Читать книгу 8 Sandpiper Way - Debbie Macomber - Страница 9

Tannith Bliss didn’t want to attend the Thanksgiving bonfire at the high school on Wednesday evening. She hated school. The only reason she’d agreed to go was to get her mother off her back. Anything was better than staying home and pretending their lives were normal.

Nothing would ever be normal again. Sometimes her mother acted like her dad hadn’t died, like he might walk through the door any second, and that upset Tanni. A lot. She didn’t understand why her mother was working so hard to make this stupid Thanksgiving dinner. It was senseless to bother with turkey and dressing and all that stuff when it would only be the three of them.

Thanksgiving was just the start of it. Soon it would be Christmas and that was another nightmare in the making. Their first Christmas without Dad.

She was late, so the school parking lot was already full. Tanni didn’t know why she was even looking for a space. Wishful thinking, she supposed. The only place left was on the street and she was fortunate to find that. With her hands deep in the pockets of her full-length black coat, she hunched her shoulders against the bitter wind and trudged up the hill toward the football field.

As she neared the fence she could hear the laughter and the shouting. This was going to be even worse than she’d thought.

“Tanni, over here!” Kara Nobles called when Tanni reached the field.

She acted as if she hadn’t heard. Kara was one of those bright, bouncy girls Tanni found annoying. Keeping her head lowered, she weaved through the crowd and walked to the opposite side of the field, as far away from anyone who might recognize her as she could get. No one else acknowledged her, which suited her just fine.

A goth group stood close by. Tanni wasn’t one of them. She dressed in black most of the time simply because she liked black. It matched her mood and her disposition. She was in mourning, after all. Her mother might want to pretend but Tanni didn’t. Her father was dead. He wasn’t going to come home the way he used to at the end of a flight, hug them all and bring her small gifts. Everyone else in their family might want to forget Dad, but not her.

Standing by herself, Tanni stared into the fire. The flames were mesmerizing as they crackled and sizzled, thrusting orange-and-yellow tongues toward the night sky.

One of the guys from the goth crowd separated from the group and walked in her direction. She didn’t want to look at him for fear that would encourage conversation. Still, she gave him a brief surreptitious glance but didn’t recognize him. That didn’t mean much, since Tanni tried to remain as inconspicuous as possible. She didn’t want or need anyone’s attention. If she could’ve found a way to get out of school altogether, she would gladly have taken it. All she wanted was to be left alone.

The boy didn’t say anything. If he’d spoken a single word, she would’ve told him to go away.

Instead he just stood there, silent as a rock.

She glared at him.

He ignored her.

“Hey, Shaw, you gotta see this,” one of the other goths shouted.

This was Shaw Wilson? Tanni had heard plenty about him. He wasn’t a student at Cedar Cove High anymore. Rumor had it that he’d never graduated. He hung around town and drove a blue Ford station wagon that everyone seemed to think was cool. The little Tanni knew about Shaw she liked.

The whole school had taken sides when Anson Butler was accused of starting the fire at The Lighthouse Restaurant two years ago, when Tanni was a freshman. The arson had been the main topic of conversation for months.

Shaw was Anson’s best friend; he’d defended him no matter what anyone said. Allison Cox had, too, since she was Anson’s girlfriend.

Later, when it turned out that Anson was innocent and some crooked builder had been responsible for the fire, most of the kids said they’d believed Anson from the get-go. Yeah, right. The same people who were ready to hang Anson out to dry were now claiming to be his close personal friends.

Other than Allison, the only person who’d been loyal from the very beginning was Shaw. He’d been the one real friend Anson had, and if no one else remembered that, Tanni did. She valued that kind of loyalty and hoped Anson appreciated everything Shaw had endured on his behalf.

“You’re Shaw?” she asked, looking directly at him.

“Yeah. You’re Tanni, right? Tanni Bliss.”

She nodded. Trying not to be obvious, she stepped closer to Shaw.

“I’ve seen you around,” he said. Like her, he kept his hands buried in his coat pockets.

“I’ve seen you around” was another way of saying he’d noticed her. Despite everything, Tanni felt pleased. If she had to be noticed, she wanted it to be by someone like this.

