Читать книгу The History of Antiquity (Vol. 1-6) - Duncker Max - Страница 12

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The lists of the Egyptians place Menes (Mena) at the head of their series of kings. They describe him as a native of This, a place in the neighbourhood of Abydus, below Thebes, a district which Diodorus considers the oldest part of Egypt. Menes passes for the founder of the kingdom and the builder of Memphis (Mennefer); he is said to have taught the Egyptians the worship of the gods and the offering of sacrifice.[130] Herodotus informs us that he learnt from the Egyptian priests that Menes had thrown a dam across the Nile about 100 stades above Memphis, and thus forced the stream which previously flowed at the foot of the Libyan chain of hills to leave its ancient channel, and flow at an equal distance between the two ranges. When the land thus gained by the dam had become firm, he built upon it the city, now called Memphis, and still situated in the narrow part of Egypt. Towards the north and west sides of the city, Menes had excavated a lake, and filled it with water from the river—which was itself a protection to the city on the east—and in the city he built the greatest and most remarkable temple of Hephæstus (Ptah).[131] Diodorus observes:—The founder of Memphis, the most splendid city in Egypt, selected the most suitable site by founding the city in the place where the Nile separates into several arms, so that the city, lying on the pass, commanded the navigation up the Nile. He also obtained for the place a wonderful advantage and security by throwing a huge dam in front of it towards the south, as the Nile at the time of inundation overflows the district. This dam was a protection against the rising water, and at the same time served as an acropolis and defence from the attack of enemies. On all the other sides of the city he caused a large and deep lake to be excavated, which received the overflow of the water and afforded the strongest protection for the city. The circuit of the city he placed at 150 stades, and owing to the excellence of the situation, Memphis was generally chosen by the kings as their place of residence.[132] The situation, just a little above the place where the river-valley, hitherto enclosed between the two ranges of hills, opens out into the Delta, was certainly the best adapted to form the centre of an empire extending over the narrow valley of the upper river and the broader district of the Delta, with its wealth of corn-land and meadows, and to check the entrance of enemies who came from the north-west or the north-east into the upper valley, even when it was no longer possible to maintain the Delta against them. About fifteen miles above Memphis, at Kafr-el-Yat, the Nile makes a considerable bend to the east, and modern investigations claim to have discovered traces showing that this curve is due to the hand of man.

Menes, whose accession, according to the arrangement of Lepsius, would fall in the year 3892 B.C., was followed on the throne by King Athotis (Ateta), who was said to have built the citadel at Memphis. Next came Kenkenes, whose successor was Uenephes, to whom is ascribed the erection of the pyramids. We have seen what care and labour the Egyptians devoted to their tombs, their "everlasting houses." The west, where the sun sets, and the desert spreads out in boundless expanse beyond the Libyan range, belonged in their minds to the gods of night, of the under-world, and of death. About ten miles to the west of Memphis there rises a desolate and barren plateau of rock, which for many miles runs parallel to the river, about 100 feet above the blooming and animated valley through which the Nile takes its course. In that rocky soil, which separates the fruitful land from the desert, the bodies of the dead were placed in chambers, either hewn in the solid stone, or, where the soil was less firm, built of masonry, and thus secured even from the overflow of the river. Even the kings sought their resting-places on this plateau of rock. They, above all, gave attention to the solidity and durability of their tombs; and in death, as in life, they wished to be kings. The place where a king rested must be marked as royal, and visible from a distance; the grave of a king must tower over the rest; his chamber must be of all most difficult to open. Thus at first blocks of stone were rolled upon the closed burial-place of a king, or a mound of earth was raised over it, if sand and soil were to be obtained in the neighbourhood. The strong winds which blew from the desert made it, however, necessary to secure these mounds, and cover them with stone. Hence by degrees the sepulchral heaps acquired a definite shape: they were rectangular structures, lessening toward the apex; then, by extending the base and sharpening the gradient, they were brought into the form of pyramids, and thus obtained the greatest possible firmness and solidity. For a similar reason the core, or central part, was no longer made of earth, but of brick; where blocks of stone could be obtained they were fitted into the core with more and more regularity, until at last these structures were completed within and without of rectangular hewn blocks of stone in regular layers, and artificial mountains of stone towered over the sepulchral chambers of the kings.

"At a distance of forty stades from Memphis," Strabo tells us, "is a range of hills, on which stand the pyramids, or sepulchres of the kings. Among these, three are especially deserving of notice. Rectangular in shape, they are about one stadium high; and the height is slightly less than the length of either side. The sides are not equal, one is a little longer than the other, and near the middle of the longer side is a stone, which can be taken out. Behind this a winding, hollow passage leads to the tomb. Two of these pyramids stand close to each other on the same level; at a distance, on a higher level, rises the third, which, though much smaller, has been erected at much greater cost." "Like mountains," says Tacitus, "the pyramids have been raised amid impassable quicksands by the emulation and power of the kings."[133]

About seventy of these structures, which rise in a long line on the plateau of Memphis, from Abu Roash to Dahshur,[134] remain as witnesses of the rulers of the old kingdom of Memphis and their dependants, of the artistic skill and laborious industry of their nation. Of some only the bases and a few fragments are in existence; of the largest, the points, and at least a part of the casing, are either decayed, fallen down, or broken off; for at a later time the Arabs used these monuments as quarries. Three pyramids which stand in the neighbourhood of the modern Abusir are formed of rough blocks of stone, both in the cores and in the passages to the sepulchral chambers; and these blocks are fastened together by mud from the Nile poured in between them; their casings, now decayed, were of lime-stone blocks, and in height they extended from 150 to 200 feet. Others, originally at least, of an equal height, of which the core was regularly built of brick, are found farther to the south near Dahshur. The architecture of these remains shows that the kings of Memphis commenced building their tombs soon after their accession. They began, it would seem, with a core of moderate size, and in this they probably constructed a sort of temporary chamber. If time sufficed, the first plan was overlaid with new strata, and thus it gradually increased in size. Should the builder die before the whole was completed, the casing of the structure thus raised in the form of steps was left to the successor.[135] Between seven smaller pyramids, built regularly of stone blocks, which are about 150 feet in height, and of similar plan and structure, rise the three largest at Gizeh; the highest was originally 480 feet in height, though now it measures only 450 feet; the next greatest, standing south-west of the highest, is now 447 feet, and was originally 457 feet in height; the third measures but 218 feet. The second largest, originally twenty-three feet lower than the largest, is on a slightly higher level, the masonry is inferior to the largest, and the chamber lies immediately under the area of the structure. The largest measures 716 feet, or 500 Egyptian cubits,[136] on each side of the area; the height along the slope is 574 feet, and the structure contains about ninety million cubic feet of masonry. Fifty feet above the original area, now covered with the sand of the desert, in the middle of the north side, there commences a gradually descending passage, about three feet broad and four feet high, leading to a chamber hewn deep in the foundation rock. This chamber lies more than one hundred feet below the level of the pyramid, exactly 600 feet under the apex, and in a perpendicular line with it; it is thirty-six feet above the level of the Nile. From this passage to the chamber there branches off, just behind the entrance, a horizontal shaft, and from this rises an ascending passage leading to two chambers, one over the other, which, like the sepulchral chamber below, lie in the axis of the pyramid. The third and smaller pyramid—its sides measure 333 feet, and the height of the slope is 262 feet—being built upon looser soil, required a greater substructure, on which it rose in five or six perpendicular and gradually diminishing stories, the spaces between being filled up with bevelled masonry. Up to a considerable height the casing consists of polished slabs of granite. Under this structure in the native rock lies a larger chamber, and behind this the sepulchral chamber.

