Читать книгу Helena Brett's Career - Desmond Coke - Страница 12
"WHY MEN MARRY"
ОглавлениеHubert shut the door after his visitor with no deep feeling of regret. He managed to refrain from slamming it.
He was angry still.
Men are peculiar about their troubles. Woman, popularly thought to be a sieve with secrets, will crush a worry down, grapple silently and fight with it, nor ever let her very nearest know that it is there. Perhaps heroic centuries of motherhood have taught her to endure her own pain with a smile, where she can scarce bear to conceal another's folly? The man, in any case, is different. Tell him what Mrs. Tomkins stupidly said about the vicar: he will not breathe it to a living soul. Quite possibly he will not even listen to the end.... But let him have some small upset, some crisis where decision must be made, not a big choice—nothing like those he makes off-hand each day up in his city office—and you shall see him stripped of his pretence to all reserve or strength. Long time, like Homeric heroes, he sits tossing thought hither and thither. Nothing emerges from this exercise: it is a mere convention. He must think a little: people always do; but he knows well enough that not this way lies decision. He takes other steps. If he is a man of few friends, he will risk everything upon a coin's fall. "Heads I do, and tails I don't," he mutters weakly, groping in his pocket. Up spins the penny. Heads it is! "Heads I do," he murmurs once again; and adds, pathetically firm, "But all the same, I don't think I will." He has been helped to his decision.
If he has friends, he will use one of them in place of the penny. Every man, almost, has one trusted friend whose advice he does not take in all moments of perplexity.
Kenneth Boyd stood, so to speak, as Hubert's penny. He always sat and listened stolidly to his friend's trouble: then he answered "Heads" or "Tails," as it seemed best to him; went back, braced by the contrast, to his Hampstead home; and left Hubert to decide whether or no he would take the spin as final.
In this case, as he sat down, Hubert said to himself with vehemence, poking the fire fiercely, that he would not. He had asked Kenneth whether it would be mean to turn Ruth out, as she herself suggested—and he had at once embarked on a long rigmarole about dear wives, winter sunsets, kiddies, teapots, and all sorts of things....
With a last jab at the fire he dismissed the interview just over from his mind and settled down to think. He never ought to have asked that monomaniac along. He might have guessed what he would say.
Ruth was a nuisance, frankly; she jarred upon him constantly: their life was one long quarrel nowadays; but—how would solitude affect his work?
That was the big question.
To Hubert Brett his work was life, and nothing much else counted. He was a man who valued success less for its achievement than for its reward. He liked to be pointed out as one who wrote (he often was, in little country places); he enjoyed meeting men and women whose names were famous far and wide; he loved press-cuttings, revelled in his photograph when reproduced, and was almost physically upset when he received a real old-fashioned, slashing review. To anything of this sort he always replied, quoting the opinions of some other papers, and "relying on the editor's sense of justice to give his letter publicity." Papers, in fact, that liked neither his novels nor his letters, had ceased to notice the first-named, hoping to avoid the last: and he was glad of this decision. Letters from unknown readers were shown to all his friends, who also had the privilege of reading the longest reviews, left out upon his mantel-piece; though when they took them up he would always protest, "Oh, that'll bore you: it's only a few stray press-cuttings." He liked at dinner-parties to sit next women who had read his books (the dear, kind, tactful sex!), and asked him how he wrote. He had, in fact, published his first book under a pseudonym (his father, as a clergyman, naturally objecting to the real name being used), but found that no one recognised him as the author under his own different name. He therefore, on his father's death, had paid some pounds and taken the name Brett permanently as his own for ordinary use. His sister, who was like most women in being petulant as to trifles but mild about the things that matter, had submitted from being Ruth Brettesley to become mere Ruth Brett. Now, when he dined out, Hubert often found that women next him would ask if he was "the author." It never had occurred to him, of course, that they were coached by an ideal hostess.
It may be well imagined, then, that he now hesitated before taking any step that might affect his very methodical arrangements about writing. His sister, once thrown over (he told himself), would never return. She would marry or something. Women were like cats: they always did. She would not stray about uncomfortably until he wanted her again. No; she would make a home: and he, as the years went on, would find himself alone....
He had lit a pipe, and drew at it mechanically, but he was far too rapt to taste it. Kenneth Boyd's words on that one point had certainly gone home. His eyes fixed on a glowing cavern of red embers, he saw unroll before him a grisly panorama of the days to be.