“Why aren’t you with your friends?” he asked.

She shrugged rather than explain that she didn’t really have friends. Okay, she had a few sort-of friends, Kara for one, but she didn’t consider any of them good friends. Her old pals had drifted away after her father died in a motorcycle accident. Well, actually she’d pushed them out of her life because most of them seemed to think there was a prescribed amount of time to grieve and then she was supposed to snap out of it. It hadn’t even been a year. But apparently Tanni was taking longer than they deemed necessary.

One so-called friend had said she should just “get over it.” The thing was, Tanni didn’t want to get over losing her father. She wanted to cling to every precious memory, remember every detail she could.

“I saw your pencil drawing,” Shaw said, breaking into her thoughts. “You’re good.”

“Thanks.” His words flustered her. The graveyard sketch had been a project her art teacher had praised. Without Tanni’s knowing it, Mrs. White had entered the sketch in a local competition. Then, at some art fair sponsored by the community, Tanni had been awarded top prize. She didn’t really care. The attention embarrassed her. Besides, her mother was a fabric artist who sold her stuff at the local art gallery, and Tanni was afraid that some friend of hers might have been a judge and given her the prize out of pity. She didn’t need pity. What she needed was her father.

Not only that, Tanni preferred to avoid being identified with her mother. They’d never gotten along well, and it was worse now than ever. The last thing she wanted was any comparison between her art and that of the great Shirley Bliss.

“I draw, too,” Shaw said. He must have regretted saying anything, because he added, “My drawings aren’t nearly as good as yours, though.”

Tanni didn’t comment. Drawing came easily to her; it always had. Some people were smart at algebra and others struggled with it. Drawing happened to be her particular skill—and her escape.

She could sit in class, any class, and act as if she was taking copious notes when in reality she was making little sketches. Doodles—geometric and circular designs—and tiny portraits of the people around her. Trees and flowers and horses and dogs. She’d filled notebook after notebook with these drawings. No one had ever seen them, not even her mother. Especially not her mother. If her dad was alive, she might’ve shown him, but no one else. Shortly after her father died, she’d destroyed a bunch of those notebooks in an act of grief and rage.

“Hey, Shaw, you comin’ or not?”

Shaw glanced over his shoulder and then at her. “See you, Tanni.”

“Sure.” As he started to leave, Tanni realized she didn’t want him to go. “How’s Anson?” she asked quickly.

Shaw hesitated, then turned back with a shrug. “He’s okay.”

“I heard he’s working with Army Intelligence.”

“Yeah.”

“That’s impressive. What about Allison?”

“She’ll be around this week. You know she’s going to the University of Washington, don’t you? In Seattle.”

“Yeah.” Tanni’s brother was coming home from college, too, and their mother was making a big fuss about that. Still, Tanni would be glad to see Nick. He was supposed to arrive this evening, driving over from Washington State University in Pullman. By the time Tanni got back to the house, Nick would probably be there.

She missed her brother, although she’d never expected to. They used to fight constantly, but after the accident they’d established a fragile peace while they dealt with the upheaval in all their lives. Nick was the one person she talked to about her dad, the only person who felt the way she did.

Shaw took one step toward her. “I was thinking, you know, if you want, I could show you some of my drawings.”

“Yeah, sure.”

“Cool.”

“When?” she asked.

“You doing anything after the bonfire?”

It wasn’t like she had to check her social calendar. “Not really.”

“I could meet you at Mocha Mama’s in an hour.”

Tanni looked at her watch. Mocha Mama’s was new in town. She hadn’t been inside yet but she knew where it was. “Okay.”

He smiled at her and she smiled back. Despite the cold wind, she felt a rush of warmth that didn’t come from the blazing fire.

After a few minutes, Shaw and his goth friends took off. Tanni watched the bonfire for another twenty minutes. Her mood had improved since she’d talked to Shaw, so she walked over to where Kara stood with a group of friends.

Tanni wasn’t sure why she hung out with Kara at all. Kara and the others were cheerleader types, although none of them was likely to make it onto any squad. They weren’t really part of the popular crowd. But then, neither was Tanni.

