Читать книгу The Incomplete Amorist - E Nesbit - Страница 4

Yes. I have loved before; I know This longing that invades my days, This shape that haunts life's busy ways I know since long and long ago. This starry mystery of delight That floats across my eager eyes, This pain that makes earth Paradise, These magic songs of day and night, I know them for the things they are: A passing pain, a longing fleet, A shape that soon I shall not meet, A fading dream of veil and star. Yet, even as my lips proclaim The wisdom that the years have lent, Your absence is joy's banishment And life's one music is your name. I love you to the heart's hid core: Those other loves? How can one learn From marshlights how the great fires burn? Ah, no—I never loved before!

When he read it through he entitled it, "The Veil of Maya," so that it might pretend to have no personal application.

After that more than ever rankled the memory of that first morning.

"How could I?" he asked himself. "I must indeed have been in a gross mood. One seems sometimes to act outside oneself altogether. Temporary possession by some brutal ancestor perhaps. Well, it's not too late."

Next morning he worked at his picture, in the rabbit-warren, but his head found itself turning towards the way by which on that first day she had gone. She must know that on a day like this he would not be wasting the light—that he would be working. She would be wanting to see him again. Would she come out? He wished she would. But he hoped she wouldn't. It would have meant another readjustment of ideas. He need not have been anxious. She did not come.

He worked steadily, masterfully. He always worked best at the beginning of a love affair. All of him seemed somehow more alive, more awake, more alert and competent. His mood was growing quickly to what he meant it to be. He was what actors call a quick study. Soon he would be able to play perfectly, without so much as a thought to the "book," the part of Paul to this child's Virginia.

Had Virginia, he wondered, any relations besides the step-father whom she so light-heartedly consented to hoodwink? Relations who might interfere and pray and meddle and spoil things?

However ashamed we may be of our relations they cannot forever be concealed. It must be owned that Betty was not the lonely orphan she sometimes pretended to herself to be. She had aunts—an accident that may happen to the best of us.

A year or two before Betty was born, a certain youth of good birth left Harrow and went to Ealing where he was received in a family in the capacity of Crammer's pup. The family was the Crammer and his daughter, a hard-headed, tight-mouthed, black-haired young woman who knew exactly what she wanted, and who meant to get it. Poverty had taught her to know what she wanted. Nature, and the folly of youth—not her own youth—taught her how to get it. There were several pups. She selected the most eligible, secretly married him, and to the day of her death spoke and thought of the marriage as a love-match. He was a dreamy youth, who wrote verses and called the Crammer's daughter his Egeria. She was too clever not to be kind to him, and he adored her and believed in her to the end, which came before his twenty-first birthday. He broke his neck out hunting, and died before Betty was born.

His people, exasperated at the news of the marriage, threatened to try to invalidate it on the score of the false swearing that had been needed to get the boy of nineteen married to the woman of twenty-four. Egeria was frightened. She compromised for an annuity of two hundred pounds, to be continued to her child.

The passion of this woman's life was power. One cannot be very powerful with just two hundred a year, and a doubtful position as the widow of a boy whose relations are prepared to dispute one's marriage. Mrs. Desmond spent three years in thought, and in caring severely for the wants of her child. Then she bought four handsome dresses, and some impressive bonnets, went to a Hydropathic Establishment, and looked about her. Of the eligible men there Mr. Cecil Underwood seemed, on enquiry, to be the most eligible. So she married him. He resisted but little, for his parish needed a clergywoman sadly. The two hundred pounds was a welcome addition to an income depleted by the purchase of rare editions, and at the moment crippled by his recent acquisition of the Omiliac of Vincentius in its original oak boards and leather strings; and, above all, he saw in the three-year-old Betty the child he might have had if things had gone otherwise with him and another when they both were young.

Mrs. Desmond had felt certain she could rule a parish. Mrs. Cecil Underwood did rule it—as she had known she could. She ruled her husband too. And Betty. When she caught cold from working all day among damp evergreens for the Christmas decorations, and, developing pneumonia, died, she died resentfully, thanking God that she had always done her duty, and quite unable to imagine how the world would go on without her. She felt almost sure that in cutting short her career of usefulness her Creator was guilty of an error of judgment which He would sooner or later find reason to regret.

