti Tripuṭa Tāḷa | 91 |
Opening Composition | 91 |
Palani Composition | 94 |
Catusra Mōrās in Shifting Naḍais | 96 |
Catusra Koraippu | 100 |
Ending Section | 106 |
PART 2 Videos of the Three Tani Āvartanams | 111 |
The Performers Videos can be found at https://www.wesleyan.edu/wespress/konnakkol/. | 112 |
PART 3 Notation | 113 |
Key to the Notation | 113 |
Notation | 115 |
BIBLIOGRAPHY | 167 |