Half an hour later, she parked in front of Mocha Mama’s on Harbor Street. She entered the café, looking around with interest. The decor was typical coffeehouse, with lots of dark wood and old-fashioned lamps. There were only a few other customers—a couple engrossed in their conversation, heads close together, and two older men. Shaw sat at one of the half-dozen tables positioned near the window, nursing a cup of coffee. He’d dyed his hair black but his blond roots were showing. He used to wear it spiked, but he didn’t anymore. While attending Cedar Cove High he’d sometimes worn dark, garish makeup; he didn’t do that anymore, either.

He raised his head as she approached the table. “Want anything?” he asked.

She did if he was buying. “Coffee, I guess.”

He stood and walked over to the counter and brought her back a steaming mug. “It’s on the house.”

“Thanks.” She wrinkled her nose at him. “Why? Do you work here?”

“Yeah. If you ever want a frappachino or anything, let me know.”

Shaw didn’t look like the barista type. “How long have you worked here?” she asked. The coffee he’d brought her was black, like his, but she decided not to add sugar or cream.

“Since it opened. My aunt and uncle own the place. I manage it for them.”

“Cool.”

Shaw pulled a sketchbook out of his backpack, which rested on the floor next to the window. “My work’s pretty amateurish compared with yours.”

Tanni hated it when people said that. They demeaned their own efforts because she was supposedly so talented.

She sipped her coffee as she started flipping through the pages of his sketchbook. The first bitter taste warmed her instantly. She studied each page. Shaw had talent, although the first few sketches, done in charcoal, were dark and weird. Buildings that had collapsed, blighted landscapes, a battlefield.

Suddenly Tanni turned a page and came across a field of blooming yellow tulips against the backdrop of a blue spring sky. The piece was done in pastels, so she was careful not to smudge it. She was surprised by the abrupt change in subject matter.

“I was up in the Skagit Valley,” he said.

Tanni felt his scrutiny. He seemed to be waiting for her to comment.

“Well?” he pressed. “What do you think?”

“What do you think?” she asked him.

“Me?”

“It’s your work. Do you like it or not?”

He didn’t seem to know what to say.

“This,” she said, shoving the sketchbook across the table. “The one you did after seeing the Skagit Valley. What did you feel while you were working on it?”

“Peace,” he said after a moment.

“This?” She flipped the page back to the previous one, done in charcoal, a picture of the cratered devastation after an earthquake.

Shaw raised his shoulders. “I don’t know.”

“Yes, you do.” She wasn’t going to let him sidestep the question. “You wouldn’t have drawn it if you weren’t feeling something.”

“Anger, all right?” he said with barely controlled emotion. “My mother told me she didn’t want me drawing those kinds of pictures in the house. That made me mad. I hate being censored, as if I’m only allowed to have the thoughts and emotions she thinks are okay.”

“I feel it,” she murmured, studying the picture again.

“You feel what?”

She raised her head, meeting his gaze. “Your anger.”

He frowned.

“That’s the true sign of an artist. If I can feel what you did while you were creating this sketch, then it’s good. Don’t let anyone tell you otherwise. You’ve got to believe in yourself, Shaw. No one else will if you don’t.” It was as simple to Tanni as that. She and her father had often discussed art, even though he wasn’t the artist; her mother was. He’d told her that craft and technique were important but they were a means to an end, which was the expression of emotion. It could be a reaction to something outside the artist, but it had to express what the artist felt about the scene or person or situation.

“Did you feel the peace?” he asked eagerly, turning the page back to the yellow tulips.

She stared at the tulip picture a long time and then answered truthfully. “Not really.”

It obviously wasn’t the response he’d expected. For a few seconds, it looked as if he was going to grab the sketchbook and shove it in his backpack. A moment later, he asked, “Why not?”

“You didn’t have any real feelings when you painted that.”

“I did so!”

“No, you were too concerned about color and shadowing to recognize your feelings about what you were seeing.”

His eyes narrowed. “I didn’t know I’d have to get all touchy-feely to be an artist.”

