Читать книгу The Lost King of France: The Tragic Story of Marie-Antoinette's Favourite Son - Deborah Cadbury, Deborah Cadbury - Страница 7

‘This is a revolt?’ asked the king, hearing of the fall of the Bastille.

‘No sire, it is a revolution,’ came the reply.

Duc de la Rochefoucauld-Liancourt (July 1789)

At Versailles, Louis-Charles, the Duc de Normandie, lived a charmed life, well protected from the ‘trifling disturbances’ – as they were sometimes known at court – beyond the palace gates. In the royal nursery, under the sensitive administration of the Governess of the Children of France, the Duchesse de Polignac, his little empire was well endowed with servants. Apart from Cecile, his wet nurse, there was a cradle rocker, Madame Rambaud, and his personal rocker, Madame Rousseau, otherwise known as ‘Rocker to the Children of France’, whose sister, Madame Campan, worked in the Queen’s Household. Valets were appointed such as Hanet Cléry, a particularly loyal and discreet servant who had been in service to the royal family since 1782. In addition, the Duc de Normandie had two room boys, four ushers, a porter, a silver cleaner, a laundress, a hairdresser, two first chamber women, eight ordinary women and a periphery of minor staff all vying for importance.

The nursery on the ground floor of Versailles opened out onto the large terraces and acres of ornamental gardens beyond; rows of orange trees and neatly trimmed box bushes receded into the distance, geometrically arranged around circular pools with tall fountains cascading onto statues, gilded each year. Any infant tumble from the prince as he took his first steps would bring a kaleidoscope of riches to view; wherever he looked, his soft and silken world was perfect. His mother watched his excellent progress with delight. Louis-Charles was glowing with vitality, ‘a real peasant boy, big, rosy and plump’, she wrote. This contrasted sharply with his brother, Monsieur le Dauphin, who although more than three years older was constantly prone to infections.

Monsieur le Dauphin was eventually moved out of the nursery and established in his own official suite on the ground floor of Versailles, ousting his Uncle Provence. His older sister, Madame Royale, also had her own apartment near Marie-Antoinette, under the Hall of Mirrors. Apart from occasional state duties, such as the grand couvert, where they would dine in public – Madame Royale with her hair powdered and wearing a stiff panniered gown, the Duc de Normandie usually sitting on his mother’s lap – their lives were shielded from the public. The Duc de Normandie was taken on carriage trips around the park and visits to the farm at the Trianon, or he could play in his little garden on the terrace. Occasionally there would be trips to nearby palaces at Marly, Saint Cloud or Fontainebleau.

None the less, the ‘gilded youth’ of Versailles, in the words of one nobleman, the Comte de Ségur, walked ‘upon a carpet of flowers which covered an abyss’. France’s deepening financial crisis was beginning to dominate public life. In 1787 interest on the national debt alone had risen to almost half of all state expenditure. Louis and his finance minister, Charles-Alexandre de Calonne, were fast approaching a point where it was no longer possible to borrow more money except at excessive interest rates. They faced no alternative but to raise taxes.

Calonne, like his predecessors, urged the king to reform the tax system and abolish the partial exemption from direct taxation enjoyed by the nobility and clergy. The king, always anxious to create a consensus for change rather than appear to act as autocratic leader, wanted to introduce Calonne’s reforms without confrontation. Consequently, rather than present his proposals to the parlements – which he knew would be hostile – he decided to take a chance and call a special ‘Assembly of Notables’ composed of leading figures in society, hand-picked for the occasion.

However, when the Assembly of Notables gathered in Versailles in February 1787, far from accepting and popularising the tax reforms as the king had hoped, they were suspicious. The clergy and nobles, who owned most of the land, were largely exempt from the principal land tax, the taille, yet under the new measures they would pay up to five per cent of their own income. As news spread of the proposed tax reforms and soaring deficit, Calonne became the focus of the passionate criticism. In Paris his effigy was burned in the streets. By April 1787 the king was forced to dismiss his unpopular minister, and the following month he dissolved the Assembly of Notables.

His new finance minister, Loménie de Brienne, prepared a revised package of tax reforms and boldly decided he would try to win approval directly from the Parlement of Paris. However, the Parlement, like the Assembly of Notables, rejected the equalisation of taxation. Ironically, this revolutionary measure, which would have benefited the vast majority of people, was perceived to be an act of despotism by the monarchy. Since the king had to raise money somehow, to pay staff and honour debts, he was becoming increasingly desperate. In August 1787 he exiled the entire Parlement of Paris to the country at Troyes. This caused uproar; there were demonstrations in Paris and crowds gathered outside Parlement crying for ‘liberty’. Although Louis had reduced court spending, the proposed increases in taxes for the nobles and clergy were inextricably linked in the public’s mind with the demands made by the royal family on the public purse to fund their extravagant lifestyle. The public’s growing hostility began to focus on Louis and, inevitably, his Austrian wife, Marie-Antoinette.