When Herodotus visited Egypt about the middle of the fifth century B.C., and questioned his interpreter and guide about the builders of these three pyramids, he was told in answer that they were built by Cheops, Chephren, and Mycerinus. He was told that Cheops first caused a road to be made from the stone quarries in the Arabian chain of hills—the range east of the Nile—down to the river, and again from the west side of the river to the high ground above Memphis. The road was built of smoothed stones five stades in length, ten fathoms broad, and at the highest places thirty-two fathoms high; and it was intended to convey the materials from the Arabian side of the river. In making this road and building the subterranean chamber for the grave of Cheops ten years were consumed, although 100,000 men were constantly employed upon it by spaces of three months, when they were relieved by an equal number of fresh workmen. Twenty years were then spent upon the pyramid, of which each side and the height measured 800 feet; it was built in such a manner that the structure was carried out by landings and steps, like a staircase. When the proper height was reached, the landings were covered from top to bottom with smoothed and carefully-fitted stones, and no stone is less than thirty feet. Under the surface was a canal carried in masonry from the Nile round the subterranean chamber. "It is also inscribed on the pyramid," Herodotus continues, "what the workmen consumed in radishes, onions, and garlic, and on these, as I well remember, the interpreter who read the letters told me, 1,600 talents of silver were spent. If this is true, what must have been expended upon iron for the tools, and on food and clothing for the workmen?" When Cheops had reigned fifty years he was succeeded by his brother Chephren, who also built a pyramid, though not equal in size to the other, and without any chamber or subterranean canal. "Both pyramids stand on the same elevation, of about one hundred feet; but the second is forty feet lower than the first; the lower stratum is built of vari-coloured Ethiopian stone." When Chephren had reigned fifty-six years, he was followed by Mycerinus, the son of Cheops. This king also left a pyramid behind him, "but his pyramid was much smaller than that built by his father: the sides are only 280 feet in length; the lower half is built of Ethiopian stone."[137]

The account of Diodorus is as follows:—King Chemmis of Memphis reigned fifty years, and built the largest of the three pyramids, which in height measures more than six plethra, and along the sides more than seven plethra. It is entirely constructed of solid stone, very difficult to work, and therefore of endless durability. Even now, although not less than a thousand, or as some say even more than 3,400, years have passed, the structure is uninjured, and the joints of the stones unloosened. Besides, we are told that these stones were brought from a considerable distance out of Arabia, and the structure was carried to its present height by means of mounds of earth. Most wonderful of all, no traces of these mounds, no fragments from the hewing and smoothing of the stones remain; so that it would seem that this work was not accomplished gradually by the hand of man, but was planted complete by a god in the midst of the surrounding sand. Though it is said that 360,000 men bestowed their labour on the structure, the work can hardly have been finished in twenty years, and the number of men who erected it must also have removed the mounds of earth and excavated material, and put everything in its original condition. Chemmis was followed by his brother Kephren, who reigned fifty-six years. Other accounts tell us that the kingdom descended on his son, Chabryes, and not on his brother. But all agree that he built the second pyramid, which resembles the first in the art of the execution, though much inferior in size, since on the sides it measures only one stadium (or, according to recent measurement, exactly 700½ Greek feet). And while the money spent in radishes and garden herbs for the builders is inscribed on the larger one, the smaller remains without any inscription. Though both these kings had destined these tombs for their place of burial, neither is buried there. Roused by the burden of their labours, the cruelty and violence of these kings—and in Herodotus also Cheops and Chephren appear as wicked and godless kings—the people threatened to take their bodies out of their graves and insult them. Terrified by this threat, each of the kings in his last moments bade his relations bury him privately in a secret place. After Kephren reigned Mycerinus, whom others call Mencherinus, the son of Chemmis. He built the smallest pyramid. Though less in size, it surpasses the others in the excellence of the work and the beauty of the stone; up to the fifteenth layer it consists of black stone resembling the stone of Thebes; from thence to the top the stone is the same as in the other pyramids. On the north side is written the name of the builder, Mycerinus. Abhorring the cruelty of his predecessors, Mycerinus, as we learn, sought to make his rule moderate and beneficent to his subjects, and did everything to gain the affections of the nation. He paid great attention to the administration of justice; and to the common people who had not received from the tribunals such a sentence as seemed just to him, he made presents. "But as to the building of the pyramids, there is no agreement either among the Egyptians or their historians; some ascribe them to the kings I have mentioned; some to other kings."[138]

The accounts given by Herodotus and Diodorus of the structure of the largest pyramid are completely confirmed by modern researches. Even now it is thought that traces can be recognised of the causeway which served for the transport of the materials from the left bank of the Nile to the plateau.[139] The pyramid itself is built in large regular steps constructed of squares of granite. The yellow lime-stone of the casing must also have been really brought from the Arabian side of the Nile, because better stone of that kind was found there.[140] On the other hand, the account of a subterranean canal round the grave chamber is merely a legend of the people, who desired to adorn with new marvels the structure already so marvellous; it is impossible, simply because the lower chamber, and not only the area of the pyramid, is above the lower level of the Nile. The 100,000 workmen of Herodotus, changed every three months, and the 360,000 of Diodorus—a number formed from the days in the old Egyptian year—have arisen out of the free invention of later times, although the building must certainly have occupied more than a decade of years. Inscriptions are not found now on the external side of the pyramid. If such were in existence at the time of Herodotus, they certainly contained other things than those which the interpreter pretended to read there. The interpreters who served as guides to the travellers of that day in Egypt, as the dragoman does now, could hardly have read the hieroglyphics; they contented themselves with narrating the traditions and stories popularly connected with the great monuments of past time, not without certain exaggerations and additions.[141]

