Читать книгу Memoirs of the Dukes of Urbino (Vol. 1-3) - Dennistoun James - Страница 7

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During nearly one hundred and ninety years, five Dukes of Urbino well and ably discharged the duties of their station, comparatively exempt from the personal immoralities of their age. The rugged frontier of their highland fief had, in that time, been extended far into the fertile March of Ancona, until it embraced a compact and influential state. Saving their subjects, by a gentle and judicious sway, from the wild ferments that distracted democratic communities, and from the yet more dire revolutions which from time to time convulsed adjoining principalities, they so cultivated the arts of war, and so encouraged the pursuits of peace, that their mountain-land gained a European reputation as the best nursery of arms, their capital as the favoured asylum of letters. That glory has now become faint; for the writers by whom it has been chiefly transmitted belong not to the existing generation, and command few sympathies in our times. But the echoes of its fame still linger around the mist-clad peaks of Umbria, and in the dilapidated palace-halls of the olden race. To gather its evanescent substance in a form not uninteresting to English readers, is the object of the present attempt. Should it be so far successful as to attract some of his countrymen to the history, literature, and arts of Italy, they will not, perhaps, be ungrateful to the humble pioneer who has indicated a path to literary treasures hitherto inadequately known to them. For such an undertaking he possesses no qualification, beyond a sincere interest in the past ages of that sunny land, and a warm admiration for her arts during their epoch of brilliancy. But a residence there of six years has afforded him considerable opportunities of collecting materials for this work, which he has been anxious not to neglect.

A great portion of the duchy of Urbino, including its principal towns, has been thrice visited, and nearly every accessible library of Central Italy has been examined for unedited matter. To these researches, time and labour have been freely given; and in the few instances when his attempts were foiled by jealousy or accident, the author has generally had the satisfaction of believing that success would have been comparatively unproductive. To this, two exceptions should be mentioned. He was prevented by illness from recently visiting the libraries or archives at Venice; and the Barberini Library at Rome has been entirely closed for some years, in consequence of a disgraceful pillage of its treasures. Should the latter be again made accessible, the MSS. amassed by the Pontiff under whom Urbino devolved to the Church, and by his nephews, its two first Legates, can hardly fail to throw much light upon the duchy. The invaluable treasures of the Vatican archives have been to him, as to others, a sealed book; but the Urbino MSS. in the Vatican Library, those of the Oliveriana at Pesaro, and of the Magliabechiana at Florence, have afforded copious sources of original information, and have supplied means for rectifying omissions and errors of previous writers. Some of these materials had been freely drawn upon by Muzio, Leoni, and Baldi, biographers of the early dukes of Urbino, who have not, however, by any means exhausted the soil; the amount that remained for after inquirers may be estimated from the single instance of Sanzi's almost unnoticed rhyming Chronicle of Duke Federigo, in about 26,000 lines.

The reigns of Dukes Federigo, Guidobaldo I., and Francesco Maria I., from 1443 to 1538, formed the brightest era of Urbino, and included the most stirring period of Italian history, the golden age of Italian art; but our regnal series would be incomplete without Dukes Guidobaldo II. and Francesco Maria II., who prolonged the independence of the duchy until 1631, when it lapsed to the Holy See. Its history thus naturally divides itself into five books, representing as many reigns; yet, as these sovereigns were of two different dynasties, it will be convenient to consider separately the origin of each, and the influence which they respectively exercised on literature and the fine arts, thus giving matter for four additional books. In Book First of these we shall briefly sketch the early condition of the duchy, with the establishment of the family of Montefeltro as Counts, and eventually as Dukes, of Urbino; but, regarding Duke Federigo as the earliest of them worthy of detailed illustration, we shall, in Book Second, with his succession, enter upon the immediate scope of our work.