A large diamond necklace would prove the queen’s undoing: 647 brilliants, 2,800 carats, arranged in glittering layer upon layer, a piece of jewellery to dazzle the eye and empty the purse. It was the dream creation of the court jewellers, Böhmer and Bassenge, and they hoped to sell this diamond fantasy to Marie-Antoinette. To their disappointment, by the late 1780s the ‘Queen of the Rococo’ was now much more restrained; she repeatedly refused to buy the necklace.

Böhmer would not give up. He offered his 1.6 million livres ‘superb necklace’ to the king, hoping he would buy it for Marie-Antoinette. The king, it seems, was not in a necklace-buying mood. Faced with constant if polite refusals, the worried Böhmer, increasingly looking bankruptcy in the eye, decided on a rather theatrical appeal to the queen and waylaid her at court. ‘Madame, I am ruined and disgraced if you do not purchase my necklace,’ he cried as he threw himself on his knees. ‘I shall throw myself into the river.’ The queen spoke to him severely: ‘Rise, Böhmer. I do not like these rhapsodies.’ She urged him to break up the necklace and sell the stones separately.

It was the queen’s misfortune that the grand almoner of France, one Cardinal de Rohan, had long dreamed of enhancing his standing with the royal family. The cardinal fell prey to a con artist posing as a friend of the queen, a certain charming Comtesse Jeanne de La Motte-Valois. Knowing that the cardinal wished to ingratiate himself and be part of the queen’s elite circle, Jeanne de La Motte hired a woman to dress like Marie-Antoinette and meet him secretly one night in the palace grounds. This false queen pressed a rose into the cardinal’s hand and hurried away, leaving him under the delightful impression that he had indeed met with the queen’s favour.

Encouraged by this, when Jeanne de La Motte told the cardinal that the queen wished him to purchase Böhmer’s famous necklace on her behalf, he obligingly did so. He duly passed the fabulous necklace to Jeanne de La Motte, who went to London post-haste to make her fortune as the gems emerged in brooches, ear-rings, snuff boxes and other trifles.

There was just the outstanding sum of 1.6 million livres. When the court jewellers demanded payment, the shocking scandal began to unravel. The king arrested the cardinal and he was sent to the Bastille, only to be tried and acquitted of theft later before a sympathetic parlement. There were cries of ‘Vive le cardinal!’ in the streets, expressing the people’s view that he was the foolish victim of a ‘tyrant’ king. Eventually brought to justice, Jeanne de La Motte was sent to the prison of La Salpêtrière and condemned to a public flogging. She was to be branded with a V for voleuse (‘thief’) on her shoulder. In front of a huge crowd, the iron rod slipped as she struggled and she was burned on the breast. She too successfully portrayed herself as victim in the ‘Diamond Necklace Affair’ in her memoirs, in which she claimed only to have confessed to the theft to protect the queen, with whom she had had an affair.

Although Marie-Antoinette was entirely innocent, as the unbelievable saga unfolded before the amazed public in the late 1780s, it was her reputation that became the most sullied. Her love of beautiful jewels had been widely reported. It was easy to believe that she had accepted the necklace, refused to pay for it and then spitefully passed the blame onto others. Under the relentless onslaught of outrageous libelles that poured onto the streets of Paris, her image became irrevocably tarnished. It was claimed that she and her favoured friends continued to spend recklessly and that she had handed over millions of livres to her Austrian family.

She was portrayed as the real power behind the throne who pushed Austrian interests on a weak king. The degree to which she was seen as out of touch with the realities of the poor came when she was attributed as saying ‘Let them eat cake’ when bread was in short supply. There is no evidence that she said this; the remark is more likely to have been made a century before, by Louis XIV’s queen. Yet the queen began to receive pointed demonstrations of disapproval when she ventured out in public. Trips into Paris could turn quickly into frightening undertakings.

With France teetering on the edge of bankruptcy and the king demanding yet more taxes, the queen began to emerge as the prime culprit. The ‘Austrian whore’ or ‘Austrian bitch’ was transformed into the root cause of the country’s financial plight. At a watershed in the destruction of her image she was dubbed the wildly extravagant ‘Madame Déficit’. Owing to her unpopularity, her latest portrait was not hung in the Royal Academy of Paris. In the blank frame remaining, someone had written: ‘Behold the Deficit!’

The once pleasure-loving queen retreated from public gaze. Occasional rides into the country around the Trianon with Count Axel Fersen were among the few consolations at a time when she was increasingly preoccupied with motherhood. In the summer of 1787 her fourth child, Sophie, born the year before, died suddenly from tuberculosis. As she struggled with this loss, it was becoming increasingly evident that the Dauphin, too, was showing signs of tuberculosis. He began to lose weight and suffered attacks of fever.

