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Part the First.
SATURN SHALL BE KING
CHAPTER III.
IN THE CHURCHYARD

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'As you people live here in England,' said Nevill, next morning at breakfast, 'this meal is the gloomiest, dinner is the solemnest, and supper is the sleepiest of the day. I can always understand a man being gloomy in the morning, but why people should be solemn at dinner and sleepy at supper I never could make out. The only way I can come near accounting for a man being solemn at dinner is because it is the most expensive meal of the day, and there is no way in the world so good for knocking the fun out of John Bull as to bleed him. But why people should look sleepy at supper licks me hollow!' 'Perhaps, sir,' said the solid-looking man, 'it is because the people are sleepy.' 'From what I know of Mr Nevill,' said Miss Gordon, 'I don't think he will be satisfied with a straightforward answer like that.' 'This very straightforwardness is the curse of the English character,' answered Nevill. 'To tell the plain truth, right out, is the impulse of a savage. To conceal all that is unpleasant, because it may give pain to others, is the perfection of culture. Why on earth should straightforwardness or any other virtue come stamping on my corns? I know, for instance, that my nose is not Roman. But that is no reason why Mr Straightforwardness should come and say to me, "Sir, you have a snub nose, not to say a cocked nose." No, Miss Gordon; give me the man who uses his wits to make those around him pleasant.' 'Do you,' asked Miss Gordon, 'practise what you preach?' 'In a humble way,' with a bow. 'And do you think you are adding to the pleasure of a company of English men and women, by attacking the character of the whole nation?' 'Undoubtedly.' 'But how?' 'A lady who has been a great traveller like you, Miss Gordon, must know that all our pleasures, or nearly all, are derived from thinking of other people or things; all our pains arise from thinking of ourselves. A comedy, a tragedy, a marriage, or an execution amuses us equally, because it makes us forget ourselves. But when we are compelled to think of ourselves by debt or pain, we are no longer happy. The debt or pain of other people is a source of diversion to us.' 'But, sir,' said the solid-looking man, 'I can't see how that is a reply to Miss Gordon's question.' 'It is not a direct reply, I own. But you may, sir, deduce the reply from it.' 'I confess I can't.' 'Well, you are an Englishman. I attack your race. That takes your mind off yourself by making it turn towards your race, and making you individually hate me.' 'That is not an ordinary theory.' 'Ordinary theories are, sir, never sound.' 'Mr Nevill,' said Miss Gordon, 'you are a great traveller.' 'Yes, I have been about a bit; but I'm not old, and I intend doing better before I die.' 'Are you a good linguist?' 'No. Don't speak a word of any language but English.' 'There is a general theory that linguists have prominent eyes. Now you have no talent for languages, and your eyes are not prominent.' There was a general laugh, in which he joined. 'Don't you think, sir,' said the solid-looking man, 'that when foreigners are travelling in out-of-the-way places, where they can find no one who speaks their language, they are grossly imposed on by the hotel-keepers?' 'I daresay many are imposed upon; but I, never.' 'And,' said Miss Gordon vivaciously, 'how do you manage to escape?' 'My mode is one few would care to adopt; but it is most effectual: 'Before I make signs to them I want the bill, I become erratic for awhile. Then I show them I wish to pay. Then I become moody. When they hand me the bill, I take out a revolver, and begin chanting the multiplication in English. I have tried cursing and swearing at them, but nothing is half so good as the multiplication chanted in a low voice. The effect is weird and confounding. They don't know whether I am going to shoot one of them or myself; they don't know whether I am sane or mad. They are sure of only one thing-that they wish I'd go. When I have treated them to about ten minutes of this, I put the revolver in my pocket, and tender them what I think fair. If they show hesitation, I go back to my old device, and starve them out.' 'You are joking,' said Mrs Barclay, from behind the tea-urn. 'Not at all, Mrs Barclay; and if there are any irregularities in your account, I'll treat you to a specimen of my method. If you have a doubt of the matter, ask Mr Osborne. He has seen me do the thing a thousand times.' Miss Gordon smiled, and said, – 'As Mr Nevill never met Mr Osborne until yesterday, I don't think you need, Mrs Barclay, be in great dread, if you cannot believe without his evidence.' 'What are you going to do to-day, Osborne?' asked Nevill. 'I think I shall spend the day in St Paul's.' 'Spend the day in St Paul's! Why, bless my soul, man, you don't mean to say they have still the power of doing that sort of thing here?' 'What sort of thing?' asked Osborne. 'The power of sending a man to a church for a whole day. Are you to sit on a stool of repentance, with a white sheet around you and a lighted candle in your hand?' 'Do you really intend spending a whole day over St Paul's?' asked Miss Gordon, with a look of interest. 'I do,' answered Osborne. Mrs Barclay glanced at the girl, and asked, – 'Would you like to go?' 'Very much indeed.' 'Then perhaps you will take her, Mr Osborne?' He grew red and uncomfortable, and stammered out, – 'Certainly, with great pleasure.' 'What! Miss Gordon!' cried Nevill, in amazement. 