He could see himself, bereft of Ruth's care, moving to a bachelor flat where they "did for" one; happy enough perhaps, at first, in solitude, and working well—happy and working until illness came. Then he saw the change. Ruth, he admitted, had been quite splendid—like her old self—when he had been ill. That was when you wanted a woman about.... Then, as Kenneth had said, he would grow older. He could see himself climbing, more and more shakily each year, the long flight to his flat; too settled far by now to move even to a lower floor. He could see the porters and people saluting—oh, so respectfully!—till he was past, and then imitating his old, broken shuffle. He could see himself turning on with fumbling hands the light he used to switch on so gaily as he dashed in thirty years ago. He could see himself all alone at night, when it was too cold for an old man to walk about and no one wanted him; sitting there with weary eyes tight closed, thinking of the friends that he would like to see, the friends all dead or—married.... And finally he could see himself climb those stairs, so full of memories, for the last time, and stagger in for the last time to that small room where he had had such jolly parties in the years gone by, and ring and have just strength to gasp out, "I must have a doctor." Yes, and that old wreck lying there, alone but for a nurse he hated, longing for sympathy, love—even Ruth's!—yes, that too would be him. And then——
For one moment the knock on his door startled him. He was like a small child who, waked suddenly, continues a bad dream. He thought that they had come with that cheap, humble coffin which he had just seen borne up the long stairs.... He very nearly cried out, "Bring it in," not realising that he was the corpse.
"Why, it's you, Ruth!" he cried in vague annoyance.
"Of course it is," she laughed. "Who else would it be, you stupid boy? Perhaps you mean, though, you don't want me?"
"Of course I always want you, old girl." This hideous geniality, he felt, was the worst part of their whole constant warfare, recalling by an empty mockery that they had once been such devoted chums; still could be, possibly, if they were only parted. "I'm not working," he added almost grudgingly, as though he wished he had got that excuse.
But Ruth, indecision personified, still hovered restlessly in mid-carpet. "Are you quite sure you're not, Hugh?" she said. "If you are, do say so. I've been alone all the evening till now, so it won't hurt me to go on like that till bedtime. I am used to it, you see!" and she smiled patiently.
Hubert looked at her, wondering why she possessed this curious gift of annoying him. Did she try, or was she really meaning to be kind? Her face, set and hard already, gave no hint. She smiled with her lips but her eyes did not light up. There was something tragic in her looks. She was not ugly, yet she meant absolutely nothing. She was just a passable statue, into which the artist had failed somehow to put any life. She smiled doggedly with her lips, and she clearly was not happy. She had never lived.
She went on wanly smiling reassurance at him, as one who should say, "I am not to be considered," till he schooled his voice to answer. Whatever happened, he would not have another scene on this night which seemed in some way big with a decision.
"It'll be nice to have a little chat, old girl," he said genially. "Sit down and make yourself comfy."
She moved timidly towards an armchair with the mien of a scolded, nervous child. "If you're quite, quite sure?" she quavered. "I wish I felt certain you hadn't been just thinking you would settle down, now Mr. Boyd had gone. I should be absolutely happy with my Patience."
"Boyd was in great form," Hubert answered. He could not trust himself to assure her further.
"What did he say then?" and she let herself down into the chair staidly. She was not like a woman of thirty-eight. Women of thirty-eight nowadays are young, almost unfashionably young, and Ruth was pathetically old. She had given her youth to her mother: she was prepared to lavish the rest of life upon her brother, asking in return nothing except that he would not be what she tearfully and often called unkind to her.
"Say?" answered Hubert, far more comfortably. "What didn't he say? My dear Ruth, I've had a classic homily on Marriage!"
Ruth stiffened visibly. "Marriage? Then I suppose you asked him in to give you his advice?"
"Really," said Hubert in another voice, "I imagine you can't object, now, to what I ask my pals in for?—supposing that I did."
She smoothed all that kind of thing away with a restful gesture.
"My dear boy, you know I've no objection, as you call it, to anything at all you do. You are a man. I'm only your guest. I've no right to object. But I am naturally interested. Of course, though, if you'd rather not tell me what Mr. Boyd said"—she paused, "we'll talk of something else."
"No we won't," cried Hubert, with a sudden passion. "I'm sick to death of all this constant friction."
"Friction!" and she raised her eyebrows ever so slightly. Otherwise her sad face remained expressionless, but her hands clasped each other tensely under an old-fashioned shawl.
"Yes, friction. That's the only word. You know, Ruth, I don't want to be a brute. You know what pals we were as kids, what pals we still are" (he forced the words out), "and that's why I intend to have it out. It isn't good enough. You know what a row we had over dinner. That's why I asked Boyd along. How do you expect a man to write when he's just had a row that's brought his soul red-hot into his throat? And you weren't very cheery company! So naturally I asked Boyd in. I often do that or go out myself or else pretend to work, because I simply can't endure your company a moment longer."