As the autumn and winter months wore on, the king was losing control of the political situation. Under continued financial pressure, Louis recalled the Parlement. However, the king’s insistence that he wanted a fairer system of taxation fell on deaf ears. He seemed unable to get his message across, and was even opposed by his own distant cousin, the scheming Philippe d’Orléans, head of the Orléanist line of the Bourbon family. It was becoming clear to Louis that the tax issue was being used as a pretext for a wider challenge to his authority as the king. A system of rule that had existed in France for generations was now at risk. At stake was not just balancing the budget and pushing through a fairer system of taxation, but more fundamentally who had the right to take these decisions and govern France. Determined to re-establish his authority, on 8 May 1788 Louis gambled yet again. He suspended not only the Parlement of Paris but also the other twelve provincial Parlements as well. This prompted a wave of rioting across France. There was an outpouring of support for the parlements and all sections of society seemed ranged against a king who was increasingly portrayed as a tyrant. Louis began to doubt his own ability and, according to his youngest sister, Madame Elisabeth, was racked with indecision. ‘My brother has such good intentions,’ she wrote, ‘but fears always to make a mistake. His first impulse over, he is tormented by the dread of doing an injustice.’ Both he and his finance minister became ill with the stress as the government’s financial position continued to deteriorate. Many people refused to pay any taxes at all until the king backed down. Loménie de Brienne, now unable to raise money either by credit or taxes, was obliged to print money to pay government staff. It was, in effect, an admission of bankruptcy. He was losing command of the situation and by August he was fired.

In the hope of bringing order to the disintegrating condition of the state, Louis came under increasing pressure to summon an ancient institution known as the Estates-General. This comprised elected representatives of three great medieval orders or estates: the clergy, the nobles and the commoners. The Estates-General was only summoned in times of crisis; Louis was only too aware that such a meeting might undermine his authority still further. The last time the Estates-General had sat, in 1614, they had only become a forum for disagreement and conflict. Yet the whole nation seemed to be demanding its recall. In late August, responding to popular demand, he reappointed his former finance minister, Jacques Necker. Lurching from one policy to another, increasingly unable to stave off bankruptcy, Louis became trapped. Finally, he agreed to summon the Estates-General to Versailles the following year. It was a desperate gamble.

When the Estates-General had last met 174 years previously, it had had an equal number of representatives from each estate, in which the First Estate, the clergy, and the Second Estate, the nobility, could always combine together to outvote the Third Estate, the commoners. When the restored parlement demanded the same arrangement this time, there was outrage and further riots. Louis decided to right this imbalance by giving the commoners as many representatives as the nobility and clergy together, but he neglected to say whether the voting would be by ‘order’ or by head. What had initially begun as a protest by the clergy and nobles against the powers of the king to raise their taxes had now set in motion a chain of events in which all sections in France sought to exert greater political power. Even the elements seemed ranged against Louis. A very bad harvest was followed in 1788 by a viciously cruel winter in which many of the poor died of cold or starvation. Unrest was growing; robber bands pillaged the countryside. To many ordinary people the whole system in France seemed rotten; feelings against the king and queen hardened as deeply felt grievances were aired.

As the debates raged about the Estates-General, Marie-Antoinette watched anxiously over the declining health of her eldest son. ‘The young Prince fell, in a few months, from rude health into a condition which curved his spine, distorted and lengthened his face, and rendered his legs so weak that he was unable to walk without being supported like some broken old man,’ wrote Madame Campan. Still only six years old, his little body slowly became pitifully deformed as his tuberculosis spread. ‘He has one leg shorter than the other, and his spine is twisted and sticks out unnaturally,’ the queen confided to her brother, Emperor Joseph II, in February 1788. The next month the Dauphin was sent to the Château de Meudon with his governor, in the hopes that his health would recover with the fresh country air. The king visited his son no less than forty times over the summer months, eagerly looking for any sign of improvement. There was none.

The queen took comfort from her other two children. Marie-Thérèse, the eldest, she nicknamed Mousseline la Sérieuse on account of her serious, thoughtful manner. The Petite Madame took after her father in temperament, although she could be dignified sometimes to the point of seeming haughty. The queen reserved her strongest endearments for her youngest, Louis-Charles: ‘mon chou d’amour’. His blue eyes and blond hair resembled his mother’s and with his affectionate and playful personality he proved a most rewarding child. He enjoyed games of ‘wedding’ in the nursery with his friends and playing with sand or horses – his great aunts had given him eight small black ponies, which had been specially trained so he could ride them. Madame Campan observed, ‘his ruddy health and loveliness did, in truth, form a striking contrast to the languid look and melancholy disposition of his elder brother’. Increasingly the king and queen’s hopes for the future of their line were concentrated on this charming little ruler of the nursery who, at four and a half, was already wearing coat and trousers.

4 May 1789. The streets of Versailles were hung with tapestries for the magnificent opening procession to mark the historic gathering of the Estates-General. With great ceremony to mark this ‘rebirth’ of France – as some believed – the parade of two thousand people filed though the crowded streets for a service at the church of Saint Louis. The king walked behind the archbishop of Paris, followed by the royal family, then representatives of the three estates, each with lighted candles.

Marie-Antoinette, sumptuously bejewelled in a silver dress, ‘looked sad’ as she passed. Unable to take part, but watching the proceedings from a balcony, was her seven-year-old son, his twisted little body stretched on a day bed. She now knew he was dying and could scarcely hold back her tears as he smiled valiantly at her. At that moment some ‘low women’, according to Madame Campan, ‘yelled out “Vive le Duc d’Orléans!” in such a rebellious manner that the queen nearly fainted’. Many of the representatives, she wrote, arrived in Versailles with the ‘strongest prejudices’ against the queen, certain she ‘was draining the treasury of the state in order to satisfy the most unreasonable luxury’. Some demanded to see the Trianon, convinced that there was at least one room ‘totally decorated with diamonds, and columns studded with sapphires and rubies’. Disbelieving representatives searched the pavilion in vain for the diamond chamber.

