Читать книгу The Tall House Mystery (Musaicum Murder Mysteries) - Dorothy Fielding - Страница 5

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ALFREDA LONGSTAFF was not happy, and did not look it. But there were possibilities in her pale, dark face. She looked the kind to break records, had she the chance, behind a wheel, or in a 'plane. If so, Fate had not given her much of a hand to play, so far. Alfreda was the only child of the rector of Bispham, and was expected to keep house for her father and mother. She rebelled, naturally, but as no money was forthcoming for any training that would enable her to earn her own living, she had rebelled in vain—though by no means in silence, or in secret. But this last spring she had hoped for a release. Chance had brought down to Bispham a young man whose good looks attracted her immensely. She thought that he cared, too...he had come to the rectory in the first place because he heard that the rector played a good game of chess—as he did—but after that Alfreda had flattered herself that Lawrence Gilmour came because of her. He was the only marriageable man of good position and of her own age who had come into her life so far. Alfreda went all out for his capture. He liked games—well, she had a one figure handicap and a magnificent service, and gradually the links and the lawn tennis courts seemed to oust the chess board. She had shown her hand quite openly, sure of her prize. But he had gone away with only the usual civil partings. Flowers and a box of chocolates had come—once. That was over a month ago—a month of the village's open and concealed amusement or pity.

She was thinking of Gilmour today, when the secretary of the golf club asked her to play a round with a London man whose partner had failed to turn up, as had Alfreda's. Men met on the links meant little, she had found, and this one wore a wedding ring. He had a clever face, she thought, and decided, with one of her inward sighs, that he had not lived all his life in Bispham, or he would never look like that. The rector's wife had just been rebuking her daughter that morning because the sugar basins had not been properly filled. Alfreda was expected to see to this. What a life, or rather what a death! thought Alfreda.

She never played better, and Warner, the man from town, was two down at the ninth hole.

"You ought to give me a stroke a hole," he said with a smile, "but then, I'm—"

"Oh, don't say you're feeling ill!" she interrupted almost fiercely.

"Feeling ill?" he repeated wonderingly.

"Whenever I beat a man, he's 'got a touch of liver,'" came the retort, "or he's 'coming down with the 'flu.' Or he's 'most fearfully knocked with the heat,', or his 'wrist is wonky,' or 'one of his knees is giving him trouble again.' It's the aim of my life to live long enough to beat a really well man."

Warner burst out laughing. "So a grouch against the world was steeling those wrists," he said placatingly. "Let's have a rest and a talk. You've got me sunk already." He held out his cigarette case.

"But haven't you come down for a game?" She hesitated, taking one.

He shook his head. "For quiet."

"Good Heavens!" She sat so as to face him, her lip curling. "Fancy coming for quiet! Fancy wanting the stuff! Well, you've chosen the right tomb."

"So that's the trouble," he murmured in a kindly tone, "ah, yes, you're straining at your bonds. We all do—did. I'm not sure—-"

"Don't tell me that you aren't sure we're not happier when toddling round in pinafores, or lisping our prayers at mother's knee than when sitting on the Woolsack, or hobbling into the House of Lords," she interrupted again, even more hotly than before.

Warner eyed her. He felt a bit sorry for mother. This young lady looked as though she might have an awful temper. There was frustration in her face—and bitterness. She was quite handsome in a hard, clear-cut way. He was not attracted to her. But she had arresting eyes.

"I'm on a newspaper," he said simply, "and naturally the idea of quiet appeals."

"On a newspaper!" She drew a long breath, and almost choked herself with her cigarette. "Heavenly job!"

"Hardly." His eyes twinkled. "Interesting, if you like. But hardly heavenly."

"What are you? An editor?" She regarded him with envy.

He nodded. "Something of that sort." He was a newspaper proprietor.

"How does one get newspaper work?" she asked breathlessly.

"By writing clever articles," he said vaguely. Suddenly he saw an abyss opening at his feet. "That is to say—for real genius, that's the way," he corrected hastily.