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Among many interesting publications upon Italy which have recently issued from the English press, is that of Signor Mariotti.³ With a command of our language rarely attained by foreigners, he has clothed a vast mass of information in an exuberant style, savouring of the sweet South. As an episode to his sketch of Tasso, he dedicates to the two dynasties who ruled in Urbino a single page, in which there occur seven misstatements. John or Giovanni della Rovere was never sovereign of Camerino; his cousin, Girolamo Riario, held no ecclesiastical dignity; the "unrivalled splendour" of the Montefeltrian reign at Urbino did not extend over even one century; the wife of Giovanni della Rovere was neither daughter nor heiress of Guidobaldo I. of Urbino, nor had she any "just claim to his throne"; Duke Francesco Maria did not remove either his library or treasures of art to Mantua. These slips, by a writer generally painstaking and correct, surely indicate some deficiency in the accessible sources of information regarding a principality which has for centuries been proverbial, in the words of Tasso, as "the stay and refuge of gifted men."

The truth is, that although the Dukes of Urbino figure everywhere as friends of learning and patrons of art, no work has yet appeared establishing their especial claim to such distinction, in a land where courts abounded and dilettanteship was a fashion. That of Riposati has indeed given us the series of these sovereigns, but his biographical sketches are meagre, and chiefly illustrative of their coinage. The lives of Dukes Federigo and Francesco Maria I., by Muzio and Leoni, are excessively rare; Baldi's crude biographies are either recently and obscurely published, or remain in manuscript. Out of Italy these authors are scarcely known. This paucity of illustration is not, however, the only cause why these princes have continued in unmerited obscurity. Whilst endeavouring to guard himself against undue hero-worship, and to subject the policy and character of those sovereigns to the tests within his reach, the author has been obliged in some instances to assume the functions of an advocate, and to defend them from charges unjustly or inadvisedly brought. This will be especially found in the life of Duke Francesco Maria I., who, as the victim of Leo X., and the opponent of Florence, has met with scanty justice from the three standard historians of that age in Italy, France, and England. The patriotism of Guicciardini, as a Florentine, was inherently provincial; as a partisan of the Medici, he had no sympathies with a prince whom they hated with the loathing of ingratitude; as an annalist he never forgot the day when he had cowered before the lofty spirit at the council-board. All that he has written of Francesco Maria is therefore tinged with gall, and his authority has been too implicitly followed by Sismondi, who, uniformly biassed against princes by his democratic prejudices, and seeing in Guicciardini an eminent denizen of a nominal republic, and in the Duke a petty autocrat, decided their respective merits accordingly. Again, Roscoe could save the consistency and justice of Leo only by misrepresenting the character of his early friend and eventual victim, and has not shrunk from the sacrifice. It has thus happened that, whilst ordinary readers have scanty access to details regarding Urbino and its dynasties, these names have been unduly excluded from many a page in Italian annals which they were well qualified to adorn.⁴

To separate from the tangled web of Italian story threads of local and individual interest would be fatal to unity of texture and subject. It will, therefore, be necessary to treat Urbino and its Dukes as integral portions of the Ausonian community, and, while distinguishing every characteristic detail, to view them as subsidiary to the general current of events. But, since this course offers at every moment temptations to launch our tiny bark on a stream perilous to its pilot, prudence will keep us mostly among those eddies which, unheeded by more skilful mariners, may afford leisure for minute observation. If it be thought that the martial renown of Federigo and Francesco Maria I. merited more ample accounts of their campaigns, we may plead that arms are but a portion of our object. To mankind battle-fields are instructive chiefly from their results; while foreign and domestic policy, the progress of civilisation and manners, of letters and art, are in every respect themes of profitable inquiry.

