Читать книгу The Princess of Bagdad: A Play In Three Acts - Александр Дюма, Dumas Alexandre - Страница 4

GODLER, NOURVADY, TRÉVELÉ

Trévelé (going towards Lionnette.)

Tell me, Countess, are we, yes or no, Godler the ever youthful, Nourvady the ever grave, and I, Trévelé, the ever jesting – are we, yes or no, invited by you, Countess, the ever beautiful, and by your husband, the ever blissful (it would be difficult for him to be otherwise) – are we, yes or no, invited to dine at your table and to spend the evening with you afterwards?

Lionnette

Yes.

Trévelé

Then, lovely countess, permit me to observe that you are never where we are. Kindly give us information. When one sees you one loves you; but when one loves you where does one see you?

Lionnette (smiling)

Here.

Trévelé

We supposed so, but it is now two hours since…

Lionnette

Oh! not two hours!

Trévelé

Three hours ago you forsook us in the middle of the conservatory. First, a domestic came to look for the count; we accepted that affliction: but, in your turn, you disappeared without even troubling any one to come and look for you. Well, we are all three charming – Godler, Nourvady, and I; it is difficult to find three more delightful and witty men, but we have such a habit of seeing each other that we do not enjoy ourselves at all when we are by ourselves. So if, after having us for seven hours, you discover you have had enough of us, tell us so without ceremony. We are going to drive back to the club, where we shall have a good game of baccarat; we will try, Godler and I, to win a hundred thousand francs from that millionaire Nourvady; – that will make him cheerful, perhaps.

Lionnette

Gentlemen, I offer you every excuse. It was on account of a most important and unforeseen affair. (She presents Richard.) Master Richard, solicitor, an old friend of mine. (She introduces the gentlemen.) Mr. de Trévelé, Mr. Godler, Mr. Nourvady. (The gentlemen bow.) And now, to strengthen you after all your fatigue and trouble, I am going to offer you a cup of tea, iced coffee, or chocolate.

(She approaches the table, upon which, during this discourse, the servants have put the articles mentioned.)

Raoul (entering with his nurse, who remains near the door, and going to his mother)

Mamma!

Lionnette

Gentlemen, here is my son, whom I beg to present to you. Bow, Raoul.

(Raoul bows already like a man of the world, putting his heels together and bending his head; Trévelé and Godler kiss him; Nourvady kisses his hand, after hesitating a moment; Raoul goes back to his mother, who kisses him, putting her arm round his neck.)

Raoul

Take care, you will crumple my collar.

Lionnette

I beg your pardon, I wanted to kiss you. You don't love me, then?

Raoul

Oh, yes, I love you very much.

Lionnette

Then you are going to help me pour out the tea?

Raoul

No; I came to ask not to go to bed yet. I should prefer to play with Jane's little nephew, who has come with his mother to see her, but she will not let me without your permission.

Lionnette

Very well, I give you leave. Run away now, my child.

Raoul

Good bye. (He goes away running.)

Lionnette

And you go away like that? (Raoul bows again, and wants to go away. Lionnette shows him Richard.) And Mr. Richard? And your father, too?

(At each name mentioned Raoul passes to the person, who kisses him. One can see he is in a great hurry to run away. When he gets to John, the latter takes him in his arms and kisses him very warmly.)

John

Don't be afraid, I am not going to crumple your collar. (He puts the child on the ground again, who tries afresh to escape.)

Lionnette (who during this time is serving the tea)

And me, Raoul.

(Raoul runs back again and kisses his mother.)

Lionnette (with a sigh)

Go and play, my child, go; and amuse yourself well.

(Lionnette, a cup in each hand, presents one to Godler, the other to Trévelé.)

Godler (touching Lionnette's hand with his lips)

Dare I be so bold?

Lionnette

If you wish it.

Trévelé

And I?

Lionnette

And you, too. Only, take the cups, or you will burn my hands with the tea.

Godler

And you, Nourvady?

Nourvady

Thank you, I ask for nothing, not even a cup of tea.

(John chats with Richard in a corner.)

Trévelé

And the Countess will be right never to give you anything. People who ask nothing are often those who wish too much. Under cover of forty millions…

Nourvady

My money has nothing to do with this.

Trévelé

Certainly not; but all the same, when one has forty millions one finds a great many things easier than when one has, like me, only one. Ah, well, I must say, to the credit of Nourvady, it is in vain that he has two millions income at least – because he is a man who makes the best of his capital. He is, after all, the most sentimental of us three, and who takes love most seriously. He is a millionaire Anthony, and in our time it is remarkable.

Godler

And useful.

(Richard and John, who have chatted in a corner of the drawing-room, make their way to the terrace, where they chat in sight of the public.)

Nourvady

I do not know why Trévelé always assails me on the score of my fortune, of which I talk as little as possible. I am rich, but it is through no fault of mine. If that had depended on me alone, it certainly would never have happened. I am not clever enough to make forty millions. Fortunately, I had a father who was very intelligent, and, at the same time, very honourable. This father had a large bank at Vienna, which was very prosperous. He died, leaving me forty millions. It was, therefore, necessary to resign myself to accept them.

Lionnette

Easy resignation, I think, and that I should have had like you.

Nourvady

Ah! Madam, a fortune is a burden like anything else, at least for a man, for women have more grace and intelligence in spending money than we. But with much simplicity, a few efforts of the intellect, a little ingenuity in the way of rendering services – there is sometimes a way to get out of the difficulty – for a man.