'You promised me last night to come and have a look at Brighton with me to-day!' 'I prefer going to St Paul's.' 'And you break your agreement with me?' 'Yes.' With a sigh and a laugh close together. 'Upon my word, that is too bad. I never was so badly treated in all my life. Aren't you ashamed of yourself?' 'Not in the least; because, you see, I prefer going to St Paul's. I should be very much ashamed of going to Brighton when I wanted to go to St Paul's, and could go.' 'Miss Gordon, may I ask you how old you are?' 'Certainly. I am four-and-twenty. Why do you ask?' 'What a remarkable woman you will be when you are forty-eight?' 'In what way do you think I shall be remarkable? 'In strength of mind, and all that. Tell me, do you go in for woman's rights?' 'I think women ought not to be fools.' 'Why?' 'Because it is ridiculous to be a fool.' 'But fools are often more happy then wise people.' 'Yes; but happiness is a brute quality, and I care for nothing but intellect.' Nevill shook his head, and laughed good-humouredly. 'Miss Gordon, take my word for it, you will be an ornament to the woman's rights' platform before you are fifty years of age.' While this dialogue was going on George Osborne thought to himself: 'What an awkward position she places me in! I would much sooner be alone. Then this rattle-pated Nevill is certain to think this is of my contrivance, and that, too, in the face of his confiding to me he was going to make love to her. He will surely consider me a dishonourable man; and certainly I have no intention of being dishonourable, and no wish to be considered dishonourable, and no wish to be with her. 'Fancy one of my sisters, fancy my sweetheart, if there were such a person, behaving in this bold way! Absolutely asking a strange man to take her to a place, in the face of another arrangement with a second strange man to go to another place! I never heard of such a thing in all my life. It is scandalous. It is indelicate. It is improper. 'I have told her I intended spending all day in the cathedral; but I need not go till late, and I will come away at dusk. 'I wonder will she talk and laugh loud, and whistle in the church, and disgrace herself?' He raised his eyes wistfully to her face. She was smiling at Nevill. Such an intoxicating smile. 'Yes, physically she is perfect; spiritually she is monstrous. She is Dead-Sea fruit. She is no woman. She is neither man nor woman, but a monstrous development of over-quick civilisation. She is the most beautiful being I have ever seen.' When breakfast was over he threw himself into an easy-chair, and thought, as he took up The Times, – 'I shall sit here for an hour or an hour and a half before starting.' He had not read a column when a foot approached him, and a soft voice said, – 'Well, Mr Osborne, I am ready.' He looked up and saw her standing before him dressed for walking. He did not notice anything she wore but the hat. It was velvet, a full vermilion, with black lace. Such a hat would catch the eye at any distance. It was shamefully bright. No sister of his, no sweetheart of his, should ever wear such a brazen thing. Why, all the people would stare at her! Ah, and well they might stare too, and stare till dark, and find no blemish in that oval face, that rounded, lithe figure. How at a second look the bold colour in the hat triumphed over one's repugnance! He would not dare to let his sister or his sweetheart wear such a thing; they were, or would be, dear to him, and this woman was a mere stranger; in a few days she would pass away out of his sight for ever. Meanwhile, the hat suited the face, and the face suited-heaven. 'Do you like my hat?' she asked, as he rose. 'It is very striking.' 'But do you think it is too violent?' 'No. It is daring-and successful.' 'I am glad you like it. I put it on expressly for you.' 'For me! How could you tell I should like it?' 'Oh, very simply. You are a very transparent man.' 'But how did you find out I should like such a hat?' 'Well, you know that there are two kinds of ways of looking at a picture. The man who has a good eye for drawing looks at a picture bit by bit. The man who has a good eye for colour looks at the picture vaguely. You looked at the pictures here vaguely. Then I knew you had colour. My portrait has never been painted; but they tell me when I wear this hat I am a painting after one Giovanni Bellini, in Venice. Bellini's colour is always right; so a good copy of his ought to be right. I always have a hat like this with me, and when I want to be peculiarly killing I put it on. Does that explain all?' 'May I ask why you wish to be particularly-' He paused. He did not like to use her own word, and he did not like to rebuke her by using another. 'Killing to-day.' She finished the sentence for him. 'Because I am going out with a very handsome man, and I hate playing second fiddle.' She had taken his breath away, and he stared at her in silent wonder. What was she really? There was one obvious answer-the most beautiful woman he had ever seen. 'Come,' she said, briskly, 'we are losing time, and I am in a hurry to be there.' When they got out, she took his arm without his offering it. After a while she stopped at the window of a furniture shop, to admire a sideboard. 'What a beautiful sideboard!' she exclaimed. 'Yes,' he said, 'it is very handsome.' 'And what a beautiful pair!' 'Pair of what?' 'Of human beings in the glass.' He raised his eyes and saw the reflection of a tall, squarely-made, light-haired man, with square-cut face and pale, broad forehead, and by the man's side a tall, beautiful woman, after the Giovanni Bellini. 