In a work undertaken with the hope of attracting general readers to the history and arts of Italy, controversial disquisitions would be misplaced. The student may detect occasional attempts to reconcile contradictory narratives and jarring conclusions; but religious discussion is excluded from these pages. The author is a Protestant by birth and by conviction, but it has been his endeavour to judge with candour, and speak with respect, of a Church which is the "parent of our religion," and which, during a great portion of his narrative, was catholic in the strict sense of that often misapplied term. He has mentioned without flattery, extenuation, or malice, such private virtues and vices of the various pontiffs as fell within the scope of his inquiry, leaving it to others to fix the delicate line which is supposed to divide personal errors from papal infallibility.

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A considerable portion of these volumes was written in Italy, before the close of Pope Gregory's reign, and under impressions formed upon the existing state of the country. It has been their author's good fortune to know much of that attractive land during the last twenty years of the long peace, and to admire her substantial prosperity and steady progress. Between 1825 and 1846 he has seen in her cities new streets and squares rising, thoroughfares opened, gas-lights generally introduced, ruinous houses substantially rebuilt, crumbling churches and palaces renovated, shops enlarged and beautified, cafés, hotels, and baths multiplied and decorated, public drives and gardens created, equipages rivalling those of northern capitals, museums formed, galleries enriched, the dress and comforts of the population greatly improved, the street nuisances of Rome removed, the lazzaroni of Naples clothed.

In the rural districts he has observed cultivation spreading, waste lands reclaimed, irrigation and drainage carried on, the great highways rendered excellent, whole provinces opened up by new roads, railways rapidly extending, rivers and torrents bridged, palatial villas springing up round the towns and watering-places, banditti suppressed, the peasantry ameliorated in aspect. He has learnt, from crowded ports and spreading factories, that capital was increasing and industry being developed.

He has also noticed that, without organic changes, the political condition of the people was being modified; that Tuscany enjoyed the mildest of paternal governments; that in Lombardy, Piedmont, and Naples, many repressive statutes were in abeyance; that in Turin and Florence restraints upon the press were tacitly being relaxed; that scientific congresses were generally permitted, and political economy freely discussed; whilst, in regard to Rome, he ascertained the practical truth of a popular sarcasm, that prohibitory laws were usually binding but for three days.

While conscious of all this progress, the author felt that much remained to be done. He knew that the advance of the country was only comparative, and rendered more apparent by her long previous stagnation. He daily had before him solecisms in policy, errors of administration, official indolence or corruption; above all, ample proofs that priests were no longer adapted for ministers of state. He believed that intellect was needlessly or unwisely shackled, and that, to ardent or speculative minds, the full blaze of knowledge might be less deceptive than a compulsory twilight.

But, on the other hand, he was deeply convinced that, in material welfare, the Italian people were already far above the average; that any sudden change was more likely to endanger than to augment it; that, to a nation so listless yet so impressionable, so credulous but so suspicious, self-government was a questionable boon; at all events, that the mass of its present generation was infinitely too ignorant and unpractised, possibly too conceited and self-seeking, to comprehend the theory of a constitution, or to perform the duties it would necessarily impose. He knew further, that those who vaguely longed for change were usually blind to the benefits which their country already enjoyed, and had no definite or plausible plan for the removal of its grievances without perilling its advantages. He felt satisfied that, should an occasion ever present itself for testing their Utopian theories, native leaders, united in aims and worthy of their reliance, would be wanting. The movement party in Italy then scarcely numbered a man who had a considerable property to stake, a social position to lend him influence, or tried business habits to gain the confidence of his fellow-citizens. Those who stood prepared to pilot the vessel through revolutionary storms were, for the most part, persons whose detected intrigues, or rash outbreaks, had already driven them, with little credit, into exile, where, cut off from intercourse with home, and associating chiefly with kindred spirits expelled from other lands, they forgot much which it was important to keep in view, and learned little of that candour and moderation which are the true leaven of politics. Neglecting there those practical reforms of which Italy stood really in need, they devoted themselves to one idea. They set up the phantom of political unity as a new faith; they decreed that its worship should be the condition of their country's resurrection, and that all who demurred to it should be hunted down. Had they read Dante, or remembered what they hourly had seen, heard, and said in their native land, they would have known that their idol, like the image in Nebuchadnezzar's dream,⁵ was of incongruous and incompatible materials; that their unitarian scheme was antipathic to every passion and prejudice of those upon whom they would thrust it.