Trévelé

And you get out of it remarkably well, my dear fellow! If we tease you about your millions, it is because it is the only subject we can joke you upon.

Nourvady (holding out his hand to him)

Rest assured, my dear Trévelé, that I am never offended at your jokes.

Godler (to Trévelé)

It is very fortunate for you, for if Nourvady were at all susceptible you would have a nice time.

Trévelé

Why?

Godler

Because he kills a bird at every shot.

Trévelé

But I am not a bird.

Godler

And he hits the mark eleven times out of twelve, and barely escapes the twelfth.

Nourvady

Fortunately I have an easy temper, which I have acquired by self-control, for I was naturally violent and irritable.

Godler

That poor Marnepont discovered something of that.

Nourvady

Don't let us speak of that.

Lionnette

Oh, yes, please let us speak of it. I knew Mr. de Marnepont very well, and I have heard in fact that he was killed. By you, then?

Nourvady

Alas! yes, madam.

Lionnette

In a duel?

Nourvady

Certainly. I did not assassinate him.

Lionnette

He was very annoying.

Nourvady

That was not the only reason of his death. He had other defects. He was insolent, and, above all, a liar.

Lionnette

What insolence was he guilty of? What lie did he tell? I will wager there was a woman in the case.

(Richard is gone. John hears all that is said, leaning upon the back of the couch where his wife is sitting.)

Nourvady

No, madam, it concerned me pitifully. Mr. de Marnepont calumniated me. He said I was hump-backed, which is not true. I have only the left shoulder a little higher than the right.

Lionnette

That is not seen at all.

Nourvady

It is not seen any longer, especially since that duel. In any case, no one says any more about it. My father, it is true, had a round back – at the close of his life principally. He had worked hard, stooping over a desk. That makes one round-shouldered in the end. Poor father! he said to me: "You have one shoulder higher than the other, the left; you get that from me; I ask your pardon for it, and I will endeavour to leave you what will make you forget it. But there are some people who will mock much more willingly at you as you will be very rich. Be strong in all sword-play, then; that will equalize everything." I followed the advice of my father, and I am astonished at the result. Then, as Mr. de Marnepont was a very good shot, I chose the pistol as our weapon. I was affronted, so wished to show him what good play was. We were allowed to fire at will; he fired first, and lodged a ball in my right shoulder, which naturally made me make this movement (he raises his right shoulder a little), for it was very painful, and I suffer from it often still. There are some days when my right arm is as if paralyzed. Whoever would get the better of me if I affronted him, has only to choose the sword; I should probably be killed at the second thrust.

Trévelé

And Marnepont?

Nourvady

Ah, well! In making the movement occasioned by the pain, this shoulder was for the moment higher than that. (He raises the right arm a little.) "Ah, said my opponent, laughing, I made a mistake, it is the right which is highest." It was not bad – for him, but it was bad taste. Then I fired. It was the first time that poor fellow showed any wit; he wasn't used to it; it killed him.

Godler (quite low to Trévelé)

He wants to rise in the estimation of our hostess; he is a clever fellow.

Lionnette (looking at Nourvady, who is going towards Godler and Trévelé, one sitting and the other standing at the other side of the room)

He is peculiar, that man.

John

Do you find him odd?

Lionnette

Yes, he is so unlike any one else.

John

Indeed?

Lionnette

What is the matter with you? What are you thinking about?

John

I am thinking that that odd man is very happy.

Lionnette

In having the left shoulder higher than the right, and a ball in the latter?

John

In having what I have not, in having forty millions.

Lionnette

Ah, yes, that would help us out of our difficulties.

John

My poor Lionnette, I am very unhappy.

Lionnette

Why?

John

Because I am not able to give you any longer what I formerly gave you.

Lionnette

I shall do very well without it.

John

You are incapable of it; you said it yourself just now.

Lionnette

There are moments when I no longer know what I say; you must not pay attention to it. Chance has done much for me in my life; it may still find a way.

John

And if chance gets tired, and if you also get as tired? I shall never say – "if you love me no more;" in your heart you have never loved me.

Lionnette

Why did I marry you, then?

John

Because your mother advised you to do it.

Lionnette

It is perhaps the only good advice she ever gave me, and I assure you I have been very grateful for what you have done for me.

John

Gratitude is not love.

Lionnette

Love comes afterwards.

John

A long time afterwards, for it has not come yet.

Lionnette

The most beautiful creature in the world could not give more than she has. I have given all I had to give. Is it love? Is it not love? I know not. I have no line of comparison, never having given to any one but you.

(She hesitates a moment before continuing.)

John

You were going to say something else.

Lionnette

No.

John

Yes. Say it, whatever it was.

(He draws Lionnette by the hand, close to him.)

Godler

There are the plots beginning again. An odd kind of a house this.

(The three persons go out on the terrace, and from there into the garden, where one sees no more of them.)

Lionnette

I was going to say that perhaps you find that I do not love you enough, because you love me too much. Then you have been much too good to me; you have done whatever I wished; you did wrong. You should have been more my master, in order to counterbalance the bad influence of my mother, to change my habits, to offer more resistance, and to save me from myself.

John

To save you? What have you done then?

Lionnette

I have ruined you.

John

That is all.

Lionnette

It is quite enough.

John

You have never thought of…

Lionnette

Of what?

John

Of another?