Читать книгу Miracle Gold: A Novel (Vol. 1 of 3) - Dowling Richard - Страница 3

"Soon, soon, mother. I shall be finished soon. I cannot tell exactly when, but not very far off. I see the end of my labours, the reward of all my study, the fruit of all my life," said the voice of the hunchbacked dwarf.

There was a pause in the speech. "Hah," breathed Leigh, in loud inspiration. Then there was a snuffing sound, and another loud inspiration. "Hah! that is refreshing-most refreshing. Will you have some, mother? Do. You won't? Very well. What was I saying?"

The strong, subtle vapour of eau-de-cologne penetrated through the slits and joints of the folding-doors, and floated past Edith towards the open windows.

"About the clock," said Mrs. Leigh. "You were going to tell me what new wonders you have added to it, and when the crowning wonder of all was to be fixed."

"What?" cried the voice of the dwarf, loudly, harshly, angrily. "What do you know of the crowning wonder? Tell me, woman, at once!" His tone was violent, imperious, threatening.

"Oscar! Oscar! What is the matter? What do you mean by calling me 'woman'? Oscar, my son, are you ill? What is the matter? Why do you look at me in that way? You are crushing my hand. What is the matter, Oscar, my own boy?" The woman's accents were full of alarm.

"Agh! Agh! Pardon me. Agh! Pardon me, my dear mother. Agh!" he coughed violently, hoarsely. "The spirit of the eau-de-cologne must have gone down my throat and caught my breath. I am quite right now. Pray excuse me, mother. What was I saying?"

"Something about the clock, dear. But, Oscar, do not mind telling me about it now. You seem not well. Perhaps you had better rest yourself. You can explain about the clock to-morrow."

"Oh, ay, the clock. Of course. I am quite well, mother. You need not be uneasy about me. What was I going to tell you about the clock?"

"You were going to tell me-I do not know really what. I asked you when it would be completed. That is my chief anxiety, for then you will be always here-always here, near me, my dear son."

"Certainly; when I sell my unrivalled clock, I'll give up living in London and come down here to you, mother, and become a private gentleman."

"But why can't you come down and stop here always, my Oscar? Surely your clock could be brought to Millway, and back to London again when 'tis finished?" The voice of the woman was caressing, pleading. "I have not very long to live, Oscar. Might not I have you near me that little time?" The tone was tremulous and pathetic.

"Dear, dear mother," he said softly, tenderly. "I cannot-I cannot move the clock. You forget how large it is. I have told you over and over again it would half fill this room. Besides, I have other business in London I cannot leave just now. I will come as soon as ever I can. You may take my word for that. Let us say no more on that subject at present. I was going to explain to you about my marvellous clock. Let me see. What have I already told you?"

"Oh, it was too wonderful to remember. Tell me over again."

"Very well. To begin with, it will, of course, measure time first of all. That is the principal and easiest thing to contrive. It will show the year, the month, the day of the month, the day of the week, the hour of the day, the minute of the hour, the second of the minute, the tenth of the second. All these will be shown on one dial."

"That much alone puzzles and astonishes me. It will be the most useful clock in the world."

"So far that is all easy, and would not make it even a very remarkable clock, mother. It will take account of leap year, and be constructed to run till the year ten thousand of the Christian era."

"When once wound up?"

"Oh no, you simple mother. It will have to be wound up every week."

"But will not the machinery wear out?"

"Yes, the metal and the stones will wear out and rust out before eight thousand years. But the principle will have eight thousand years of vitality in it. Steel and brass and rubies yield to friction and time, but a principle lives for ever if it is a true principle-"

"And a good principle," interrupted the voice of the old woman, piously.

"Good or bad, if it is true it will last," said the voice of the hunchback, harshly. Then he went on in more gentle and even tones. "On another face it will tell the time of high water in fifty great maritime cities. There will be four thousand Figures of Time, figures of all the great men of the past, each bearing a symbol of his greatest work, or thought, or achievement, and each appearing on the anniversary of his death, thus there will be from eight to twenty figures visible each day, and that day will be the anniversary of the one on which each of the men died years ago."

"Four thousand figures! Why, it will cost a fortune!"