Her husband mourned her. He had the habit of her, of her strong capable ways, the clockwork precision of her household and parish arrangements. But as time went on he saw that perhaps he was more comfortable without her: as a reformed drunkard sees that it is better not to rely on brandy for one's courage. He saw it, but of course he never owned it to himself.

Betty was heart-broken, quite sincerely heart-broken. She forgot all the mother's hard tyrannies, her cramping rules, her narrow bitter creed, and remembered only the calm competence, amounting to genius, with which her mother had ruled the village world, her unflagging energy and patience, and her rare moments of tenderness. She remembered too all her own lapses from filial duty, and those memories were not comfortable.

Yet Betty too, when the self-tormenting remorseful stage had worn itself out, found life fuller, freer without her mother. Her step-father she hated—had always hated. But he could be avoided. She went to a boarding-school at Torquay, and some of her holidays were spent with her aunts, the sisters of the boy-father who had not lived to see Betty.

She adored the aunts. They lived in a world of which her village world did not so much as dream; they spoke of things which folks at home neither knew of nor cared for; and they spoke a language that was not spoken at Long Barton. Of course, everyone who was anyone at Long Barton spoke in careful and correct English, but no one ever troubled to turn a phrase. And irony would have been considered very bad form indeed. Aunt Nina wore lovely clothes and powdered her still pretty face; Aunt Julia smoked cigarettes and used words that ladies at Long Barton did not use. Betty was proud of them both.

It was Aunt Nina who taught Betty how to spend her allowance, how to buy pretty things, and, better still, tried to teach her how to wear them. Aunt Julia it was who brought her the Indian necklaces, and promised to take her to Italy some day if she was good. Aunt Nina lived in Grosvenor Square and Aunt Julia's address was most often, vaguely, the Continent of Europe. Sometimes a letter addressed to some odd place in Asia or America would find her.

But when Betty had left school her visits to Aunt Nina ceased. Mr. Underwood feared that she was now of an age to be influenced by trifles, and that London society would make her frivolous. Besides he had missed her horribly, all through her school-days, though he had yielded to the insistence of the aunts. But he had wanted Betty badly. Only of course it never occurred to him to tell her so.

So Betty had lived on at the Rectory carrying on, with more or less of success, such of her Mother's Parish workings as had managed to outlive their author, and writing to the aunts to tell them how bored she was and how she hated to be called "Lizzie."

She could not be expected to know that her stepfather had known as "Lizzie" the girl who, if Fate had been kind, would have been his wife or the mother of his child. Betty's letters breathed contempt of Parish matters, weariness of the dulness of the country, and exasperation at the hardness of a lot where "nothing ever happened."

Well, something had happened now.

The tremendous nature of the secret she was keeping against the world almost took Betty's breath away. It was to the adventure, far more than to the man, that her heart's beat quickened. Something had happened.

Long Barton was no longer the dullest place in the world. It was the centre of the universe. See her diary, an entry following a gap where a page had been torn out:

"Mr. V. is very kind. He is teaching me to sketch. He says I shall do very well when I have forgotten what I learned at school. It is so nice of him to be so straightforward. I hate flattery. He has begun my portrait. It is beautiful, but he says it is exactly like me. Of course it is his painting that makes it beautiful, and not anything to do with me. That is not flattery. I do not think he could say anything unless he really thought it. He is that sort of man, I think. I am so glad he is so good. If he were a different sort of person perhaps it would not be quite nice for me to go and meet him without any one knowing. But there is nothing of that sort. He was quite different the first day. But I think then he was off his guard and could not help himself. I don't know quite what I meant by that. But, anyway, I am sure he is as good as gold, and that is such a comfort. I revere him. I believe he is really noble and unselfish, and so few men are, alas!"

The noble and unselfish Vernon meanwhile was quite happy. His picture was going splendidly, and every morning he woke to the knowledge that his image filled all the thoughts of a good little girl with gray dark charming eyes and a face that reminded one of a pretty kitten. Her drawing was not half bad either. He was spared the mortifying labour of trying to make a silk purse out of a sow's ear. In one of his arts as in the other he decided that she had talent. And it was pleasant that to him should have fallen the task of teacher in both departments. Those who hunt the fox will tell you that Reynard enjoys, equally with the hounds and their masters, the pleasures of the chase. Vernon was quite of this opinion in regard to his favourite sport. He really felt that he gave as much pleasure as he took. And his own forgettings were so easy that the easy forgetting of others seemed a foregone conclusion. His forgetting always came first, that was all. But now, the Spring, her charm and his own firm parti pris working together, it seemed to him that he could never forget Betty, could never wish to forget her.