"Oh, genius!" she said heavily. "But—had you genius?" She spoke with an air of sincerity that took the rudeness out of the question.

His shake of the head answered.

"I suppose you had a tremendous lot of determination," she went on, looking thoughtfully at his shovel of a chin. "There's nothing like a will of one's own for getting on, they say."

In Warner's case it had been a will of his uncle's that had deposited him in one of the high places of the newspaper in question. But he nodded. She, too, had a forceful jaw, he thought.

"Tenacity of purpose is necessary, yes," he agreed. Then he changed the subject of his own arrival on the mountain top by saying, "But, besides genius, you know, the thing to do is to be on the look-out for a scoop. By that—" Her ironic gaze told him that even in Bispham that word was familiar.

"I'm afraid there's not much chance of a scoop down here," she said. "My father's sermons, and my mother's chats at meetings, hardly lend themselves to that sort of thing. As for crimes—well, it's true a policeman got drunk once, and we still shudder at the tale, but that was years ago, when my father was a boy. The only dramatic happening I remember was when a woman lost her purse on the station platform, and I lent her half a crown—all my worldly possessions. As it was in this part of the world, she returned the money next day."

He laughed too. Then he tilted his cap further over his eyes and said meditatively, "And yet, that's what first gave me my taste for newspaper work, and set me on my feet—a scoop. A body was found floating in the river. Well, it might have been suicide. I worked it up into a three weeks front page thriller." He spoke with pride.

"Was it suicide?" she asked.

"I believe it was." His tone implied that what it really was did not figure in the balance sheet, except as enhancing the credit of the decorations, "but it isn't the facts. It's the way they're handled—treated."

"I see." She sat silent a moment. "But if nothing happens, what does one do to get out of the rut? I should love newspaper work," she finished, in a tone of fervor that was positively alarming—to an editor.

Warner decided to go all out on the scoop theory of advancement. He did not want a young female besieging him with postal packets of manuscript which would probably have no return stamps. He decided to be more wary.

"A scoop is really the only way," he repeated dogmatically. "Something mysterious happens, or something that can be made to look so."

"Here in Bispham?" Her tone was raillery itself, but she waved to him to proceed.

"If you're the first in the field you can offer your stuff to almost any newspaper and, later, you can possibly work into a post on it. Now what about finishing the round?"

She played so badly that he knew her mind was wandering. It is a curious fact, he reflected, that your mind may be on something else, and you can do your work quite decently, but let your mind wander ever so slightly at a game, and the game is ruined. Which looks as if games were harder than work...a little third article might be made out of the idea, treated humorously...

He thanked her when they were back at the clubhouse again, and suggested cocktails. She declined. Her father expected her to be home to pour out tea, but she spoke as though half dreaming. He watched her long stride making for the gate with some misgiving.

"I hope she won't murder the verger so as to qualify for a post with me," he thought. "She looks capable-of a good deal."

At the rectory, Alfreda came to a sudden halt in the shabby old hall. Surely she knew that hat, that voice, and stepping through on to the veranda there rose up before her the man whom she had never expected to see again—Lawrence Gilmour. The sun glinted on his brown hair and seemed to shine in his brown eyes. Suddenly a wave of hatred passed over Alfreda such as she had never dreamed that she could feel. He to stand there smiling, after leaving her to the tender mercies of the village gossips! For the first time she dared to realize how much she had suffered. In pride, in dismay, in hopes lost, in the pity and the scarcely veiled amusement of the countryside, and which of those two last had been the harder to bear she could not tell. It all welled up inside her now. Usually pale, there was a flush like a soft rose in her thin cheeks, her lips were a vivid bow of color unhelped by any cosmetics. Alfreda did not use cosmetics. They were expensive, and what was the use—at Bispham? Her eyes were sparkling as she looked into his.

