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III

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In the morning I woke to a fresh breeze and a shining sun and the chrysanthemums, orange, crimson and dun, blowing against the grey stone wall beyond the sloping lawns. So I forgot about my dream. I only knew that I loved Bob Armstrong better than anyone else on earth.

Everyone during the next days was very kind to me. I was so deeply excited by this country, so new to me, that at first I could think of nothing else. Bob Armstrong was Cumbrian from the top of his flaxen head to the thick nails under his boots, and, in grunts and monosyllables, as was his way, he gave me the colour of the ground.

There was romance everywhere: smugglers stealing in and out of Drigg and Seascale, the ancient Cross in Gosforth churchyard, Ravenglass, with all its seabirds, once a port of splendour.

Muncaster Castle and Broughton and black Wastwater with the grim Screes, Black Combe, upon whose broad back the shadows were always dancing—even the little station at Seascale, naked to the sea-winds, at whose bookstalls I bought a publication entitled the Weekly Telegraph that contained, week by week, instalments of the most thrilling story in the world.

Everywhere romance—the cows moving along the sandy lanes, the sea thundering along the Drigg beach, Gable and Scafell pulling their cloud-caps about their heads, the slow voices of the Cumbrian farmers calling their animals, the little tinkling bell of the Gosforth church—everywhere romance and beauty.

Soon, though, as I became better accustomed to the country, the people immediately around me began to occupy my attention, stimulate my restless curiosity, and especially my two uncles. They were, in fact, queer enough.

Faildyke Hall itself was not queer, only very ugly. It had been built about 1830, I should imagine, a square white building, like a thick-set, rather conceited woman with a very plain face. The rooms were large, the passages innumerable, and everything covered with a very hideous whitewash. Against this whitewash hung old photographs yellowed with age, and faded, bad water-colours. The furniture was strong and ugly.

One romantic feature, though, there was—and that was the little Grey Tower where my Uncle Robert lived. This Tower was at the end of the garden and looked out over a sloping field to the Scafell group beyond Wastwater. It had been built hundreds of years ago as a defence against the Scots. Robert had had his study and bedroom there for many years and it was his domain; no one was allowed to enter it save his old servant Hucking, a bent, wizened, grubby little man who spoke to no one and, so they said in the kitchen, managed to go through life without sleeping. He looked after my Uncle Robert, cleaned his rooms, and was supposed to clean his clothes.

I, being both an inquisitive and romantic-minded boy, was soon as eagerly excited about this Tower as was Bluebeard’s wife about the forbidden room. Bob told me that whatever I did I was never to set foot inside.

And then I discovered another thing—that Armstrong hated, feared and was proud of my Uncle Robert. He was proud of him because he was head of the family, and because, so he said, he was the cleverest old man in the world.

‘Nothing he can’t seemingly do,’ said Bob, ‘but he don’t like you to watch him at it.’

All this only increased my longing to see the inside of the Tower, although I couldn’t be said to be fond of my Uncle Robert either.

It would be hard to say that I disliked him during those first days. He was quite kindly to me when he met me, and at meal-times, when I sat with my two uncles at the long table in the big, bare, whitewashed dining-room, he was always anxious to see that I had plenty to eat. But I never liked him; it was perhaps because he wasn’t clean. Children are sensitive to those things. Perhaps I didn’t like the fusty, seed-caky smell that he carried about with him.

Then there came the day when he invited me into the Grey Tower and told me about Tarnhelm.

Pale slanting shadows of sunlight fell across the chrysanthemums and the grey stone walls, the long fields and the dusky hills. I was playing by myself by the little stream that ran beyond the rose garden, when Uncle Robert came up behind me in the soundless way he had, and, tweaking me by the ear, asked me whether I would like to come with him inside his Tower. I was, of course, eager enough; but I was frightened too, especially when I saw Hucking’s moth-eaten old countenance peering at us from one of the narrow slits that pretended to be windows.

However, in we went, my hand in Uncle Robert’s hot dry one. There wasn’t, in reality, so very much to see when you were inside—all untidy and musty, with cobwebs over the doorways and old pieces of rusty iron and empty boxes in the corners, and the long table in Uncle Robert’s study covered with a thousand things—books with the covers hanging on them, sticky green bottles, a looking-glass, a pair of scales, a globe, a cage with mice in it, a statue of a naked woman, an hour-glass—everything old and stained and dusty.

However, Uncle Robert made me sit down close to him, and told me many interesting stories. Among others the story about Tarnhelm.

Tarnhelm was something that you put over your head, and its magic turned you into any animal that you wished to be. Uncle Robert told me the story of a god called Wotan, and how he teased the dwarf who possessed Tarnhelm by saying that he couldn’t turn himself into a mouse or some such animal; and the dwarf, his pride wounded, turned himself into a mouse, which the god easily captured and so stole Tarnhelm.

On the table, among all the litter, was a grey skull-cap.

‘That’s my Tarnhelm,’ said Uncle Robert, laughing. ‘Like to see me put it on?’

But I was suddenly frightened, terribly frightened. The sight of Uncle Robert made me feel quite ill. The room began to run round and round. The white mice in the cage twittered. It was stuffy in that room, enough to turn any boy sick.

Mysteries for Christmas - Boxed Set

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