Her pretty conscious dignity charmed him. He stood still to look at it. He took no step forward. His role was that of the deeply respectful "brother artist." If his hand touched hers as he corrected her drawing, that was accident. If, as he leaned over her, criticising her work, the wind sent the end of her hair against his ear, that could hardly be avoided in a breezy English spring. It was not his fault that the little thrill it gave him was intensified a hundred-fold when, glancing at her, he perceived that her own ears had grown scarlet.

Betty went through her days in a dream. There were all the duties she hated—the Mothers' meetings, the Parish visits when she tried to adjust the quarrels and calm the jealousies of the stout aggressive Mothers, the carrying round the Parish Magazine. There were no long hours, now. In every spare moment she worked at her drawing to please him. It was the least she could do, after all his kindness.

Her step-father surprised her once hard at work with charcoal and board and plumb-line, a house-maid posing for her with a broom. He congratulated himself that his little sermon on the advantages of occupation as a cure for discontent had borne fruit so speedy and so sound.

"Dear child, she only wanted a word in season," he thought. And he said:

"I am glad to see that you have put away vain dreams, Lizzie. And your labours will not be thrown away, either. If you go on taking pains I daresay you will be able to paint some nice blotting-books and screens for the School Bazaar."

"I daresay," said Betty, adding between her teeth, "If you only knew!"

"But we mustn't keep Letitia from her work," he added, vaguely conscientious. Letitia flounced off, and Betty, his back turned, tore up the drawing.

And, as a beautiful background to the gross realism of Mothers' meetings and Parish tiresomenesses, was always the atmosphere of the golden mornings, the dew and the stillness, the gleam of his white coat among the pine-trees. For he was always first at the tryst now.

Betty was drunk; and she was too young to distinguish between vintages. When she had been sober she had feared intoxication. Now she was drunk, she thanked Heaven that she was sober.

CHAPTER IV.

INVOLUNTARY.

Six days of sunlight and clear air, of mornings as enchanting as dreams, of dreams as full of magic as May mornings. Then an interminable Sunday hot and sultry, with rolling purple clouds and an evening of thunder and heavy showers. A magenta sunset, a night working, hidden in its own darkness, its own secret purposes, and a Monday morning gray beyond belief, with a soft steady rain.

Betty stood for full five minutes looking out at the straight fine fall, at the white mist spread on the lawn, the blue mist twined round the trees, listening to the plash of the drops that gathered and fell from the big wet ivy leaves, to the guggle of the water-spout, the hiss of smitten gravel.

"He'll never go," she thought, and her heart sank.

He, shaving, in the chill damp air by his open dimity-draped window, was saying:

"She'll be there, of course. Women are all perfectly insensible to weather."

Two mackintoshed figures met in the circle of pines.

"You have come," he said. "I never dreamed you would. How cold your hand is!"

He held it for a moment warmly clasped.

"I thought it might stop any minute," said Betty; "it seemed a pity to waste a morning."

"Yes," he said musingly, "it would be a pity to waste a morning. I would not waste one of these mornings for a kingdom."

Betty fumbled with her sketching things as a sort of guarantee of good faith.

"But it's too wet to work," said she. "I suppose I'd better go home again."

"That seems a dull idea—for me," he said; "it's very selfish, of course, but I'm rather sad this morning. Won't you stay a little and cheer me up?"

Betty asked nothing better. But even to her a tete-a-tete in a wood, with rain pattering and splashing on leaves and path and resonant mackintoshes, seemed to demand some excuse.

"I should think breakfast and being dry would cheer you up better than anything," said she. "And it's very wet here."

"Hang breakfast! But you're right about the wetness. There's a shed in the field yonder. A harrow and a plough live there; they're sure to be at home on a day like this. Let's go and ask for their hospitality."

"I hope they'll be nice to us," laughed Betty; "it's dreadful to go where you're not wanted."

"How do you know?" he asked, laughing too. "Come, give me your hand and let's run for it."

They ran, hand in hand, the wet mackintoshes flapping and slapping about their knees, and drew up laughing and breathless in the dry quiet of the shed. Vernon thought of Love and Mr. Lewisham, but it was not the moment to say so.