But the names of the builders of the three largest pyramids, which these interpreters mentioned to the Greeks, are confirmed by the monuments. In the deep chamber of the largest pyramid there is no sarcophagus; in the upper of the two chambers which lie in the axis of the pyramid there has been found, it is true, a simple sarcophagus of red granite, but it bears no inscription. Above these chambers, however, there are certain small spaces left open, with a view no doubt of diminishing the pressure of the stone-work upon them, and on the walls of these spaces is written the name, Chufu, Chnemu Chufu, in hieratic characters.[142] The same name frequently recurs in the tombs surrounding this pyramid, in which, according to the inscriptions, the wives, sons, officers, and priests of Chufu were buried; and among them the scribe of the buildings of the kings and the priest of Apis, who was at the same time keeper of the gates and of the palace. In this inscription the pyramid of Chufu is called "Chut." On a monumental stone found in the Apis tombs—now in Cairo—we read, "The living Horus, the King of Egypt, Chufu, has built a temple to Isis near the temple of the Sphinx, north of the temple of Osiris, and has erected his pyramid beside the temple of Isis."[143] Chufu himself is not found in Egypt, but in the peninsula of Sinai he is pictured in relief on the rocks in the Wadi Maghara. He is represented as lifting his war-club against an enemy whom he has forced upon his knee and seized by the head-dress with the left hand.[144] In an inscription in the same valley, the oldest which we possess, his predecessor Snefru claims to have subjugated these regions.

In the second pyramid, in the chamber under the surface, a sarcophagus of granite has been discovered on the floor without any inscription. But in the inscriptions on the graves, especially on the grave of the architect of King Chafra, his pyramid is mentioned as "the great pyramid." Between the paws of the Sphinx which stands to the north of the second pyramid, hewn out of the living rock, is a monumental stone, on which is read the name Chafra,[145] and in the ruins of a temple lying near the Sphinx—the same without doubt which is mentioned in the stone at Cairo—seven statues have been exhumed, the inscriptions on which prove that they represent "the Master and Gold Horus, Chafra, the good god, the lord of the crown," i.e., King Chafra himself.[146] And lastly, the inscriptions on the tomb of a woman whose name is read as Mertitef, prove that she was the chief favourite of Snefru and of Chufu, and had been united to Chafra.[147] Hence Chafra must have succeeded Chufu, and the "great" pyramid built by him can hardly have been any other than that which now holds the second place.

In the sepulchral chamber of the third pyramid, it is known in the inscriptions as "Har," i.e., "the supreme," the sarcophagus of King Menkera with his mummy has been discovered. It is made of blue basalt, and bears the following inscription:—"O Osiris, King Menkera, ever living one; begotten of the sky, carried in the bosom of Nut, scion of Seb (p. 55). Thy mother Nut is outstretched over thee, in her name of the mystery of the sky may she deify thee and destroy thy enemies, King Menkera, ever living one."[148]

It is therefore an ascertained fact that Chufu, Chafra, and Menkera were the builders of the three great pyramids. In the mouth of the Greeks the name Chufu passed into Cheops, and by a farther change into Suphis. The name Chemmis in Diodorus has arisen out of the name Chnemu in the form Chnemu Chufu; from Chafra naturally arose Chephren, Kephren, and Chabryes. In the list of kings in Eratosthenes, the fourteenth successor of Menes is Saophis; Eratosthenes allows him a reign of twenty-nine years. His successor, who has a reign of twenty-seven years, bears the same name. The second Saophis is followed by Moscheres with a reign of thirty-one years. Manetho's list gives the name Suphis to the twenty-seventh king after Menes, and he is said to have reigned sixty-three years. Then follows a second Suphis, with a reign of sixty-six years, and this king is succeeded by Menchres, who reigned sixty-three years. On the first Suphis in Manetho's list the excerpt of Africanus remarks: "This king built the largest pyramid, which Herodotus assigns to the time of Cheops;" in the excerpt of Eusebius, both in the Greek text and the Armenian translation, this remark is made on the second Suphis. Hence we can have no hesitation in identifying the Cheops and Chephren of Herodotus, the Chemmis and Kephren of Diodorus, with the first and second Saophis and Sufis of the lists, the Chufu and Chafra of the inscriptions; and the Mycerinus of Herodotus and Diodorus is beyond doubt the same as the Moscheres of Eratosthenes, the Mencheres of Manetho, and the Menkera of the sarcophagus in the third pyramid. In the national tradition of the Egyptians, as received by the Greeks, Cheops and Chephren were called brothers, and this is no doubt mainly due to the fact that the monuments of these two kings surpassed all the other pyramids, and were of nearly the same height and size. It is impossible that Cheops should have reigned fifty years, and his brother Chephren who succeeded him, fifty-six years, as Herodotus and Diodorus tell us—the inscription quoted above makes the same woman the favourite of the predecessor of Chufu, of Chufu, and Chafra also; even more impossible is it that the first Suphis should have reigned sixty-three years, and the second sixty-six, as given in the list of Manetho, if they were brothers; or that Mycerinus, whom Herodotus as well as Diodorus calls the son of Cheops, should have succeeded Chephren with a reign of sixty-three years, as Manetho tells us. Like their brotherhood, the wickedness of Cheops and Chephren is due to the popular legends of later times. The sight of the enormous structures forced on later generations the reflection what labour, what stupendous efforts must have been necessary for their erection. This reflection united with certain dim memories, and gathered round the rule of the strangers, the shepherd-tribes, which for a long time afflicted Egypt, as is clear enough from a trait in the narrative of Herodotus. He assures us that the Egyptians could scarcely be induced to mention the names of the kings who built the great pyramids: they spoke of them as the works of the shepherd Philitis.[149] In the eyes of the Egyptians of the olden time, tombs would never have appeared to be works of impiety and wickedness, realising as they did in such an extraordinary degree the object most eagerly desired, a secure and indestructible resting-place for the dead: with them they would rather pass as works of singular piety. Without doubt it is the older tradition, that of the priests, which meets us in the observation appended in the list of Manetho and the excerpt of Africanus to the first Suphis, and in the excerpt of Eusebius, both in the Greek text and Armenian translation, to the second Suphis, in which we are told that this king had composed a sacred book, and the Egyptians regarded it as a very great treasure.