"Four thousand historic figures each presented on the anniversary of death! I am at work on the figures of those who died on the 22nd of August just now. They are very interesting to me, and one of them is the most interesting of all, the most interesting of all the four thousand figures."

"And who died on the 22nd of August, Oscar? Whose is the figure that interests you most of all, my son?"

"Richard Plantagenet of Gloucester," fiercely.

"Eh?" in a tone of intense pain.

"Richard Plantagenet of Gloucester, commonly called Richard the Third of England, and nicknamed the Hunchbacked Tyrant," maliciously.

"Oscar!" in a tone of protest and misery.

"Yes. Hump and all, I am now making the figure of the most famous hunchback in history. I take a delight in modelling the figure of my Hunchback Tyrant. In body and soul I can sympathise with-him." He spoke furiously, and there was a sound in the room as if he rose.

"Oh, you break my heart, my boy, my boy, my son! Don't, for God's sake, don't. You cut me to the soul! You frighten me when you look in that way." She spoke in terror and anguish.

There were hasty, halting, footsteps pacing up and down the dining-room. The folding-doors behind Edith's head trembled, the windows of the dining-room rattled. The girl wondered he did not think of her. He knew her room lay beyond the dining-room, and he must be aware nothing divided her room from the front one but the thin panels of the folding-doors. It was plain to her now he did not care whether she heard or not.

"Break your heart, mother!" he went on in a tone of excitement but less acerbity. "Why should what I say break your heart? What hurt can words do? Look at me! Me! If I were to say my heart was broken, no one would wonder. I am not reproaching you. Heaven knows, if I turned upon you, I should have no friend left in all the world. Not one soul who would care for me-care whether I lived or died, whether I prospered or was hanged by the common hangman on a gibbet!"

"Oh, Oscar, what is it? What has done it? What has soured you so? You never talked in this way until now. What has changed you?" The voice of the woman was broken. She was weeping through her words.

"A girl's face. A girl's face has changed me. I, who had a heart of adamant, a heart of the core of adamant befitting the crooked carcase in which it is penned and warped and blackened by villainous obstructions. But there! I have been vapouring, mother. Let my words pass. I am a fool and worse to break out in such a way before you, my good, gentle mother." His voice became less excited, his steps more slow and light. "It is passed. I am myself again. I know your advice is good. I mean to follow it. I will marry a wife. I will marry a pretty, shapely wife. You shall have grand children at your knee, mother, before long, before you go. Well-favoured and gay and flawless, and straight-backed, and right-limbed little children who will overtop me, exceed me in height before they begin their teens, but will never, never, never mother, grow to near the degree of love I have for you." His voice and steps ceased, as though he paused at her side.

"Do not kneel," she whispered huskily. "Do not kneel, my son. I was frightened a moment ago, and now I feel suffocated with joy. There! That is right. Sit in your own chair again."

For a while Edith heard sobs-the sobs of a man.

The woman had ceased to weep.

When the sobbing stopped, the woman said: "Who is she? Do I know her? Do I know even her name?"

"All that is my secret, mother. I will not say any more of her but that I am accustomed to succeed, and I will succeed here. I will keep the secret of her name in my heart to goad me on. I am accustomed to succeed. Rest assured I will succeed in this. We will say no more of it. Let it be a forbidden subject between us until I speak of it again; until, perhaps, I bring her to you."

"As you will, Oscar. Keep your secret. I can trust and wait."

"It is best. I feel better already. That storm has cleared the air. I was excited. I have reason to be excited to-day. At this moment-it is now just twelve o'clock-at this moment I am either succeeding or failing in one of my most important aims."

"Just now, Oscar. Do you mean here?"

"No, not here. In London. You do not believe in magic, mother?"

"Surely not. What do you mean? You do not believe in anything so foolish?"

"Or in clairvoyance or spectres, mother?"

"No, my child. Nor you, I hope. That is, I do not believe in all the tales I hear from simple folk."

"And yet not everything-not half everything-is understood even now."

"Will you not tell me of this either?"

