Читать книгу To Room Nineteen: Collected Stories Volume One - Doris Lessing - Страница 6

In 1947 George wrote again to Myra, saying that now the war was well over she should come home again and marry him. She wrote back from Australia, where she had gone with her two children in 1943 because there were relations there, saying she felt they had drifted apart; she was no longer sure she wanted to marry George. He did not allow himself to collapse. He cabled her the air fare and asked her to come over and see him. She came, for two weeks, being unable to leave the children for longer. She said she liked Australia; she liked the climate; she did not like the English climate any longer; she thought England was, very probably, played out; and she had become used to missing London. Also, presumably, to missing George Talbot.

For George this was a very painful fortnight. He believed it was painful for Myra, too. They had met in 1938, had lived together for five years, and had exchanged for four years the letters of lovers separated by fate. Myra was certainly the love of his life. He had believed he was of hers until now. Myra, an attractive woman made beautiful by the suns and beaches of Australia, waved goodbye at the airport, and her eyes were filled with tears.

George’s eyes, as he drove away from the airport, were dry. If one person has loved another truly and wholly, then it is more than love that collapses when one side of the indissoluble partnership turns away with a tearful goodbye. George dismissed the taxi early and walked through St James’s Park. Then it seemed too small for him, and he went to Green Park. Then he walked into Hyde Park and through to Kensington Gardens. When the dark came and they closed the great gates of the park he took a taxi home. He lived in a block of flats near Marble Arch. For five years Myra had lived with him there, and it was here he had expected to live with her again. Now he moved into a new flat near Covent Garden. Soon after that he wrote Myra a very painful letter. It occurred to him that he had often received such letters, but had never written one before. It occurred to him that he had entirely underestimated the amount of suffering he must have caused in his life. But Myra wrote him a sensible letter back, and George Talbot told himself that now he must finally stop thinking about Myra.

Therefore, he became rather less of a dilettante in his work than he had been recently, and he agreed to produce a new play written by a friend of his. George Talbot was a man of the theatre. He had not acted in it for many years now; but he wrote articles, he sometimes produced a play, he made speeches on important occasions and was known by everyone. When he went into a restaurant people tried to catch his eye, and he often did not know who they were. During the four years since Myra had left, he had had a number of affairs with young women round and about the theatre, for he had been lonely. He had written quite frankly to Myra about these affairs, but she had never mentioned them in her letters. Now he was very busy for some months and was seldom at home; he earned quite a lot of money, and he had a few affairs with women who were pleased to be seen in public with him. He thought about Myra a great deal, but he did not write to her again, nor she to him, although they had agreed they would always be great friends.

One evening in the foyer of a theatre he saw an old friend of his he had always admired, and he told the young woman he was with that that man had been the most irresistible man of his generation – no woman had been able to resist him. The young woman stared briefly across the foyer and said, ‘Not really?’

When George Talbot got home that night he was alone, and he looked at himself with honesty in the mirror. He was sixty, but he did not look it. Whatever had attracted women to him in the past had never been his looks, and he was not much changed: a stoutish man, holding himself erect, grey-haired, carefully brushed, well dressed. He had not paid much attention to his face since those days many years ago when he had been an actor; but now he had an uncharacteristic fit of vanity and remembered that Myra had admired his mouth, while his wife had loved his eyes. He took to taking glances at himself in foyers and restaurants where there were mirrors, and he saw himself as unchanged. He was becoming conscious, though, of a discrepancy between that suave exterior and what he felt. Beneath his ribs his heart had become swollen and soft and painful, a monstrous area of sympathy playing enemy to what he had been. When people made jokes he was often unable to laugh; and his manner of talking, which was light and allusive and dry, must have changed, because more than once old friends asked him if he were depressed, and they no longer smiled appreciatively as he told his stories. He gathered he was not being good company. He understood he might be ill, and he went to the doctor. The doctor said there was nothing wrong with his heart, he had thirty years of life in him yet – luckily, he added respectfully, for the British theatre.

George came to understand that the word ‘heartache’ meant that a person could carry a heart that ached around with him day and night for, in his case, months. Nearly a year now. He would wake in the night, because of the pressure of pain in his chest; in the morning he woke under a weight of grief. There seemed to be no end to it; and this thought jolted him into two actions. First, he wrote to Myra, a tender, carefully phrased letter, recalling the years of their love. To this he got, in due course, a tender and careful reply. Then he went to see his wife. With her he was, and had been for many years, good friends. They saw each other often, but not so often now the children were grown-up; perhaps once or twice a year, and they never quarrelled.

His wife had married again after they divorced, and now she was a widow. Her second husband had been a member of Parliament, and she worked for the Labour Party, and she was on a Hospital Advisory Committee and on the Board of Directors of a progressive school. She was fifty, but did not look it. On this afternoon she was wearing a slim grey suit and grey shoes, and her grey hair had a wave of white across the front which made her look distinguished. She was animated, and very happy to see George; and she talked about some deadhead on her hospital committee who did not see eye to eye with the progressive minority about some reform or other. They had always had their politics in common, a position somewhere left of centre in the Labour Party. She had sympathized with his being a pacifist in the First World War – he had been for a time in prison because of it; he had sympathized with her militant feminism. Both had helped the strikers in 1926. In the thirties, after they were divorced, she had helped with money when he went on tour with a company acting Shakespeare to people on the dole, or hunger-marching.

Myra had not been at all interested in politics, only in her children. And in George, of course.

