Читать книгу The Benevent Treasure - Dora Amy Elles - Страница 5

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Candida arrived at Retley on a February afternoon. She hadn’t expected anyone to meet her, and no one did. She found a taxi, tipped the porter who carried her suit-cases, and was rattled away over the stones of the station approach. There was a yellow gloom and drizzle of rain. The lamps were not yet lighted, and she could not feel that she was seeing Retley at its best.

They passed through a street with some good shops, and a number of narrow ones with tall old houses. After that, the usual jumble of bungalows and council houses, until quite suddenly there were open fields and hedges on either side. They passed an inn with a swinging sign, and a little farther on a petrol station, and then just fields and hedges, hedges and fields. She had begun to wonder how much farther it was going to be, when they turned sharply to the left and the ground began to rise.

Presently she made out a wall with iron gates that stood open. The drive was like a dark tunnel, and when they emerged it was not into the light but into a deep and gloomy dusk. The house stood up before them like a black cliff, and the hill stood up behind the house. She stepped back across the gravel sweep and stared at it. There it was—and that was why the house was called Underhill. The hillside must have been cut away to get a level site on which to build, and the house looked as if it was jammed right up against it. What an extraordinary idea, and how dreadfully dark all the back rooms must be.

She returned, skirting the taxi, to the worn stone steps which went up under the shadow of a porch. For the first time it occurred to her that the house must be very old. These steps had been hallowed out by the passing feet of many generations. It seemed odd to find that there was an electric bell.

The taxi driver said, ‘I’ve rung, miss,’ and as he spoke the door swung in. An elderly woman in a black dress stood there. There was a light in the hall behind her—a dark place fitfully illuminated. The woman had white hair. It stood out against the glow like a nimbus. She said in a deep voice and with a foreign accent,

‘You will come in. He will carry the cases. I have a half-crown for him. The ladies, they wait you in the drawing-room. I will show you. There—across the hall—the first door. Go in. I see to everything.’

Candida crossed the hall. It was hung with tapestry which gave out a mouldy smell. For the most part the subject was lost in gloom and grime, but from a rather horrid glimpse of a sword and a severed head she conjectured that this was perhaps just as well. She came to the door to which she had been directed and opened it.

There was a black lacquer screen, and beyond it a blaze of light. She came round the screen into the room. There were three crystal chandeliers. The candles for which they were made had been replaced by electricity, and the effect was brilliant beyond belief. The sheen dazzled upon the white and gold panelled walls and was reflected back from a ceiling powdered with golden stars. There was a white carpet, white velvet curtains fringed with gold, and chair and sofa covers of thickly ribbed ivory corduroy. The rest of the furniture consisted of gilded cabinets and marble tables with carved and gilded legs placed in stiff symmetry along the walls.

As Candida stood blinking on the threshold, the Misses Benevent rose from two small golden chairs placed on either side of the hearth.

Against all that white and gold they looked very small and black—two little dark women in black taffeta dresses with spreading skirts and tightly fitting bodices. The dresses were exactly alike, and so were the collars of old lace, each fastened by a diamond star. Candida saw the dresses first, but they were not the only things which were alike. There was the strongest possible resemblance of figure, face, and feature. Both were little and thin, both had small features, neatly arched eyebrows, and black eyes, and, most remarkably, neither of them appeared to have a grey hair. They were her grandmother’s sisters but the small erectly carried heads were covered with shining black hair quite elaborately dressed. Grey would have been kinder to the little pinched faces and the sallow skins.

They did not move to meet her, but stood there against the background of a portentous marble mantelpiece. Walking up to them was rather like being presented at Court. She had to repress the feeling that a curtsy would be appropriate. Her hand was briefly taken, her cheek was briefly touched. Twice. Each Miss Benevent said, ‘How do you do?’ and the ceremony was over.

There was a little silence whilst they looked at her. From over the mantelpiece a mirror in a gilt frame reflected the scene—Candida in her grey coat, her bright hair showing under a matching beret, and a flush on her cheek because the room was hot and strange and she changed colour easily, and the little black ladies looking at her like a pair of puppets waiting to be jerked into life by an unseen string. They stared at her, and the string jerked. The one on her right said,

‘I am Olivia Benevent. This is my sister Cara. You are Candida Sayle. You do not resemble the Benevents at all. It is a pity.’

The voice was clear, formal, and precise. There was nothing to soften the words. Miss Cara echoed them on a note of regret.

‘It is a great pity.’

Seen close at hand the likeness to her sister was that of a copy which has been too often repeated and is blurred at the edges.

