Delsarte System of Oratory
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Delaumosne. Delsarte System of Oratory
Delsarte System of Oratory
Table of Contents
Biographical Sketch. Preface. Part First. Voice
Chapter I
Chapter II. Of The Voice
Chapter III. The Voice in Relation to Intensity of Sound
Chapter IV. The Voice in Relation to Measure
Part Second. Gesture
Chapter I. Of Gesture in General. Chapter II. Definition and Division of Gesture
Chapter III. Origin and Oratorical Value of Gesture. Chapter IV. The Laws of Gesture
Chapter V. Of Gesture in Particular
Chapter VI. Of The Torso
Chapter VII. Of The Limbs
Chapter VIII. Of the Semeiotic, or the Reason of Gesture
Chapter IX. Of Gesture in Relation to the Figures Which Represent It. Part Third. Articulate Language
Chapter I. Origin and Organic Apparatus of Language. Chapter II. Elements of Articulate Language. Chapter III. The Oratorical Value of Speech. Chapter IV. The Value of Words in Phrases
Chapter V. French and Latin Prosody. Chapter VI. Method
Chapter VII. A Series Of Gestures For Exercises
Appendix. Epilogue. Arnaud On Delsarte
Part Fourth
Chapter I. The Bases of the Science. Chapter II. The Method
Chapter III. Was Delsarte a Philosopher? Chapter IV. Course of Applied Æsthetics
Chapter V. The Recitation of Fables. Chapter VI. The Law of Æsthetics. Chapter VII. The Elements of Art
Chapter VIII. Application of the Law to Various Arts
Chapter IX. Delsarte's Beginnings. Chapter X. Delsarte's Theatre and School. Chapter XI. Delsarte's Family. Chapter XII. Delsarte's Religion. Chapter XIII. Delsarte's Friends. Chapter XIV. Delsarte's Scholars. Chapter XV. Delsarte's Musical Compositions. Chapter XVI. Delsarte's Evening Lectures. Chapter XVII. Delsarte's Inventions. Chapter XVIII. Delsarte before the Philotechnic Association. Chapter XIX. Delsarte's Last Years. Literary Remains Of François Delsarte
Part Fifth
Part Sixth
The Lecture and Lessons Given by Mme. Marie Géraldy (Delsarte's Daughter) in America. Part Seventh
Delaumosne On Delsarte. The Delsarte System,
M. l'Abbe Delaumosne,
(Pupil of Delsarte.)
Translated by Frances A. Shaw
François Delsarte
Preface
Part First. Voice
Chapter I
Chapter II. Of The Voice
Compass of the Voice--Organic Apparatus of the Voice
Of the Voice in Relation to Compass
The Voice in Relation to Vowels
Practical Conclusions
Chapter III. The Voice in Relation to Intensity of Sound
What is Understood by Intensity of Sound
Means of Augmenting the Timbre of the Voice
Rules for Intensity of Sound
Chapter IV. The Voice in Relation to Measure
Of Slowness and Rapidity in Oratorical Delivery
Of Respiration and Silence
Inflections
Rules of Inflection
Special Inflections
Part Second. Gesture
Chapter I. Of Gesture in General
Chapter II. Definition and Division of Gesture
Division of Gesture
Chapter III. Origin and Oratorical Value of Gesture
Origin
Oratorical Value of Gesture
Chapter IV. The Laws of Gesture
The Priority of Gesture to Speech
Retroaction
Opposition of Agents
Number of Gestures
Duration of Gesture
The Rhythm of Gesture
Importance of the Laws of Gesture
Chapter V. Of Gesture in Particular
The Head
The Movements of the Head
The Normal State
The Eccentric State
The Concentric State
Of the Eyes
Of the Eyebrows
Chapter VI. Of the Torso
Chapter VII. Of The Limbs
The Arms
Inflections of the Fore-Arm
Of the Elbow
Of the Wrist
Of the Hand
The Digital Face
The Back Face
The Palmar Face
Of the Fingers
Of the Legs
Chapter VIII. Of the Semeiotic, or the Reason of Gesture
The Types which Characterize Gesture
Of Gesture Relative to its Modifying Apparatus
Chapter IX. Of Gesture in Relation to the Figures which Represent It
Part Third. Articulate Language
Chapter I. Origin and Organic Apparatus of Language
Chapter II. Elements of Articulate Language
Chapter III. The Oratorical Value of Speech
Chapter IV. The Value of Words in Phrases
The Conjunction
The Conjunction Continued--Various Examples
The Interjection in Relation to its Degree of Value
A Resumé of the Degrees of Value
Chapter V. French and Latin Prosody
French Prosody
Latin Prosody
Chapter VI. Method
Dictation Exercises
Chapter VII. A Series of Gestures for Exercises
Preliminary Reflections
The Series of Gestures Applied to the Sentiments Oftenest Expressed by the Orator
First Gesture. Interpellation
Second Gesture. Thanks--Affectionate and Ceremonious
Third Gesture. Attraction
Fourth Gesture. Surprise and Assurance
Fifth Gesture. Devotion
Sixth Gesture. Interrogative Surprise
Seventh Gesture. Reiterated Interrogation
Eighth Gesture. Anger
Ninth Gesture. Menace
Tenth Gesture. An Order for Leaving
Eleventh Gesture. Reiteration
Twelfth Gesture. Fright
Important Remarks
Appendix. The Symbolism of Colors Applied to the Art of Oratory
Epilogue
Part Fourth. Arnaud on Delsarte
The Delsarte System
Angélique Arnaud, (Pupil of Delsarte)
Chapter I. The Bases of the Science
Chapter II. The Method
On Ellipsis
On Shades and Inflections
On Vocal Music
On Respiration
On the Position of the Tone
On the Preparation of the Initial Consonant
Exercises
Appoggiatura
Roulade and Martellato
Pronunciation
E mute before a Consonant
E mute before a Vowel
Chapter III. Was Delsarte a Philosopher?