"See, they are quite pleased to see us," said he, "they don't say a word against our sheltering here. The plough looks a bit glum, but she'll grow to like us presently. As for harrow, look how he's smiling welcome at you with all his teeth."

"I'm glad he can't come forward to welcome us," said Betty. "His teeth look very fierce."

"He could, of course, only he's enchanted. He used to be able to move about, but now he's condemned to sit still and only smile till—till he sees two perfectly happy people. Are you perfectly happy?" he asked anxiously.

"I don't know," said Betty truly. "Are you?"

"No—not quite perfectly."

"I'm so glad," said Betty. "I shouldn't like the harrow to begin to move while we're here. I'm sure it would bite us."

He sighed and looked grave. "So you don't want me to be perfectly happy?"

She looked at him with her head on one side.

"Not here," she said. "I can't trust that harrow."

His eyelids narrowed over his eyes—then relaxed. No, she was merely playing at enchanted harrows.

"Are you cold still?" he asked, and reached for her hand. She gave it frankly.

"Not a bit," she said, and took it away again. "The run warmed me. In fact—"

She unbuttoned the mackintosh and spread it on the bar of the plough and sat down. Her white dress lighted up the shadows of the shed. Outside the rain fell steadily.

"May I sit down too? Can Mrs. Plough find room for two children on her lap?"

She drew aside the folds of her dress, but even then only a little space was left. The plough had been carelessly housed and nearly half of it was where the rain drove in on it. So that they were very close together.

So close that he had to throw his head back to see clearly how the rain had made the short hair curl round her forehead and ears, and how fresh were the tints of face and lips. Also he had to support himself by an arm stretched out behind her. His arm was not round her, but it might just as well have been, as far as the look of the thing went. He thought of the arm of Mr. Lewisham.

"Did you ever have your fortune told?" he asked.

"No, never. I've always wanted to, but Father hates gipsies. When I was a little girl I used to put on my best clothes, and go out into the lanes and sit about and hope the gipsies would steal me, but they never did."

"They're a degenerate race, blind to their own interests. But they haven't a monopoly of chances—fortunately." His eyes were on her face.

"I never had my fortune told," said Betty. "I'd love it, but I think I should be afraid, all the same. Something might come true."

Vernon was more surprised than he had ever been in his life at the sudden involuntary movement in his right arm. It cost him a conscious effort not to let the arm follow its inclination and fall across her slender shoulders, while he should say:

"Your fortune is that I love you. Is it good or bad fortune?"

He braced the muscles of his arm, and kept it where it was. That sudden unreasonable impulse was a mortification, an insult to the man whose pride it was to believe that his impulses were always planned.

"I can tell fortunes," he said. "When I was a boy I spent a couple of months with some gipsies. They taught me lots of things."

His memory, excellently trained, did not allow itself to dwell for an instant on his reason for following those gipsies, on the dark-eyed black-haired girl with the skin like pale amber, who had taught him, by the flicker of the camp-fire, the lines of head and heart and life, and other things beside. Oh, but many other things! That was before he became an artist. He was only an amateur in those days.

"Did they teach you how to tell fortunes—really and truly?" asked Betty. "We had a fortune-teller's tent at the School Bazaar last year, and the youngest Smithson girl dressed up in spangles and a red dress and said she was Zara, the Eastern Mystic Hand-Reader, and Foreteller of the Future. But she got it all out of Napoleon's Book of Fate."

"I don't get my fortune-telling out of anybody's book of anything," he said. "I get it out of people's hands, and their faces. Some people's faces are their fortunes, you know."

"I know they are," she said a little sadly, "but everybody's got a hand and a fortune, whether they've got that sort of fortune-face or not."

"But the fortunes of the fortune-faced people are the ones one likes best to tell."

"Of course," she admitted wistfully, "but what's going to happen to you is just as interesting to you, even if your face isn't interesting to anybody. Do you always tell fortunes quite truly; I mean do you follow the real rules? or do you make up pretty fortunes for the people with the pretty fortune-faces."

"There's no need to 'make up.' The pretty fortunes are always there for the pretty fortune-faces: unless of course the hand contradicts the face."

"But can it?"

"Can't it? There may be a face that all the beautiful things in the world are promised to: just by being so beautiful itself it draws beautiful happenings to it. But if the hand contradicts the face, if the hand is one of those narrow niggardly distrustful hands, one of the hands that will give nothing and take nothing, a hand without courage, without generosity—well then one might as well be born without a fortune-face, for any good it will ever do one."

