Delsarte System of Oratory

Delsarte System of Oratory
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"Delsarte System of Oratory" by Delaumosne (translated by Frances A. Shaw, Abby Langdon Alger). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

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Delaumosne. Delsarte System of Oratory

Delsarte System of Oratory

Table of Contents

Biographical Sketch. Preface. Part First. Voice

Chapter I

Chapter II. Of The Voice

Chapter III. The Voice in Relation to Intensity of Sound

Chapter IV. The Voice in Relation to Measure

Part Second. Gesture

Chapter I. Of Gesture in General. Chapter II. Definition and Division of Gesture

Chapter III. Origin and Oratorical Value of Gesture. Chapter IV. The Laws of Gesture

Chapter V. Of Gesture in Particular

Chapter VI. Of The Torso

Chapter VII. Of The Limbs

Chapter VIII. Of the Semeiotic, or the Reason of Gesture

Chapter IX. Of Gesture in Relation to the Figures Which Represent It. Part Third. Articulate Language

Chapter I. Origin and Organic Apparatus of Language. Chapter II. Elements of Articulate Language. Chapter III. The Oratorical Value of Speech. Chapter IV. The Value of Words in Phrases

Chapter V. French and Latin Prosody. Chapter VI. Method

Chapter VII. A Series Of Gestures For Exercises

Appendix. Epilogue. Arnaud On Delsarte

Part Fourth

Chapter I. The Bases of the Science. Chapter II. The Method

Chapter III. Was Delsarte a Philosopher? Chapter IV. Course of Applied Æsthetics

Chapter V. The Recitation of Fables. Chapter VI. The Law of Æsthetics. Chapter VII. The Elements of Art

Chapter VIII. Application of the Law to Various Arts

Chapter IX. Delsarte's Beginnings. Chapter X. Delsarte's Theatre and School. Chapter XI. Delsarte's Family. Chapter XII. Delsarte's Religion. Chapter XIII. Delsarte's Friends. Chapter XIV. Delsarte's Scholars. Chapter XV. Delsarte's Musical Compositions. Chapter XVI. Delsarte's Evening Lectures. Chapter XVII. Delsarte's Inventions. Chapter XVIII. Delsarte before the Philotechnic Association. Chapter XIX. Delsarte's Last Years. Literary Remains Of François Delsarte

Part Fifth

Part Sixth

The Lecture and Lessons Given by Mme. Marie Géraldy (Delsarte's Daughter) in America. Part Seventh

Delaumosne On Delsarte. The Delsarte System,

M. l'Abbe Delaumosne,

(Pupil of Delsarte.)

Translated by Frances A. Shaw

François Delsarte

Preface

Part First. Voice

Chapter I

Chapter II. Of The Voice

Compass of the Voice--Organic Apparatus of the Voice

Of the Voice in Relation to Compass

The Voice in Relation to Vowels

Practical Conclusions

Chapter III. The Voice in Relation to Intensity of Sound

What is Understood by Intensity of Sound

Means of Augmenting the Timbre of the Voice

Rules for Intensity of Sound

Chapter IV. The Voice in Relation to Measure

Of Slowness and Rapidity in Oratorical Delivery

Of Respiration and Silence

Inflections

Rules of Inflection

Special Inflections

Part Second. Gesture

Chapter I. Of Gesture in General

Chapter II. Definition and Division of Gesture

Division of Gesture

Chapter III. Origin and Oratorical Value of Gesture

Origin

Oratorical Value of Gesture

Chapter IV. The Laws of Gesture

The Priority of Gesture to Speech

Retroaction

Opposition of Agents

Number of Gestures

Duration of Gesture

The Rhythm of Gesture

Importance of the Laws of Gesture

Chapter V. Of Gesture in Particular

The Head

The Movements of the Head

The Normal State

The Eccentric State

The Concentric State

Of the Eyes

Of the Eyebrows

Chapter VI. Of the Torso

Chapter VII. Of The Limbs

The Arms

Inflections of the Fore-Arm

Of the Elbow

Of the Wrist

Of the Hand

The Digital Face

The Back Face

The Palmar Face

Of the Fingers

Of the Legs

Chapter VIII. Of the Semeiotic, or the Reason of Gesture

The Types which Characterize Gesture

Of Gesture Relative to its Modifying Apparatus

Chapter IX. Of Gesture in Relation to the Figures which Represent It

Part Third. Articulate Language

Chapter I. Origin and Organic Apparatus of Language

Chapter II. Elements of Articulate Language

Chapter III. The Oratorical Value of Speech

Chapter IV. The Value of Words in Phrases

The Conjunction

The Conjunction Continued--Various Examples

The Interjection in Relation to its Degree of Value

A Resumé of the Degrees of Value

Chapter V. French and Latin Prosody

French Prosody

Latin Prosody

Chapter VI. Method

Dictation Exercises

Chapter VII. A Series of Gestures for Exercises

Preliminary Reflections

The Series of Gestures Applied to the Sentiments Oftenest Expressed by the Orator

