Читать книгу Scarecrow (Musaicum Murder Mysteries) - Dorothy Fielding - Страница 5

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BY the end of the month Inskipp was corresponding with the beauty of the photograph. It came about through Florence having come down one morning with her hand and arm in a sling. A bad attack of neuritis, she called it. She sought him out later in his room, and explained that she was sending some flowers to her friend Mireille de Pra, and now could not write the letter for her birthday that should go with them. She did not care to ask her mother to do it for her, for, as Inskipp knew, she did not want Harry to get to know Mireille, and she could not ask her mother to keep the letter a secret.

"He would fall in love with her. She would loathe him. And our friendship would never be the same again," she said for the second time. "Would you write a letter to my dictation?" she asked, and Inskipp, trying not to flush with pleasure, said he would be happy to do so.

"It must go by the afternoon's post," she told him, and suggested three o'clock for the work, but at two she looked in to his room to say that she had a raging toothache, and was going to drive down to Menton to have the tooth out. Would he write instead, and explain that she—Florence—had a bad attack of neuritis Mireille knew that she was subject to them.

Inskipp had spent a whole afternoon over the letter until it was a monument of the stilted and the stiff.

He received a charming reply, but all too short.

As a reply to this reply, Inskipp ventured to send a basket of mimosa, accompanied by a little very carefully written note entirely about Florence and the farm.

He received another charming letter, and a very delightful correspondence started, though on Madame de Pra's part the letters were all too brief, and not very frequent. Yet, even so, they brought an unaccustomed look of happiness to Inskipp's face.

In the first ones, Madame de Pra had written as to an elderly man—an invalid—and Inskipp had hardly dared speak of his real age, but he had done so. The interval that followed this had been longer than the first one, and the next letter from Mrs. de Pra was very short and stiff, but that coolness was now wearing off, and when they met it would be without awkward explanations. As to when that meeting would be, Mireille said that when she had finally obtained her divorce she wanted a long change up on the hills that she knew so well. Florence had told Inskipp that Mireille was born in the Esterels, the daughter of a small proprietor named Briancard, a scholarly man, who had paid too much attention to his books and too little to his land. His wife, an Englishwoman, had died a year after the marriage of Mireille, their only child, and Madame de Pra was now an orphan.

Florence made no secret of her hope that Mireille could eventually come to the farm, and Inskipp made no secret of his sharing that hope. He wondered how he could ever have disliked Florence as he had just before his break with her. Evidently he had taken her far too seriously. Evidently it had just been a whim of hers—passing—quickly forgotten—to try to make a fool of him.

Even at the time of his break with her he had thought that it was love of domination rather than affection. He was sure of it now. Yet there was another side to Florence, and this morning it was very charmingly in evidence. She had used some phrase that had startled him, for it was word for word what Mireille had written him in his last letter. Seeing his start, Florence had at once explained that she had heard the sentence from Mireille herself apropos of the bond between a writer and his pen. Arid from that she had gone on to talk of Mireille in a way that enchanted him. He diffidently told her what her friend's letters meant to him, what character, what heart they revealed. Florence listened with a very soft loop on her face—a look that touched him.

"I believe you would have fallen in love with her from her letters, even if you had never seen her picture," she said finally, turning away to choose her gloves.

"No," Inskipp said honestly, for the vision of that lovely face was ever with him. And on that he now ventured to ask her if he might have one of the photographs of Madame de Pra which she had. Florence refused absolutely and curtly. Inskipp told himself that he had roused her jealousy as a friend. But Florence explained that she would feel it to be treachery to Mireille to hand on her picture to any one else. "But if you ask her, she might send you one. Perhaps a later one still," Florence said, turning at the door. And Inskipp realised afresh how ugly she was.

He thought of what Elsie had said. Theoretically he, too, held that faces are records of thoughts and emotions, but poor Florence's face was surely just a freak of nature.

"Upon my word, Inskipp," said Laroche, as he and Rackstraw came on him a moment later. "I think you have had a glimpse of golden hoofs and horns, eh? You look as though you had. If so, beware!"

Inskipp flushed.

"I think he has seen Mireille," suggested Rackstraw with a grin. "I don't mean the film of that name I meant the damsel herself."

"Then you have met her." Inskipp said instantly.

The two men roared their amusement in great peals. As for Elsie, she had gone on into the house.

