Читать книгу Dimple Hill - Dorothy M. Richardson - Страница 5
CHAPTER III
ОглавлениеThe worlds from which one after another she had retreated, gathered round her redeemed from bondage to time and place, each, now, offering a brimming cup her unsteady hands had been unable to hold, each showing as a most desirable dwelling-place. And this desirability was not quite what Lucie Duclaux had meant when she had said, sitting in her lean grey cloak, with her narrow feet on the kettle and her lace-trimmed toque aslant above her rational eyes, that she could now live anywhere and with anybody; meaning she believed herself to have mastered the art of managing people and steering clear of open collisions. The desire to commit oneself came from the sense of having, at last, an available identity.
And even now, though she could imagine herself built into Fräulein Pfaff’s school, tolerantly collaborating with her in handling successive drafts of girls from prosperous English families and, in the end, taking over the school herself; or staying deedily on with the Pernes and becoming, at last, approximately, a modern Perne; or even staying with the Corries until she had learned their world and become a flexible part of it; and finding, in any one of these careers, each moment full to the brim; and though yesterday she had been able wistfully to imagine herself, at fifty, a serene, stout Mrs Michael with grown children and a husband equally stout and serene, it was an immense relief to watch Michael move away at last beyond recall.
This first batch of letters must have lain for days in those lodgings before going on to Banbury Park to be forwarded together with the rest. Sorting them according to their dates, she read them once more and saw, hovering in the background of the scenes they evoked, the figure of Amabel’s elder brother, the immediate progenitor of the little drama, unconscious both of his handiwork and of his symbolic significance. There he stood, far away in the unimaginable distances of India, tall and handsome, wealthy and secure, watching the London life of the babe who had toddled at his side in a sun-bonnet during the last of his Oxford vacs; amiably tolerating her foolishness in taking up with ‘the shrieking sisterhood,’ regarding it as the sowing of a harmless oat whose growth would be cut off for good and all when, at the end of his next leave, he carried the adored small girl, now his proudest and most cherished possession, back with him to Simla. Taking her part meanwhile. Coming to the rescue when the rest of the family, going up in flames with one accord, made her penniless and ordered her home, with the modest allowance that had made possible her full, rich life at Tansley Street. Until he heard she had achieved Holloway. Then the horrible change, justifying Hypo on the subject of the conventions: ‘Don’t forget, Miriam, that Mrs Grundy is a man. Always has been. Every father, every brother, every husband, every man born upon this unhappy planet, is a potential Mrs Grundy.’ And leaving Amabel in the hands of her family, a beggar sentenced to imprisonment, with a generous dress allowance, either at home or in Simla, until she should marry.
With a borrowed railway fare, she had fled back to London. And found this queer, new tea-shop on the very first day.
‘You see your Amabel, rather scared, but oh, believe me, thumping with happiness, her nose to the window-pane. The shop was empty, meaning, I know now, that the waitresses were doing the morning jobs in the kitchen part. Behind the counter, a woman watching a kitten, on the counter, lapping milk as if she, I mean the woman, who had her elbows amongst the buns and rather gorgeous red hair, never did and never would have anything much else to do. I tilted my hat at a better angle, the little one you like, with the one rose that you said brought to life my check frock, yes, the blue and white one with the little frills—you see me?—took a deep breath and swam in. “Good morning. Do you happen to want a waitress?” Mira, even with my deep breath I was breathless, with a sort of unexpected horror. A really awful moment to get to the other side of. She said “I might!” My dear, she’s Irish, and before we’d done talking I was one of her waitresses, we found. It’s in the Strand. They have another in Piccadilly. Quite new, and rather like that place in Baker Street your Mr Hancock found so embarrassing to sit still and be waited on by ladies in. But rather less refeened. No palms. Striped, satiny wall-paper and tub-chairs. She’s a lady. Her crockery needs to be seen to be believed. And so are most of the waitresses. And thank God there’s not an atom of that lady-pluckily-gone-into-business-and-isn’t-it-fun-and-don’t-I-do-it-charmingly atmosphere. We are, I tell you, chic. Remote, therefore, as well as gai. We wear lilac gingham and high heels. Before the lunch rush, if you can believe, we have—whiskies and sodas. I’m the youngest as well as the newest and they make me wait on Mr Raphael Phayre, who comes here regularly, almost every day. They all detest him and, considering his books, he is really rather a remarkable old bird. Brings various ladies. One day, he was accompanied only by a satin slipper, which he posed, on the table, while he had his tea. One can’t exactly mother him, nor, quite, laugh at him. There’s something venerable. Pathétique. He told me, rather charmingly, I might have sat to Rossetti if I’d been born a few decades earlier: “His loss, my dear young lady, his abominable loss.”’
