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CHAPTER 42

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THE QUIET RECEIVING FOYER featured a baroque frieze instead of traditional crown moldings: deeply carved acanthus leaves punctuated every two feet and at the corners by the heads of angels alternating with gargoyles or perhaps mocking demons.

Inlaid in the forest-green marble floor, a foot-wide circular work of marquetry employed lighter marbles to portray mythological beings—gods, goddesses, and demigods—in perpetual pursuit. Even without dropping to his knees, Michael could see that some of the pursuit involved sexual fondling.

Only in New Orleans would either of these elements have seemed suitable to a funeral home. The house had probably been built around 1850 by nou-veau riche newcomers who hadn’t been welcome in the Creole sections of town. In this city, time eventually conferred dignity on what had once been outrageous as well as on what had been classic from the day it had been erected.

Studying a photo of Bobby Allwine that Carson had given him, Taylor Fullbright said, “This is the very gentleman, yes. I felt sorry for the poor soul—so many of his friends were dying. Then I realized he didn’t know any of the deceased.”

Carson said, “He—what?—just got a thrill being around dead people?”

“Nothing that kinky,” said Fullbright. “He just…seemed to be at peace around them.”

“That’s what he said—he was at peace?”

“The only thing I can remember he said was ‘Death can be as much a gift as a curse,’ which is often true.”

“Did you confront him about coming to all these viewings?”

“Confrontation isn’t my style, Detective. Some funeral directors are solemn to the point of seeming stern. I’m more of a hugger and a consoler. Mr. Allwine and his friend, they were never a problem. More melancholy than weird.”

Carson’s phone rang, and when she stepped away to answer it, Michael said to Fullbright, “He came with a friend? Can you give us a description?”

Smiling, nodding, as affable as a cartoon bear, the mortician said, “I can see him as clear in memory as if he were standing here. He was ordinary to a fault. Average height. A little heavier than average weight. Middle-aged. Brown hair—or maybe blond. Blue or green eyes, maybe hazel.”

With a sarcasm that sounded like earnest praise, Michael said, “Amazing. That’s as good as a photo.”

Pleased, Fullbright said, “I’ve got a sharp eye for detail.”

Putting away her phone, Carson turned to Michael: “Jack Rogers wants to see us at the morgue.”

“You might mention to the coroner,” Fullbright said, “that while I don’t extend commissions to those who send us business, I do offer discounts for referrals.”

“I can’t wait to tell him,” Michael said. Pointing to the marble marquetry at their feet, he asked, “Who’s that figure?”

“The one with the winged feet? That’s Mercury.”

“And that one next to him?”

“Aphrodite,” said Fullbright.

‘Are they…?”

“Engaged in sodomy?” the mortician asked jovially. “Indeed they are. You’d be amazed how many mourners notice and are cheered by it.”

“I am amazed,” Michael agreed.

Frankenstein Special Edition: Prodigal Son and City of Night

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