"Touché!" Laroche ejaculated, laughing afresh. "Ah, Miréio! If a lady is the reason, then indeed—!" And he threw up his hands.

"What are you two talking about?" Inskipp was vexed. "You mention a lady's name whom I don't think you know." He looked at Rackstraw questioningly. "And you and Laroche seem to think I've made a special-sized joke."

Rackstraw hastened to apologise. "Sorry, my dear chap, sorry! I don't know the lady. I merely mentioned the name of Mistral's famous heroine as a chance explanation for your look of general content these days. I've evidently hit some mark."

"Mistral? That's the damned wind that gives every one the pip, surely?"

"It's also the name of the great Provençal poet—Frédéric Mistral. Or was," Laroche explained. "His Miréio is a Provençal epic. Though personally I prefer Calandau. But Miréio is Provençal for Mireille, the name of his heroine, a name used long before his day for any pretty girl."

"I only meant that you must have met some village charmer—no offence, Inskipp." Rackstraw was feeling very amiable this morning.

Inskipp was already appeased. He Was glad to be assured that Harry Rackstraw had never met his sister's lovely friend, and he hummed to himself as he too went indoors.

These were the days of the grape harvest. The weather was ideal. The sunshine poured down on the vineyards, the countryside rang with the singing and laughing of the grape gatherers; yet Norbury looked very glum, and said openly that but for his guests he would not have been able to carry on. Only Mrs. Norbury, apparently unruffled as ever, cheery as ever, saw to the housekeeping with undiminished efficiency.

"If Mrs. Norbury feels so cheerful, I needn't be in a hurry to pay last month's accounts," Rackstraw said to his sister.

"Mother left you the money to settle for her," said Florence with a sudden frown. "Where's the receipt? I'm writing to her. I'll enclose it."

Mrs. Rackstraw had decided to go to a married daughter in Rhodesia who had had a bad accident and was stranded with no one but a couple of children to help her. It was not money but physical help that was needed. The mother had left over a week ago. Florence had refused to accompany her. She had a tiny income of her own, and the expenses here at the farm were low enough to let her live on it without working. She was by profession a librarian, and had worked as such in South Africa, where she was born.

"I'm writing to her, too. I'll send it." Her brother spoke shortly.

"I don't believe you've paid up yet Mother ought to have given the money to me," Florence said in her most superior tone.

"You'd have forgotten to settle, in your new campaign against Inskipp," he retorted.

"My new campaign?" she asked loftily, arranging her hair.

"My dear girl, I've known you for over thirty years, remember! Those letters to that old witch in Rennes, Mademoiselle—what was her name—the housekeeper who used to be at that awful boardinghouse in Paris when we were there. Don't you suppose I know you're up to something? And something which will pay Inskipp out?"

There was a short silence, while Florence chose a walking stick. She was off for a long scramble.

"Whatever you're at, has slowed up his output," Rackstraw said, lighting a cigarette.

She smiled a slow, very unpleasant smile. By Jove, Flo was plain, Rackstraw thought as he caught it. How on earth she ever expected to marry—

"He'll be writing better than ever soon," she promised in a curiously amused voice.

"I didn't say anything about its quality—quantity, too, counts. As a matter of fact, in the last scene of his he got the love-talk far better than in his opening one."

"Well, there you are!" said Florence, laughing a little under her breath.

"What can you have done that makes him look as though he had been left a million?" persisted her brother. "And who is this friend of his called Mireille?"

"How should I know? Mireille? Sounds a fancy name," she said innocently.

He gave her a suspicious look, but she began to sing in her hard, nasal voice, and led the way through the garden. She and Blythe were walking over to Castillon. Rackstraw was off for Menton, there to be rowed out to the Baoussé Roussé, the famous Red Cliffs just over the Italian border where fifty thousand years ago paleolithic man lived—in bodily shape very much like his descendants, where the women wore shell bracelet jewellery very much such as can be bought at the local fairs.

The other two might join him later on, and all three come home together, or they might not get so far. Rackstraw never waited for any one.

Since Inskipp's resolute withdrawal, Florence had turned her attention to Blythe, with what success it was hard to say. Certainly Edna Blythe seemed pleased. Edna was an indolent person who spent long hours extended in a deck chair in the garden.

