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AUTHOR NOTE

BORN TO SCANDAL is my homage to Charlotte Brontë’s Jane Eyre—a story of secrets and betrayals, with a governess at the centre of it. Charlotte Brontë had been a governess in Yorkshire in the late 1830s, and well knew the loneliness of the position, later drawing on her experiences in writing her timeless classic.

A governess in the nineteenth century was often a pitiable creature. Neither servant nor family, she lived a lonely life between the two, working long hours caring for children, receiving little pay and no protection from those who might abuse her. Worst of all, she had little recourse for anything better.

Jane Austen, that astute social observer of her time, certainly shared the perception of the governess as a sad creature. In Emma, Austen even likens the prospect to slavery. Her character Jane Fairfax, who feels fated to become a governess, remarks that the governess trade is ‘… widely different certainly as to the guilt of those who carry it on; but as to the greater misery of the victims, I do not know where it lies.’

Never was there a Regency character more in need of a happy ending!

I wondered … What if I created a governess with a past even more scandalous than Jane Eyre’s and an aristocratic hero who, like Mr Rochester, is desperate to overcome the scandal in his own life? How could I give these two their happy ending?

BORN TO SCANDAL is the result.

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