George asked his first wife to marry him again, and she was so startled that she let the sugar tongs drop and crack a saucer. She asked what had happened to Myra, and George said: ‘Well, dear, I think Myra forgot about me during those years in Australia. At any rate, she doesn’t want me now.’ When he heard his voice saying this it sounded pathetic, and he was frightened, for he could not remember ever having to appeal to a woman. Except to Myra.

His wife examined him and said briskly: ‘You’re lonely, George. Well, we’re none of us getting any younger.’

‘You don’t think you’d be less lonely if you had me around?’

She got up from her chair in order that she could attend to something with her back to him, and she said that she intended to marry again quite soon. She was marrying a man considerably younger than herself, a doctor who was in the progressive minority at her hospital. From her voice George understood that she was both proud and ashamed of this marriage, and that was why she was hiding her face from him. He congratulated her and asked her if there wasn’t perhaps a chance for him yet? ‘After all, dear, we were happy together, weren’t we? I’ve never really understood why that marriage ever broke up. It was you who wanted to break it up.’

‘I don’t see any point in raking over that old business,’ she said, with finality, and returned to her seat opposite him. He envied her very much, looking young with her pink and scarcely lined face under that brave lock of deliberately whitened hair.

‘But dear, I wish you’d tell me. It doesn’t do any harm now, does it? And I always wondered … I’ve often thought about it and wondered.’ He could hear the pathetic note in his voice again, but he did not know how to alter it.

‘You wondered,’ she said, ‘when you weren’t occupied with Myra.’

‘But I didn’t know Myra when we got divorced.’

‘You knew Phillipa and Georgina and Janet and lord knows who else.’

‘But I didn’t care about them.’

She sat with her competent hands in her lap and on her face was a look he remembered seeing when she told him she would divorce him. It was bitter and full of hurt. ‘You didn’t care about me either,’ she said.

‘But we were happy. Well, I was happy …’ he trailed off, being pathetic against all his knowledge of women. For, as he sat there, his old rake’s heart was telling him that if only he could find them, there must be the right words, the right tone. But whatever he said came out in this hopeless, old dog’s voice, and he knew that this voice could never defeat the gallant and crusading young doctor. ‘And I did care about you. Sometimes I think you were the only woman in my life.’

At this she laughed. ‘Oh, George, don’t get maudlin now, please.’

‘Well, dear, there was Myra. But when you threw me over there was bound to be Myra, wasn’t there? There were two women, you and then Myra. And I’ve never understood why you broke it all up when we seemed to be so happy.’

‘You didn’t care for me,’ she said again. ‘If you had, you would never have come home from Phillipa, Georgina, Janet et al and said calmly, just as if it didn’t matter to me in the least, that you had been with them in Brighton or wherever it was.’

‘But if I had cared about them I would never have told you.’

She was regarding him incredulously, and her face was flushed. With what? Anger? George did not know.

‘I remember being so proud,’ he said pathetically, ‘that we had solved this business of marriage and all that sort of thing. We had such a good marriage that it didn’t matter, the little flirtations. And I always thought one should be able to tell the truth. I always told you the truth, didn’t I?’

‘Very romantic of you, dear George,’ she said dryly; and soon he got up, kissed her fondly on the cheek, and went away.

He walked for a long time through the parks, hands behind his erect back, and he could feel his heart swollen and painful in his side. When the gates shut, he walked through the lighted streets he had lived in for fifty years of his life, and he was remembering Myra and Molly, as if they were one woman, merging into each other, a shape of warm easy intimacy, a shape of happiness walking beside him. He went into a little restaurant he knew well, and there was a girl sitting there who knew him because she had heard him lecture once on the state of the British theatre. He tried hard to see Myra and Molly in her face, but he failed; and he paid for her coffee and his own and went home by himself. But his flat was unbearably empty, and he left it and walked down by the Embankment for a couple of hours to tire himself, and there must have been a colder wind blowing than he knew, for next day he woke with a pain in his chest which he could not mistake for heartache.

He had flu and a bad cough, and he stayed in bed by himself and did not ring up the doctor until the fourth day, when he was getting lightheaded. The doctor said it must be the hospital at once.

But he would not go to the hospital. So the doctor said he must have day and night nurses. This he submitted to until the cheerful friendliness of the nurses saddened him beyond bearing, and he asked the doctor to ring up his wife, who would find someone to look after him and would be sympathetic. He was hoping that Molly would come herself to nurse him, but when she arrived he did not mention it, for she was busy with preparations for her new marriage. She promised to find him someone who would not wear a uniform and make jokes. They naturally had many friends in common; and she rang up an old flame of his in the theatre who said she knew of a girl who was looking for a secretary’s job to tide her over a patch of not working, but who didn’t really mind what she did for a few weeks.

So Bobby Tippett sent away the nurses and made up a bed for herself in his study. On the first day she sat by George’s bed sewing. She wore a full dark skirt and a demure printed blouse with short frills at the wrist, and George watched her sewing and already felt much better. She was a small, thin, dark girl, probably Jewish, with sad black eyes. She had a way of letting her sewing lie loose in her lap, her hands limp over it; and her eyes fixed themselves, and a bloom of dark introspection came over them. She sat very still at these moments like a small china figure of a girl sewing. When she was nursing George, or letting in his many visitors, she put on a manner of cool and even languid charm; it was the extreme good manners of heartlessness, and at first George was chilled: but then he saw through the pose; for whatever world Bobby Tippett had been born into he did not think it was the English class to which these manners belonged. She replied with a ‘yes’ or a ‘no’ to questions about herself; he gathered that her parents were dead, but there was a married sister she saw sometimes; and for the rest she had lived around and about London, mostly by herself, for ten or more years. When he asked her if she had not been lonely, so much by herself, she drawled, ‘Why, not at all, I don’t mind being alone.’ But he saw her as a small, brave child, a waif against London, and was moved.