The first session of the Estates-General met the next day in the opulent surroundings of the Salle des Menus Plaisirs in the palace. The clergy, in imposing scarlet and black ecclesiastical robes, were seated on benches on the right. The nobles, richly dressed in white-feathered hats and gold-trimmed suits, took the benches on the left. The commoners sat furthest from the king at the far end, dressed simply in black. One of those among them taking in the scene – the large ornate chamber, the symbolic ranking of the representatives with the Third Estate in plain clothes at the back – was a young lawyer called Maximilien Robespierre.

At the age of eleven Robespierre had won a scholarship to one of the most prestigious schools in France, Louis-le-Grand, in Paris. He had graduated in law in 1780 and returned to practise in his home town, Arras, in the northern province of Artois. When the Estates-General were summoned, he seized his chance to further his career and successfully secured a position as one of eight Third Estate deputies for Artois. Like many commoners, he arrived in Versailles determined to challenge the structures of privilege at the heart of French society and create social equality.

As the speeches and debates began, the great expectations that had preceded the opening of the Estates-General soon disintegrated. Far from even attempting to resolve the all-important financial crisis, which Necker outlined at great length, there were increasingly bitter arguments about voting procedures, with each estate continually plotting for positions of power over the others. As the weeks of May passed, rather than resolving the issue of tax reform, the meeting served as a catalyst, crystallising grievances at the very heart of the constitution of France.

At this time the queen was almost completely preoccupied with the Dauphin. The young prince suffered as his illness slowly destroyed every trace of childish vitality. When Princesse de Lamballe visited him at Meudon with her lady-in-waiting, they could hardly bear to look at his ‘beautiful eyes, the eyes of a dying child’. The queen watched helplessly as his emaciated body became covered in sores. ‘The things that the poor little one says are incredible; they pierce his mother’s heart; his tenderness towards her knows no bounds,’ observed a friend. On 2 June services were held for him across France and prayers were said. It was to no avail. Two days later he died in his mother’s arms.

The significance of these events was lost on the four-year-old Louis-Charles playing in the nursery at Versailles. He wept to hear of the death of his older brother, now lying in state at Meudon in a silver and white room, his coffin covered with a silver cloth, his crown and sword. All around him, the chambers of Versailles resounded to the acrimonious debates of the deputies. Louis-Charles had now become the symbol of the royal future of France, ‘Monsieur le Dauphin’, next in line to a throne increasingly devoid of authority as well as funds.

The king, somewhere during these events, private and public, missed his opportunity to rally the deputies and inspire their support. Overwhelmed with grief, he and the queen left Versailles to mourn their oldest son. In his absence, the deputies of the Third Estate seized the initiative. At a pivotal meeting on 17 June 1789, they passed a motion that since they represented ninety-five per cent of the people, the Third Estate should be renamed as a new body, called the ‘National Assembly’, which had the right to control taxation. With flagrant disregard for the king they planned to proceed, with or without royal approval.

While the king vacillated, hopelessly torn between the advice of ministers such as Necker who counselled compromise, and that of his wife and brothers who argued for a tougher line, the Third Estate went even further. When the deputies of the new National Assembly found themselves locked out of their usual meeting room, they adjourned to an indoor tennis court. Here each member solemnly swore not to separate until France had a new constitution. This became known as the ‘Tennis Court Oath’.

The king’s power was collapsing. His specially appointed Assembly of Notables had defied him, the Parlement had defied him, now the Third Estate was defying him. With each successive swipe at the monarchy, the king was racked with indecision. ‘All goes worse than ever,’ Madame Elisabeth reported frankly to her friend, the Marquise de Bombelles, as she confided her despair at her brother’s lack of the ‘necessary sternness’. Foreseeing disaster, she wrote, ‘the deputies, victims of their passions … are rushing to ruin, and that of the throne and the whole kingdom’. As for herself, she told the marquise ominously, ‘I have sworn not to leave my brother and I shall keep my oath.’

As support grew rapidly for the new National Assembly, the king was obliged to recognise it. He ordered the other two estates to join the Third. As a result, the commoners, who had had their representation doubled, now held a majority. Many took the Third’s victory and the king’s acquiescence as a sign that his authority had completely broken down. There was rioting on the streets; civil war seemed imminent. The king summoned extra regiments to Paris. He told the deputies of the National Assembly that the troops were stationed as a precaution, to protect the people. The deputies, however, saw the presence of twenty-five thousand troops in and around the capital differently and feared that they themselves were under direct threat from the king. One of them spoke out: ‘these preparations for war are obvious to everyone and fill every heart with indignation.’

