Читать книгу The Cricket of Abel, Hirst, and Shrewsbury - E F Benson - Страница 19
GENERAL HINTS.
ОглавлениеThe first pieces of advice to all players of games will be, “Get at the reason why, and the means by which.” Why should one not flourish the bat before a stroke? Partly because this sends the bat out of the straight line and loses time. Why should one move the bat near to the left foot in forward-play? Partly because this will give power by keeping the weight of the body near to the bat, and because it will give safety, by allowing no space for the ball to pass between bat and leg. Merely to say to a beginner “Don’t be afraid of the ball” may not be enough; he should know that, if he draws his right foot towards the leg-side, he will lose his pivot and will tend not to play the ball down and not to meet it along its line of approach. If he bends his right leg, the same result
XIX.—Turning quickly at the crease after the first run.
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may follow. How can he keep the ball down and meet it along its line of approach? By attending to his left foot in practice, or by getting some one to watch his practice or play from behind.
Having found out and mastered the muscular mechanisms as well as the raisons d’être for each of them, let the learner be prepared to try new things and to judge them by their results. In January, 1902, in my thirty-fourth year, I changed my Racquet and Tennis stroke from a full swing to a more “partial” jerk. In case it did not suit me, I was prepared to go back to the old. As a matter of fact, the new did suit me.
In this case I imitated Latham and (to some extent) Pettitt. They were of about my own height. I did not imitate slavishly or in trust, but in hope and because I saw good sense in what they did. In Cricket many might hold that even slavish imitation is better than rank failure.
To take an example. Few batsmen play well on difficult wickets. Shrewsbury does. I would sooner imitate his style and methods on difficult wickets than go on failing to score. There is no particular reason why his style and methods should not turn out to be mine as well. I cannot tell till I have experimented.
The batsman, as Mr. C. B. Fry says, should be able to play all games and strokes—forward, back, cut, and, let us add, tip and run. He must be able to keep his wicket up, to stop good balls (as Shrewsbury advises) and then punish bad balls; but he must also be able to force the game, especially if the bowling be too hard to enable him to stay in long.
Especially should he be “nippy on his feet”—Abel’s rule. He need not use them always, but he must be ready to use them. So with the pull: he must not be tied down by a law “Thou shalt not pull.” A short ball can often be pulled quite safely: it need not always be hit to mid-off. Scarcely any rule is absolute. We hear that the right leg should not be bent. Good. But when we see Grace hitting effectively to the on with a decidedly bent right leg, we suspect that there may be times when this is useful. It is only as general rules for most people that maxims are to be laid down. “Stand upright” says the theorist; he even quotes successful examples. But the individual may be nearer to Stoddart or Jessop than to Palairet. Let the individual try both ways, if not in games, then at the nets.
Reserve some force, says Mr. R. Lyttelton in the Badminton Volume; Ranjitsinhji agrees—since the use of the full force may “give one away” and lose the balance. But Shrewsbury says, “Use the full force; a mis-hit then has more chance of going over the head of cover or some other fielder.” Keep the ball down—that is a good enough rule; but if you can hit the ball safely away from or over the head of a fielder, why not? Again, we hear that the batsman should not stand with any part of his body in front of his wicket; yet many find it useful to do so, especially in case they snick the ball and might otherwise play on. Another hint that may not always be helpful is “not to make up your mind what you will do until the bowler’s intention has shown itself; for, if you decide, he will alter his intention.” This presupposes that the bowler is observant and intelligent, whereas ordinary bowlers are not. In Racquets, on the same principle, I have been told not to pledge myself to any set action before the server has served; that is sound sense so long as the server is likely to vary his service; whereas, if I know that he is going to pound away with the same sort of thing all the time, I should waste energy by perpetual alertness. I take for granted that the fool will serve foolishly, and I virtually settle my policy beforehand. It is not every bowler who demands alertness.
Of wider and more nearly universal application are such hints as “Face the left-hand bowler round the wicket differently from the bowler over the wicket; move your left foot out on different lines”; “Don’t try risky attack till you are sure of safe defence, unless the wicket be extremely difficult”; “Don’t attempt to place a half-volley very accurately”; “Watch and observe the ordinary curves and breaks of the ball according to this or that action”; “Notice how others as well as yourself are most apt to get out off certain balls—say off the breaking ball well-pitched up on the off”; “Practise wicket-keeping occasionally”; “Study each bowler’s action before you go in”; “When you go in, be careful at first of touching balls on the off”; “Get the blind spots of the pitch in your mind’s eye, so as to tell whether to play back or forward: the blind spot varies according to the pace of the ball, the state of the ground, etc.”; “Get in your mind’s eye a picture of the fielders; and, when you are set, place the easier balls between those fielders; but keep your real eye on the ball from the instant that it has left the bowler’s hand”; “Find out your faults and practise the opposite faults.” As Mr. Edward Lyttelton says, “If it appears that your strokes habitually fail to tell as they should, it will probably be owing to your body not being properly utilized, and a spell of bedroom practice should at once be inaugurated.” You can even cultivate the opposite fault during the game itself. This is my habit during Tennis and Racquets matches: if I find myself playing too soon at the ball, I purposely try to play too late.