He did not want to be the big man of the theatre; he was afraid of evoking the impersonal admiration he was only too accustomed to; but soon he was asking her questions about her career, hoping that this might be the point of her enthusiasm. But she spoke lightly of small parts, odd jobs, scene painting and understudying, in a jolly good-little-trouper’s voice; and he could not see that he had come any closer to her at all. So at last he did what he had tried to avoid, and sitting up against his pillows like a judge or an impresario, he said: ‘Do something for me, dear. Let me see you.’ She went next door like an obedient child, and came back in tight black trousers, but still in her demure little blouse, and stood on the carpet before him, and went into a little song-and-dance act. It wasn’t bad. He had seen a hundred worse. But he was very moved; he saw her now above all as the little urchin, the gamin, boy-girl and helpless. And utterly touching. ‘Actually,’ she said, ‘this is half of an act. I always have someone else.’

There was a big mirror that nearly filled the end wall of the large, dark room. George saw himself in it, an elderly man sitting propped up on pillows watching the small doll-like figure standing before him on the carpet. He saw her turn her head towards her reflection in the darkened mirror, study it, and then she began to dance with her own reflection, dance against it, as it were. There were two small, light figures dancing in George’s room; there was something uncanny in it. She began singing, a little broken song in stage cockney, and George felt that she was expecting the other figure in the mirror to sing with her; she was singing at the mirror as if she expected an answer.

‘That’s very good, dear,’ he broke in quickly, for he was upset, though he did not know why. ‘Very good indeed.’ He was relieved when she broke off and came away from the mirror, so that the uncanny shadow of her went away.

‘Would you like me to speak to someone for you, dear? It might help. You know how things are in the theatre,’ he suggested apologetically.

‘I don’t maind if I dew,’ she said in the stage cockney of her act; and for a moment her face flashed into a mocking, reckless, gaminlike charm. ‘Perhaps I’d better change back into my skirt?’ she suggested. ‘More natural-like for a nurse, ain’t it?’

But he said he liked her in her tight black trousers, and now she always wore them, and her neat little shirts; and she moved about the flat as a charming feminine boy, chattering to him about the plays she had had small parts in and about the big actors and producers she had spoken to, who were, of course, George’s friends or, at least, equals. George sat up against his pillows and listened and watched, and his heart ached. He remained in bed longer than there was need, because he did not want her to go. When he transferred himself to a big chair, he said: ‘You mustn’t think you’re bound to stay here, dear, if there’s somewhere else you’d rather go.’ To which she replied, with a wide flash of her black eyes, ‘But I’m resting, darling, resting. I’ve nothing better to do with myself.’ And then: ‘Oh aren’t I awful, the things wot I sy?’

‘But you do like being here? You don’t mind being here with me, dear?’ he insisted.

There was the briefest pause. She said: ‘Yes, oddly enough I do like it.’ The ‘oddly enough’ was accompanied by a quick, half-laughing, almost flirtatious glance; and for the first time in many months the pressure of loneliness eased around George’s heart.

Now it was a happiness to him because when the distinguished ladies and gentlemen of the theatre or of letters came to see him, Bobby became a cool, silky little hostess; and the instant they had gone she relapsed into urchin charm. It was proof of their intimacy. Sometimes he took her out to dinner or to the theatre. When she dressed up she wore bold, fashionable clothes and moved with the insolence of a mannequin; and George moved beside her, smiling fondly, waiting for the moment when the black, reckless, freebooting eyes would flash up out of the languid stare of the woman presenting herself for admiration, exchanging with him amusement at the world; promising him that soon, when they got back to the apartment, by themselves, she would again become the dear little girl or the gallant, charming waif.

Sometimes, sitting in the dim room at night, he would let his hand close over the thin point of her shoulder; sometimes, when they said good night, he bent to kiss her, and she lowered her head, so that his lips encountered her demure, willing forehead.

George told himself that she was unawakened. It was a phrase that had been the prelude to a dozen warm discoveries in the past. He told himself that she knew nothing of what she might be. She had been married, it seemed – she dropped this information once, in the course of an anecdote about the theatre; but George had known women in plenty who after years of marriage had been unawakened. George asked her to marry him; and she lifted her small sleek head with an animal’s startled turn and said: ‘Why do you want to marry me?’

‘Because I like being with you, dear. I love being with you.’

‘Well, I like being with you.’ It had a questioning sound. She was questioning herself? ‘Strainge,’ she said in cockney, laughing. ‘Strainge but trew.’

The wedding was to be a small one, but there was a lot about it in the papers. Recently several men of George’s generation had married young women. One of them had fathered a son at the age of seventy. George was flattered by the newspapers, and told Bobby a good deal about his life that had not come up before. He remarked for instance that he thought his generation had been altogether more successful about this business of love and sex than the modern generation. He said, ‘Take my son, for instance. At his age I had had a lot of affairs and knew about women; but there he is, nearly thirty, and when he stayed here once with a girl he was thinking of marrying I know for a fact they shared the same bed for a week and nothing ever happened. She told me so. Very odd it all seems to me. But it didn’t seem odd to her. And now he lives with another young man and listens to that long-playing record thing of his, and he’s engaged to a girl he takes out twice a week, like a schoolboy. And there’s my daughter, she came to me a year after she was married, and she was in an awful mess, really awful … it seems to me your generation are very frightened of it all. I don’t know why.’

‘Why my generation?’ she asked, turning her head with that quick listening movement. ‘It’s not my generation.’

