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ACKNOWLEDGEMENTS

A number of people have played a part in the realisation of this book. Some of them are not aware of the influence that they have given but it behoves me to take this opportunity to thank them, and acknowledge their support and assistance.

First, I must thank my late father for all things but, more especially as far as this book is concerned, for providing me with the necessary finance to purchase a trilogy of books by a then little-known Oxford don twenty-three years ago – after not a little boyish cajoling – and also for his encouragement, for as long as I can remember, in the study, understanding and love of the glories of English literature and the majesty of the English language. No greater legacy could he have left.

I must also thank former magistri David Canning, Dick Sibson and Den Burton, graduates of Oxford all. One of them, I know, sat at the feet of Tolkien. They provided some of the signposts for the road that I have travelled. Also I must thank Max Cryer for his patience and kind understanding and unflagging assistance at the time of trial by interrogation.

My gratitude must also go to Rayner Unwin, whose advice during the writing of this book and whose encouragement, comments and patience with a new traveller on the road to writing have been of invaluable assistance.

There are many writers whom I have never met who have written reams on the subject of myth and mythology. They helped to clarify the questions and provided leads to the answers. But of all the writers I must acknowledge the one whose works this book examines. J. R. R. Tolkien has provided me with reading enjoyment for the last twenty-three years and his work was the inspiration for this book.

Finally I must pay tribute to the limitless patience, co-operation and understanding of my wife who really must wonder what she started when she suggested I enter Mastermind in 1980. Her help in all phases of this work has been invaluable.

The Song of Middle-earth: J. R. R. Tolkien’s Themes, Symbols and Myths

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