Читать книгу Chief Inspector Pointer's Cases - 12 Golden Age Murder Mysteries - Dorothy Fielding - Страница 46

CHAPTER 13

Оглавление

Table of Contents

VARDON had barely laid down the telephone before he dashed into a taxi and drove to Dorset Steele's office with news that he was now a free men. The lawyer hummed, and hawed, and threw—not so much cold water as vinegar, on the other's apparent optimism. He refused to see the daylight at the end of the tunnel.

Oddly enough, Barbara, too, was not so radiant as Vardon seemed to be. She was more concerned with what Pointer had said than with the mere fact of Philip being allowed to go where he pleased.

"Did he say that he thought you innocent?" she asked more than once. Vardon put her off with pointing out that deeds spoke louder than words. But Barbara was not satisfied.

She went to see the Chief Inspector herself.

"Does this mean that you think he's innocent?" she asked bluntly.

"Do you know what would happen to me if I let him go, and he were guilty?" Pointer asked with apparent candour. "We're not allowed to make blunders like that, Miss Ash. We're expected to go down with the ship."

"Grandfather says he'll be watched in Sweden where he has to go first—about some timber, and afterwards on the ship to Patagonia. Closer even than on land. He'll be watched in every port. He'll be watched between every port."

Pointer did not reply. Grandfather was a wise old bird. Barbara left him, but little comforted.

A ring came at the door of the little studio where she worked at her china painting. Barbara was not pleased. Visitors meant dust, and dust meant specks.

It was Mary Eden. Barbara liked Mary. Though one was older than the other, they were both of them Cheltenham girls. That counted. Mary was looking ill.

"I was passing, and felt that f must drop in and see you. Do I disturb you?"

Barbara told her that she did not, and by way of proving the statement, began putting her things away in a cupboard.

"Is it true that Philip Vardon is leaving for Patagonia?" Mary asked suddenly.

Barbara said that it was true. Mary Eden shivered, and drew closer to the fire. There was silence for a few minutes.

"I'm glad he's free from suspicion. But oh, Barby! Barby!" and with that, to her own, and Barbara's, boundless surprise, Mary Eden began to cry. Terribly. Heartbrokenly.

It was over in a moment. But it was not forgotten, and it left its traces on the elder girl's face. These were the kind of tears that relieve.

"Since you've seen so much, I might as well tell you all," Mary said brokenly. "It's Charlie Tangye. He thinks he's going to be arrested—for his wife's murder. Murder!" Mary Eden shivered. "It's no use pretending that things aren't very suspicious. You see, he was in a frightfully tight place financially, it seems, and—well, of course, it was his own money—but he seems to've sent off some hundreds that same evening that she died. I couldn't make out about the money. Apparently Chief Inspector Pointer thinks it was taken before the police got to Riverview, and of course, that looks bad. So do—other things. Some one saw him come out of the house about five." Barbara winced. "He went back for some papers to do with his, and her insurance. Intending to raise money on them. And, of course, that looks terrible. His having kept silence, as well as his having been there, and the reason for his going. It's all terrible. Miss Saunders is standing by him splendidly. I wouldn't have thought she had it in her. But he's desperately afraid that the police intend to arrest him. He thinks Pointer doesn't believe her."

Barbara felt appallingly guilty. Had she bought Vardon's release with the torture of another man? Like Mary Eden, she felt sure of easy-going Mr. Tangye's innocence.

"I don't suppose you can help," Mary went on forlornly, "but if you can think of some trifle?" she spoke wistfully. "I did help to clear Philip, you know, and by something that told frightfully against Mr. Tangye. He says the Superintendent spoke as though I might be called as a witness against him." She bent forward again.

"Barbara, I helped to clear Philip," she repeated, "can't you help to clear Charlie Tangye? You're so quick-witted. Can't you think of anything we can do?"

Barbara had no help to give, and Mary kissed her as she left.

"Forget this scene, Barby," she said, holding her hand. "Forget it entirely. What I've said, and what I haven't said."

Barbara let her go with a remorseful heart. How could she have acted otherwise? Yet what had she done? It was ridiculous to suppose that Tangye was guilty, but if his wife's death was a murder, as the police maintained, then some one had done it. Some one, but surely not, oh surely not...

She broke the cup on which she was working, and merely pushed the bits on one side with her foot, as she sat thinking.