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Under such impressions were written the very few allusions to the actual state of Italy which this work contains. The aspirations of her regenerators after nationality and constitutional freedom have since been fostered by her spiritual ruler, and prematurely fired by an explosion of French democracy. Subsequent events, under altered circumstances, may accordingly seem to have invalidated opinions therein expressed; but the end is not yet. The present continues overshadowed by gloom, and the torch of hope glimmers but dimly in the distance. A sincere interest in the country and its people dictates our prayer that the God of nations may grant an issue realising the fondest anticipations of genuine patriotism, and eventually crown these struggles with results compensating their recent evils.

Yet when we recollect the condition of Italy as we left her shores four short years ago—when we contrast the calm then around her institutions, the stillness of her every-day life, the careless ease of her nobles, the physical enjoyment of her middle classes, the simple well-being of the peasantry under their own vines and fig-trees—we must sigh to see so much positive happiness perilled for contingent ameliorations which, if ever attained, may, like most political experiments, fail to realise the promised benefits.

"Let him who sees mad war like deluge sweep

Surrounding regions, learn his peace to prize;

Let the poor bark with sides unripped, which tries

In vain by helm and sail its course to keep,

Make for the port. He lives perchance to weep,

Who quits the genial air and smiling skies

For depths unknown. O blind desire unwise

Of mortals, spurning thus on earth to creep!

O when, in this his mouldering garment frail,

Did man, whose thread soon breaks and joins no more,

Clear his own path, or by his power prevail?"⁶

In a work of history, party politics ought to have no place; and when the nations are moved there is little inducement to assume a prophet's mantle. We, therefore, gladly leave a topic on which perhaps too much has been said. Possibly some Italians, to whom we have formerly represented that it were

"Better to bear the ills we know,

Than rush on others that we wot not of,"

may yet admit the truth of this suggestion. May they never personally realise the adage, that those who originate revolutions reap all their evils, without living to share their fruits!

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A few words regarding the method adopted in these volumes. Of the names most conspicuous in Italian literature and art, a considerable proportion will there find a place; but readers who expect to see their productions enumerated, and their merits submitted to exhaustive criticism, will be disappointed. All that our limits permit, after rapidly sketching the revival of knowledge and the progress of that sacred painting which emanated from Umbria, is to mention those who have contributed to shed lustre over the duchy of Urbino, or who shared the patronage of its princes. The amount of notice allotted to each is therefore proportioned rather to its local importance than its absolute excellence; but, satisfied from experience how seldom a wide-spread interest attaches to individual details, our aim has ever been to generalise even those points demanding a more specific notice in connection with our immediate subject.

As the recurrence of foot-notes in a popular narrative unpleasantly distracts the reader from its continuous course, these have been avoided, unless when especially called for; and the necessity for them in citing references has been in a great degree anticipated, by prefixing a list of the leading authorities consulted, which it is hoped will generally bear out views that have been honestly formed, after examining what seemed the best sources of information. Extracts have been introduced, where it appeared desirable to preserve the style or words of an author; but they are in most cases rendered (literally rather than with elegance) into English, except such specimens of poetry as could not be fairly estimated from a translation. Documents and episodical details, which would have encumbered the text, are appended to the respective volumes.⁷