"Not to-night, mother. Not to-night. Another time, perhaps, I may. You know I had a week ago no intention of coming here to-day. I did not come to welcome Miss Grace. I had another reason for coming. I am trying an experiment to-night. At this moment I am putting the result of many anxious hours to the touch. If my experiment turns out well I shall come into a strange power. But there, I will say no more about it, for I must not explain, and it is not fair to tell you, all at once, that I have two secrets from you. And now, mother, it is very late for you. We must go to bed. That patent couch still enables you to do without aid in dressing?"

"Yes. I am still able to do without help. I think some of the springs want oiling. You will look at them to-morrow?"

"Yes. But it must be early. I am going back to town at noon."

"So soon? I did not think you would leave till later, Oscar. I don't want to pry into your secrets, but you spoke of gaining some strange powers. Do you think it wise to play with-with-with?"

"With what, mother?"

"With strange powers."

"That depends on what the strange powers are."

"But tell me there is no danger."

"To me? No, I think not."

"Oscar, I am uneasy."

"We have sat and talked too long. You are worn out. I will wheel you to your room. I am sleepy myself."

Edith Grace heard the sound of Mrs. Leigh's invalid chair moving towards the dining room door, then the door open and the chair pass down the hall and into Mrs. Leigh's bedroom. Words passed between the mother and son, but she did not catch their import. She heard the door of Mrs. Leigh's room opposite her own close and then the dragging, lame footsteps of the hunchback on the tiles of the back hall.

The girl listened intently. She did not move. She was sitting bolt upright in her chair with her face turned towards the door of the room.

Leigh's irregular, shuffling footsteps became more distinct. He was crossing the hall from his mother's room to the stairs, which began at the left-hand side of the back hall, close to the door of the room where Edith sat.

"He is going upstairs to his own room. When he is gone the house will be still and I shall be at ease. Daylight will soon come and then I can slip away again and wait till the first train for London-for home! He must be mad. Even if he had not pressed his hateful attentions on me I would not stay in this house for all the world," thought Edith Grace.

The slow, shuffling footsteps did not ascend the stairs. They paused. They paused, she could not tell exactly where. All her faculties were concentrated in hearing, and she heard nothing, absolutely nothing, but the rain. Could it be he had reached the stairs and was ascending inaudibly? Could it be he had already ascended? She thought it was but a moment ago since he closed his mother's door. He might have gone up unheard. It might be longer since the door shut than she thought. She could not judge time exactly in the dark, and when she was so powerfully excited. Should she get up out of that chair, open the door as quietly as possible, and peer into the hall? What good would that do? If he were there he would see her; if he were not there all was well. Besides, it would be quite impossible to unlock the door and open it without making a noise, without the snap of the lock, the grating of the latch, the creaking of the hinge. It was better to remain quiet.

Suddenly she heard a sound that made her heart stand still, her breath cease to come. She grew rigid with terror.

She heard a something soft sliding over the outside of that door. A hand! It touched and rattled the handle. The handle turned, and with a low, dull sound the door opened! She could not see the door. The light which had illumed the fan sash in the porch had evidently been extinguished, for there was no gleam through the open door. That part of the room was so intensely dark, even the masses in it were invisible. But she knew by the dull, puffing sound the door had been opened, and by the surge of the heavy, damp, warm air.

She could not move or cry out if she would. She was completely paralysed, frozen. She was aware of possessing only two senses, hearing and seeing. She was not conscious of her own identity beyond what was presented to her sensations through her ears or her eyes. She did not even ask herself how he had come there, how he had opened from the hall the door she had left locked upon the inside.

He entered the room with slow, deliberate, limping steps. She could hear the footfall of his left foot and the slight, brushing touch of his right foot as he drew it after the left.

On slowly he came until he touched the bed. She could dimly make out the white of his face and shirt-front against the gleam from the window as he advanced. It was plain he could not see as well as she, for he walked up against the bed. His eyes had not become accustomed to the darkness.

He turned to his left, towards where she sat, and came on, feeling his way by the bed. She heard him feeling his way. As soon as he reached the foot-post he turned right, round where she sat in the deepest gloom of the room and then walked to the window.

