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The author acknowledges Ruth Kligman; Athos Zacharius; the Art Chronicles of the Smithsonian; Jerry Saltz, Village Voice art critic; photographer Robin Holland; artists James Cullina of ArtSleuth, Bob Stanley, Kathy Segall, and Bill Rabinovitch; authors Carmel Reingold, James Robert Parish, George Sullivan, Susan Waggoner, and William Kuhns; agents Stephany Evans, Elaina Zucker, Robert Markel; Barlow Hartman and Mercedes Ruehl; James Yohe of Ameringer/Yohe/Fine Art; Tina Dickey, editor of the Hans Hofmann Catalogue Raisonné; Maggie Seildon of Jason McCoy Gallery; Cheryl Orlick of the Albright-Knox Art Gallery; Bradley D. Cook of Indiana University Archives; Jennifer Ickes of the New Orleans Museum of Art; Isabelle Dervaux, Curator of Modern and Contemporary Art, National Academy Museum; Verity Hawson, Lillian Kiesler, Cornelia Sontag, Bérangère Mardelé, and Eliane de Sérésin of Parkstone Press; for research support, Bro. Frank O’Donnell, Edie LaGuardia Hansen, Dr. Mark Cooper and Gene Carney; Vera Haldy for German translation; Herbert Verbesey and Gerard Sullivan for the Latin dedication; Antonio Bautista, Michael Morris; Cheryl Murray of Entertainment Law Digest; also, Alternative Research for on-line research; Richart Taylor and his Jackson Pollock center at the University of Oregon.

Thanks to Catherine O’Reilly for her dedication, generosity, meticulous and expert editorial input on this and a dozen books over the past 25 years.