"Alfreda!" he said, coming forward and taking her hand. "I find that I can't get on without you. Have you missed me, too?"

She could not speak. She dared not. Words were thronging behind her clenched teeth which it would have been madness to utter. She seemed to be standing outside herself, and she was amazed at what she was watching. A shiver passed over her. Alfreda closed her eyes, and as he put his arms about her, felt as though she could have struck the face bending down to kiss her, and struck it again and again. Hard.

"Why did you leave me?" she asked in a low whisper. "Because I wanted to be sure. And to give you time to be sure too," he replied gravely. "I am sure now. Will you marry me, darling?"

"No!" she said with a sort of shout, and then saw her mother come into the room. Mrs. Longstaff jumped. "Alfreda! Mr. Gilmour!"

"Mrs. Longstaff, I've come back to marry the dearest girl in the world."

Mrs. Longstaff could not conceive of Alfreda in quite that light.

"Indeed?" was all she could say for the moment, then came the knowledge of all that this would mean. Only last week the charwoman had ventured to speak pityingly of "Miss Freda" for being so lonely. Her daughter well married...Gilmour was in the Civil Service, and had ample pay...there would be no pension for his wife, but he would, of course, carry a handsome life insurance...

"My dear children," said Mrs. Longstaff and gave a hand to each. Alfreda took it, and committed herself. After all, anything was better than the life she had been leading—the life with no outlook. Yet she felt for Gilmour only burning resentment. He could have spared her all this, these wounds to her pride, and yet he had not. She would never forgive him. But she would use him. He should be her stepping-stone to something different—larger. She told herself that she did not even believe in his supposed affection for her. It had suited him to play with her and leave her. It now suited him to come back to her...what was he saying? He wanted her to come and spend a fortnight in town at a big house in Chelsea which he and some friends had taken furnished for a few weeks. There was a lady staying there, a Mrs. Pratt, who would chaperone her. Perhaps Mrs. Longstaff would ring her up on the 'phone, the number was Flaxman 0000, and perhaps Alfreda would come back with him now, his car could wait. He had really gone into the friendly syndicate because he thought how heavenly it would be to have Alfreda up in town, staying in what would be, for a week, his house. He explained the idea to the two women, and Mrs. Longstaff went to the telephone and was soon in talk with Mrs. Pratt.

Mrs. Pratt was charming. She had taken such a liking to young Lawrence Gilmour, "a really delightful young man," and would be very pleased to chaperone Miss Longstaff during her stay at The Tall House. She hoped she could come soon. Her own daughter was there too. In fact, another engagement was expected...the two women chatted most pleasantly.

In the veranda Gilmour pleaded his cause.

"I thought, I hoped, I believed you felt as I did," he stammered.

"And you shall suffer as I did!" was her unspoken addition. Aloud she said, "I'll come to The Tall House for a fortnight since you ask me, but I don't promise to marry you, you know. At the end of the time I'll give you my answer."

"Oh, no, no!" he begged. "Surely I've left you time enough to know your own heart. Why, I brought you down this!" He opened a small case and something inside it flashed. Alfreda, for the first time, felt one of the bands of ice around her heart break with a little splintering sound, like the girl in the fairy tale...he must really love her to have bought her this...it was a charming half-hoop of diamonds. For a second she wavered. A month ago how she would have rejoiced. But four weeks of suffering leave a scar...she closed the case with a snap, and returned it to him.

"I'll give you my answer at the end of the fortnight," she said quietly, "and meanwhile I'm to be quite free. I promise nothing, except to come to town." Let him, too, feel the pleasure of uncertainty. "Is that agreed?"

It was not in the least what he hoped and wanted. But something in her tone warned him not to press her, unless he wanted to lose her. As for Alfreda, suddenly she knew what she wanted. She would go to town for the two weeks, and by hook or by crook at the end of them land a job on a newspaper. As for marriage—she had only wanted it as a key to open the world outside Bispham. Perhaps she could open it for herself by herself.