‘But you’re nothing but a child,’ he said fondly.

He could not decipher what lay behind the black, full stare of her sad eyes as she looked at him now; she was sitting cross-legged in her black glossy trousers before the fire, like a small doll. But a spring of alarm had been touched in him and he didn’t say any more.

‘At thirty-five, I’m the youngest child alive,’ she sang, with a swift sardonic glance at him over her shoulder. But it sounded gay.

He did not talk to her again about the achievements of his generation.

After the wedding he took her to a village in Normandy where he had been once, many years ago, with a girl called Eve. He did not tell her he had been there before.

It was spring, and the cherry trees were in flower. The first evening he walked with her in the last sunlight under the white-flowering branches, his arm around her thin waist, and it seemed to him that he was about to walk back through the gates of a lost happiness.

They had a large comfortable room with windows which overlooked the cherry trees and there was a double bed. Madame Cruchot, the farmer’s wife, showed them the room with shrewd, non-commenting eyes, said she was always happy to shelter honeymoon couples, and wished them a good night.

George made love to Bobby, and she shut her eyes, and he found she was not at all awkward. When they had finished, he gathered her in his arms, and it was then that he returned simply, with an incredulous awed easing of the heart, to a happiness which – and now it seemed to him fantastically ungrateful that he could have done – he had taken for granted for so many years of his life. It was not possible, he thought, holding her compliant body in his arms, that he could have been by himself, alone, for so long. It had been intolerable. He held her silent breathing body, and he stroked her back and thighs, and his hands remembered the emotions of nearly fifty years of loving. He could feel the memoried emotions of his life flooding through his body, and his heart swelled with a joy it seemed to him he had never known, for it was a compound of a dozen loves.

He was about to take final possession of his memories when she turned sharply away, sat up, and said: ‘I want a fag. How about yew?’

‘Why, yes, dear, if you want.’

They smoked. The cigarettes finished, she lay down on her back, arms folded across her chest, and said, ‘I’m sleepy.’ She closed her eyes. When he was sure she was asleep, he lifted himself on his elbow and watched her. The light still burned, and the curve of her cheek was full and soft, like a child’s. He touched it with the side of his palm, and she shrank away in her sleep, but clenched up, like a fist; and her hand, which was white and unformed, like a child’s hand, was clenched in a fist on the pillow before her face.

George tried to gather her in his arms, and she turned away from him to the extreme edge of the bed. She was deeply asleep, and her sleep was unsharable. George could not endure it. He got out of bed and stood by the window in the cold spring night air, and saw the white cherry trees standing under the white moon, and thought of the cold girl asleep in her bed. He was there in the chill moonlight until the dawn came; in the morning he had a very bad cough and could not get up. Bobby was charming, devoted, and gay. ‘Just like old times, me nursing you,’ she commented, with a deliberate roll of her black eyes. She asked Madame Cruchot for another bed, which she placed in the corner of the room, and George thought it was quite reasonable she should not want to catch his cold; for he did not allow himself to remember the times in his past when quite serious illness had been no obstacle to the sharing of the dark; he decided to forget the sensualities of tiredness, or of fever, or of the extremes of sleeplessness. He was even beginning to feel ashamed.

For a fortnight the Frenchwoman brought up magnificent meals, twice a day, and George and Bobby drank a great deal of red wine and of calvados and made jokes with Madame Cruchot about getting ill on honeymoons. They returned from Normandy rather earlier than had been arranged. It would be better for George, Bobby said, at home, where his friends could drop in to see him. Besides, it was sad to be shut indoors in springtime, and they were both eating too much.

On the first night back in the flat, George waited to see if she would go into the study to sleep, but she came to bed in her pyjamas, and for the second time, he held her in his arms for the space of the act, and then she smoked, sitting up in bed and looking rather tired and small and, George thought, terribly young and pathetic. He did not sleep that night. He did not dare move out of bed for fear of disturbing her, and he was afraid to drop off to sleep for fear his limbs remembered the habits of a lifetime and searched for hers. In the morning she woke smiling, and he put his arms around her, but she kissed him with small gentle kisses and jumped out of bed.

That day she said she must go and see her sister. She saw her sister often during the next weeks and kept suggesting that George should have his friends around more than he did. George asked why didn’t the sister come to see her here, in the flat? So one afternoon she came to tea. George had seen her briefly at the wedding and disliked her, but now for the first time he had a spell of revulsion against the marriage itself. The sister was awful – a commonplace, middle-aged female from some suburb. She had a sharp, dark face that poked itself inquisitively into the corners of the flat, pricing the furniture, and a thin acquisitive nose bent to one side. She sat, on her best behaviour, for two hours over the teacups, in a mannish navy blue suit, a severe black hat, her brogued feet set firmly side by side before her; and her thin nose seemed to be carrying on a silent, satirical conversation with her sister about George. Bobby was being cool and well mannered, as it were deliberately tired of life, as she always was when guests were there, but George was sure this was simply on his account. When the sister had gone, George was rather querulous about her; but Bobby said, laughing, that of course she had known George wouldn’t like Rosa; she was rather ghastly; but then who had suggested inviting her? So Rosa came no more, and Bobby went to meet her for a visit to the pictures, or for shopping. Meanwhile, George sat alone and thought uneasily about Bobby, or visited his old friends. A few months after they returned from Normandy, someone suggested to George that perhaps he was ill. This made George think about it, and he realized he was not far from being ill. It was because he could not sleep. Night after night he lay beside Bobby, after her cheerfully affectionate submission to him; and he saw the soft curve of her cheek on the pillow, the long dark lashes lying close and flat. Never in his life had anything moved him so deeply as that childish cheek, the shadow of those lashes. A small crease in one cheek seemed to him the signature of emotion; and the lock of black glossy hair falling across her forehead filled his throat with tears. His nights were long vigils of locked tenderness.