"Then you don't care to tell fortunes for people who haven't fortune faces?"

"I should like to tell yours, if you would let me. Shall I?"

He held out his hand, but her hand was withheld.

"I ought to cross your hand with silver, oughtn't I?" she asked.

"It's considered correct—but—"

"Oh, don't let's neglect any proper precaution," she said. "I haven't got any money. Tell it me to-morrow, and I will bring a sixpence."

"You could cross my hand with your watch," he said, "and I could take the crossing as an I.O.U. of the sixpence."

She detached the old watch. He held out his hand and she gravely traced a cross on it.

"Now," he said, "all preliminary formalities being complied with, let the prophet do his work. Give me your hand, pretty lady, and the old gipsy will tell you your fortune true."

He held the hand in his, bending back the pink finger-tips with his thumb, and looked earnestly at its lines. Then he looked in her face, longer than he had ever permitted himself to look. He looked till her eyes fell. It was a charming picture. He was tall, strong, well-built and quite as good-looking as a clever man has any need to be. And she was as pretty as any oleograph of them all.

It seemed a thousand pities that there should be no witness to such a well-posed tableau, no audience to such a charming scene. The pity of it struck Destiny, and Destiny flashed the white of Betty's dress, a shrill point of light, into an eye a hundred yards away. The eye's owner, with true rustic finesse, drew back into the wood's shadow, shaded one eye with a brown rustic hand, looked again, and began a detour which landed the rustic boots, all silently, behind the shed, at a spot where a knot-hole served as frame for the little picture. The rustic eye was fitted to the knot-hole while Vernon holding Betty's hand gazed in Betty's face, and decided that this was no time to analyse his sensations.

Neither heard the furtive rustic tread, or noted the gleam of the pale rustic eye.

The labourer shook his head as he hurried quickly away. He had daughters of his own, and the Rector had been kind when one of those daughters had suddenly come home from service, ill, and with no prospect of another place.

"A-holdin' of hands and a-castin' of sheep's eyes," said he. "We knows what that's the beginnings of! Well, well, youth's the season for silliness, but there's bounds—there's bounds. And all of a mornin' so early too. Lord above knows what it wouldn't be like of a evenin'." He shook his head again, and made haste.

Vernon had forced his eyes to leave the face of Betty.

"Your fortune," he was saying, "is, curiously enough, just one of those fortunes I was speaking of. You will have great chances of happiness, if you have the courage to take them. You will cross the sea. You've never travelled, have you?"

"No—never further than Torquay; I was at school there, you know; and London, of course. But I should love it. Isn't it horrid to think that one might grow quite old and never have been anywhere or done anything?"

"That depends on oneself, doesn't it? Adventures are to the adventurous."

"Yes, that's all very well—girls can't be adventurous."

"Yes—it's the Prince who sets out to seek his fortune, isn't it? The Princess has to sit at home and wait for hers to come to her. It generally does if she's a real Princess."

"But half the fun must be the seeking for it," said Betty.

"You're right," said he, "it is."

The labourer had reached the park-gate. His pace had quickened to the quickening remembrance of his own daughter, sitting at home silent and sullen.

"Do you really see it in my hand?" asked Betty—"about my crossing the sea, I mean."

"It's there; but it depends on yourself, like everything else."

"I did ask my step-father to let me go," she said, "after that first day, you know, when you said I ought to study in Paris."

"And he wouldn't, of course?"

"No; he said Paris was a wicked place. It isn't really, is it?"

"Every place is wicked," said he, "and every place is good. It's all as one takes things."

The Rectory gate clicked sharply as it swung to behind the labourer. The Rectory gravel scrunched beneath the labourer's boots.

Yes, the Master was up; he could be seen.

The heavy boots were being rubbed against the birch broom that, rooted at Kentish back doors, stands to receive on its purple twigs the scrapings of Kentish clay from rustic feet.

"You have the artistic lines very strongly marked," Vernon was saying. "One, two, three—yes, painting—music perhaps?"

"I am very fond of music," said Betty, thinking of the hour's daily struggle with the Mikado and the Moonlight Sonata. "But three arts. What could the third one be?" Her thoughts played for an instant with unheard-of triumphs achieved behind footlights—rapturous applause, showers of bouquets.