“Art is feelings,” Tanni said. “That’s what it is to me, at any rate.” Her sketches in the past year were the outpouring of her emotions after losing her dad. Her classroom scribblings were about her thoughts and feelings. Wasn’t that the point? As her dad had said, any great piece of art made you feel. It used to annoy her when he used her mother’s quilts and fabric collages as an example, but okay. She knew what he meant.

Shortly after her father’s funeral, her mother had escaped into her workroom and hadn’t come out for days. Tanni knew her mother must have slept some and eaten, too, but she never saw her do either. When Shirley finally emerged, she’d constructed a huge fabric fire-breathing dragon that Tanni had to admit was an incredible piece of art. No one needed to explain to her that the dragon was death. After her creative frenzy, her mother was better—more herself, less frantic. The dragon still hung in her workroom. Few people saw it and Tanni suspected the new owner of the Harbor Street Gallery would love to have it on display if her mother would agree. She wouldn’t—at least, not yet.

“The emotion is what makes your art so good then,” Shaw commented.

“I guess.”

“Do you ever draw people?”

“Sometimes.”

“It’s hard, you know.”

She did. “Is that what you want to draw?”

Shaw leaned back in his chair. “I think so.”

That sounded bogus to her. “You think so? You mean, you’re not sure?”

“Okay, yes. I want to draw people.” He made it seem like a big confession.

“You didn’t show me any of those pictures.”

“No, I—”

“Why not?” Although she asked the question, she already knew. Shaw was afraid her criticism would rob him of the joy he derived from his portrait work.

“Show me one,” she said.

He straightened. “I didn’t bring any.”

“Yes, you did, otherwise you wouldn’t have mentioned it.”

He blinked as if he couldn’t believe she’d read him so easily.

“Let me see.” Tanni wasn’t taking no for an answer.

Shaw stared down at the table. “It’s no good. I did it fast and—”

“I don’t care. I want to see it. Besides, you asked me to look at your art. That’s why I’m here, remember?”

His hand hovered protectively over his backpack.

“Did you feel anything while the pencil was in your hand?”

A hint of what could’ve been a smile flickered in his eyes. “Yeah, I felt something.”

“That’s great.” She waited and when he continued to sit there in silence, she said, “So, are you going to show it to me or not?” She was getting impatient. Either he showed her his real work or she was out of there.

Slowly, reluctantly, Shaw reached inside his bag and withdrew a second sketchbook. He hesitated before he slid it across the table.

Tanni opened it. When her eyes fell on the picture, her breath froze in her lungs.

“It’s me.”

“Yeah … I know.” He spoke in a low, halting voice.

“Tonight, while I was at the bonfire.”

“Yeah.”

In a few quick lines Shaw had captured her defiance and isolation, her anger and pain. Her long straight hair was flung about her face by the wind, half-covering her mouth and her chin. Her posture revealed a combativeness, a sense of lonely struggle. In those simple, economical lines Shaw had revealed her. He’d drawn the essence of her, Tanni Bliss, as she was right now.

Her throat thickened with tears.

“It’s bad, isn’t it?”

She couldn’t answer him.

“I told you it was no good.”

“Wrong,” she whispered, despite the lump in her throat. “It’s some of the best portrait work I’ve seen.”

Shaw stared at her intently. “You aren’t just saying that, are you?”

She shook her head, regaining her composure. “Nothing I ever did was this good. Besides, I’d never tell you something was good if it wasn’t.”

She could see that pleased him. “Maybe we could get together again,” he suggested.

Tanni nodded. “I’d like that.”

“When?”

“Anytime,” she said softly.

“Tomorrow? Oh, forget that, it’s Thanksgiving and you’re probably tied up with family and stuff.”

“What time?” She didn’t care what day it was; she wanted to be with Shaw.

“You can get away?”

She nodded again.

“Five?”

“I’ll meet you here at five,” she promised.

Shaw stretched his hand across the table and clasped hers. He held on tightly, intertwining her fingers with his own. Perhaps, Tanni thought, she’d found a friend, after all.