Then one night she woke and saw him watching her.

‘What’s the matter?’ she asked, startled. ‘Can’t you sleep?’

‘I’m only watching you, dear,’ he said hopelessly.

She lay curled up beside him, her fist beside her on the pillow, between him and her. ‘Why aren’t you happy?’ she asked suddenly; and as George laughed with a sudden bitter irony, she sat up, arms around her knees, prepared to consider this problem practically.

‘This isn’t marriage; this isn’t love,’ he announced. He sat up beside her. He did not know that he had ever used that tone to her before. A portly man, his elderly face flushed with sorrow, he had forgotten her for the moment, and he was speaking across her from his past, resurrected in her, to his past. He was dignified with responsible experience and the warmth of a lifetime’s responses. His eyes were heavy, satirical, and condemning. She rolled herself up against him and said with a small sad smile, ‘Then show me, George.’

‘Show you?’ he said, almost stammering. ‘Show you?’ But he held her, the obedient child, his cheek against hers, until she slept; then a too close pressure of his shoulder on hers caused her to shrink and recoil from him away to the edge of the bed.

In the morning she looked at him oddly, with an odd sad little respect, and said, ‘You know what, George. You’ve just got into the habit of loving.’

‘What do you mean, dear?’

She rolled out of bed and stood beside it, a waif in her white pyjamas, her black hair ruffled. She slid her eyes at him and smiled. ‘You just want something in your arms, that’s all. What do you do when you’re alone? Wrap yourself around a pillow?’

He said nothing; he was cut to the heart.

‘My husband was the same,’ she remarked gaily. ‘Funny thing is, he didn’t care anything about me.’ She stood considering him, smiling mockingly. ‘Strange, ain’t it?’ she commented and went off to the bathroom. That was the second time she had mentioned her husband.

The phrase, the habit of loving, made a revolution in George. It was true, he thought. He was shocked out of himself, out of the instinctive response to the movement of skin against his, the pressure of a breast. It seemed to him that he was seeing Bobby quite newly. He had not really known her before. The delightful little girl had vanished, and he saw a young woman toughened and wary because of defeats and failures he had never stopped to think of. He saw that the sadness that lay behind the black eyes was not at all impersonal; he saw the first sheen of grey lying on her smooth hair; he saw that the full curve of her cheek was the beginning of the softening into middle age. He was appalled at his egotism. Now, he thought, he would really know her, and she would begin to love him in response to it.

Suddenly, George discovered in himself a boy whose existence he had totally forgotten. He had been returned to his adolescence. The accidental touch of her hand delighted him; the swing of her skirt could make him shut his eyes with happiness. He looked at her through the jealous eyes of a boy and began questioning her about her past, feeling that he was slowly taking possession of her. He waited for a hint of emotion in the drop of her voice, or a confession in the wrinkling of the skin by the full, dark, comradely eyes. At night, a boy again, reverence shut him into ineptitude. The body of George’s sensuality had been killed stone dead. A month ago he had been a man vigorous with the skilled harbouring of memory; the long use of his body. Now he lay awake beside this woman, longing – not for the past, for that past had dropped away from him, but dreaming of the future. And when he questioned her, like a jealous boy, and she evaded him, he could see it only as the locked virginity of the girl who would wake in answer to the worshipping boy he had become.

But still she slept in a citadel, one fist before her face.

Then one night she woke again, roused by some movement of his. ‘What’s the matter now, George?’ she asked, exasperated.

In the silence that followed, the resurrected boy in George died painfully.

‘Nothing,’ he said. ‘Nothing at all.’ He turned away from her, defeated.

It was he who moved out of the big bed into the narrow bed in the study. She said with a sharp, sad smile, ‘Fed up with me, George? Well, I can’t help it, you know. I didn’t ever like sleeping beside someone very much.’

George, who had dropped out of his work lately, undertook to produce another play, and was very busy again; and he became drama critic for one of the big papers and was in the swim and at all the first nights. Sometimes Bobby was with him, in her startling, smart clothes, being amused with him at the whole business of being fashionable. Sometimes she stayed at home. She had the capacity for being by herself for hours, apparently doing nothing. George would come home from some crowd of people, some party, and find her sitting cross-legged before the fire in her tight trousers, chin in hand, gone off by herself into some place where he was now afraid to try and follow. He could not bear it again, putting himself in a position where he might hear the cold, sharp words that showed she had never had an inkling of what he felt, because it was not in her nature to feel it. He would come in late, and she would make them both some tea; and they would sit hand in hand before the fire, his flesh and memories quiet. Dead, he thought. But his heart ached. He had become so used to the heavy load of loneliness in his chest that when, briefly, talking to an old friend, he became the George Talbot who had never known Bobby, and his heart lightened and his oppression went, he would look about him, startled, as if he had lost something. He felt almost lightheaded without the pain of loneliness.

He asked Bobby if she weren’t bored, with so little to do, month after month after month, while he was so busy. She said no, she was quite happy doing nothing. She wouldn’t like to take up her old work again?

‘I wasn’t ever much good, was I?’ she said.

‘If you’d enjoy it, dear, I could speak to someone for you.’

