| Page |
| 1. "Cousin George's Exterior" | 11 |
| 2. Cousin George's First Floor | 14 |
| 3. Cousin George's Second Floor | 15 |
| 4. "Warmth Is Beauty" | 21 |
| 5. A Hidden Foe | 23 |
| 6. A Buried Gridiron | 24 |
| 7. The Protecting "Cut-off" | 25 |
| 8. A "Cross-Section" Prophecy | 28 |
| 9. Heat From All Sides | 30 |
| 10. Aunt Melville's Ambition | 33 |
| 11. No Place For The Bed | 36 |
| 12. Enlarged By Destruction | 37 |
| 13. A Slight Addition | 39 |
| 14. Ground Floor Of Aunt Melville's Ambition | 42 |
| 15. First Floor Of Aunt Melville's Ambition | 43 |
| 16. A Secure Outlook | 49 |
| 17. Mined And Countermined | 52 |
| 18. A Dormer Of Burned Clay | 55 |
| 19. The Topmost Peak | 59 |
| 20. Will's Masterpiece | 65 |
| 21. The First Floor Of Will's Masterpiece | 73 |
| 22. The Second Floor Of Will's Masterpiece | 75 |
| 23. The Outside Of Ted's House | 79 |
| 24. Jill's Kitchen In Black And White | 83 |
| 25. The First Floor Of Ted's House | 88 |
| 26. The Poor But Modest Attorney's Cottage | 91 |
| 27. A Double Team | 94 |
| 28. Warmth Under The Window | 96 |
| 29. Steam Pipes Beside The Fireplace | 97 |
| 30. The Attorney's Floor Plan | 101 |
| 31. No Concealment Or Disguise | 105 |
| 32. With A Mullion And Without | 110 |
| 33. Jack's Architectural Phrenology | 112 |
| 34. The Hat Makes The Man | 113 |
| 35. The Contribution Of Bessie's Father | 117 |
| 36. The First Floor Of The Contribution | 123 |
| 37. A Gargoyle | 130 |
| 38. A Choice Of Gutters | 131 |
| 39. "A Simple Recess" | 133 |
| 40. In The Middle Rank | 135 |
| 41. The Worth Of A Cosy Cottage | 137 |
| 42. A Promise Of Social Success | 141 |
| 43. A Reasonable Hope | 143 |
| 44. Floors As They Are: Floors As They Might Be | 145 |
| 45. Bricks And Boulders On Granite Underpinning | 149 |
| 46. Not Brilliant, But Impressive | 153 |
| 47. Wooden Richness | 155 |
| 48. No Waste Of Wood | 156 |
| 49. First Floor Of The Promise | 158 |
| 50. Second Floor Of The Promise | 159 |
| 51. No Place For Secret Foes | 167 |
| 52. Safe And Saving Flues | 179–80 |
| 53. A Picture In Glass Over The Fireplace | 181 |
| 54. Glass Of Many Colors, Shapes And Sizes | 183 |
| 55. Shelves In The Middle, Cupboards Above And Below | 185 |
| 56. "The Oaks" | 191 |
| 57. Outside Barriers | 195 |
| 58. Inside Barriers | 196 |
| 59. Common Ugliness—Simple Grace | 197 |
| 60. First Floor Plan Of "The Oaks" | 201 |
| 61. Looking Toward Sunset | 205 |
| 62. Near The Turning-Point | 207 |
| 63. A Choice Of Balusters | 209 |
| 64. The Big Fireplace In The Keeping-Room | 211 |
| 65. One Way To Begin | 213 |
| 66. A Broadside Of An Easy Ascent | 215 |
| 67. A Dividing Screen At The Foot Of The Stairs | 219 |
| 68. Bits Of Cornices | 223 |
| 69. Mouldings Fair To See, But Hard To Keep Clean | 225 |
| 70. Fragments Of Architraves | 227 |
| 71. A Choice Of Wainscots | 229 |
| 72. Wood Panels For Walls And Ceilings, With Irregularities In Leather, Paint And Paper | 231 |
| 73. The House That Jill Built | 235 |
| 74. The First Floor Of The House That Jill Built | 239 |
| 75. The Second Floor Of The House That Jill Built | 241 |
| 76. The East End Of Jill's Dining-Room | 243 |
| 77. A Castle In Spain | 263 |
| Also Initials, Tail-Pieces, etc. | |