First Gesture. Interpellation

Second Gesture. Thanks--Affectionate and Ceremonious

Third Gesture. Attraction

Fourth Gesture. Surprise and Assurance

Fifth Gesture. Devotion

Sixth Gesture. Interrogative Surprise

Seventh Gesture. Reiterated Interrogation

Eighth Gesture. Anger

Ninth Gesture. Menace

Tenth Gesture. An Order for Leaving

Eleventh Gesture. Reiteration

Twelfth Gesture. Fright

Important Remarks

Appendix. The Symbolism of Colors Applied to the Art of Oratory

Epilogue

Part Fourth. Arnaud on Delsarte

The Delsarte System

Angélique Arnaud, (Pupil of Delsarte)

Chapter I. The Bases of the Science

Chapter II. The Method

On Ellipsis

On Shades and Inflections

On Vocal Music

On Respiration

On the Position of the Tone

On the Preparation of the Initial Consonant

Exercises

Appoggiatura

Roulade and Martellato

Pronunciation

E mute before a Consonant

E mute before a Vowel

Chapter III. Was Delsarte a Philosopher?

Chapter IV. Course of Applied Æsthetics

Meeting of the Circle of Learned Societies

Theory of the Degrees

Chapter V. The Recitation of Fables

Chapter VI. The Law of Æsthetics

Chapter VII. The Elements Of Art

The True, the Good, the Beautiful

The True

The Good

The Beautiful

Chapter VIII. Application of the Law to the Various Arts

Art--Dramatic, Lyric and Oratorical

Application of the Law to Literature

Application of the Law to Architecture

Application of the Law to Sculpture

Application of the Law to Painting

Chapter IX. Delsarte's Beginnings

Chapter X. Delsarte's Theatre and School

Chapter XI. Delsarte's Family

Chapter XII. Delsarte's Religion

Chapter XIII. Delsarte's Friends

Chapter XIV. Delsarte's Scholars

Chapter XV. Delsarte's Musical Compositions

Chapter XVI. Delsarte's Evening Lectures

Chapter XVII. Delsarte's Inventions

Chapter XVIII. Delsarte before the Philotechnic Association.8

Chapter XIX. Delsarte's Last Years

Part Fifth. The Literary Remains of François Delsarte

Translated by Abby L. Alger

Publisher's Note

Extract from the Last Letter to the King of Hanover

Episode I

Episode II

Episode III

Episode IV

Episode V. Semeiotics of The Shoulder

Episode VI. First Objection to the Thermometric System of the Shoulder

Episode VII

What I Propose

The Beautiful

Trinity

Theorem

Example

Vicious Arrangements. Reversal of the Processional Relations and Confusion Which Leads to Reversals

Passion Of Signs. Signs of Passion

Definition of Form

On Distinction and Vulgarity of Motion

Gesture

Definition of Gesture. (Compare Delaumosne, page 43.)

Attitudes of the Head

Attitudes of the Hands

Affirmation--The Hand

Attitudes of the Legs

Chart Considered from the Organic Point of View

Example

Of the Hand

Of the Eye

Of the Torso

Æsthetic Division

The Holy Trinity Recovered in Sound

Speech

Breathing

Vocal Respiration

Logical Respiration

Passional Respiration

Vocal Organ

Definition of the Voice

What the Register is

On Shading

Pathetic Effects

On the Tearing of the Voice

Number

Medallion of Inflection (Compare Delaumosne, page 119.)

Examples

The Nature of the Colors of Each Circle in the Color Charts

Red, Blue and Yellow

The Attributes of Reason

Random Notes

The Senses

Part Sixth. Lecture and Lessons Given by Mme. Géraldy (Delsarte's Daughter) in America

Lecture

Delivered by Mme. Géraldy at the Berkeley Lyceum, New York, February 6, 1892

The Course of Lessons Given in America By Mme. Géraldy

Lesson I. The Eye and the Eyebrow

Lesson II. The Head

Lesson III. The Hand

Lesson IV. The Arms

Lesson V. Inflections of the Hand.--Combinations of the Arm and Hand

Lesson VI. Basic Attitudes

Lesson VII. The Medallion of Inflection

Mme. Géraldy's Lessons On Lafontaine's Fables

The Wolf and the Lamb

Lesson Given By Mme. Géraldy

The Cat, the Weasel and the Little Rabbit

Lesson Given By Mme. Géraldy

Delsarte's Daughter In America. By Adèle M. Woodward

Part Seventh. Addenda

Trueness in Singing

Notes of a Lecture by Delsarte, Taken by His Pupil A. Giraudet, of The National Academy of Music, Paris

Delsarte

[From the Atlantic Monthly for May, 1871, by permission of Houghton, Mifflin & Co.] By Francis A. Durivage

Delsarte's Method for Tuning Stringed Instruments Without the Aid of The Ear.11

By Hector Berlioz

Index

A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

P

Q

R

S

T

U

V

W

Z

Footnotes

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Delaumosne

Published by Good Press, 2022

.....

The convex eccentric chest is the sign of the agent, or of him who gives.

The convex concentric chest or the pathetic, is the sign of the sufferer, or of him who receives.

.....

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