She frowned at the fire but said nothing. Later he suggested it again, and she sparked up with a grin and: ‘Well, I don’t maind if I dew …’

So he spoke to an old friend, and Bobby returned to the theatre, to a small act in a little intimate revue. She had found somebody, she said, to be the other half of her act. George was very busy with a production of Romeo and Juliet, and did not have time to see her at rehearsal, but he was there on the night The Offbeat Revue opened. He was rather late and stood at the back of the gimcrack little theatre, packed tight with fragile little chairs. Everything was so small that the well-dressed audience looked too big, like over-size people crammed in a box. The tiny stage was left bare, with a few black and white posters stuck here and there, and there was one piano. The pianist was good, a young man with black hair falling limp over his face, playing as if he were bored with the whole thing. But he played very well. George, the man of the theatre, listened to the first number, so as to catch the mood, and thought, Oh Lord, not again. It was one of the songs from the First World War, and he could not stand the flood of easy emotion it aroused. He refused to feel. Then he realized that the emotion was, in any case, blocked; the piano was mocking the song; ‘There’s a Long, Long Trail’ was being played like a five-finger exercise; and ‘Keep the Home Fires Burning’ and ‘Tipperary’ followed in the same style, as if the piano were bored. People were beginning to chuckle, they had caught the mood. A young blond man with a moustache and wearing the uniform of 1914 came in and sang fragments of the songs, like a corpse singing; and then George understood he was supposed to be one of the dead of that war singing. George felt all his responses blocked, first because he could not allow himself to feel any emotion from that time at all – it was too painful; and then because of the five-finger-exercise style, which contradicted everything, all pain or protest, leaving nothing, an emptiness. The show went on; through the twenties, with bits of popular songs from that time, a number about the General Strike, which reduced the whole thing to the scale of marionettes without passion, and then on to the thirties. George saw it was a sort of potted history, as it were – Noel Coward’s falsely heroic view of his time parodied. But it wasn’t even that. There was no emotion, nothing. George did not know what he was supposed to feel. He looked curiously at the faces of the people around him and saw that the older people looked puzzled, affronted, as if the show were an insult to them. But the younger people were in the mood of the thing. But what mood? It was the parody of a parody. When the Second World War was evoked by ‘Run Rabbit Run’ played like Lobengrin, while the soldiers in the uniforms of the time mocked their own understated heroism from the other side of death, then George could not stand it. He did not look at the stage at all. He was waiting for Bobby to come on, so he could say that he had seen her. Meanwhile he smoked and watched the face of a very young man near him; it was a pale, heavy, flaccid face, but it was responding, it seemed from a habit of rancour, to everything that went on on the stage. Suddenly, the young face lit into sarcastic delight, and George looked at the stage. On it were two urchins, identical it seemed, in tight black glossy trousers, tight crisp white shirts. Both had short black hair, neat little feet placed side by side. They were standing together, hands crossed loosely before them at the waist, waiting for the music to start. The man at the piano, who had a cigarette in the corner of his mouth, began playing something very sentimental. He broke off and looked with sardonic inquiry at the urchins. They had not moved. They shrugged and rolled their eyes at him. He played a marching song, very loud and pompous. The urchins twitched a little and stayed still. Then the piano broke fast and sudden into a rage of jazz. The two puppets on the stage began a furious movement, their limbs clashing with each other and with the music, until they fell into poses of helpless despair while the music grew louder and more desperate. They tried again, whirling themelves into a frenzied attempt to keep up with the music. Then, two waifs, they turned their two small white sad faces at each other, and, with a formal nod, each took a phrase of music from the fast flood of sound that had already swept by them, held it, and began to sing. Bobby sang her bad stage-cockney phrases, meaningless, jumbled up, flat, hopeless; the other urchin sang drawling languid phrases from the upperclass jargon of the moment. They looked at each other, offering the phrases as it were, to see if they would be accepted. Meanwhile, the hard, cruel, hurtful music went on. Again the two went limp and helpless, unwanted, unaccepted. George, outraged and hurt, asked himself again: What am I feeling? What am I supposed to be feeling? For that insane nihilistic music demanded some opposition, some statement of affirmation, but the two urchins, half-boy, half-girl, as alike as twins (George had to watch Bobby carefully so as not to confuse her with ‘the other half of her act’) were not even trying to resist the music. Then, after a long, sad immobility, they changed roles. Bobby took the languid jaw-writhing part of a limp young man, and the other waif sang false-cockney phrases in a cruel copy of a woman’s voice. It was the parody of a parody of a parody. George stood tense, waiting for a resolution. His nature demanded that now, and quickly, for the limp sadness of the turn was unbearable, the two false urchins should flash out in some sort of rebellion. But there was nothing. The jazz went on like hammers; the whole room shook – stage, walls, ceiling – and it seemed the people in the room jigged lightly and helplessly. The two children on the stage twisted their limbs into the wilful mockery of a stage convention, and finally stood side by side, hands hanging limp, heads lowered meekly, twitching a little while the music rose into a final crashing discord and the lights went out. George could not applaud. He saw the damp-faced young man next to him was clapping wildly, while his lank hair fell all over his face. George saw that the older people were all, like himself, bewildered and insulted.

When the show was over, George went backstage to fetch Bobby. She was with ‘the other half of the act’, a rather good-looking boy of about twenty, who was being deferential to the impressive husband of Bobby. George said to her: ‘You were very good, dear, very good indeed.’ She looked smilingly at him, half-mocking, but he did not know what it was she was mocking now. And she had been good. But he never wanted to see it again.

The revue was a success and ran for some months before it was moved to a bigger theatre. George finished his production of Romeo and Juliet which, so the critics said, was the best London had seen for many years, and refused other offers of work. He did not need the money for the time being, and besides, he had not seen very much of Bobby lately.