On 12 July, following the dismissal of the popular finance minister, Necker, crowds gathered to hear rousing revolutionary speeches against the ‘tyranny’ of the monarchy, who it was feared was seeking to destroy the new National Assembly that represented the people. ‘Citizens, they will stop at nothing,’ urged one speaker, the journalist Camille Desmoulins, a schoolfriend of Robespierre. ‘They are plotting a massacre of patriots.’ People rushed to arm themselves. As a wave of panic swept the Paris streets, armourers and gunsmiths were raided – one later reported that he was looted no less than thirty times. The monastery of Saint Lazare, a depot for grain and flour, was sacked. The next day, at the Hôtel de Ville, Marquis de Lafayette, a hero of the American war, set out to enrol a new ‘National Guard’ with himself as colonel, creating a new citizens’ army. Early the next morning, on 14 July, around eighty thousand people gathered at the Invalides, the army’s barracks, where they overwhelmed the troops and managed to obtain thirty thousand muskets and some cannon. Faced with rumours that royal troops were on the move, the citizens’ army needed gunpowder and this was in the Bastille. The crowd swept forward, to rousing cries of ‘To the Bastille!’

The grey stone walls and menacing towers of this fourteenth-century fortress rose as a great, dark edifice on the Rue Saint Antoine in the eastern side of Paris. For years any enemies of the crown could be detained in this prison without a judicial process, merely by a royal warrant: the notorious lettres de cachet. Consequently, the almost windowless walls, five feet thick, rising sheer from the moat, had come to represent a mighty symbol of royal tyranny and oppression. The cry went up to seize the Bastille, take the gunpowder and release the prisoners. Revolt was fast turning into revolution.

As nine hundred men gathered around the Bastille, the atmosphere inside was tense. The governor, Marquis Bernard-René de Launay, gave orders for his guards to defend the prison at all cost. After midday, the mob broke through the first drawbridge and behind a smoke screen formed by burning two carts of manure, they aimed their guns at the gate and the second drawbridge. With the fortress under siege, the garrison fought back, killing almost one hundred of the assailants and injuring many more. Yet the mob continued to attack. The guards eventually surrendered, defying de Launay’s orders, and lowered the second drawbridge. The crowds, now out of control, surged forward into the fortress, breaking windows and furniture, and killing any guards who had not put down their weapons. The prisoners were released; for all the furor, there were only seven – including one madman.

In their lust for vengeance the excited crowd seized de Launay and dragged him towards the Hôtel de Ville, kicking him down until, unable to endure another moment, he screamed, ‘Let me die!’ As he lashed out, the crowd finished off their victim with hunting knives, swords and bayonets. Finally a cook named Désnot cut off his head with a pocket knife. The still dripping head was twisted onto a pike and paraded around the streets to the cheering crowd, described on a placard as ‘Governor of the Bastille, disloyal and treacherous enemy of the people’. For patriots, the fall of the Bastille created a wave of euphoria, and it would not be long before the prison was demolished entirely.

Faced with this new crisis, the king went to the National Assembly and effectively surrendered, promising to withdraw his troops from Paris. As the sense of desperation grew, many senior members of the Versailles court now fled. On the night of 16 July the king’s young brother, Artois, and the queen’s close friend, Gabrielle de Polignac, left the palace with their families. ‘Nothing could be more affecting than the parting of the queen and her friend,’ wrote Madame Campan. The queen ‘wished to go and embrace her once more’ after they had parted, but knowing that her movements were watched, was too frightened that she might give her friend away. The duchess ‘was disguised as a femme de chambre’, and instead of travelling in the waiting berline, stepped up in front with the coachman, like a servant.

After long discussions with his ministers, the king decided that the royal family would stay at Versailles. Madame Campan saw the queen tear up the papers ordering preparations for departure ‘with tears in her eyes’. She was in no doubt about the danger they faced. In the event of an attack on the palace, they might not even be able to count on the loyalty of the guard at Versailles to protect them. In a bold attempt to defuse the situation, Louis agreed to a request by the National Assembly to visit Paris. Marie-Antoinette begged him not to go. Locked in her rooms with her family, she sent for members of the court, only to find they had already fled. ‘Terror had driven them away,’ said Madame Campan; no one expected the king to return alive. ‘A deadly silence reigned throughout the palace.’

It was dark before the king returned. He had faced the crowd and was now wearing the red, white and blue cockade – soon to be the badge of the revolutionary – as he made his way back to his palace escorted by a citizens’ army. ‘Happily no blood has been shed,’ he told his family, ‘and I swear that never shall a drop of French blood be shed by my order.’

Only five days later Joseph Foulon, one of the ministers brought in to replace Necker, was recognised by the crowd and dragged to the Hôtel de Ville. ‘After tormenting him in a manner the particulars of which make humanity shudder,’ reported Campan, the people hanged him. ‘His body was dragged about the streets and his heart was carried – by women – in the midst of a bunch of white carnations!’ It had been rumoured that Foulon had said, ‘If the rogues haven’t any bread, they can have hay’. Now hay was stuffed in his mouth as his head was thrust on a pike and borne through the streets of Paris.