Chapter IV. Course of Applied Æsthetics
Meeting of the Circle of Learned Societies
Theory of the Degrees
Chapter V. The Recitation of Fables
Chapter VI. The Law of Æsthetics
Chapter VII. The Elements Of Art
The True, the Good, the Beautiful
The True
The Good
The Beautiful
Chapter VIII. Application of the Law to the Various Arts
Art--Dramatic, Lyric and Oratorical
Application of the Law to Literature
Application of the Law to Architecture
Application of the Law to Sculpture
Application of the Law to Painting
Chapter IX. Delsarte's Beginnings
Chapter X. Delsarte's Theatre and School
Chapter XI. Delsarte's Family
Chapter XII. Delsarte's Religion
Chapter XIII. Delsarte's Friends
Chapter XIV. Delsarte's Scholars
Chapter XV. Delsarte's Musical Compositions
Chapter XVI. Delsarte's Evening Lectures
Chapter XVII. Delsarte's Inventions
Chapter XVIII. Delsarte before the Philotechnic Association.8
Chapter XIX. Delsarte's Last Years
Part Fifth. The Literary Remains of François Delsarte
Translated by Abby L. Alger
Publisher's Note
Extract from the Last Letter to the King of Hanover
Episode I
Episode II
Episode III
Episode IV
Episode V. Semeiotics of The Shoulder
Episode VI. First Objection to the Thermometric System of the Shoulder
Episode VII
What I Propose
The Beautiful
Trinity
Theorem
Example
Vicious Arrangements. Reversal of the Processional Relations and Confusion Which Leads to Reversals
Passion Of Signs. Signs of Passion
Definition of Form
On Distinction and Vulgarity of Motion
Gesture
Definition of Gesture. (Compare Delaumosne, page 43.)
Attitudes of the Head
Attitudes of the Hands
Affirmation--The Hand
Attitudes of the Legs
Chart Considered from the Organic Point of View
Example
Of the Hand
Of the Eye
Of the Torso
Æsthetic Division
The Holy Trinity Recovered in Sound
Speech
Breathing
Vocal Respiration
Logical Respiration
Passional Respiration
Vocal Organ
Definition of the Voice
What the Register is
On Shading
Pathetic Effects
On the Tearing of the Voice
Number
Medallion of Inflection (Compare Delaumosne, page 119.)
Examples
The Nature of the Colors of Each Circle in the Color Charts
Red, Blue and Yellow
The Attributes of Reason
Random Notes
The Senses
Part Sixth. Lecture and Lessons Given by Mme. Géraldy (Delsarte's Daughter) in America
Lecture
Delivered by Mme. Géraldy at the Berkeley Lyceum, New York, February 6, 1892
The Course of Lessons Given in America By Mme. Géraldy
Lesson I. The Eye and the Eyebrow
Lesson II. The Head
Lesson III. The Hand
Lesson IV. The Arms
Lesson V. Inflections of the Hand.--Combinations of the Arm and Hand
Lesson VI. Basic Attitudes
Lesson VII. The Medallion of Inflection
Mme. Géraldy's Lessons On Lafontaine's Fables
The Wolf and the Lamb
Lesson Given By Mme. Géraldy
The Cat, the Weasel and the Little Rabbit
Lesson Given By Mme. Géraldy
Delsarte's Daughter In America. By Adèle M. Woodward
Part Seventh. Addenda
Trueness in Singing
Notes of a Lecture by Delsarte, Taken by His Pupil A. Giraudet, of The National Academy of Music, Paris
Delsarte
[From the Atlantic Monthly for May, 1871, by permission of Houghton, Mifflin & Co.] By Francis A. Durivage
Delsarte's Method for Tuning Stringed Instruments Without the Aid of The Ear.11
By Hector Berlioz
Index
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Footnotes
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Delaumosne
Published by Good Press, 2022
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The convex eccentric chest is the sign of the agent, or of him who gives.
The convex concentric chest or the pathetic, is the sign of the sufferer, or of him who receives.
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