But of course now she was working. She was at rehearsals several times a week, and away from the flat every evening. But George never went to her theatre. He did not want to see the sad, unresisting children twitching to the cruel music.

It seemed Bobby was happy. The various little parts she had played with him – the urchin, the cool hostess, the dear child – had all been absorbed into the hard-working female who cooked him his meals, looked after him, and went out to her theatre giving him a friendly kiss on the cheek. Their relationship was most pleasant and amiable. George lived beside this good friend, his wife Bobby, who was doing him so much credit in every way, and ached permanently with loneliness.

One day he was walking down the Charing Cross Road, looking into the windows of bookshops, when he saw Bobby strolling up the other side with Jackie, the other half of her act. She looked as he had never seen her: her dark face was alive with animation, and Jackie was looking into her face and laughing. George thought the boy very handsome. He had a warm gloss of youth on his hair and in his eyes; he had the lithe, quick look of a young animal.

He was not jealous at all. When Bobby came in at night, gay and vivacious, he knew he owed this to Jackie and did not mind. He was even grateful to him. The warmth Bobby had for ‘the other half of the act’ overflowed towards him; and for some months Myra and his wife were present in his mind, he saw and felt them, two loving presences, young women who loved George, brought into being by the feeling between Jackie and Bobby. Whatever that feeling was.

The Offbeat Revue ran for nearly a year, and then it was coming off, and Bobby and Jackie were working out another act. George did not know what it was. He thought Bobby needed a rest, but he did not like to say so. She had been tired recently, and when she came in at night there was strain beneath her gaiety. Once, at night, he woke to see her beside his bed. ‘Hold me for a little, George,’ she asked. He opened his arms and she came into them. He lay holding her, quite still. He had opened his arms to the sad waif, but it was an unhappy woman lying in his arms. He could feel the movement of her lashes on his shoulder, and the wetness of tears.

He had not lain beside her for a long time, years it seemed. She did not come to him again.

‘You don’t think you’re working too hard, dear?’ he asked once, looking at her strained face; but she said briskly, ‘No, I’ve got to have something to do, can’t stand doing nothing.’

One night it was raining hard, and Bobby had been feeling sick that day, and she did not come home at her usual time. George became worried and took a taxi to the theatre and asked the doorman if she was still there. It seemed she had left some time before. ‘She didn’t look too well to me, sir,’ volunteered the doorman, and George sat for a time in the taxi, trying not to worry. Then he gave the driver Jackie’s address; he meant to ask him if he knew where Bobby was. He sat limp in the back of the taxi, feeling the heaviness of his limbs, thinking of Bobby ill.

The place was in a mews, and he left the taxi and walked over rough cobbles to a door which had been the door of stables. He rang, and a young man he didn’t know let him in, saying yes, Jackie Dickson was in. George climbed narrow, steep, wooden stairs slowly, feeling the weight of his body, while his heart pounded. He stood at the top of the stairs to get his breath, in a dark which smelled of canvas and oil and turpentine. There was a streak of light under a door; he went towards it, knocked, heard no answer, and opened it. The scene was a high, bare, studio sort of place, badly lighted, full of pictures, frames, junk of various kinds. Jackie, the dark, glistening youth, was seated cross-legged before the fire, grinning as he lifted his face to say something to Bobby, who sat in a chair, looking down at him. She was wearing a formal dark dress and jewellery, and her arms and neck were bare and white. She looked beautiful, George thought, glancing once, briefly, at her face, and then away; for he could see on it an emotion he did not want to recognize. The scene held for a moment before they realized he was there and turned their heads with the same lithe movement of disturbed animals, to see him standing there in the doorway. Both faces froze. Bobby looked quickly at the young man, and it was in some kind of fear. Jackie looked sulky and angry.

‘I’ve come to look for you, dear,’ said George to his wife. ‘It was raining and the doorman said you seemed ill.’

‘It’s very sweet of you,’ she said and rose from the chair, giving her hand formally to Jackie, who nodded with bad grace at George.

The taxi stood in the dark, gleaming rain, and George and Bobby got into it and sat side by side, while it splashed off into the street.

‘Was that the wrong thing to do, dear?’ asked George, when she said nothing.

‘No,’ she said.

‘I really did think you might be ill.’

She laughed. ‘Perhaps I am.’

‘What’s the matter, my darling? What is it? He was angry, wasn’t he? Because I came?’

‘He thinks you’re jealous,’ she said shortly.

‘Well, perhaps I am rather,’ said George.

She did not speak.

‘I’m sorry, dear, I really am. I didn’t mean to spoil anything for you.’

‘Well, that’s certainly that,’ she remarked, and she sounded impersonally angry.

‘Why? But why should it be?’

‘He doesn’t like – having things asked of him,’ she said, and he remained silent while they drove home.

Up in the warmed, comfortable old flat, she stood before the fire, while he brought her a drink. She smoked fast and angrily, looking into the fire.

‘Please forgive me, dear,’ he said at last. ‘What is it? Do you love him? Do you want to leave me? If you do, of course you must. Young people should be together.’

She turned and stared at him, a black strange stare he knew well.

‘George,’ she said, ‘I’m nearly forty.’

‘But darling, you’re a child still. At least, to me.’