According to the inscription, Chufu had erected a temple to Isis by the side of the temple of the Sphinx, and therefore the latter temple must have been already in existence. And as a fact the ruins still found beside the great Sphinx give evidence of very ancient workmanship. There was a court, the ante-court of the temple, which surrounded a portico supported on twelve square pillars; next came a hall supported on monoliths, the temple itself, and finally the Holy of Holies, surrounded by small chambers. The material used in building was limestone and granite. The symbolic form of the deity, to whom the temple belonged, was the enormous Sphinx, 190 feet in length, hewn out of the rock, with the body of a lion and the head of a man. From the memorial stone before it we learn that it symbolized the god Harmachu (Armachis of the Greeks), i.e. Horus in Splendour (har-em-chu).[150] From the inscription on this stone, which dates from the time of Tuthmosis IV., it seems to follow that it was Chafra, who caused this shape to be hewn out of the rock and consecrated it to the god. Other inscriptions inform us that the pyramids were regarded as sepulchral temples, and that there were priests for the service of the princes who were buried there, and had attained to a divine nature, and these services were still in existence at the time of the Ptolemies. One of the tombs at Gizeh belongs to a priest, a relation of Chafra, whose duty it was to "honour the pyramid Uer (the Great) of king Chafra;" another is found at Sakkarah belonging to "a priest of Chufu, and Chafra."[151] On a monumental stone of the time of the Ptolemies (found in the Serapeum, and now in the Louvre) mention is made of the temple of Harmachu on the south of the house of Isis, and of a certain Psamtik, the prophet of Isis, of Osarhapi (p. 67), of Harmachu, of Chufu and Chafra.[152]

The temples of Osiris and Isis, near the three great pyramids, and the inscription on the sarcophagus of king Menkera are evidence that the cultus of Osiris, the belief in his rule in the next world, in the return of the soul to her divine origin, and her deification after death, was already in existence at the time when these monuments were erected. The use not of hieroglyphics only, but also of the hieratic alphabet, in red and black colours, in the pyramid of Chufu, and the graves around it, in the sculptures of which writing materials and rolls of papyrus are frequently engraved, the forms of domestic and household life, of agriculture and the cultivation of the vine, of hunting and fishing, preserved on the tombs of Gizeh, are evidence of the long existence and manifold development of civilisation, no less than those great monuments, or even the graves themselves with their artistic mode of construction, their severe and simple style of execution, and the pleasing forms of their ornaments. Of the seven statues of Chafra, discovered in the temple of the Sphinx, one, chiselled out of hard green and yellow basalt, has been preserved uninjured. The king is represented sitting, and naked, with the exception of a covering on the head and a girdle round the loins. The lower arms rest on the thighs, the left hand is outstretched, the right holds a fillet. The sides of the cube, on which Chafra is seated, are formed by lions, between the feet of which are stems of papyrus. On the high back of the chair, behind the head of the king, sits the hawk of Horus, whose wings are spread forwards in an attitude of protection. The execution of the statue of the king is a proof of long practice in sculpture. The natural form is truly and accurately rendered, and though even here Egyptian art displays its characteristic inclination to severity, and correctness in the proportions of the body, to repose and dignity, yet in the head there is an unmistakable attempt to individualize an outline already fixed—an attempt not without success. Still more distinctly individual are two statues found near the pyramids of Meidum, from the reign of the predecessor of Chufu, a wooden statue, and certain pictures in relief from the tombs near the great pyramids. The architecture, no less than the sculpture, of these most ancient monuments, displays a high degree of experience and a knowledge of the principles of art, a conscious purpose and effort existing together with a fixed obedience to rule.

We learnt from Diodorus that the great pyramids were erected 1,000, or, according to some, 3,400 years before his time. According to the list of Manetho, Cheops, Chephren, and Mycerinus belonged to the fourth dynasty. If we accept the incredible reigns of sixty-three, sixty-six, and again, sixty-three years, which Manetho allows to those three kings, they reigned over Egypt, according to Lepsius' dates, from the year 3095 B.C., to 2903 B.C.

At a period subsequent to these kings the list of Manetho speaks in the sixth dynasty of a king Phiops, who came to the throne as a child in his sixth year, and lived to be 100 years old. The list of Erastosthenes mentions a king Apappus, who reigned for 100 years. The monuments show us a king Pepi, in whom we recognise Phiops and Apappus, and in consequence a reign of ninety-five years is assigned to him (2654–2559 B.C.). Yet hitherto the sixteenth year is the highest found on the monuments for the reign of Pepi; and in the inscription on a tomb at Abydus, now in the museum at Cairo, a man of the name of Una declares that he had filled the highest offices in the kingdom under Teta, the predecessor of Pepi, under Pepi, and again under his successor, Merenra. If one person could be the minister of three successive rulers, it is clear that the second of these reigns could not have lasted 95 or 100 years. Under the reign of Pepi, as well as his immediate predecessors and successors, i.e., in the sixth dynasty of Manetho, the development of Egypt must have undergone a certain change. The kings, previous to this family, are represented on the monuments with a cap falling to one side, or with a tall head-dress; Pepi is represented on one relief with this head-dress, but on another with one of a lower shape. The tall white cap is the crown of Upper Egypt, the lower red one is the crown of Lower Egypt. It is no longer on the plateau of Memphis, and among the tombs there, but in Middle Egypt, near El Kab, and in the valley of Hamamat, which leads from Coptus to the Red Sea, that we find the monuments of Pepi and his race, and the tombs of their priests and magistrates are at Abydus. Under this dynasty, therefore, the central point of the kingdom appears to have been moved from Memphis in the direction of Middle Egypt. On the west coast of the peninsula of Sinai, in the Wadi Maghara, Pepi is seen striking down an enemy; and from the inscription on the tomb of Una, it is clear that Pepi's kingdom extended up the Nile as far as the negroes, that his successor caused dockyards to be built in Nubia, and that Una had to procure blocks of fine stone for the sarcophagus of Pepi and his successor, and also for the pyramid of the latter.[153]

The removal of the centre of the kingdom from Memphis, which is noticeable under the family of Pepi, was completely carried out under a later house, which is stated in the lists to belong to Thebes—the eleventh and twelfth dynasty of Manetho. Upper Egypt became the seat of the royal power; Thebes (the No-Amon, i.e. possession of Ammon, of the Hebrews) took her place beside Memphis. The princes of this new dynasty are no longer called in the monuments the lords of Upper and Lower Egypt, but the "lords of both lands;" they always wear both crowns. Hence it is possible that this royal house in the first instance ruled over Upper Egypt only from Thebes, and that for a long time Upper and Lower Egypt existed side by side independently, till the kings of Thebes succeeded in reducing Lower Egypt under their dominion.