The majority of proper names being Italian, are written in that language, excepting such as, like those of places, and titles of popes and sovereigns, have long been familiar to English ears in a different orthography. In such matters uniformity of practice is the main object to be attended to, and having to choose between names as they were actually used and their English synonyms, we have preferred Giacomo Piccinino, Giulio Romano, and Lorenzo de' Medici, to James the Little Fellow, Julius the Roman, and Lawrence of the Medici.⁸ There will often be mentioned districts and divisions of Italy which are defined by no exact political or geographical limits; it may therefore be well here to explain in what sense these somewhat convertible terms are employed. Central Italy may be considered to contain the papal territory and the three Tuscan duchies; Upper and Lower Italy include all the Peninsula, respectively to the north and the south of these states. Again, Lombardy is used as a generic term for the whole basin of the Po, the Polesine being that portion of its delta, north of the river, which belonged to the Dukes of Ferrara. Romagna stretches from the Po to the Metauro, from the Apennines to the Adriatic; La Marca, or the March of Ancona, continues the same sea-board to the Tronto: these two districts were long the cradle of Italian prowess, the allotment-land of petty princes; both were partially comprehended within the more ancient landmarks of Umbria, a mountain province lying east of the Tiber. The lower basin of this classic stream contained Sabina on the east, and the Patrimony of St. Peter on the west; the Comarca lying south of the Teverone stream, and the whole wide plain around Rome being called the Campagna. Tuscany, including the Sienese, ran northwards from the Patrimony, beginning below Orbetello; and Naples is familiarly called by Italians The Kingdom, having, until a recent date, been the only royal state in their fatherland.

Our chronology also requires the use of certain conventional terms, which ought to be defined. Assuming the close of the fifteenth century as the zenith of Italy's glory in letters and arts, in politics and arms, the only word specifically indicating that period is cinque-cento; but seeing that its lustre was attained under military and civil institutions, and was rendered permanent by studies and artistic creations, derived from the middle ages and breathing their spirit, the phrase mediæval is extended to include that period.

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Few things are more baffling to students of history than the true worth of money in different states and ages, and its relative value in reference to our own standards. It is impossible to over-estimate the convenience which tables, showing the fluctuations of currency and prices among different nations, would afford; but the difficulties of completing them may perhaps be insuperable. In order to supply this desideratum, however imperfectly, a few observations are here submitted.

In considering the value of money at different periods, a variety of circumstances must be kept in view. There are, however, four elements to be embraced by all calculations for such a purpose: (1) the comparative weight of the coinage; (2) the respective amounts of alloy introduced into the standard of precious metals; (3) the effect produced on gold and silver value by the discovery of America; (4) the fluctuations in prices of commodities. The last of these elements includes and depends upon the others, so that a tariff of prices at various times might be practically sufficient for the object contemplated. The impediments, however, to obtaining such a tariff are apparently insurmountable. Statistical facts, incidentally mentioned by historians, or gleaned from original documents, must be received with large allowance. Articles of costly luxury in one age became abundant in another, and are at all times affected by local or temporary causes. Quality was also variable; horses, oxen, sheep, and poultry, reared or fed in rude times or uncultivated districts, cannot fairly be compared with those perfected by care and expense; the same may be said of wines, fruits, clothing; even land is saleable according to its condition, fertility, or situation. The test usually resorted to in such inquiries is corn; but weights and measures, seldom uniform, are with difficulty ascertained at remote periods, while exceptional prices are more frequently noted than average ones, by observers prone to record striking events rather than every-day facts. There are, however, some apparently admitted data not altogether unavailable for our immediate purpose.

During the period embraced by our memoirs of Urbino, the standard of value prevalent in most parts of Italy was the golden florin or ducat. Of these probably equivalent terms, the former was generally employed in Central Italy, the latter in Lombardy. According to Villani, the florin of Florence, in 1340, weighed 72 grains of pure gold, 24 carats fine. Sismondi, in referring to a period about a century later, estimates its weight at ⅛ of an ounce, or 60 grains. Orsini reckons it, in 1533, at 70 grains, 22 carats fine. On the whole, it appears, from Cibrario and other authorities, that this coin, and its successor the zecchino, have maintained an almost uniform weight down to the present time. Assuming that gold in Italy had then the same coinage-value as in England, it appears from calculations, founded upon Fleetwood's data, that the florin was, at these various periods, equivalent in contemporary English coin to 3s. 6d., 4s. 8d., and 5s. 10d. Again, the ducat of Venice is estimated by Daru at 4 franks in 1465, at 4⅓ in 1490, and by Sanuto at 4s. English in 1500. Riposati, in a careful analysis of the coinage of Gubbio, proves that the conventional Urbino florin of 1450 should have contained 63434/59 grains of silver, besides alloy, which would at that time have yielded 3s. 9d. English, or at our present pure silver value (5s. 6d. to the ounce) 7s. 3¼d.