When he reached the window he stood full in front of it and muttered: "Rain, rain still." He thrust his arms out of the window and drawing them back in a moment, rubbed his face with his hands. "That is refreshing," he muttered. "Hah! They say rainwater is the best lotion for preserving the beauty of the skin. Hah! They do. They say Ninon de L'Enclos kept her beauty up to past seventy by rain-water. Hah! They do. They say she did. Hah! I wonder how long would it preserve my beauty. Ha-ha-ha! More than a century, I suppose. I wonder would rain-water preserve the beauty of my hump. I believe my hump is one of the most beautiful ever man wore. But it doesn't seem to count for much among a man's attractions. People don't appear to care much for humps, whether they are really beauties of this kind or not. Hah! They don't. People don't. Hah! They are not educated up to humps. Hah!"

At each exclamation "Hah!" he made a powerful expiration of breath. Before each exclamation he rubbed his forehead with one hand drawn in wet from the rain falling outside the window.

"She, for instance," he went on, "doesn't care much for humps. She prefers straight-backed men with straight strong legs. And yet straight-backed men with straight strong legs are common enough in all conscience. Most of the beggars even are straight-backed and strong-legged. I am not. Hah! How cool and refreshing this rain-water is. I am a novelty and yet people don't care for such a novelty as I am. No; they prefer men cut to pattern. She would rather have a straight-backed beggar than me, and yet I am more interesting, more uncommon. I am more remarkable to look at, and then I have genius. Yes; I have a form of body far out of the common, and a form of mind far out of the common, too. I have a hump and genius. Hah! But no one cares for a hump or genius. She doesn't, for instance. Hah! But I mean that she shall like me. I mean to make love to her. I mean to woo her, and to win her. Hah! She doesn't know me now as well as she will know me later. I have never been in love before. I can't say I like the feeling. I used to be very valiant and self-sufficing, and at my ease in my mind. Hah! I looked on women as the mere dross of humanity-not worthy to associate with cripples. Hah! Of course, I except my mother, who is the best and dearest soul God ever sent to earth. But now I am in love, and this girl, this young girl, seems precious to me. Hah! Certainly I shall win her. I have not yet learned to fail, and I don't mean to learn how to fail now. Hah! How cool and refreshing the rain is. What is it I came into this room for? Stay. Let me think. Oh, yes! my mother asked me to put the window down before I went upstairs. Hah! Yes. I will. There!"

He let the window down without any regard to the noise. It smote harshly upon the sill. Edith did not move, did not make a sound. She was glad at the moment, though she did not realize that she was glad, because he had let down the window. The diminished light would reduce the chance of his seeing her even now that his eyes had grown used to the darkness. She did not realize that she was glad until afterwards. All her consciousness was still concentrated on hearing and seeing.

Leigh turned away from the window, and began slowly retracing his steps to the door, muttering as he went along the side of the bed opposite the window:

"Yes, she has run away. Run away from this house a few hours after entering it. Run away, frightened, terrified by my ugliness."

He had reached the foot of the bed by this time, and, crossing between where she sat, turned in the darkness at the foot-board. Only his head rose above the high foot-board. His hand moved in dim relief against the background of the white head part of the bed discernible over the foot-board.

As he spoke these words her first thought beyond a desire to hear and see entered her mind. It gave her instant and enormous relief, although as before she was not at the moment attentive to the relief. The feeling, however, took in her mind the form of words. "He knows I left the house. He does not know I have come back."

He paused directly in front of her, and seemed to rest against the foot-board. He muttered in a voice more deep and faint than the one in which he had hitherto spoken:

"She ran away, this Edith Grace, she ran away from my ugliness. Ha-ha-ha! We shall see, Edith Grace. We shall see. I did not tell my mother the name of the girl I mean to marry. She shall know it soon enough, and not all the wiles or force of man shall keep me from my purpose, keep Edith Grace from me!"

He thrust his arms out to their full length in front of him and drew them back swiftly towards him. The air from the motion of his long thin hands touched her cheek.

She drew her head back a hand's breadth. Otherwise she did not stir. She sat motionless. She had no power over the actions of her body. She could not cry out or move further.

Oscar Leigh turned, crept slowly along the foot and right side of the bed, fumbled for the door handle, and, having found it, went out of the room, closing and latching the door quietly after him.

Then she heard him toilfully, ponderously, going up stairs. Presently a door above was closed and complete silence fell upon the house.

The spell lifted from the girl, and covering her face with her hands she sank back in the chair with a tremulous, heavy sigh of relief.