And now his sister leapt up to her feet. When she came to life it was always sudden.
"Hubert!" she cried in tearful reproach. She only called him Hubert at such moments.
He signalled her down without any ceremony.
"For goodness' sake," he said, and it was nearly stronger, "don't let's have a row." He took a moment to calm himself and then said levelly, "Look here, old girl, I want to thrash this matter out once and for all. It's no use killing love in this world, is it? It's rare enough, God knows. We've been such good pals, you and I, and now we are—like this." He pointed at her, and she fell back dully on her chair.
"We don't mean it really," she said, fumbling for her handkerchief.
Hubert spoke seriously. "We do, though. Anyhow, we should in time. It's just like other habits. It grows. It grows quickly, too. We never used to fight at all, you know."
"I never fight now," she protested, very near to tears. "I've always given in."
Poor, timid, self-sacrificing Ruth never could understand what her brother's tempers were about. She tried so hard not to stand up against him!
"Oh, damn!" cried Hubert, and strode madly up and down the room.
It was all very futile, quite familiar.
She looked as pained as usual. "What is it, Hugh?" she gently asked.
"Of course you've given in," he flung at her. "You always do. You're always in the right: you are so keen to be! You wouldn't make me cross for worlds! It's just your damned humility I can't endure. No man on earth could possibly endure it."
"I can't help my nature," she sobbed into her handkerchief. "I do my best to please you. I try to fall into your ways, I'm sure."
Hubert came up to her presently and touched her on the shoulder.
"I'm sorry, Ruth," he said. "It was my fault. I lost my temper. I was a cad to swear but somehow—oh, I don't know," and he sank down upon the chair again. "I suppose really it's just what Boyd has often said, brother and sister weren't ever made to live together. He says all relatives have a natural antipathy to one another and——"
"I'm sure I haven't," interrupted Ruth.
This time he ignored her. "It's all so difficult," he said in a new tone, as though embarking upon an analysis. "I know you're wanting just to please me, Ruth; you are an awfully good sort; you'll make somebody a splendid wife some day; but just because you are my sister, I suppose, I get annoyed when you begin asking whether you can come in and saying you don't want to if——"
"You'd be much more annoyed if I came in without," said Ruth, with an unwonted spirit.
Hubert rose to the attack. "You mean it's just my nature, and not you? I'd get annoyed whichever way it was? I'm just a selfish sort of cross-grained swine?"
"I didn't say so, you know I didn't; you're simply twisting my words round."
Grown men and women, by some odd irony, are never nearer childhood than when in a temper. Hubert realised abruptly how ridiculous it was. Once more he dropped his voice and dragged the conversation with a wrench back to the point at issue.
"I was only telling you," he said with dignity, "what Boyd said, as you asked to know. He said all this"—once more he waved his hand—"was a mistake, and that I ought to marry."
He threw it out at her like a threat at a naughty child. She would not like it if he took her at her word and really turned her out.
But even sisters can surprise a man. "Oh Hugh," she cried, forgetting all their differences, "do you mean you are really thinking——? Only, do let it be some one really nice, who'll make you as happy as you deserve to be."
He was too flustered to feel touched. "But wouldn't you mind?" he asked; and in spite of his efforts, surprise appeared in it.
"Mind?" She came across to him, sat on his chair-arm, and took his hand in hers. "How little you know me, old boy, really! Of course I shouldn't mind. You must never, never consider me at all! Do you imagine I expect you to remain a bachelor your whole life long, just to look after me? I shall find work to do or something; and anyhow, what is my life by the side of your career?"
Hubert at moments felt a brute, and this was one of them. He knew that he should thank her, kiss her, yet he could do neither. He found himself wondering in a dazed, abstract way, as often in these past years, whether she was really genuine or whether it was just a woman's bluff to make him feel his shaft had fallen short. If she was quite sincere, he felt almost aggrieved. The end of their long life together seemed to mean so little to her....
"No," he said automatically, not realising how inadequate it was; and then, "Well, old girl, I really think perhaps now I ought to work." He patted her hand in a perfunctory way as he released his own from it. "We've had our little chat and it's your bedtime, I am sure."
"Yes," answered Ruth, and hesitated.
"Hugh," she said presently, "aren't I to know who it is?" Her tone was more patient than aggrieved, but he read something of the other into it.
"Who what is?" he replied, although he guessed her meaning.
