Читать книгу Derek Acorah’s Ghost Towns - Derek Acorah - Страница 7

We could go anywhere of course, but so far the towns have been chosen in a number of ways. For the first series it was very much up to the producers where they chose to film. They wanted a variety of settings, not just historic towns but also more modern ones. The only requirements were that there had to be enough people to tell their stories and enough room to get the Ghost Truck in! (This did prove something of a problem in Bedford.) Later on, people started contacting the television company to put forward their own towns. Now we have quite a long list of places to go to…

‘We don’t make any claims. It’s for people to make up their own minds. But we’ve had a huge positive response to the show and a lot of people would just love it to come to their town.’

Paul

The Ghost Truck spends two days in each town. On the day before we start filming we arrive at a hotel. It may be in the town we are filming in, but it may not. I have no idea where the investigation itself is to take place and the team takes great care not to tell me anything about it in advance. The next morning the Ghost Truck rolls into town and collects people’s stories, but I don’t go there until the evening, and it’s not until I get in the ‘Ghost Car’ and am driven to the venue that I find out what sort of place we are investigating.

‘It’s not difficult to keep details of the investigation away from Derek. Some people think he’s told everything in advance, but there’s no way that could happen – or that he could remember it, as he has the most appalling memory. It even takes a while before he can remember the names of the people he’s working with! Until he arrives at the location he has no idea where he’s going at all.’

Paul

During the day, as people are relating their stories at the Ghost Truck, our researchers are busy checking them out as far as possible. Angus, Danniella and I do have some opportunity to explore the local area (or go shopping), but the crew are busy meeting local people, hearing their ghost sotries, conducting research and preparing for the shoot.

‘With hauntings at a private home, we’re not able to run independent checks, but we do try to find out more about more public places, just to make sure that we’re not going off on a wild goose chase or that people aren’t just seeking publicity. As well as ensuring that the reports are genuine, we try to follow up those sightings where there may be a real story to uncover – as with Hayley Murton’s house in Northampton, for example. And if there have been several reports of paranormal activity at a site, particularly over a period of time, it’s definitely going to be well worth further investigation!’

Natalie Ralston, series producer

We film at night for several reasons – in some cases that’s when spirits have made themselves known, often to people who are closing up shops and other premises, and of course an investigation would be impossible in pubs, bus stations, shopping centres and other busy areas when they were open to the public. Spirit communication may come in the form of a gentle breeze or a slight tapping, so we also need to eliminate as much outside interference as we can. This isn’t always possible – in the case of a pub on a busy main road, for example – but we do our best. During an investigation, if one of the crew inadvertently makes a noise they always let me know as quickly as possible. Sometimes it’s difficult to avoid banging into something when you are in a strange place in the dark, or seven or eight people are all crammed together in a toilet!

Although I don’t know anything about the location in advance, Angus and Danniella are briefed on the background of the site and the paranormal activity that has been reported there. This is so they can help things along during the course of the investigation if the person who has called us in forgets something that might be relevant or even freezes on camera or under the stress of the investigation. Both Angus and Danniella are experienced presenters and I am always grateful for their help.

The notes they are given also help them to work out who is going on which investigation, though in most cases it is the series producer who makes the decision. If either Angus or Danniella is intrigued by a particular location, however, they can choose to go there. Danniella always accompanies me on the doorstep divinations. Angus just loves the idea of objects moving or lights going on or off, so he checks out those cases whenever possible.

At the end of the day we all go back to the hotel and are usually so tired that we just have a hot drink before going to bed. It’s always nice to relax after all the excitement…