The thought of her there irradiated the Strand, enriching its daylight and bringing meadow coolness into its fevered commercial atmosphere. And even into Flaxman’s.... ‘Mrs Bailey was sweet when I gave up my room. Refused to let me pay for my weeks away, and would have let me have your old garret. But Flaxman’s is cheaper. Top attic, five bob, in the next house to your old rooms. Yeats is still opposite. A landlady quite mad, but a darling. Has a herd of gawky fowls in the back yard, all with names. Occasionally there’s an egg, but most of them are bald and doddering. She keeps them till they die of old age. I am chez moi, sous les toits et le ciel. I adore it. I’ve put geraniums on the sill.’
And in that far-away, troublous London, the abode, for oneself, of so many frayed, loose ends, at this moment and for ever Michael was safely within Amabel’s all-penetrating radiance. Did he realize, would he in a lifetime learn to realize, even half of his amazing good fortune? ‘Miriam, even now is it too late? To sit with you for an hour, to hold your hand and see your eyes, is more to me than a lifetime with this charming girl.’ For the present he believed this and suffered in believing. The Russian in him believed it, knew, in spite of his Jewish philosophy, something of the unfathomable depths in each individual, unique and irreplaceable, making it forever impossible to substitute one person for another, or to lose the life existing between two who have experienced prolonged association. And the Jew in him so far saw Amabel only as charmingly qualified to fulfil what he still regarded as the larger aspect, the only continuing aspect of himself, his destiny as a part of his ‘race,’ the abstraction he and his like so strangely conceived as alive, immortal, sacred, and at the same time as consisting of dead and dying particles with no depth of life in them, mere husks. ‘The whole, Miriam, is greater than the parts.’ That had sounded unanswerable. But now I see the catch in the metaphor. Too late to make it clear to Michael. Amabel, indirectly, without reasoning, will shake his rationalism.
Are all the blind alleys and insufficiencies of masculine thought created by their way of thinking in propositions, using inapplicable metaphors? ‘See these silent wonderful.’ Are all coherent words, in varying measure, evidence of failure?
Very rationally, presenting himself at the evocative door with, poor darling, that defiantly songful expression looking out at one from the student photographs and still inhabiting his face whenever he braced himself to a difficult undertaking, he sought out Mrs Bailey to demand the heedlessly, cruelly, uncommunicated address, of which Mrs Bailey, too, was still in ignorance. Standing there at a loss, disappointed by a Mrs Bailey both amiable and regretful and, secretly, devoured by a wide-branching curiosity, he recalled Amabel, held his ground, made his further inquiry, and, probably that very evening, paraded pathetically outside the tea-shop at closing-time; a lonely little figure in the frock-coat and silk hat of his precarious City importance, his portfolio of legal documents under his arm; caftan and silk cap, praying-shawl and phylactery assembling themselves for any imaginative observer about the form whose expression and outline had grown, during his years of independence, so consciously Hebrew.