Chief Inspector Pointer had said that the best motive would win. Barbara felt afraid of the detective-officer since that one glimpse of the inner man. But his words carried weight. Could she find another motive than the obvious one of the will, the money. That was what he was trying to do she knew. He had questioned her about Mrs. Tangye's past, but the Ashes had only known the dead woman since her marriage to Branscombe. Barbara had been of no help, nor had Lady Ash, to whom her daughter had written at once, been able to remember anything that would serve.

But she had sent a letter to her husband saying that Barbara ought to go away for a while. Sir Richard agreed most emphatically. Barbara had refused. Now she reconsidered that refusal. There would be no rest for her anywhere till she knew who really had killed Mrs. Tangye. She shivered. Up till now her intervention had only made things worse for everybody in turn. But she must try again and again.

Barbara knew that Mrs. Tangye's early life in her father's parish till she was nineteen had been searched by Scotland Yard without any result, so her grandfather had told her. But what about France? As a true Briton, the girl had a feeling that if anything odd, or out of the way, had happened in Mrs. Tangye's past, it would be abroad. But there was no use in her going to France. Her command of that tricky but charming language was such as a high-school education generally leaves with its pupils. It was all right in England, but seemed all wrong in France. The replies of the natives even to the simplest of statements, failed to restrict themselves to a vocabulary, which surely was voluminous enough, judging by the years that it had taken to acquire.

Barbara reluctantly decided that she was foredoomed to failure, since she must clearly confine herself to her home land. But where to begin? How to begin?

Common sense told her that everything had been already sifted. Yet the Chief Inspector had questioned her as though he were not entirely satisfied. If she had a chance, Barbara decided that it would be found in some unnoticed corner. But how find that corner? She sat cleaning her brushes and thinking. Had she any knowledge, any forgotten, overlaid, scrap of information which would help?

It was when she had given it up as hopeless, and started on her work again, that she remembered some old songs.

When Mr. Branscombe died, now four years ago, Mrs. Branscombe, as she then was, had sent his Broadwood piano to Sir Richard Ash, saying that Cecil Branscombe had wanted his old partner to have it as a souvenir of their friendship. A music bench had accompanied the gift. In it the Ashes had found an armful of old songs. They were still lying somewhere in the attic. Lady Ash had spoken at once of sending them back. But the widow had said, with obvious sincerity, that though she had no idea of their preserice in the bench, she never sang them, and had no use for them.

Barbara seemed to remember an inscription of some sort on one of them.

She disinterred the tattered bundle at home after a considerable hunt. One only was marked, and that with a round rubber stamp, "W. Griffith, Cathedral Road, Newport." It was a little Welsh song, very dog-eared. At one time or other it had been a favourite. It was a man's song. Set for a tenor voice.

Still it suggested to her a possible starting point. Newport itself seemed too commercial to figure on any girl's itinerary, but Caerlean was close by, the home of the Round Table Knights. Close, too, was beautiful Llandaff Cathedral of which her father had often spoke to her. Tintern Abbey was not far off. Raglan Castle was within reach. Yes, to Newport Barbara would go, and since whatever it may be for the man, this world emphatically holds that still less is it good for a girl to be alone, she decided to take her mother's advice in yet another respect, and let Olive come with her. Poor Olive was still badly in need of bracing up.

Dorset Steele was out of town, she was rather glad of that. The critic on the hearth is apt to be avoided in times of doubt.

As to funds, she had just sold a dinner service for eighteen guineas. Eighteen and five are twenty-three. With that in hand, Barbara felt sure that she and Olive could stay a fortnight in some quiet spot.

Not even November can take the beauty out of South Wales. And through that land of dingle and dell, glen and mountain torrent, waterfall and wooded hill, ferny dale, and sweeping uplands runs the Usk; broad and winding. The river, beloved alike by Welshman, and artist, historian, salmon and trout.

The Wye may equal it, but nothing in the wide world can surpass—in its own way—the sweep between two rivers.

Just now the only colours were soft aquamarine and gray, but in its proper season all would be bright with orchards and hop fields, drooping willows and golden wheatfields set among the shimmering green of fragrant meadows belted by hills, and ringed by distant mountains. And all down the valley other little rippling streams branch out, each with its waterfalls, and bending arms of ferns. The Country of Castles, and of Arthur's Knights this. Of tales that circle every hillock and sit on every stone. Wealhas Tales; tales of fairies. Tales of fighting by the score. The very dust is the dust of bards, of sweet singers to the harp.

The Usk runs between curving banks, and broadens here and there into dusky pools with gay, one-storeyed homesteads set at intervals along it; their thatched roofs a joy to the eye.