"Who you think of marrying. Who's suddenly put the idea into your head." She waited a few moments; then, as he said nothing, she added almost slyly, "Well, I think I know! I've not forgotten Devonshire yet, and what a lot there was in your letters about Miss—Miss—I forget her name."
"Oh, that Miss Hallam, you mean," came the icy answer.
It chilled even her exuberance. Her rare gaiety died quickly, and she looked the martyr once again.
"I see you don't mean to tell me," she said. "Very well. Of course I had no right to ask. I thought you'd like to let me know." She sighed. "I wish men weren't so terribly reserved."
"And I wish," he retorted, "that women weren't so horribly imaginative."
But she had shut the door. She always went abruptly, never said good night. He had told her, long ago, that those words broke up his evening and made him think of bed instead of work.
To-night indeed, after her going, although he had said he must do some writing, he sat quietly where he had been and gazed into the fire. He was not, however, thinking about bed. He was wondering whether all women were so crude and vulgar with their brothers. Ruth was the last person who would ever have said that about Miss Hallam to anybody else. Just because he chanced to write and say that he had met a jolly sort of girl...!
It is a stale truism about good advice, that most natures must reject it before they see their way to its acceptance. Self-pride demands that it shall be their own idea.
Just as Hubert had scoffed at his friend's idea of loneliness, which now indeed seemed such a ghastly spectre, so did he next work slowly back to the very words of his sister that had angered him the most.
For by now his mental questioning had spread across a chasm dreaded for long years and flaunted itself gaily in a narrow field.
The first step was so clear by now.
Of course he had sworn always that he would not marry, but that was true of the past only. One changed every now and then.... He was at the age when one grew lonely, when one naturally married. Sisters were a big mistake. He could not endure year after year of silly quarrels like the one just past. With a wife he would start fresh. She wouldn't irritate him like Ruth: he wouldn't see through all her motives; they need not fight for years.... Besides, he must find some one less irritating, less selfish, than Ruth.... And as to Ruth, she said herself that she was game to go. She probably preferred it. The whole thing was her own suggestion.... Yes, she was right; they certainly could not go on like this. Yet if she went—that loneliness when he got old, was ill...! Kenneth had talked a lot of drivel but he probably was right about stagnation. He found, himself, his work was getting stale.... And then the help that she——
But who?
Hubert flung himself across the chasm, refusing doggedly to see it, and found himself, flushed and excited, in the little field beyond.
Who could he marry, possibly? The question lent quite a new thrill to life. It was a big adventure, even if one never did it....
He hated clever women. He was sure of that. Hated them, at any rate, as wives. Mrs. Kenneth Boyd was one, and when he dined with them, she always waited till he had thrown out a theory, quite impromptu, possibly exaggerated rather, about something, and then said, "Really, Mr. Brett? But how unusual!" or something of the sort. No, he could not bear that. He thought that type an insult to his sex. He liked a woman to be rather silly—well, not that quite—no, but shallow. He liked her to have not too many views herself: he hated suffragettes and things, of course; but just to have the brains to understand one's own ideas. That was where the girl Ruth had mentioned was so splendid. She saw the fun of things; she even saw the fun of her name, Helena Hallam; but also she could enter into the plot of a book directly you had told it her, and be immensely interested in hearing about people you met at the Authors' Club. She was almost too ignorant, of course—knew nothing about life—but her naïve remarks amused him: so what did it matter?
That really was the sort of woman he would like to marry. Some one who would be interested in his work but know she hadn't got the brain to interfere; some one who'd look on his work-hours as sacred, because given to a thing she couldn't do to save her very life.
Ruth was annoying about that, and silly. If he read her out a chapter, she would usually say, "I think it's quite good, old boy; but I never feel you're made for fiction. I suppose essays never sell, though, and plays are quite impossible?" It was too stupid. She had said that even about Wandering Stars, which had sold close upon five thousand copies! Not—of course—that he valued his novels according to their sales....
The girl in Devonshire had been so different. He smiled, recalling her simplicity. She had thought him so clever to write, even before she had seen a word of it! And when he read her out a chapter, she wanted to know just how long it had taken him, asked to see how much he had corrected, and clearly looked upon the whole thing as a miracle.
Thinking of her now he had a curiously vital image of her personality. She was so fresh, so natural, so unspoilt, so splendidly a thing of life. She had never been to London. How she would love to see it; how gorgeous it would be to show! How different from taking out Ruth, who always said that the streets smelt of petrol and she had neuralgia and wished they could live in the country, but of course he must choose! How different altogether! How different when the lights were lit and curtains drawn! He still remembered how she sat, with one foot underneath her body, and smiled through those curiously bright eyes, as though always contentedly awaiting the next jolly thing that life could not possibly fail to bestow upon her. Ruth was so hideously gloomy and apologetic. She expected the worst but she never minded.