The terror in Paris ricocheted around the country in a wave of panic known as La Grande Peur. Angry mobs invaded the bastilles at Bordeaux and Caen; fighting broke out in the streets of Lyon, Rennes, Rouen and Saint Malo. With the harvest not yet in, the price of bread soared. Many feared that there was a plot to starve the people into submission. As the poor left their homes to scavenge for food it was widely believed that these vagrants were paid by the nobility to cause disruption and steal bread. Rumours were rife that the food shortages were exacerbated by the stockpiling of grain by the wealthy, including the royal family. As panic spread, peasants invaded the chateaux to exact bloody revenge on their masters.

At Versailles, the queen was increasingly concerned about the safety of her children. Following the departure of Gabrielle de Polignac, she chose as their governess the Marquise de Tourzel, a woman who combined ‘an illustrious ancestry with the most exemplary virtue’, according to the king. However, the marquise hesitated; she had children of her own and was under no illusion as to the ‘perils and responsibilities’ of the post. It was only the ‘spectacle of desertion’ by so many of their friends that persuaded her to accept.

On 24 July the queen wrote to the marquise with practical details of her new charges:

‘My son is two days short of being four years and four months old … His health has always been good, though even in his cradle we noticed that he was very nervous and upset by the slightest sudden noise … Because of delicate nerves he is always frightened by any noise to which he isn’t accustomed and for example, is afraid of dogs after hearing one bark near him.’

Despite these sensitivities, she portrays Louis-Charles as a good-natured child, ‘with no sense of conceit’ although he could, on occasion, be a little thoughtless. His greatest defect, wrote the queen, was his indiscretion: ‘he easily repeats what he has heard; and often without intending to lie, adds things according to his imagination. This is his greatest fault and must be corrected.’

‘My son has no idea of rank in his head and I would like that to continue: our children always find out soon enough who they are. He is very fond of his sister and has a good heart. Every time something makes him happy, a trip somewhere or a gift, his first impulse is to request the same for his sister. He was born cheerful; for his health he needs to be outside a great deal, and I think it is best for him to play and work on the terraces rather than have him go any further. The exercise taken by little children playing and running about in the open air is far healthier than making them go for long walks which often tire their backs.’

The queen instructed her new governess never to let him out of her sight. Finding the virtuous marquise stricter than her predecessor, it wasn’t long before the Dauphin dubbed her ‘Madame Sévère’.

During August 1789 the National Assembly moved quickly to destroy many of the pillars of the ancien régime, the previous or old order of France. On the night of the fourth, in a highly charged and emotional sitting, the nobles and clergy capitulated and agreed to relinquish all feudal privileges. All exemptions from taxation and a multitude of dues that peasants owed their landlords were abolished. It was the overthrow of feudalism. Over the next two weeks the National Assembly went further to try to establish equality throughout France in a ‘Declaration of the Rights of Man and of the Citizen’. In this declaration, ‘all men [were] born free and equal’ and every citizen had the right to decide what taxes should be imposed. It also set out a definition for fundamental human rights: freedom of speech, freedom from unlawful imprisonment, freedom of the press and religious liberty. The declaration was then given to the king at Versailles for his formal assent. He played for time and delayed approving the documents.

Feeling increasingly vulnerable at Versailles, in mid-September Louis summoned a thousand troops that he knew to be loyal from the northern frontier: the Flanders regiment. According to tradition, the king’s bodyguards held a celebratory dinner to welcome officers of the new regiment to Versailles. On 1 October a lavish banquet was prepared by the royal chef, and set up beneath the gold and blue canopies of the Opera House. ‘There were numerous orchestras in the room,’ says Madame Campan. ‘The rousing air, “O Richard! O mon roi” was played and shouts of “Vive le roi!” shook the roof for several minutes.’

The king and queen, who had not planned to attend, made an unexpected entrance with the Dauphin. Immediately the orchestra struck up. ‘People were intoxicated with joy,’ wrote Madame Campan. ‘On all sides were heard praises of Their Majesties, exclamations of affection, expressions of regret for what they had suffered, clapping of hands and shouts of “Vive le roi!” “Vive la reine!” “Vive le dauphin!”’ A highly charged atmosphere was created, with many tears and with officers dramatically saluting the king with their swords. At one point the young dauphin was lifted onto the horseshoe table at the centre of the stage. Rising to the occasion, he walked the length of the table, smiling at everyone as he carefully picked his way through the fine china and glassware. When the king and queen finally left, the theatre resounded with defiant shouts of ‘Down with the Assembly! Down with the Assembly!’ Yet there were spies everywhere and reports of the grand banquet spread like fire around Paris.

It was an incendiary piece of news: while people were almost starving in Paris, banquets were apparently being organised for counter-revolutionaries in Versailles. Reports became wildly exaggerated. The feast was no less than an orgy at which red, white and blue cockades were crushed underfoot, to gleeful shouts of ‘Down with the nation!’ Did not the queen personally distribute white rosettes to each person at the feast? That week in Paris bread was becoming increasingly scarce, with many bakeries completely out of supplies. By Sunday 4 October bread riots even led to one baker being hanged, accused of hoarding flour in the expectation of higher prices. Increasingly bitter charges were made against the queen. It was widely rumoured that she was planning the counter-revolution and had given instructions for the stockpiling of flour at Versailles, hoping to crush the people with famine. The queen became a lightning conductor for much of the fury and frustration in Paris.