Of Amenemha, the first king of this house, who ruled over Upper and Lower Egypt (2380–2371 B.C.), a colossal figure of red granite is still in existence, which was discovered in Lower Egypt at Tanis (San), not far from Lake Menzaleh.[154] His power must have extended up the Nile over the adjacent part of Nubia, for a pillar discovered there informs us that he intrusted an officer with the superintendence of the gold mines in Nubia.[155] His successor, Sesurtesen I. (2371–2325 B.C.), erected a temple to Ammon at Thebes, and set up obelisks, i.e. pointed monolithic pillars, dedicated to the sun-god, in Lower Egypt, in Fayum, and at Heliopolis. The obelisk at Fayum, not far from the ancient Arsinoe, was about forty feet in height; it has been broken by the fall into two pieces. The obelisk of Heliopolis is sixty feet in height; it still towers over the ruins of this city, near the village of Matarieh. It is not the first obelisk erected in Egypt, for the inscriptions of Chufu mention an obelisk erected by that king, but it is the oldest which has come down to our time. The inscription, repeated on all four sides, runs thus:—"Horus, the life of that which is born, the child of the sun, Sesurtesen, who is beloved by the spirits of Heliopolis, who will live for ever, the golden hawk, the life of that which is born, this gracious god has erected this obelisk at the beginning of the great festival. He has erected it who assures us of life for ever."[156] That this king also ruled in Nubia, and forced his way far up the Nile above Egypt, is proved by a monument in Nubia on the cataracts of the Wadi Halfa; a pillar, on which is depicted Sesurtesen, representing Nubians and negroes, the prisoners of eight nations or tribes, to the god Horus.[157] In the rock tombs of Beni Hassan is buried an officer of this king, Amenj, overseer of the canton of Hermopolis (Ashmunein). The inscription tells us that Amenj had served the king when on a campaign to destroy his enemies; that he had approached the land of Cush, and reached the limits of the earth. The king had returned in peace after the overthrow of his enemies. Afterwards Amenj with 600 warriors had conveyed the produce of the goldmines from the canton of Hermopolis to the stronghold of Coptus. He had loved his canton; and all the works required for the house of the king he had carried out in his canton by his own arm, and had paid in the tribute. He had laboured, and the canton had been in full activity. He had not afflicted the children, or ill-treated the widows; he had not disturbed the fishermen, or hindered the herdsmen. Famine had never prevailed, because every plot had been planted. He had caused the inhabitants to live, had given gifts without regarding the great before the small.[158] The fragment of a seated colossus of Sesurtesen I., of black granite, is to be seen in the museum at Berlin; his colossus of red granite is at Tanis. A third statue of this king has been found at Abydus.[159]

Amenemha II. and Sesurtesen II. carried on the campaigns of the first Sesurtesen in the south of Egypt. A monument in the valley of Hamamat exhibits battles with the Punt, i.e. with the tribes of the Arabians and the negroes.[160] Sesurtesen III., who succeeded Sesurtesen II., completed the subjugation of Lower Nubia. To protect the new border of the kingdom, he caused fortresses to be erected a little above the falls of the Wadi Halfa, at Semne and Kumne, about 250 miles south of Syene. A pillar discovered in this district has the following inscription:—"Southern border; erected in the eighth year, under the rule of his holiness King Sesurtesen III., who gives life for all eternity. No negro shall pass over it on his way, except the boats laden with the oxen, goats, and asses of the negroes."[161]

The third Sesurtesen was followed by the third Amenemha (2221 to 2179 B.C.). Inscriptions in the Wadi Maghara, in the peninsula of Sinai, tell us that Amenemha III. caused the copper to be conveyed from the mines there by 734 soldiers, in the second year of his reign; and inscriptions in the valley of Hamamat show that the quarries there were frequently used by this king.[162] Near the fortifications of his predecessor, on the rocks of Semne and Kumne, are found numerous records of the height reached by the Nile in the reign of Amenemha III. Here we read—"Level of Hapi (the Nile) in the fourteenth, sixteenth, thirtieth years, &c., under his holiness King Amenemha III., who lives for ever." From these observations we find that the average height of the inundations at that time was more than twenty-four feet higher than at present; and the greatest height reached under Amenemha III. was twenty-seven feet above the greatest height of modern times.[163]

Herodotus tells us the following story;—Among the successors of Menes, Moeris carried out some remarkable works; he built the north gateway in the temple of Hephaestus, excavated a great lake, and erected pyramids in it. "The priests told me that under the rule of Moeris, the Nile overflowed the land below Memphis, although it had only risen to the height of eight cubits, but now the water does not cover the land unless it reaches a height of sixteen or at least fifteen cubits; and it seems to me that if the land were raised again in the same proportion, the Egyptians who live in the Delta below the lake of Moeris would be in distress. The circuit of the lake of Moeris is about 3,600 stades, or sixty schoenes, and the depth in the deepest place about fifty fathoms. The lake extends from north to south. That it was the work of human hands, is clear from the nature of it. About the middle are two pyramids, each of which rises about fifty fathoms out of the water, and on each is a stone colossus seated on a throne. The water of the lake does not arise from springs, for the whole district there is entirely without water, it is introduced by a canal from the Nile. For six months the water flows from the Nile into the lake, and again for six months from the lake into the Nile. While it runs out the fishery brings in a talent of silver a day for the King's treasury; but when the water flows into the lake the product is a third of a talent only.[164]"