Whenever visitors came in for a drink, and they were fairly frequent these fine days, and she was out in the garden, she would envelope herself in a Times until the visitors had been shown to their rooms. Once, Inskipp happened to pick up her paper after it had been serving her for some time as a screen, and was amused to find its centre neatly pierced by a large pinhole. So that wrapped-up aspect concealed quite a good observation hole; but he dropped the paper again without giving the matter a second thought.

Blythe could be heard now calling. "Miss Rackstraw! Miss Rackstraw!"

His sister looked up and chaffed them as they set out, lunch in their shoulder-bags, stout sticks in their hands. Florence laughed back at her, and waved her hand to Inskipp up in his window.

He promptly sat down and started a letter to Madame de Pra far away in Rennes. A very humble letter, asking her if she could let him have a photograph of herself. He did not say that he had seen those in Florence's possession, but he did say how much he would like to have a picture of the writer of the enchanting notes which were his greatest joy in life. It took him quite half an hour to write, and he posted it in the nearest letter-box to the farm.

It was while walking back that he caught sight of some one—a man—waving and shouting and running. Inskipp waited. A minute later he saw that the man was Blythe. He hurried to meet him.

"It's Miss Rackstraw!" called Blythe, as soon as he got within talking range. "We must get something to carry her on—"

"What's happened?"

Then as Blythe, who looked very pale, did not reply, Inskipp went on: "Has she hurt herself?"

"She's dead." Blythe spoke in a tone as though overwhelmed by the calamity. He looked ghastly. "I'll tell you all about it in a moment...As soon as I've seen Edna...When I get my breath...Back at the farm..." He seemed uncertain where to tell it.

The two, without another word, hurried to the house. There they met Norbury mending the front gate. Blythe grasped his arm.

"Get a stretcher of some sort. Miss Rackstraw slipped off a rock, and is lying dead in a valley near here. Where's Edna?"

"Hold on a moment," said Norbury. "One at a time. Miss Rackstraw slipped? Where? How? But you need a whisky and soda."

Blythe did. Drinking it, he pulled himself together. They were walking in single file, he said, Miss Rackstraw leading, along a narrow ledge of rock, when suddenly a huge roar sounded behind them—a roar like nothing on earth, said Blythe.

Startled, Miss Rackstraw missed her footing. She plunged over the ledge before Blythe or the man who was leading a baboon by a strap, and who had sat down to rest by the roadside, could put a hand out to grasp her. Blythe had clambered down after her and found her quite dead with a broken neck, as well as broken back.

"Good God!" muttered Norbury. "What a shocking accident. What became of the man and the beast?"

"I told him to wait by the body. The baboon was on its way to the Château Grimaldi, of course."

"I suppose you stopped at the Commissariat de Police to tell them about it? It was on your way here," Norbury said, hurrying back with them to the outbuildings.

Blythe had not. He seemed to have no idea where the Castellar police station was.

Norbury shook his head again, and said that they must go there at once. The police would attend to bringing up the body and getting into touch with the man who had the ape. "I suppose you can describe him?"

Blythe said that he was afraid not, beyond that he was middle aged, very dirty, dressed in innumerable garments all more or less ragged, and that the baboon was a big one.

Norbury pursed his lips over this, and again said that the only thing to do was to start at once for the police.

"I want a word with my sister first." Blythe made for the stairs.

"My dear fellow," said Norbury in his most peremptory manner, "you mustn't wait a moment! You must let the police know at once!"

"I must tell Edna!" said Blythe in a dogged tone. "She was a great friend of Miss Rackstraw. I want her to be prepared. The shock, you know—"

But Miss Blythe was not at the farm, and Norbury peremptorily refused to let Blythe try to find her outside. He dragged him almost by force to his car.

Inskipp was genuinely shocked at the news, but then came the thought that now the' two photographs of Mireille were ownerless. He knew the drawer where Florence kept them. As soon as Norbury and Blythe were off he would take them out into his own keeping.

But how dilatory Blythe was! When he finally got into the car he still looked strangely disturbed, Inskipp thought.

"Got your passport?" asked Norbury.

Blythe shook his head. "I haven't the faintest idea where it is. Besides, it's Miss Rackstraw, not me, who's been killed."

Norbury said no more; he drove away quickly. Inskipp slipped up to Florence's room and opened a certain drawer—it had no lock on it; nothing at the farm had a lock on it—and found the precious pictures. Slipping them into his pocket, he went on to his own room and put them safely away.