She refused to go back in his car with Gilmour, and her mother upheld her in this. After all, tomorrow would do quite nicely and one evening would give the two women and a seamstress time enough to alter that frightful evening frock that Alfreda had ordered from the sales because it was so cheap...So Gilmour went off alone, but with the promise that Alfreda would come to town on the following day in time for lunch. He had no doubt as to her ultimate answer, and decided that it was only her girlish way of paying him out for his delay in proposing, little dreaming how exactly he had hit the nail on the head, and yet how he had given it a slant quite off the true. He wanted to tell all the house-party about her, and burst out with the news to Moy that evening after dinner. They were playing billiards together.

"I can't keep it to myself!" Gilmour was playing wildly. "I've as good as got engaged to the dearest girl in the world, and she's coming here on a fortnight's visit. It's still Haliburton's week, but he's an awfully understanding chap...I'm not worthy to tie Alfreda's shoe-strings, but—well"—he gave a choked little laugh, "she'll be here in time for lunch tomorrow."

Moy was intensely interested. How would this Alfreda and the lovely Winnie get on together? He hoped there would be no unpleasantness. So far, things had been such a success. Even Frederick Ingram's presence now and then had done no harm. He was dropping in more frequently with papers for Charles, and would sometimes stay and have a chat or even a bite with the house-party... yes, he repeated to himself, everything was going on splendidly. As for Haliburton's kindness in letting Gilmour ask this girl up, Moy liked Haliburton, but in this instance he saw no reason to fall over backwards because of his altruism. Ingram too must be charmed with the notion, he thought. Just then the door opened, and Ingram, looking anything but charmed, stepped in.

"I heard voices, and thought my brother-in-law was here," he explained. "Why do one's relations always want to see one?" he asked in what might be assumed discomfort as he closed the door on himself.

"I'm afraid, if rumor is correct in the case of this particular brother-in-law, it's because he hopes to touch Ingram for a fiver," Gilmour suggested with a grin. Moy nodded agreement. "What between Frederick and his brother-in-law Edward Appleton, Ingram must have plenty of use for his spare cash."

"Yet he was once a first-class actor, I've been told," he said.

"He's a first-class gambler now." Gilmour bent over the table again. "The two don't see much of each other. I don't think Appleton has been to the flat more than twice this year. Now, as to Frederick, he'd live on Ingram's doorstep if he could. After all, poor Appleton's no one's enemy but his own. Whereas Frederick is a regular out-and-out wrong un."

"It was you who stopped Ingram from putting his money into that silver-fox ranch, wasn't it?" Moy asked. "Ingram consulted us, and, of course, we advised against it. But I rather thought he would do it, until he mentioned next time that you'd shown him regular proofs that it was all a clever swindle."

Gilmour's teeth flashed out of his tanned face for a second. "I showed Frederick up proper, as the Tommies say, and enjoyed it. Mind you, on paper the scheme was beautifully worked out..."

"It was." Moy remembered it. "We only advised caution on principle and Ingram refused to hear a word against it at first. Frederick had pleaded with him for a chance to earn an honest living, and Ingram thought if he could settle him in the wilds of Scotland it would be cheap at any price."

"I hated to destroy his dreams of a future home without any Frederick around the corner," Gilmour said sadly, "but I had to do it."

"Did Frederick thank you for it?" Moy asked, grinning in his turn.

"At any rate, he's not the kind to bear malice," Gilmour said easily.

Moy raised his eyebrows. "Think so? For a couple of years, I wouldn't go strolling along the edge of a volcano with him if I were you. Nor play at who can stay down longest under water." But he too was only chaffing and after a few more words about Miss Longstaff, Gilmour went in search of Mrs. Pratt.

Meanwhile Ingram had found his brother-in-law. He shook hands, with the look of a man steeling himself against something—himself, or his visitor.