Candida wanted to say ‘Why?’ but she thought she had better not. She was unable to feel sorry that she was not thin and black and dry, but she had been nicely brought up. She smiled and said,

‘Barbara said I was like my father.’

The Miss Benevents shook their heads regretfully. They spoke in unison.

‘He must have taken after the Sayles. A very great pity.’

Miss Olivia stepped back and pressed a bell.

‘You will like to go to your room. Anna will take you up. Tea will be served as soon as you are ready.’

Anna was the woman who had admitted her. She appeared now at the door, talking and laughing.

‘He is an impudent one, that driver. Do you know what he said to me? “Foreign, aren’t you?”—just like that. Impudence! “British subject,” I said to him. “And nothing for you to look saucy about either. I’ve lived longer in England than you, my young man, and that I will tell anyone! Fifty years I have lived here, and that is a great deal more than you have done!” And he whistled and said, “Strike me pink!”’

Miss Olivia tapped with her foot on the white hearth-rug.

‘That is enough, Anna. Take Miss Candida to her room. You talk too much.’

Anna shrugged her shoulders.

‘If one does not talk one might as well be dumb.’

‘And we will have tea immediately. Joseph can bring it.’

Candida followed Anna into the hall. The stair went up on the left-hand side to a landing from which a passage ran off on either side. They took the one on the left, Anna talking all the time.

‘Of all houses this is the most inconvenient. All the time you must look where you are going. See, here there are three steps up, and presently there will be two steps down again. They must have wanted to break someone’s neck when they built like this. Now we go round the corner and up four more steps. Here on the right is a bathroom. This is your room opposite.’ She threw open a door and switched on the light.

The room which sprang into view was oddly shaped. It ran away into an alcove on one side of the hearth, and the whole of the recess was lined with books. Perhaps it was this which made the place seem dark, or perhaps it would have been dark anyhow with its low ceiling crossed by a beam, curtains and bedspread of a deep shade of maroon, and a carpet whose pattern had become indistinguishable. The walls were covered with what she afterwards found was a Morris paper. At first sight it merely presented an appearance of general gloom, but by the light of day and a more particular inspection it disclosed a pattern of spring flowers massed against a background of olive green. She was glad to see that a small electric fire had been imposed on the narrow Victorian grate. Anna showed her the switch.

‘You will turn it on when you want. Thank God, we have a good supply. For ten years I lived with paraffin lamps. Now, no thank you—I have better things to do with my time! You will turn on the fire, and so you will not find it cold. It was put in specially for you. Three years since anyone slept here, but with this good little fire you will not be cold.’

Candida looked past the fire at the alcove.

‘What a lot of books! Whose room used it to be?’

There was the sort of silence which you can’t help noticing. Something made Candida ask her question again.

‘You said it hadn’t been used for three years. Whose room was it before that?’

Anna stood looking at her with her hair very white above the olive skin and dark eyes. She made an effort, looked away, and said,

‘It was Mr. Alan Thompson’s room. He has been gone three years.’

‘Who was he?’

‘He was the ladies’ secretary. They were very fond of him. He was ungrateful—he disappointed them very much. It will be better you do not speak of him—it is better no one speaks.’

But Candida went on speaking. She didn’t know why. It just seemed as if she had to.

‘What did he do?’

‘He ran away. He took things—jewels—money. He took them, and he ran away. Their hearts were broken. They were ill. They went away and they travelled. The house was shut up. They do not speak of him ever—we should not have spoken of him. But you are of the family—perhaps it is better you should know. And they are happy again now. Mr. Derek makes them happy—he is young, he is gay. They do not think about that Alan any more. He is gone, and for us too. I speak too much—they have always said so. See, here is the bell. If you want anything, you ring it and Nella will come. She is my great-niece, just as you are to Miss Olivia and Miss Cara. But she has been born in England—she does not even speak Italian any more. She speaks like a London girl, and sometimes she is saucy. She is one of the new-fashioned ones—service is not good enough for her. She only comes because I say so, and because I have money saved and she does not wish me to leave it to my brother’s grand-daughter in Italy. Also the wages are very good. There is a young man whom she wishes to marry, and he encourages her to come. “Think what everything costs,” he says, “and think how you can save—good money coming in every week and not a penny going out! We will buy the suite for the lounge.” And Nella, she tosses the head and she says if the money is hers, it will be for her to say what way it is spent. But she comes. It is true that she grumbles every day, but she will stay till she has saved the money for the suite, and perhaps a little longer because of my brother’s grand-daughter in Italy.’ She broke off laughing. ‘It is true what Miss Olivia says, I talk too much. If you want anything, you ring for Nella, and if she does not do everything you say, you speak to me and I scold her. Now I go and tell Joseph to bring the tea.’