"Whatever it is, you've enormous talent for it," he said; "you'll find out what it is in good time. Perhaps it'll be something much more important than the other two put together, and perhaps you've got even more talent for it than you have for others."

"But there isn't any other talent that I can think of."

"I can think of a few. There's the stage—but it's not that, I fancy, or not exactly that. There's literature—confess now, don't you write poetry sometimes when you're all alone at night? Then there's the art of being amusing, and the art of being—of being liked."

"Shall I be successful in any of the arts?"

"In one, certainly."

"Ah," said Betty, "if I could only go to Paris!"

"It's not always necessary to go to Paris for success in one's art," he said.

"But I want to go. I'm sure I could do better there."

"Aren't you satisfied with your present Master?"

"Oh!"—It was a cry of genuine distress, of heartfelt disclaim. "You know I didn't mean that! But you won't always be here, and when you've gone—why then—"

Again he had to control the involuntary movement of his left arm.

"But I'm not going for months yet. Don't let us cross a bridge till we come to it. Your head-line promises all sorts of wonderful things. And your heart-line—" he turned her hand more fully to the light.

In the Rector's study the labourer was speaking, standing shufflingly on the margin of the Turkey carpet. The Rector listened, his hand on an open folio where fat infants peered through the ornamental initials.

"And so I come straight up to you, Sir, me being a father and you the same, Sir, for all the difference betwixt our ways in life. Says I to myself, says I, and bitter hard I feels it too, I says: 'George,' says I, 'you've got a daughter as begun that way, not a doubt of it—holdin' of hands and sittin' close alongside, and you know what's come to her!'"

The Rector shivered at the implication.

"Then I says, says I: 'Like as not the Rector won't thank you for interferin'. Least said soonest mended,' says I."

"I'm very much obliged to you," said the Rector difficultly, and his hand shook on Ambrosius's yellow page.

"You see, Sir," the man's tone held all that deferent apology that truth telling demands, "gells is gells, be they never so up in the world, all the world over, bless their hearts; and young men is young men, d—n them, asking your pardon, Sir, I'm sure, but the word slipped out. And I shouldn't ha' been easy if anything had have gone wrong with Miss, God bless her, all along of the want of a word in season. Asking your pardon, Sir, but even young ladies is flesh and blood, when it comes to the point. Ain't they now?" he ended appealingly.

The Rector spoke with an obvious effort, got his hand off the page and closed the folio.

"You've done quite right, George," he said, "and I'm greatly obliged to you. Only I do ask you to keep this to yourself. You wouldn't have liked it if people had heard a thing like that about your Ruby before—I mean when she was at home."

He replaced the two folios on the shelf.

"Not me, Sir," George answered. "I'm mum, I do assure you, Sir. And if I might make so bold, you just pop on your hat and step acrost directly minute. There's that little hole back of the shed what I told you of. You ain't only got to pop your reverend eye to that there, and you'll see for yourself as I ain't give tongue for no dragged scent."

"Thank you, George," said the Rector, "I will. Good morning. God bless you."

The formula came glibly, but it was from the lips only that it came.

Lizzie—his white innocent Lily-girl! In a shed—a man, a stranger, holding her hand, his arm around her, his eyes—his lips perhaps, daring—

The Rector was half way down his garden drive.

"Your heart-line," Vernon was saying, "it's a little difficult. You will be deeply beloved."

To have one's fortune told is disquieting. To keep silence during the telling deepens the disquiet curiously. It seemed good to Betty to laugh.

"Soldier, sailor, tinker, tailor," she said, "which am I going to marry, kind gipsy?"

"I don't believe the gipsies who say they can see marriage in a hand," he answered gravely, and Betty feared he had thought her flippant, or even vulgar; "what one sees are not the shadows of coming conventions. One sees the great emotional events, the things that change and mould and develop character. Yes, you will be greatly beloved, and you will love deeply."

"I'm not to be happy in my affairs of the heart then." Still a careful flippancy seemed best to Betty.

"Did I say so? Do you really think that there are no happy love affairs but those that end in a wedding breakfast and bridesmaids, with a Bazaar show of hideous silver and still more hideous crockery, and all one's relations assembled to dissect one's most sacred secrets?"

Betty had thought so, but it seemed coarse to own it.