Diodorus tells us that king Moeris erected the north gateway at Memphis, the splendour of which excelled all others; and above the city at about ten schoenes distance he excavated a lake of marvellous utility and incredible size. The circuit was 3,600 stades, and the depth in most places was fifty fathoms. "Who would not ask, when contemplating the vast extent of this work, how many myriads of men were required to complete it, and for how many years? But no one could ever speak in worthy terms of the utility of the lake and the advantage it is to the inhabitants of Egypt and the wise prudence of the king in making it. As the Nile does not rise evenly, and the fruitfulness of the land depends on the evenness of the overflow, Moeris excavated this lake to receive the superfluous water, in order that an excessive inundation might not create marshes and morasses, or a deficiency of water imperil the fruitfulness of the soil. He carried a canal 300 feet in breadth from the river for eighty stades (about ten miles) to the lake, through which he first admitted the superfluous water and then drew it off. In this way he procured for the tillers of the soil the desired medium in the water, since the mouth of the canal was sometimes closed, sometimes opened, which was both a difficult and costly thing to do. The lake has remained to our time, and is still called by the name of the constructor, the lake of Moeris. In the middle, the king who excavated it left a place on which he built his own tomb, and two pyramids. One was erected for himself, the other for his wife. On these he placed stone statues of himself and his wife, sitting on thrones, in the impression that by means of this work he would be for ever held in grateful remembrance."[165]

Of the lake above Memphis, Strabo gives the following account:—"The canton of the city Arsinoe, which was formerly known as the City of Crocodiles, surpasses all others in the beauty of its appearance, in fruitfulness, and also in the wonders to be seen there. It alone is covered with green and large olive trees, whereas there are no olives in the rest of Egypt; it produces a considerable amount of wine, and corn, and pulse, and many other cereals. In it also lies the wonderful lake of Moeris, which in size and colour is like a sea, and has shores like the shores of the sea. Owing to its size and depth this lake is able to receive the superfluous water at the time of the inundation, so that it does not overflow the inhabited and planted districts. On the other hand, when the river begins to subside, after it has poured the overflow into one of the two mouths of the canal, the lake and the canal together retain the water required for irrigation. This takes place in the natural course of things, but there are also artificial sluices at both mouths of the canal, by which the persons in charge regulate the rise and fall of the water." Tacitus also mentions "the excavated lake which receives the overflow of the Nile."[166]

From these accounts the object of the work is clear. It was intended to regulate the inundation by a large reservoir, and so to increase its beneficent effects upon the soil of Egypt. The inundation was to be reduced for the Delta by drawing off a part of the water, which had risen into this basin in the neighbourhood of Memphis, in order that the land in this district might not be rendered swampy, and the marshes might have time to dry. This basin could also retain a portion of water in the superabundant years of excessive inundation, in order to supply the deficiencies of other years when the water did not reach the highest plots. Further, the reservoir might be used to irrigate the arable land in the neighbourhood during the waterless months, when there was no inundation.

A few miles above Memphis the Libyan range is divided by a depression. This cleft leads from the Nile into a spacious urn-shaped valley, now called Fayum, of which the western part is filled by a large lake. On the ruins near this lake, the name of King Amenemha III. is frequently read. If we remember that the careful observations of the rise of the Nile from the reign of this king tend to show that he was busily engaged with the irrigation of the land, that the Egyptians call this lake the lake of inundation (meri), and that the king Mœris of the Greeks owes his name to this title (suten en meri), we may regard Amenemha III. as the author of the wonderful hydraulic structures at Fayum. The great reservoir, which he constructed, is no longer in existence, but the remains of it can be traced in dams and in the modern lake of Fayum, the Birket-el-Kerun. The urn-shaped valley of Fayum offered a situation for a basin near the Nile, which might receive and preserve part of the inundation, and the depression in the Libyan range secured a natural path for the canal, required to feed the basin from the Nile, and the Nile from the basin. For the site of the basin the nearest part of the valley was selected; it was enough that the bed of the reservoir was not lower than the lowest level of the Nile. No deep excavations were needed; all that was required was to enclose a large part of the valley with strong dams; and the earth necessary for erecting these could be taken out of the enclosed space. These dams must have been massive enough to retain a large body of water, and prevent it from breaking out into the western, and far lower part of the valley, and at the same time of sufficient height to prevent any overflow even in the times of the highest inundations. At the eastern entrance into Fayum we find running from the valley of the Nile the remains of long, rectilinear, and very massive banks, in which modern research has recognised the original enclosure of the lake of Moeris. The breadth of the dams appears to have been carried to 150 feet; whereas the height can hardly have exceeded thirty feet.[167] When Herodotus tells us that the depth of the basin in the deepest part was fifty fathoms, it is obvious that the statement rests on the computation that the two pyramids in the middle of the lake were of the same height under as above the surface. The same authority allows a circuit of about 450 miles for the lake, but from the remains we cannot allow a greater circuit than 150 miles.[168] The Egyptians were sufficiently skilled in the erection of strong dams, and structures of such an extent could not be in excess of the resources of a country which had erected the great pyramids. Finally, when Herodotus asks what had become of the earth dug out of this great lake, the answer is that there was no complete excavation, but merely the enclosure of a certain space of land, and what was taken out of this was at once applied to the construction of the dams.

The statement of the priests about the height of the inundation in the reign of Moeris, which Herodotus has preserved for us, and from which he has drawn the conclusion that the soil of Lower Egypt must have risen since that reign from seven to eight cubits in height, is much exaggerated. The deposit of mud in consequence of the inundation raises the soil only about four inches in 100 years, that is, about three-and-a-quarter feet in 1,000 years. Supposing the basin of Amenemha to have been completed 1,500 years before Herodotus travelled in Egypt, the difference in the required height of the inundation might reach three or four cubits, but not seven or eight. Yet the raising of the soil, and more especially of the bed of the great basin, which rose far more rapidly than the surface of the land, brought about the decay, and at last the ruin, of this reservoir. The bed of the basin in which the water remained the whole year through, and not for three or four months only, must have been raised by the deposit at a peculiarly rapid rate; at the present time it shows a height of eleven feet as compared with the land outside the remains of the dams.[169] With this rise in the bed, the value of the basin diminished in proportion as the amount of water which the reservoir was capable of receiving was lessened. It was useless to raise the height of the dams, for the influx of the water from the Nile depended on the level of the bed of the connecting canal, and of the basin. These causes along with the disaffection of later times must have brought about the decay of the reservoir, the value of which Diodorus places so high, and which was in existence in the time of Tacitus. At a later period the dams must have been neglected, so that at the time of some extraordinary inundation, a breach was made towards the west, which filled the western and lowest part of Fayum with water. This is the origin of the Birket-el-Kerun, the water of which is still sufficient to convert the largest part of Fayum into one of the most fertile and blooming districts of Egypt. The level of the Birket-el-Kerun is seventy feet lower than the canal which once connected the reservoir with the Nile.[170]

