Читать книгу Odd Apocalypse - Dean Koontz, Dean Koontz - Страница 15

ACCOMPANIED BY THE BUZZ OF BUMBLEBEES, BY DARTING wrens that sang complex songs in high tinkling trills, by bright butterflies that seemed out of season, and for a while by a pair of scampering squirrels, I felt like a character in a Disney movie, and I half expected the squirrels to start talking as I followed the property line south from the gatehouse.

That gave me no comfort. Bad things happen to good animals in some Walt Disney movies. Think of Bambi’s mother and Old Yeller, the former shot down in front of her child, the latter foaming at the mouth with rabies and killed by the boy who loved him. People don’t always fare better. Even the sweetest of princesses get poisoned by witches. There was a touch of Quentin Tarantino in Uncle Walt.

Henry Lolam had said that he hated Roseland but nonetheless returned to it because, with its encircling masonry, “the center might still hold.” I knew what the poet, Yeats, had intended by his lines, but I didn’t know what the security guard meant.

The high, wide structure was reminiscent of a fortification, but it wasn’t, after all, the Great Wall of China. It wouldn’t hold back the Mongol hordes or their equivalent. A determined man could easily climb over it, either to enter or to leave.

Even in the early 1920s, such a massive construction project would have been costly. The income tax had been new and low in those days, and Constantine Cloyce had been an incredibly wealthy man. But if his purpose was to define his fifty-two acres, building the wall two-thirds this height and half this width would have done the job as well at a fraction of the cost.

Until now, I hadn’t given any thought to this rampart. But the conversation with Henry pricked my curiosity.

Although I followed the property line, I gave no indication that the wall intrigued me. Always at Roseland, I felt watched, but now more than usual. Certainly, Henry must be keeping an eye on me from the gatehouse. He had seemed to wish me well; perhaps he still did. But his attitude changed when I mentioned the giant with the scars.

After a hundred yards, the manicured lawn and flower gardens gave way to wild grass, and two hundred yards after that, I ascended a gentle slope and passed through a stand of California live oaks ranging in size from sixty to ninety feet in height. The wildlife had abandoned me except for nuthatches whistling in the majestic branches of the black-trunked trees.

Screened from the gatehouse and the main house, I went to the wall. The stones provided toeholds, handholds, and I scaled those nine feet with alacrity.

Atop the palisade, on hands and knees, I discovered what I might have unconsciously expected. Set in the grout lines among the dark stones were serpentine patterns of the bright copper coins on each of which was engraved the slightly elongated figure eight that I had seen elsewhere.

Dappled with sunshine and oak-branch shadows, the cap was of the same material as the wall, sawn into flags and set in an irregular but fitted pattern. With my palms flat on the cool stone, I could feel the faintest vibrations, as though buried within this massive rampart must be machinery of some kind.

Leaning forward, I put my left ear to the stone, but I could hear no noise arising from inside the wall.

If those rapid, small-arc oscillations produced a sound, it would not be a heavy throb or thrum, but instead a high-pitched hum or even a whine.

The longer I considered those vibrations, the less they seemed to be the product of laboring machinery and the more the source struck me as electronic.

I got to my knees, fished in a pocket of my jeans, and extracted a penknife that I had purchased when I’d gone into town to buy some clothes. I had gotten the small knife specifically to pry one of the copper discs from its mortar bed, though I hadn’t taken one from the stable or from the mausoleum—where they also decorated the floor—because I assumed that if the vandalism was noticed, I would be the first suspect to whom they turned.

More important, they might realize the missing copper disc was not a case of vandalism but a consequence of investigation. If they suspected that I was more than a mere guest enjoying the pleasures of Roseland, I might learn the secrets of this place suddenly and violently.

A full nine feet above the ground, atop the wall, a missing bit of copper would not readily be noticed. When I set to work with the penknife, digging out the mortar, I soon discovered that the copper would not readily be removed, either. By the time I burrowed down an inch, when the blade of the penknife snapped, I realized that the discs were not as thin as coins but were instead the blunt ends of inch-diameter copper rods. For all I knew, they extended the entire depth of the wall and into its concrete footing.

Copper was far too soft a metal and too expensive to serve as structural reinforcement. Steel rebar would have been used for that purpose. The copper had some other function. Considering the expense of embedding so many rods in a long work of masonry, I could only assume they must be no less essential to the true purpose of the wall than was the web of rebar that maintained the structural integrity.

I threw the pieces of the broken knife into the tall wild grass beyond the estate and crawled forward on hands and knees until I came out from under the overhanging branches of the oaks. I got to my feet and walked the yard-wide wall, as if I were again—or still—a boy adventuring.

The rise in the land hid the distant main house and all other structures from me—and me from them.

Within fifty feet, I came to what appeared to be a foot-wide, shallow black bowl turned upside down in the center of the wall cap. When I knelt again, I saw that this object was supported on four-inch-long steel pins, and that it was a rain deflector set over a six-inch-square ventilation grill.

I thrust one hand under the bowl and felt a faint, warm draft barely fluttering against my fingers. When I bent my head to the deflector, I smelled something that reminded me of new-sprouting spring grass and ripe summer grass and wild strawberries, although the fragrance was not in fact like any of those things, but unique. Abruptly the draft turned cold, and though the scent that came with the change of temperature was also unique, it reminded me of things that it smelled nothing like: dry leaves but also dead leaves wet with a not-unpleasant mold and also the so-faint but stirring scent released by cracking ice.

Cool changed to warm and warm to cool every twenty seconds, for what reason and to what purpose I couldn’t guess. I had no idea why a wall would need to be ventilated or why the flow of air and odor would not be consistent.

I rose and continued perhaps four hundred feet until I came to another rain deflector and vent. Here, I found the same conditions.

Immediately ahead, another hurst of oaks spread branches over the wall, and a few hung low. I considered jumping off the rampart, but I didn’t know what ankle-fracturing hole or rock the long grass might hide, and so I slid backward off the top, hung by my hands, and dropped a little more than three feet.