Pointer thought of the reams of paper covered by rhapsodies about the beauties of other lands, beauties far below those of this little corner of Britain.

The town of Usk is a charming nook in summer, but it looked rather forlorn on a wet November day. Fishermen by trade, or inclination, seemed to be its only male inhabitants.

Pointer went first to the police station. No one of the name of Headly was remembered there. No photograph of the Riverview circle awoke any recollection in Inspector or constable. Remained Father William.

The day was fine, yet not too fine. A perfect angler's day. Pointer followed his Ollie down to the hurrying river, where he speedily put his rod together. It had not been used for over a year now. He tested it, limbering his wrists, and snapping them to get the right flip, the little flip which would send the fly dancing up again when almost on the water, to alight as though by its own volition.

He took out his book of flies. The gillie pointed to one, and mumbled something about its being from Father William, oh, yes.

Pointer knotted on one of the local celebrity's masterpieces and set to work. It was over an hour later when he got his chance. There came a surging plunge, a tug, the line flew screaming off the reel. Pointer was fast in a salmon. Whir-r-r went the line as the fish tore in a mad rush down the stream. Then up he came. A mighty form that rose with a swirl. One of those strange, mysterious creatures who live in an element, a world of their own, where men die, and who die where men live. He shot clear of the water in a great leap. More beautiful than anything that breathes in the open air. Beautiful as a fairy's dream. His whole splendid length one curve of glistening silver with mauve shadows, a twirling, splashing, like a living water-wheel. Almost translucent he looked, showing purple and azure, and green, and always that molten, living silver.

Again and again he leaped, sending the water high into the air. Each time Pointer dropped the tip of his rod, and so saved the cast. This salmon knew the game. There was a last year's spawning ring marked on those bright flanks. He struck a smashing blow with his tail to free himself. Another scream from the reel, and off he flew. Pointer had to race to keep below him as he made down-stream with what seemed the speed of an express train. From slippery rock to mossy stone Pointer jumped, and scrambled.

Then the salmon took a breather. He burrowed, trying to free his lip from the barb. He sulked. He circled heavily round and round this new pool with a vigour that told the rage in his heart.

Again came the flash of silver lightning, swirling, diving, leaping, shaking, in a frantic effort to get free, then came another rush that bent the rod like a bow, that cut a feather of spray as the line ripped through the water.

Skilfully Pointer parried each stroke, his finger on the snapping reel to check the play. At every turn, and tumble, and toss, Pointer's rod held him, played him, wound him in or reeled him out. Then came a rest, Pointer wiped the sweat from his eyes. The fish was not sulking now. The line was too taut for that. Like a cross thoroughbred in a dull stable, he was thinking out some fresh devilment for the next round. It came suddenly. The salmon rose like a whirlwind. The water seemed lifeless compared to the beautiful lights and shadows of him. Living light, and living shadow.

With a break that was like a punch he was off. This time there was even more method. He was trying to catch the gut between two sharp stones. He gave another wonderful exhibition of a silver Catherine's wheel on the churned and broken surface of the water. The very sun came out to watch, and turned him to gold. The rod quivered under the strain. Pointer stood, or ran, or leaped, calm-eyed, watchful, alert, trying to think with the fish below. Then came the last round. Pointer was keeping him in rough water to tire him out. The fish realised this, and came upstream at such a rate that he all but shot past. The rod was bent down, and down, and down still more in a mighty pull. But the strain told on the salmon. Shorter and shorter grew his rushes. Less and less wonderful his leaps and whirls. At last he rose on his side. Spent. Done.

Pointer towed him to the side. The gillie drove the gaff home, and lifted him ashore.

"Well done, sir!" came a voice—not unexpected by Pointer. He had played for it more than for the fish. "A fine, fresh run, twenty-pounder."

Pointer looked at the fish on the bank. The sight was not pretty. Sunken and glassy those bright eyes, open that close-clipped jaw. Gone was the wonderful iridescence of the scales. The wild and savage creature, an Apollo's bow of energy, was straight and still now. He was, to what he had been, as a two-days' cut flower it to its growing sister.

Pointer was no sportsman in the sense of slayer. He had to hunt men. He did so with the certainty that he was doing the best work possible for the world, and even, in reality, for them. But to lift this beautiful thing out of its element, to kill it, gave him no pleasure. He had landed what he was after, however, and that was Father William's attention.

"Twenty pounds, you think? He looked the size of a motor-bus to me awhile back, and pulled like one."

"You've made a wonderful beginning," the man on the bank went on approvingly, "and if that ain't one of my flies—I'm William Morgan, Father William, they call me—why, I'm prepared to eat it."