Yes, there was no doubt that was just the sort of sensible, unsloppy, cheerful girl that he would like to marry. She would be nice to have about the house. She wouldn't want the vote or anything. She thought so much of his work that she would never grumble, like Ruth, if he had a long bout at it. She'd take up needle-work or something. She had such a happy nature. And then at nights they'd sit and have great, jolly, sociable talks beside the fire, and he'd read out his books to her. Possibly, now and then, she would see some mistake—not in the book itself, but in a woman's dress or something: women were so good at details—and he would learn a lot, as Kenneth said, from seeing how her refreshingly simple mind regarded things. And then—she was a child—they would play games and laugh and roast chestnuts and all that sort of thing. He could imagine quite a jolly evening. The past hour seemed like a nightmare by the side of it.
He got up and mixed a whisky and soda.
Really by now he wished he had thought of all this in Devonshire! He had said to himself then, watching her, that somebody someday would be a lucky man—the girl was so herself, somehow. But it had not occurred to him that he could be the man.
Now, probably, he would never see the Hallams again. Mrs. Hallam, of course, had said they must meet soon in London, but every one always said that and it was five weeks now since his return. He had not, naturally, ever written.
Of course—there was another thrill in this idea—he could go down to Devonshire again with any false excuse trumped up; but even as this came into his head, his fatally quick fancy, over-exercised, saw him proposing to Miss Hallam, pouring out the sentimental stuff that a love-scene demanded; perhaps—who knows?—even feeling bound to kneel in the manner beloved of conventional romance!
Then, with a swift gesture, he suddenly drained his whisky and soda to its dregs, put the glass down jauntily as men do on the stage, and walked, feeling younger than for ten whole years, to his writing-desk. He gave a happy laugh as he took out some paper.
For he had got a great idea. He was going to propose to Miss Hallam on paper! He was going to write it all down and see if it looked awful rubbish.... He was enjoying himself to-night in a quite new way.
"DEAR MISS HALLAM," he began and added "My" in front. Then as he saw the meaning that might bear he laughed again. He knew it was not right just now to laugh, and marked it as an interesting fact. Then, nervous of detection, he took a new sheet and started—
"MY DEAR MISS HALLAM,
"You will be surprised to hear from me.
"The fact of the matter is—I find myself getting very bald now that I really have to use my pen for something that matters!—I have been thinking a lot of my jolly days in Devonshire, the tennis, the sea-walks, the picnics, everything with all of you, and (if I'm allowed to say it) especially with you yourself."
Here he leant back and read what he had written. It was not literature but he felt satisfied. He took up his pen again and wrote—
"I don't know that it's usual, but I am rather reserved and not too romantic, so that I am writing to ask whether you could think of being my wife. There has never been any one in my whole life of whom I have thought as I have thought of you these last five weeks. I could never tell you how I feel in words, and I see now that I can't on paper, but if you think in any way that you could grow fond of me, I am convinced that we could be immensely happy. I don't know that I have much to offer you; but if you talk to your mother about this, as no doubt you will, you must assure her that I can give you a comfortable home and that I hope, as the years go by, to make myself something of a name.
"I will say no more now. I shouldn't have dared say so much, if I had not thought that we got on rather well last month, and that if you did not welcome this letter, you would at any rate be able to forgive it.
"Yours,
"HUBERT BRETT."
It was not certainly at all like any of the love-letters that he had written in fiction or read in the police-reports; but he had not inwardly approved of either. This seemed to him quite adequate. She was the sort of girl who wouldn't care for sentiment. He honestly believed she would write back sensibly and just say "Yes."
It is to be remarked that no question remained as to posting the letter or not, so soon as it was finished. He had begun it to see how it looked: now he felt that it was something fated. He must see what happened. Without waiting even to put on a hat, he hurried out to an adjacent pillar-box and dropped the letter in with hardly more emotion than if it had been an ordinary bill.
Going up to bed, without repentance for the night's wild work, and in fact oddly calm for any one in his position, he heard a curious noise inside his sister's room.
He stopped and listened at the door.
She was obviously sobbing.
Hubert suddenly felt softened towards her. So she cared, after all! She felt the separation after these long years!
Had he sometimes wronged her? Had he been impatient? Was she really fond of him; trying to consult his wishes and not to irritate him? Was he growing selfish?...
He very nearly tapped and went in to console her. Then he reflected that she almost certainly would engineer another scene, and that always gave him a bad night.