Monday, 5 October. Church bells rang out around the Place de Grève by the Seine in Paris, traditionally the place used for executions and hangings. Women began to gather: the poissardes – or fishwives – and market women, servants and washerwomen converged on the square united by their desperate poverty and equally desperate need for bread, their anger and resolve strengthened by the sight of their own hungry children. Despite the rain, by early afternoon more than six thousand women had assembled, armed with anything they could find: pitchforks, scythes, kitchen knives, even skewers and sticks. Nothing could deter them; they had nothing to lose as they began to march the twelve miles to Versailles, with the now driving rain soaking their ill-clad bodies. Soon after they left, the National Guard of Paris, eager to support the women’s march, also began to assemble. By the late afternoon fifteen thousand National Guards set out for Versailles, reluctantly led by Lafayette.

Marie-Thérèse, the queen’s daughter, still only ten years old, later wrote vividly of ‘that too memorable day’, which for her marked the beginning of the ‘outrages and cruelties’ that her family was to endure. That morning everything was tranquil at the palace; she was having her lessons, her Aunt Elisabeth had ridden out to her property at Montreuil, her father was hunting, her mother was in her gardens at Trianon. Madame Elisabeth was the first to hear that Paris was on the march and rushed to Versailles, in great agitation, to warn the queen. Her father raced back at three in the afternoon. The wrought-iron gates of the chateau were swung tightly shut against the people.

Soon after this the army of women, soaked and splashed with mud, arrived at the gates, demanding bread and shouting violent abuse at l’Autrichienne. Marie-Thérèse was in no doubt of their intentions. ‘Their [principal] purpose was to murder my mother,’ she wrote, ‘also to massacre the bodyguards, the only ones who remained faithful to their king.’ Terror reigned at Versailles.

The captain of the guard asked the king for authority to disperse the crowd. Louis could not bring himself to fire against women and agreed to meet a delegation. Their spokesperson, a demure seventeen-year-old called Pierrette Chabry, in spite of fainting at the critical moment, managed to get across the need for bread. The king reassured her that he had given orders already for any grain held up on the roads around Paris to be delivered at once. Gratefully, she asked to kiss the king’s hand.

Outside the palace, the crowd were not so easily appeased and shots rang out. Marie-Antoinette begged Louis to flee Versailles with his family. The king delayed, tormented with indecision. ‘A fugitive king, a fugitive king,’ he said over and over again, unable to come to terms with such a momentous defeat. How could he be driven from his palace merely by a crowd of hungry women? He missed his moment. When he finally decided on flight, the crowd were prepared and would not allow him to depart. They mounted the carriages, cut the harnesses and led the horses away.

As dusk fell, the crowd camped around the palace; bonfires were lit, a horse was roasted. The arrival of the National Guard of Paris was ambiguous. Would they protect the king or further the interests of the crowd? At midnight, Lafayette was presented before the king and reassured him that the National Guard would stop the mob from attacking the palace. Comforted by this, finally, at two in the morning the royal family attempted to get some rest. ‘My mother knew that their chief object was to kill her,’ wrote her daughter. ‘Nevertheless in spite of that, she made no sign, but retired to her room with all possible coolness and courage … directing Madame de Tourzel to take her son instantly to the king if she had heard any noise in the night.’

However, at five in the morning, some women discovered that the gate to the Cour des Princes was not properly locked. There was a call to action. The crowd surged into the palace and entered the inner courtyard, the Cour de Marbre, by the royal quarters. Many rushed straight up the stairs leading to the queen’s apartments, yelling obscenities. A guard later reported that he heard: ‘we’ll cut off her head … tear her heart out … fry her liver … make her guts into ribbons and even then it would not be all over.’ One of the bodyguards tried to defend the stairway. He was stabbed with pikes and knives and dragged half alive into the courtyard where his head was chopped off with an axe. Inside the palace, according to Marie-Thérèse, another of the guards, ‘though grievously wounded, dragged [himself] to my mother’s door, crying out for her to fly and bolt the doors behind her’. Just at this point, the queen’s femme de chambre opened the door of the queen’s antechamber and was horrified to see this bodyguard holding a musket valiantly across the door as he was struck down by the mob. ‘His face was covered with blood,’ wrote Madame Campan. ‘He turned round and exclaimed: “Save the queen, Madame! They are come to assassinate her.” She hastily shut the door on the unfortunate victim of duty and fastened it with a great bolt.’ Seconds later, ‘the wretches flung themselves on him and left him bathed in blood’.

Hearing firing and shrieks outside her door, ‘my mother sprang from her bed, and half dressed, ran to my father’s apartment, but the door of it was locked within’, wrote Marie-Thérèse. Within moments the rioters had burst into the queen’s empty bedroom and cut her bedclothes to shreds with their sabres and knives, to cries of ‘Kill the bitch’ or ‘Kill the whore!’ Those protecting the king did not realise it was the queen herself – not rioters – at the door. For several terrifying minutes she was trapped, hammering on the door, unable to enter the king’s apartments. ‘Just at the moment that the wretches forced the door of my mother’s room, so that one instant later, she would have been taken without means of escape … the man on duty … recognised my mother’s voice and opened the door to her.’