"Can't you imagine," he went on dreamily, "a love affair so perfect that it could not but lose its finest fragrance if the world were called to watch the plucking of love's flower? Can't you imagine a love so great, so deep, so tender, so absolutely possessing the whole life of the lover that he would almost grudge any manifestation of it? Because such a manifestation must necessarily be a repetition of some of the ways in which unworthy loves have been manifested, by less happy lovers? I can seem to see that one might love the one love of a life-time, and be content to hold the treasure in one's heart, a treasure such as no other man ever had, and grudge even a word or a look that might make it less the single perfect rose of the world."

"Oh, dear!" said Betty to herself.

"But I'm talking like a book," he said, and laughed. "I always get dreamy and absurd when I tell fortunes. Anyway, as I said before, you will be greatly beloved. Indeed, unless your hand is very untruthful, which I'm sure it never could be, you are beloved now, far more than you can possibly guess."

Betty caught at her flippancy but it evaded her, and all she found to say was, "Oh," and her eyes fell.

There was a silence. Vernon still held her hand, but he was no longer looking at it.

A black figure darkened the daylight.

The two on the plough started up—started apart. Nothing more was wanted to convince the Rector of all that he least wished to believe.

"Go home, Lizzie," he said, "go to your room," and to her his face looked the face of a fiend. It is hard to control the muscles under a sudden emotion compounded of sorrow, sympathy and an immeasurable pity. "Go to your room and stay there till I send for you."

Betty went, like a beaten dog.

The Rector turned to the young man.

"Now, Sir," he said.

CHAPTER V.

THE PRISONER.

When Vernon looked back on that interview he was honestly pleased with himself. He had been patient, he had been kind even. In the end he had been positively chivalrous. He had hardly allowed himself to be ruffled for an instant, but had met the bitter flow of Mr. Underwood's biblical language with perfect courtesy.

He regretted, of course, deeply, this unfortunate misunderstanding. Accident had made him acquainted with Miss Desmond's talent, he had merely offered her a little of that help which between brother artists—The well-worn phrase had not for the Rector the charm it had had for Betty.

The Rector spoke again, and Mr. Vernon listened, bare-headed, in deepest deference.

No, he had not been holding Miss Desmond's hand—he had merely been telling her fortune. No one could regret more profoundly than he—and so on. He was much wounded by Mr. Underwood's unworthy suspicions.

The Rector ran through a few texts. His pulpit denunciations of iniquity, though always earnest, had lacked this eloquence.

Vernon listened quietly.

"I can only express my regret that my thoughtlessness should have annoyed you, and beg you not to blame Miss Desmond. It was perhaps a little unconventional, but—"

"Unconventional—to try to ruin—"

Mr. Vernon held up his hand: he was genuinely shocked.

"Forgive me," he said, "but I can't hear such words in connection with—with a lady for whom I have the deepest respect. You are heated now, Sir, and I can make every allowance for your natural vexation. But I must ask you not to overstep the bounds of decency."

The Rector bit his lip, and Vernon went on:

"I have listened to your abuse—yes, your abuse—without defending myself, but I can't allow anyone, even her father, to say a word against her."

"I am not her father," said the old man bitterly. And on the instant Vernon understood him as Betty had never done. The young man's tone changed instantly.

"Look here," he said, and his face grew almost boyish, "I am really most awfully sorry. The whole thing—what there is of it, and it's very little—was entirely my doing. It was inexcusably thoughtless. Miss Desmond is very young and very innocent. It is I who ought to have known better—and perhaps I did. But the country is very dull, and it was a real pleasure to teach so apt a pupil."

He spoke eagerly, and the ring of truth was in his voice. But the Rector felt that he was listening to the excuses of a serpent.

"Then you'd have me believe that you don't even love her?"

"No more than she does me," said Vernon very truly. "I've never breathed a word of love to her," he went on; "such an idea never entered our heads. She's a charming girl, and I admire her immensely, but—" he sought hastily for a weapon, and defended Betty with the first that came to hand, "I am already engaged to another lady. It is entirely as an artist that I am interested in Miss Betty."

"Serpent," said the Rector within himself, "Lying serpent!"

Vernon was addressing himself silently in terms not more flattering. "Fool, idiot, brute to let the child in for this!—for it's going to be a hell of a time for her, anyhow. And as for me—well, the game is up, absolutely up!"

"I am really most awfully sorry," he said again.

"I find it difficult to believe in the sincerity of your repentance," said the Rector frowning.