And when at last Amabel emerged, probably with two or three others, blossoming into the weary dust-laden July-afternoon Strand, and certainly laughing in the way he had found, during that one encounter, so inconsequent and so irritating, and suddenly silent and dumbfounded, calling up all her controls to grasp and handle the situation, he surely will have begun by saying, hat in hand and features working beneath the pressure of his embarrassment: ‘Good afternoon. You will most-certainly be surprised to see me,’ and will immediately have gone on to announce into the depths of her uncomprehended, all-accepting, heaven-thanking smile, whose inward wild rejoicing encircled the earth: ‘I came to ask you how is Miriam and where is she, do you know? Pairhaps I shall walk with you to your home; yes?’
And Amabel, returned more swiftly than light to the moment that was still at its beginning when she found herself walking up the street at his side, hearing, in the sound of their mingled voices, the echoes of the future, would have held away the weariness so swiftly coming upon him in any conversation failing to reach his central interests, exercising her power to visualize and to interpret with an art so perfect that he would be unaware of it, and would identify the pleasantness of the hour with his relief in getting news of me.
Her joyous blessing lay ready for post, needing only its stamp. Looking out across the harbour with her eyes on the half-remembered village post office, unvisited save by Florence in search of local photographs, she saw the whole district reduced to a single eyeful, set compactly in its place in contiguity to other districts, bereft of depth and of long vistas, of mystery and glamour. While she read the letters, moving from scene to scene, watching the drawing together of the two who had severally supplied her richest experience of human relationship, it had become a site. Even the flower-dotted hillock seemed now to disown and dismiss her. And the London interposed between herself and her surroundings was no longer hers, belonged now to the two who for so long had given it life and of whom at a single stroke she was deprived. Onward they went, hand in hand, smiling, towards a future wherein she had no part.
This was jealousy, showing its mean little face and clutching hands. So late. Only a few months ago, bewailing Michael’s inability to perceive Amabel, she had put aside, to preserve it from danger, even the thought of her enchanted hope. Seeing it realized, she grudged the attendant happiness. But even as she felt this jealousy’s deep-seeking manipulations, the vision of Amabel alone and unchanged, however surrounded and accompanied, sent it to its death. With an almost audible snap, the last link parted that had held her to the past. Released, she could seek those to whom she belonged. But they made no sign, and the open spaces of her first vision of freedom no longer attracted.
Gathering up the letters, she found them aged, the long-pondered opening scenes of a drama wherein she was to collaborate only as an interested spectator. The last sheet, Michael’s second little note, fluttered to the floor and lay, face downward, revealing, upon its unexamined reverse side, a straggling paragraph and, beneath it, what appeared to be an address. Retrieving it to acquaint herself with the latest of his ill-considered schemes, or with the data of some embarrassing demand, she read the hurriedly scribbled words: ‘If you are seeking a quiet place for your writing, why should you not go to the family of my fellow-boarder here, which lives only a quite small journey from where you are and is willing for boarders? There is a mother there and a sister, or some sisters, I am not sure, and it is in quite deep country, a sort of farm.’ Under the address, three illegible words expressed the wearied collapse of Michael’s effort. Would Amabel succeed where she had failed, make him realize how prejudicial to his British career was his impatience of the written word? ‘They ... are ... Greeks?’ Jews, then. Greek Jews, in the heart of the country? The name, prefacing the address, Roscole, sounded neither Greek nor Jewish. Ros ... corla. Cornish? ‘They are ... Quakers!’
Far away within the cool twilit deeps of her innermost consciousness, she went up a pathway towards a farmhouse within whose doorway stood a little group of grey-clad Quaker women, smiling a gentle welcome. Michael’s gift. A little Quaker stronghold at the heart of all she had first come forth to seek. Itself as remote as the deeps of country wherein it was set.
The little plop with which the note to Amabel and Michael fell into the letter-box, should have brought, with its finality, her heart to her finger-tips. But they remained steady, clasped about the letter that was to open the way to the richest depth of shared life imaginable upon earth, and thrilled with joy as they lifted and let it fall.