'Are you always so candid, Miss Gordon?' he asked, gravely. 'Yes,' she answered. 'It saves time, and it keeps men from making love or being impertinent. I have been a good deal about, and no man has ever dared to be impertinent to me. If you like, I'll tell you now all about myself; where and when I was born, where I have spent my time, how I was brought up, how I was educated, all about my family and fortune, my likes and dislikes, and my love-secrets.' Once more he stared at her. There was something confounding in finding one's-self so close to such a spirit in such a body. Mentally he drew back from her. That a young and beautiful woman such as she should offer to him, an utter stranger, the record of her inner thought, was distressing. Not for all the world would he lift a corner of the veil. This was a new power of torture. It was distressing to think that girl by his side was willing at any moment to throw aside the padding and expose to his view the bare skeleton of her individuality. He answered, 'I am not at all, not in the least, curious.' 'Then why, if you are not in the least curious, did you ask me if I was always so candid?' This puzzled him. He did not know what to say. He looked at her and smiled vacantly. She saw his predicament, and said, in her offhand way, – 'Well, there, don't bother to answer; I am not in the least curious.' There was a long pause. She broke it with, – 'Do you know, I can be awfully well-behaved when I like.' 'I am sure you are always well-behaved,' he said, warmly. 'Oh, but I mean stupid, and dull, and proper, like you.' He smiled a little sadly and said nothing. 'Oh, but I can; and I mean to be stupid, and dull, and proper, like you all day.' 'Why?' he asked, looking in perplexity at her. 'Same reason as for the hat; because you are stupid, and dull, and proper, and I hate to play second fiddle.' They walked on in silence until they arrived at the cathedral. 'Service is going on,' said Osborne, in the porch. 'Would you like to attend portion of it?' 'No. Take me round and let me look at the shops. I do not go to church.' 'You are a Roman Catholic, no doubt?' 'No. I was brought up in the Church of England; but I have given up going to church. I am not profane enough to treat the service as a spectacle or a musical performance, and I am not sincere enough to treat it on higher grounds.' 'I am exceedingly sorry to hear you say so.' 'I have worn off most of my faith with travel and change.' 'Then I would recommend you to rest from travel and change until your faith comes back again.' He had paused and was looking down earnestly into her face. An accent of solicitude in the man's voice arrested the girl's attention. For the first time her face was turned to his without a smile, and she looked up gravely to him. She spoke, after a short pause, – 'What you say interests me more than you might think, for I am not nearly so happy or quiet in my mind as when I went-' she pointed to the cathedral, in the shadow of which they were standing. 'Nor will you ever be. So long as we are in the great hurry and bustle of life, we do not feel the necessity strong upon us. But each one of us has to go out of life alone. That is the terrible thought-alone. The future is of the utmost consequence to us. It can be made as valid a certainty as this great church under which we stand. Look up, and think of that church alone. That noble pile is the symbol of a nation's faith. All over the world St Paul's is known. It is the loftiest point in all these miles that make up London. Four millions of Christian men and women are clustered round its feet, draw breath and kneel in worship in sight of its cross. This is the greatest church built by the most practical race. When we consider that the most practical race on earth built this monument of faith, the opinion of the individual ought to be hushed before such a proof of devotion. Sceptics, scientists, and voluptuaries may rail as they will, there is the great fact hung by our nation between London and heaven.' He had forgotten whom he was speaking to. He looked down, coloured quickly, and said, – 'I beg your pardon, Miss Gordon; I forgot you wished to see the shops. Let us go.' She did not move. She was looking up with a new sweet gravity in her face. 'I don't care about the shops. The things are all faded. Let us walk round the cathedral; I want to have a good look at it.' The expression of her face changed. She sighed, and a soft light of hopefulness came into her eyes. It was a quiet light, like the morning light in a wood. 'You look your loveliest now,' he said. He thought, – 'Mad or drunk, or mad and drunk, what can I do?' 'You will take me round the cathedral?' 'Yes, when the service is over.' 'And you will tell me all about it?' 'Yes, as far as I know,' he answered. 'Mad or drunk, no matter which,' he thought. 'And you will treat me as a woman capable of respecting things that deserve respect?' 'Certainly.' He was not paying attention to what she was saying, his whole being was centred upon what she was looking. Mentally he said, – 'Drunk or mad, or-love? No matter!' 'Fools have made me flippant,' she said. 'And nature has made you divine.' 'Mr Osborne?' 'Yes.' 'Suppose I made up my mind to take a rest, and think seriously of serious things, would you advise me to settle in the country or town?' He stopped suddenly, raised his right arm, and made a slow gesture round. 'What place can you find better than here?' Throwing up his arm to its full height from his shoulder, he added, – 'Under St Paul's?'

Under St Paul's: A Romance

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