"A little above Lake Moeris," Herodotus tells us, "at the so-called City of the Crocodiles, is the labyrinth. I have seen it, and it outdoes its reputation. If any one were to put together the walls and buildings of the Hellenes, he would find that they were surpassed in labour and cost by this labyrinth alone, although the temples at Ephesus and Samos are certainly well worth speaking of. The pyramids are indeed beyond all description, and each of them is equivalent to many of the greatest works of Hellas, but the labyrinth surpasses even the pyramids. It contains twelve roofed courts, abutting on each other, the entrances to which are opposite, six to the north and six to the south. Externally they are all included in one wall. The chambers are of two kinds, some are under the ground, others visible above it; of each kind there are 1,500. Those above ground I have passed through, and can speak of them from eyesight; those under the ground the Egyptian overseers could not be induced to show me, because, as they said, they contained the sepulchres of the kings who built the labyrinth, and of the sacred crocodiles. Of these, therefore, I can only speak from hearsay: but the chambers above ground, which I saw, are a superhuman work. The entrances through the covered spaces, and the windings through the courts are very complicated, and excite infinite wonder, as you pass from the courts into the chambers, and from the chambers into colonnades, and from these into other covered spaces, and from the chambers into other courts. On all these spaces lies a roof of stone, similar to the walls; the walls are covered with carved pictures, and each court is surrounded on the inside with pillars of white stones, excellently fitted together. In the angle where the labyrinth ends there is a pyramid forty fathoms high, with large figures cut into it. The entrance to this is under the surface."[171]

Diodorus says:—"One of the old kings, named Menas, built on the lake of Moeris, the City of Crocodiles, a tomb for himself, a square pyramid, and the marvellous labyrinth." In another passage he says: "King Mendes, whom some call Marrhus, was not distinguished by any military achievements, but he built for his tomb the so-called labyrinth, which is marvellous not so much for its size as for the inimitable art of the structure. Without a thoroughly competent guide, it would not be easy for any one to find his way out." And in a third passage we are told: "The labyrinth at the entrance into Lake Moeris is a square structure—each side measuring a stadium—built of the most beautiful stone, unsurpassed in the sculptures and the art bestowed upon it." "Passing through the enclosure, you see a house surrounded with pillars, forty on each side, and with a roof of a single stone, adorned with mullions in relief, and various paintings. It also contains the monuments of the twelve provinces of Egypt of their sacred relics and sacrifices, all represented in the most excellent pictures."[172]

Strabo's account is as follows:—"At the sluices (of the canal connecting the basin and the lake) is the labyrinth, a work as great as the pyramids, and moreover the grave of the king who built it. About thirty or forty stades above the mouth of the canal is a table-land, on which lies a hamlet and a palace made up of as many palaces as there are districts in Egypt. For so many in number are the colonnaded courts, adjoining each other in a row, and abutting on a partition against which they are built as against a long wall.[173] The entrances which lead to them are over against the wall. Before these entrances lie dark chambers, long in shape, and numerous, which are connected with each other by winding passages, so that without a guide it is impossible for the stranger to find the entrance or exit belonging to each court. The most marvellous thing is that the roof of each chamber consists of a single stone. Even the dark passages (before the entrances into the courts) are covered with slabs of a single stone, from side to side, without use of wood or other support, and these slabs are of extraordinary size. If you go out on the roof, and as there is but one story, it is not high, you find before you a plateau of stones of this kind. If from this point you look again into the courts, you see them twenty-seven in number in a row, supported by pillars of a single stone. The walls also are of stones not less in size. This number of courts are said to have been erected because it was the custom for all the districts to assemble here by their representatives, with their priests and animals for sacrifice, in order to offer sacrifice and decide matters of the greatest importance. Each district thus met in its own court. At the end of the structure, which extends over more than a stadium (in the square), lies the tomb, a square pyramid, of which each side is about a plethron in length and the same in height. The king buried there is called Ismandes."[174]

"The labyrinth," remarks Pliny, "is still existing in Egypt, though it is said to have been erected more than 3,600 years. Lykeas calls it the tomb of Moeris; some authorities assert that it is a shrine of the Sun-god, and this is the general belief. The entrance was built of Parian marble, which is astonishing to me, the remainder of joined blocks of granite, which centuries have not been able to destroy, albeit assisted by the inhabitants of Heracleopolis, who regard this structure with the greatest detestation, and treat it accordingly. The plan of the whole and the various parts it is impossible to describe. It is divided according to the districts and prefectures, which they call nomes; these are twenty-five in number, and their names are given to an equal number of large buildings. Besides this it contains a temple of all the gods of Egypt, and includes above 1,500 small buildings. The chambers are lofty, and each colonnade is ascended by a flight of ninety steps. Within are pillars of porphyry, images of the gods, statues of the kings, and monstrous shapes. Through the greater part you pass in darkness. From the wing attached to the labyrinth, passages lead through the rock to underground chambers, and there is also a pyramid belonging to it."[175]

As we have seen, Diodorus in one passage ascribes the building of the labyrinth to the ancient king Menas, and in another to king Mendes, whom other authorities call Marrhus, and at last he says that the twelve kings, who reigned in Egypt after the dominion of the Ethiopians, built the labyrinth for their common sepulchre. Four hundred years before his time Herodotus had stated that the twelve kings built it as a common memorial of their reign. Lykeas mentioned king Moeris as the builder, and Strabo told us that the king buried in it was Ismandes, a name which would agree with the Mendes of Diodorus. According to the lists of Manetho, it was the fourth ruler of the twelfth dynasty—Lacharis in the excerpt of Africanus, and Lamaris in that of Eusebius—who built the labyrinth in the province of Arsinoe for his own sepulchre.