Appleton looked at him very sharply as their fingers touched. Appleton had been a handsome man once, in a rather flamboyant way, and he still carried himself well. But everything about him twitched these days. His face was never still, and when for a moment his features seemed to rest, he would fall to pinching his ear or rubbing his nose with his thin, curved fingers. The hands were those of a fever patient, one would say, so hollow were the backs, so ridged and dry the nails.

He stood looking at the other, as though longing to plunge into some all-absorbing subject of his own, and yet not quite daring to do so. Ingram caught the glance and shook his head with an almost apologetic smile.

"Don't let's talk of it, Edward, there's a good fellow. It's far too dangerous a gift. My sister would never forgive me for one thing. And now, what about cocktails? Will you have them in here or in the garden?"

Appleton did not speak for a moment; he was standing with his face turned to the fireplace, his back to Ingram. After a short pause he said that he would rather stay where they were and, so saying, he began to examine some of the prints on the walls. From them he passed to the furniture. He seemed so appreciative of both that Ingram, apparently anxious to make up for his very definite refusal of something much wanted by the other, took him upstairs, and showed him the floor on which his own bedroom was.

Appleton seemed greatly interested. "I wonder if the chap who owns these would be willing to sell anything," he murmured. Ingram knew that Appleton often acted as intermediary in such transactions. The one-time actor had long ago run through the fortune left him and, except for his wife's steady income, his household would have been in straights long ago. Ingram had helped Appleton many a time, and would do so many a time more, but not to any large amount. He had learned that that was folly.

He did not feel at liberty to show him the inside of any of the rooms except his own and Gilmour's, who, he knew, would not mind all the world tramping through his quarters. As it was, the two rooms and the corridor kept them quite a while, for Appleton seemed to have a passion for trying to date furniture. He suggested once or twice that his brother-in-law should leave him, but Ingram assured him that at the moment he had the time to spare. But at last he grew restive and frankly glanced at the clock on the landing below them. Appleton caught the glance. Ingram apologized. "I had no idea the time had flown so," he said then. "As a matter of fact I am rather rushing some work to its end—and to the printers. So if you really won't stop and have a drink?..."

Appleton said that he too was rather in a hurry, and took himself off, after insisting that Ingram should not come down with him.

Moy happened to be coming down the stairs as Appleton was shown out. In the shadowy recess of the landing sat Tark, his head bent over his note-book. He seemed to have as much love for figures as had Ingram. Whenever Moy ran across him, if he was by himself, Tark would be writing in his rather large note-book what looked like sets of figures. He would do this in the oddest places, perched on the side of a tub, squatting on the stairs or astride the window ledge. Wherever an idea struck him, if idea it was, Tark would bring out his note-book and well-sharpened pencil, and seem to lose the world for some few minutes. He never appeared to be afraid of being overlooked, though, as far as Moy knew, he never talked of what he was entering with such care.

As Appleton took his hat from the butler he turned and faced the landing. At the same second Tark looked down to the front door. The two men looked at one another. It was an odd look, Moy thought, to pass between a couple of strangers, or mere acquaintances. It was so straight and so long and so utterly blank. Then the door closed behind Appleton and Tark, putting his note-book away, ran lightly down the stairs into a little room on the left of the front door. As it happened, Moy was on his way to the room on the right, and there, thinking of Appleton and Tark and that silent look, he glanced through the window netting. Appleton was lighting a cigarette on the pavement. He was just outside the window of the room where Tark was and, as he threw away the match, he looked at it and shook his head with a quick but decided shake, then he walked on. Moy told himself that writing plays, or trying to write them, was bad for one's brain. Appleton was always shaking his head or twitching his forehead or whisking something invisible off his cheek. And as for Tark, his indifference towards his fellow-men was quite real, Moy felt certain, and went to the bone. It was no acquired armor. True, he had seemed at first desirous of talking to Ingram, but that desire was so patently not shared by the mathematician that Tark seemed to have quite given up all attempts to have a word alone with him, and now to include Ingram in his cold lack of interest.