‘And he,’ she went on, ‘will be twenty-two next month. I’m old enough to be his mother.’ She laughed, painfully. ‘Very painful, maternal love … or so it seems … but then how should I know?’ She held out her bare arm and looked at it. Then, with the fingers of one hand she creased down the skin of that bare arm towards the wrist, so that the ageing skin lay in creases and folds. Then, setting down her glass, her cigarette held between tight, amused, angry lips, she wriggled her shoulders out of her dress, so that it slipped to her waist, and she looked down at her two small, limp, unused breasts. ‘Very painful, dear George,’ she said, and shrugged her dress up quickly, becoming again the formal woman dressed for the world. ‘He does not love me. He does not love me at all. Why should he?’ She began singing:

He does not love me

With a love that is trew …

Then she said in stage cockney, ‘Repeat; I could ‘ave bin ‘is muvver, see?’ And with the old rolling derisive black flash of her eyes she smiled at George.

George was thinking only that this girl, his darling, was suffering now what he had suffered, and he could not stand it. She had been going through this for how long now? But she had been working with that boy for nearly two years. She had been living beside him, George, and he had had no idea at all of her unhappiness. He went over to her, put his arms around her, and she stood with her head on his shoulder and wept. For the first time, George thought, they were together. They sat by the fire a long time that night, drinking, smoking and her head was on his knee and he stroked it, and thought that now, at last, she had been admitted into the world of emotion and they would learn to be really together. He could feel his strength stirring along his limbs for her. He was still a man, after all.

Next day she said she would not go on with the new show. She would tell Jackie he must get another partner. And besides, the new act wasn’t really any good. ‘I’ve had one little act all my life,’ she said, laughing. ‘And sometimes it’s fitted in, and sometimes it hasn’t.’

‘What was the new act? What’s it about?’ he asked her.

She did not look at him. ‘Oh, nothing very much. It was Jackie’s idea, really …’ Then she laughed. ‘It’s quite good really, I suppose …’

‘But what is it?’

‘Well, you see …’ Again he had the impression she did not want to look at him. ‘It’s a pair of lovers. We make fun … it’s hard to explain, without doing it.’

‘You make fun of love?’ he asked.

‘Well, you know, all the attitudes … the things people say. It’s a man and a woman – with music of course. All the music you’d expect, played offbeat. We wear the same costume as for the other act. And then we go through all the motions … It’s rather funny, really …’ she trailed off, breathless, seeing George’s face. ‘Well,’ she said, suddenly very savage, ‘if it isn’t all bloody funny, what is it?’ She turned away to take a cigarette.

‘Perhaps you’d like to go on with it after all?’ he asked ironically.

‘No. I can’t. I really can’t stand it. I can’t stand it any longer, George,’ she said, and from her voice he understood she had nothing to learn from him of pain.

He suggested they both needed a holiday, so they went to Italy. They travelled from place to place, never stopping anywhere longer than a day, for George knew she was running away from any place around which emotion could gather. At night he made love to her, but she closed her eyes and thought of the other half of the act; and George knew it and did not care. But what he was feeling was too powerful for his old body; he could feel a lifetime’s emotions beating through his limbs, making his brain throb.

Again they curtailed their holiday, to return to the comfortable old flat in London.

On the first morning after their return, she said: ‘George, you know you’re getting too old for this sort of thing – it’s not good for you; you look ghastly.’

‘But, darling, why? What else am I still alive for?’

‘People’ll say I’m killing you,’ she said, with a sharp, half angry, half amused, black glance.

‘But, my darling, believe me …’

He could see them both in the mirror; he, an old pursy man, head lowered in sullen obstinacy; she … but he could not read her face.

‘And perhaps I’m getting too old?’ she remarked suddenly.

For a few days she was gay, mocking, then suddenly tender. She was provocative, teasing him with her eyes; then she would deliberately yawn and say, ‘I’m going to sleep. Good night, George.’

‘Well, of course, my darling, if you’re tired.’

One morning she announced she was going to have a birthday party; it would be her fortieth birthday soon. The way she said it made George feel uneasy.

On the morning of her birthday she came into his study where he had been sleeping, carrying his breakfast tray. He raised himself on his elbow and gazed at her, appalled. For a moment he had imagined it must be another woman. She had put on a severe navy blue suit, cut like a man’s; heavy black-laced shoes; and she had taken the wisps of black hair back off her face and pinned them into a sort of clumsy knot. She was suddenly a middle-aged woman.

‘But, my darling,’ he said, ‘my darling, what have you done to yourself?’

‘I’m forty,’ she said. ‘Time to grow up.’

‘But, my darling, I do so love you in your clothes. I do so love you being beautiful in your lovely clothes.’

She laughed, and left the breakfast tray beside his bed, and went clumping out on her heavy shoes.

That morning she stood in the kitchen beside a very large cake, on which she was carefully placing forty small pink candles. But it seemed only the sister had been asked to the party, for that afternoon the three of them sat around the cake and looked at one another. George looked at Rosa, the sister, in her ugly straight, thick suit, and at his darling Bobby, all her grace and charm submerged into heavy tweed, her hair dragged back, without make-up. They were two middle-aged women, talking about food and buying.

George said nothing. His whole body throbbed with loss.

The dreadful Rosa was looking with her sharp eyes around the expensive flat, and then at George and then at her sister.

‘You’ve let yourself go, haven’t you, Bobby?’ she commented at last. She sounded pleased about it.

Bobby glanced defiantly at George. ‘I haven’t got time for all this nonsense any more,’ she said. ‘I simply haven’t got time. We’re all getting on now, aren’t we?’

George saw the two women looking at him. He thought they had the same black, hard, inquisitive stare over sharp-bladed noses. He could not speak. His tongue was thick. The blood was beating through his body. His heart seemed to be swelling and filling his whole body, an enormous soft growth of pain. He could not hear for the tolling of the blood through his ears. The blood was beating up into his eyes, but he shut them so as not to see the two women.