The Menas of Diodorus may be an abbreviation of Amenemha, and this supposition becomes the more probable because the king called Moeris by the Greeks is mentioned as a builder of the labyrinth. The remains of the building, on the north side of which the pyramid is still standing, raise this supposition into a certainty. At the entrance to this pyramid, on the pillars and architraves in the ruins, the name of Amenemha III. is repeatedly found.[176]

We must assume, therefore, that in the district which he had recovered from the desert by means of his large reservoir, king Amenemha built a large national temple close to the basin, and in this temple it was intended that all the provinces of Upper and Lower Egypt should see the deities of their land reproduced in separate courts and temples. Then the Egyptians may have ascribed a restoration of this imperial temple, this pantheon, to the supposed twelve kings who were thought to have reigned after the Ethiopian dominion. This tradition is obviously at the bottom of the accounts of Herodotus and Diodorus, who carry the building back to the seventh century B.C. The ruins of the labyrinth lie near the modern village of Hauara, among orchards and palm groves, beside rose gardens and sugar plantations, surrounded by fruitful fields, in a district which is still flourishing and covered with villages, bounded to the west by naked ridges of rock and the sand of the desert. They consist of blocks of granite and dazzling white limestone, which explains the supposed Parian marble in Pliny, the remains of walls and the capitals of pillars. The extent of the structure reaches 600 feet in length and 500 in width; the traces of numerous chambers, some large and some very small, but all rectangular, are still visible both above and under the ground. In the centre is a clear space, once perhaps filled by the courts, of which Herodotus enumerates twelve and Strabo twenty-seven. The pyramid consists of a core built of bricks, and was cased with sculptures, of which, however, there are very slight remains; each side measured 300 feet in length. It was the sepulchre of Amenemha; here, among his great creations, he lay at rest.

In addition to the monuments in Nubia, and this great building, the lake which ripples against the labyrinth is a most eloquent witness of the prosperity to which this dynasty of the Amenemha and Sesurtesen raised Egypt. The population must have been already very numerous when it came to recovering fresh land from the desert, and attention was turned towards increasing and improving the rich fertilization which nature every year secured for Egypt. The picture of the richly developed cultivation, of which these structures exhibit the highest point, is supplemented by the insight into the details of the circumstances of the country permitted by the rock tombs of Beni Hassan, Bersheh, and Sioot (in Central Egypt), which belong to this period of Egyptian history. At Beni Hassan, where the tombs go back to the reign of the first Sesurtesen, we see the entire process of agriculture. Oxen or slaves are drawing the ploughs, of which five different kinds are in use. Sheep and goats tread the seed into the ground. The corn when cut is gathered into sheaves, trodden out by oxen, measured, and carried in sacks to the granary. The flax is packed upon the backs of asses, the lotus, the vintage, and the figs are gathered in. The vintage is partly trodden out, partly squeezed in a press moved by a lever; the wine is poured into jars, and carried into a cellar. We see the irrigation of the fields, the planting of the gardens, the cultivation of onions, the overseer and his clerks. The overseer passes sentence on the lazy and negligent slaves: when he has heard the complaint and the answer, he orders the bastinado to be applied to the culprits, and hands to his master the written account of the matter. With equal minuteness we can follow the breeding of cattle. We see fine herds of oxen, cows, and calves, asses, sheep, and goats in the stalls or at pasture with their keepers; we see the cows milked, the butter and cheese prepared. The fowl-yards are filled with a multitude of different ducks and geese. In the same way by following the pictures on the graves at Beni Hassan we can obtain an accurate view of the process of the various manufactures. We see the spinners and weavers at work; we can follow the potter through all the stages of his work, from the first kneading of the clay to the burning of the finished jar. The carpenter and joiner, the currier, the shoemaker, the smith and goldsmith, the mason and painter, pursue their occupations before our eyes. We see rudders, lances, javelins, bows and arrows, clubs and war-axes preparing: and lastly we have the manufacture of glass, even the blowing, in all the various operations before us. With similar minuteness we can see the interior of the Egyptian house, simply or splendidly furnished, with all the movable goods, the dogs, cats, and apes belonging to the inhabitants; there are the servants at their work, and the operations of the kitchen in great detail. Further we find soldiers of every rank, and with all kinds of weapons; we see them exercising military drill; the battle, the siege, the ram, which is brought up against the walls of the enemy, the roof of shields under which the besieging army advanced to storm the wall—all these are before us. Birding is carried on by means of traps and nets, angling by hooks and spears of two or three tines; there is hunting in its various modes. Long rows of wrestlers exhibit all the various positions of their sport, which seems to have been much in vogue; along with this various games exhibiting strength or endurance were carried on; among others, games of ball and mora. We see dancers, male and female, in various and sometimes very intricate positions; harps and flutes of very different shapes are played upon. A singer is accompanied by a musician on a harp, and the concert is completed by two choruses, one of men, the other of women, who clap their hands. The better class are depicted in gaily-coloured skiffs and palanquins, surrounded by numerous servants, among whom may be observed a considerable number of negroes. Dwarfs and deformed persons are also found in their train.

The most splendid tomb at Beni Hassan belongs to Chnumhotep, the son of Nehera, who, as the inscriptions tell us, was a minister of Amenemha II. and Sesurtesen II. Like Amenj before him, he was the overseer of the province of Hermopolis (Ashmunein). A picture on his tomb exhibits a huge portrait of Chnumhotep, with a staff in his hand, and a scribe at his side; before him are a number of smaller figures, who, to judge from their shape and clothing, are foreigners. The chief among the foreigners, clad in a gay garment, leads forward an antelope and makes a reverential obeisance before the minister. His companions are more simply clad, and armed with lances and bows; one of them is striking a lute with the plectrum. Four women follow, in long gaily embroidered garments, with their heads veiled. An ass driven by a boy with a lance carries two children, and a second ass arms and utensils. The leaf of papyrus, which the scribe of Chnumhotep is handing to his master informs us that Abusa (Abscha) with thirty-six companions from the nation of the Aamu (nomads of the East), had brought presents to the minister of the province of Hermopolis in the sixth year of Sesurtesen III.[177]

If we compare the works of that epoch, which saw the erection of the great pyramids, in technical and artistic value with the remains which have come down from the time of the Amenemha and Sesurtesen—according to the chronology of Lepsius the two periods are separated by an interval of six centuries—we find in the great monuments of the first epoch, in their passages and chambers, a dexterity in the use of stone for building, which has never been surpassed. The sculptures exhibit broader and stouter forms, with more strongly-marked but well-shaped muscles. The ornaments consist of simple, straight lines, besides which scarcely any other adornment is found beyond the lotus leaf. The style is composed and full of repose; it remains nearer nature than in the later works. In the monuments of the time of the Sesurtesen and Amenemha the ornamentation has already become far richer. The pillars are massive, fluted, and crowned by a simple cube. The sculptured forms are taller and thinner; the work in relief, carried out with much industry and delicacy, displays at times very happy moments of natural grace and truth of expression, although perspective is entirely left out of sight. Such work is always carefully painted. The statues of limestone are also painted throughout; in those of granite, only the clothing, the eyes and the hair are coloured.[178]