In the frenzy of the night, the king was trying to reach the queen’s apartment to bring her to safety, Madame de Tourzel was trying to protect the Dauphin, while the queen went in a frantic search of Marie-Thérèse. Gradually, they all reunited in the Salon de l’Oeuil de Boeuf, where they could hear axes and bars thumping against the door as the guards tried to drive the rioters away with their bayonets. It was only when the guards had driven the rioters outside to the courtyard that Lafayette finally emerged with his men and managed to save the bodyguards.

Outside in the marble courtyard, the crowd demanded to see the king. He emerged onto the balcony; but this did not appease the crowd, who began to shout for the queen. Inside, Marie-Antoinette turned white, ‘all her fears were visible on her face’. Dazed and numbed by the attempt on her life, she hesitated. Everyone in the room urged her not to face the crowd. Outside, the yells echoed ever more insistently around the courtyard and rose in a great cry: ‘The queen to the balcony!’ Summoning extraordinary courage, she stepped out, her hair dishevelled, in a yellow-striped dressing gown, her children by her side. For Marie-Thérèse and Louis-Charles, looking through the familiar gilded balustrade on the sea of hostile faces staring at them, it was a terrifying glimpse of the full force of the hatred of the French people. ‘The courtyard of the chateau presented a horrible sight,’ recalled Marie-Thérèse. ‘A crowd of women, almost naked, and men armed with pikes, threatened our windows with dreadful cries.’

There were cries of ‘No children! No children!’ The queen ushered her children inside to safety. For a few minutes she faced out the murderous, armed crowds alone with incredible nerve. ‘She expected to perish,’ reported her daughter, but happily ‘her great courage awed the whole crowd of people, who confined themselves to loading her with insults, without daring to attack her person’. No one fired. After a while she simply curtsied and went back into the palace, gathered her son into her arms and wept.

However, their ordeal was not over. The menacing cry went up: ‘The king to Paris!’ The king felt he had no alternative but to agree, in order to avoid further bloodshed. He decided he must take his family with him as it was too dangerous to leave them behind. ‘I confide all that I hold most dear to the love of my good and faithful subjects,’ he told the vengeful mob in the courtyard.

By one o’clock in the afternoon everything was ready for the departure of the royal family. ‘They wished to prevent my father from crossing the great guard rooms that were inundated with blood,’ reported Marie-Thérèse; ‘we therefore went down by a small staircase … and got into a carriage for six persons; on the back seat were my father, mother and brother; on the front seat … my Aunt Elisabeth and I, in the middle my uncle Monsieur and Madame de Tourzel … the crowd was so great it was long before we could advance.’

It was the most extraordinary and grotesque procession. News had spread that the royal family was forced out of Versailles and thirty thousand, at least, had gathered to escort the king to Paris. The scene was terrifying: a great, swirling mass of humanity, most intent on harm, some so drunk with hatred that any form of violent disturbance could erupt within seconds. Leading the ‘horrible masquerade’ – in the words of one courtier – was the National Guard, with Lafayette always in view near the royal coach. The poissardes, market women and other rioters followed like so many furies, brandishing sticks and spikes, some topped with the heads of the king’s murdered guardsmen. These gruesome trophies were paraded with devilish excitement as they danced around the royal coach, all too conscious that power was indeed an intoxicating mixture as they endlessly threatened obscene and imminent death to the queen. Many had loaves of bread from the kitchens of Versailles stuck on their bayonets and were chanting, ‘We won’t go short of bread any more. We are bringing back the baker, the baker’s wife and the baker’s boy’. Behind were the household troops and Flanders regiment, unarmed – many obliged to wear the revolutionary cockade. They were followed by innumerable carriages bearing the remnants of the royal court and deputies from the new National Assembly. Count Axel Fersen, who was in one of the carriages following the king, wrote of their six-and-a-half-hour journey to Paris: ‘May God preserve me from ever seeing again so heart-breaking a spectacle as that of the last few days.’

For the royal family, forced to take part in this terrifying and until then almost unimaginable procession, it was a definitive end of an era. In the distance behind them, glimpsed only through a forest of pikes and a sea of hostile faces, the palace of Versailles, which for more than a century had epitomised the Bourbons’ absolute power, slowly retreated from view, quietness descending, the only sound the hammers of workmen fastening the shutters. Now the king, impassive and silent, was a consenting victim to the barbarity of the mob, as he allowed his family to be led in humiliation to Paris. Inside the coach, he held a handkerchief to his face to hide his shame and tears. Next to him was the queen, clutching her four-year-old son tightly, her expression bearing ‘the marks of violent grief’. She tried to ignore the poissardes who climbed onto the carriage, yelling still more insults and abuse at her. ‘Along the whole way, the brigands never ceased firing their muskets … and shouted “Vive la nation!”’ wrote Marie-Thérèse. Occasionally the young Dauphin – terrified as this horrific grown-up world suddenly burst in on his orderly life with such force – bravely leaned out of the window and pleaded with the crowds not to harm his mother. ‘Grâce pour Maman! Grâce pour Maman!’ he cried. ‘Spare my mother, spare my mother …’.