Pointer assured him that there was no necessity for such an extreme measure. He added that he would not dream of beginning his first fishing in Wales with any other cast. Father William, plump as a ball of butter, smiled, well-pleased.

"It was a fine fight. Newcomer to these waters, you say, sir? But done a good bit of salmon fishing, I can see." Pointer mentioned his name, only his name.

"A woman taught me to cast my first fly. Came from near here, I believe."

"Came from around here? What name, might I ask, sir! I know all the rods O Gaergybi i Gaerdydd, as we say. These years and old years back. Sixty years back."

"She was a Miss Headly when I knew her. I believe she married afterwards. I don't know what the name of her husband was."

"Miss Headly? Not a name I've ever heard. No." Father William shook his head.

"But she used to buy her flies off you, when she could afford it. Big, tall, handsome woman. Carried herself well. Used to fish hereabouts fifteen years ago, or a little less. Left-handed."

"Left-handed! Oh, you mean, Mrs. Hart! Only left-handed person I've ever known. She was a wonder, she was. And tall, and handsome, as you say. Dark, too. Dark as one of us. Yes, Mrs. Hart is who you mean, sir."

"Very likely. I knew her before her marriage. Does she still live here?"

"Drowned, sir. Drowned with her husband off Newport. Caught in a tempest. Boat upset. Neither of them ever heard of again. Silent sort of lady, but her rod could talk. Being left-handed was no bar to her. Let me see, she must have been drowned going for ten years ago. Or more still. More like thirteen it would be. Yes, the years go past like the water in the river, and mean no more. They always were, they always are. Well, I've had plenty for my share. Seems one of the few things you can have your fill of, without doing other people out of their share. Years, I mean. Yes." And Father William led his companion to the Angler's Rest, for the day was over. Here the fish was weighed, and the tale of his killing told to the little knot of the fraternity sitting around the fire, their clothes steaming like the mist in the valley when the sun shines, their long glasses steaming too.

It was a wonderful old kitchen. Six feet up, around this mighty hearth with its ingle-nook seats, and well away from the blazing logs, ran a large brass half-hoop on which a red curtain hung. The curtain in many divisions was only pulled shut when all the "club" had assembled. Then it was not only pulled close, but tucked under the cushioned seats of the semi-circle of chairs, shutting out all the world except fishermen and their tales.

Father William was the presiding chairman. From him a little pathway led by the side of the billowing curtain to the rest of the tiled kitchen. Through this passage came the maid with the drinks. Toddy, as brewed by Father William, was the usual call, and Pointer echoed it. Talk became general. Pointer was accepted.

He let the flood of misses, and catches, and weights and measures flow on for an hour by the great clock above his head. Then he introduced the object of his presence. Some solicitors in town wanted to trace Miss Headly, he said. Question of a bit of money left her on her sister's death.

"As I was coming here for some fishing, I said I would ask around. Miss Headly of hereabouts taught me to fish years ago, before she married. This is a portrait of her sister. Is this at all like the lady you call Mrs. Hart? The two sisters as girls were said to resemble each other closely."

Only two men besides Father William had known Mrs. Hart. They all three thought that the portrait of Mrs. Tangye—taken only a few months ago—might well have passed as a picture of Mrs. Hart, supposing that poor woman to have lived on.

"She was a younger woman then, you see," one of the men said handing back the portrait, "twenty, and a bit. No more. Too young to've come to such an end. But it's the young ones as are the rash ones."

None of the three had known her intimately.

"Mrs. Hart was a hard woman," one of them said.

"Hardly treated, I thought," another corrected; "her husband drank, I heard. She had to sell her catches to keep her body and soul together."

"What was her husband?" Pointer asked.

"Used to swank about an estate of his, but after he was drowned, it came out that he was a little peddling grocer's manager down in Newport."

Pointer could collect no facts from the talk. Even the tragedy was but a vague memory. The broken boat had been found one morning after a sudden storm, on Peterstone Flats, just outside Newport, at the mouth of the Usk.

No trace of either body had ever been found, but the tide, and the rocks, and the storm would account for that.

Pointer let the talk swing round to fishing again. He did not want to arouse curiosity. He had better means of learning the truth now than from idle gossip.

He sent off a telegram to the Yard to look up the marriage records of all H's with even greater care than had been done. Then Pointer caught the train into noisy Newport.

Chief Inspector Pointer's Cases - 12 Golden Age Murder Mysteries

Подняться наверх