It would follow, from these several opinions, that the florin or ducat of Italy, in the fifteenth century, was equal to from 3s. 6d. to 4s. 6d. in contemporary English circulation, which disposes of two elements for our calculation. The remaining two must have been inadequately kept in view by Cibrario, Ricotta, and Audin, who respectively value the florin of 1400 as now worth 16⅔ francs, that of 1490 at 14 francs, and that of 1500 at 12 francs; while in the Library of Entertaining Knowledge it is set down at 10s. English in 1480. But if we assume the analogy of English prices as collected by Fleetwood, the result will be very different. From these it appears that an average cost of wheat and oats per quarter, in the fifteenth century, was about 5s. 2d. and 2s. 6d., while the wages of labourers and artisans were respectively 3½d. and 4½d. a day. Accordingly, if corn be taken as the test, money was then ten times beyond its modern value; while, if we include labour and luxuries, the actual depreciation must appear much greater. We are greatly encouraged to find such an inference not very different from that adopted by three recent and important authorities. Prescott values the Spanish ducat of 1490 at 39s. 4d., and Macaulay states that of Florence in 1340 at 40s. sterling, while Sismondi calculates it at about 48 francs. On the whole, then, we venture to assume that the Italian ducat or florin of the fifteenth century was nearly equal to the present Spanish dollar, and that it would have purchased about twelve times the amount of necessaries and luxuries which that coin now represents in England—a discrepancy of course lessened in the next and each succeeding age, especially as the precious metals continued to flow in from the new hemisphere. This estimate is, however, offered with great deference, and only as a general approximation to the truth, by no means applicable to numerous exceptional cases.⁹

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In closing these preliminary observations, it is a pleasing duty to acknowledge the facilities obligingly placed at the author's disposal by kind friends in Italy and at home. The urbanity with which Monsignore Laureani afforded every assistance compatible with the stringent regulations of the Vatican Library, demands a tribute tempered by regret that death should have prematurely removed him from a trust which he usefully and gracefully discharged. To Don Pietro Raffaele, of the Oliveriana Library at Pesaro, and to the Abbé Francesco Raffaele Valenti, of the Albani Library at Urbino; to Signor Luigi Bonfatti, of Gubbio; to the archivists of many towns, and to the directors of not a few galleries in Italy, a large debt of gratitude has been incurred. The intimate acquaintance with the treasures of Italian art possessed by the Commendatore Kestner, minister from the Court of Hanover at the Holy See, was, with his wonted kindness and courtesy, freely rendered available. Mr. Rawdon Brown, whose profound knowledge of Venetian history and antiquities will, it is hoped, be ere long appreciated in England, as it already is in the Lagoons, has communicated most important documents, which the author was unable personally to inspect. Mr. F.C. Brooke, of Ufford Place, Suffolk, has likewise supplied some valuable notices. The embellishments of these volumes owe much to the friendly assistance of Mr. Lewis Gruner, an artist whose generous character and happy exemption from professional jealousies are not less remarkable than the success of his burin and the excellence of his taste. With a liberality unusual among English collectors, Dr. Wellesley, Principal of New College Hall, Oxford, threw open his stores of Italian historic art, and allowed the use of several rare medallions. To these, and to many whose good wishes have cheered him on, the author's thanks are thus heartily, though inadequately, offered.