"My regret you may believe in," said Vernon stiffly. "There is no ground for even the mention of such a word as repentance."

"If your repentance is sincere"—he underlined the word—"you will leave Long Barton to-day."

Leave without a word, a sign from Betty—a word or a sign to her? It might be best—if—

"I will go, Sir, if you will let me have your assurance that you will say nothing to Miss Desmond, that you won't make her unhappy, that you'll let the whole matter drop."

"I will make no bargains with you!" cried the Rector. "Do your worst! Thank God I can defend her from you!"

"She needs no defence. It's not I who am lacking in respect and consideration for her," said Vernon a little hotly, "but, as I say, I'll go—if you'll just promise to be gentle with her."

"I do not need to be taught my duty by a villain, Sir!—" The old clergyman was trembling with rage. "I wish to God I were a younger man, that I might chastise you for the hound you are." His upraised cane shook in his hand. "Words are thrown away on you! I'm sorry I can't use the only arguments that can come home to a puppy!"

"If you were a younger man," said Vernon slowly, "your words would not have been thrown away on me. They would have had the answer they deserved. I shall not leave Long Barton, and I shall see Miss Desmond when and how I choose."

"Long Barton shall know you in your true character, Sir, I promise you."

"So you would blacken her to blacken me? One sees how it is that she does not love her father."

He meant to be cruel, but it was not till he saw the green shadows round the old man's lips that he knew just how cruel he had been. The quivering old mouth opened and closed and opened, the cold eyes gleamed. And the trembling hand in one nervous movement raised the cane and struck the other man sharply across the face. It was a hysterical blow, like a woman's, and with it the tears sprang to the faded eyes.

Then it was that Vernon behaved well. When he thought of it afterwards he decided that he had behaved astonishingly well.

With the smart of that cut stinging on his flesh, the mark of it rising red and angry across his cheek, he stepped back a pace, and without a word, without a retaliatory movement, without even a change of facial expression he executed the most elaborately courteous bow, as of one treading a minuet, recovered the upright and walked away bareheaded. The old clergyman was left planted there, the cane still jigging up and down in his shaking hand.

"A little theatrical, perhaps," mused Vernon, when the cover of the wood gave him leave to lay his fingers to his throbbing cheek, "but nothing could have annoyed the old chap more."

However effective it may be to turn the other cheek, the turning of it does not cool one's passions, and he walked through the wood angrier than he ever remembered being. But the cool rain dripping from the hazel and sweet chestnut leaves fell pleasantly on his uncovered head and flushed face. Before he was through the wood he was able to laugh, and the laugh was a real laugh, if rather a rueful one. Vernon could never keep angry very long.

"Poor old devil!" he said. "He'll have to put a special clause in the general confession next Sunday. Poor old devil! And poor little Betty! And poorest me! Because, however, we look at it, and however we may have damn well bluffed over it, the game is up—absolutely up."

When one has a definite end in view—marriage, let us say, or an elopement—secret correspondences, the surmounting of garden walls, the bribery of servants, are in the picture. But in a small sweet idyll, with no backbone of intention to it, these things are inartistic. And Vernon was, above and before all, an artist. He must go away and he knew it. And his picture was not finished. Could he possibly leave that incomplete? The thought pricked sharply. He had not made much progress with the picture in these last days. It had been pleasanter to work at the portrait of Betty. If he moved to the next village? Yes, that must be thought over.

He spent the day thinking of that and of other things.

The Reverend Cecil Underwood stood where he was left till the man he had struck had passed out of sight. Then the cane slipped through his hand and fell rattling to the ground. He looked down at it curiously. Then he reached out both hands vaguely and touched the shaft of the plough. He felt his way along it, and sat down, where they had sat, staring dully before him at the shadows in the shed, and at the steady fall of the rain outside. Betty's mackintosh was lying on the floor. He picked it up presently and smoothed out the creases. Then he watched the rain again.

An hour had passed before he got stiffly up and went home, with her cloak on his arm.

Yes, Miss Lizzie was in her room—had a headache. He sent up her breakfast, arranging the food himself, and calling back the maid because the tray lacked marmalade.

Then he poured out his own tea, and sat stirring it till it was cold.

She was in her room, waiting for him to send for her. He must send for her. He must speak to her. But what could he say? What was there to say that would not be a cruelty? What was there to ask that would not be a challenge to her to lie, as the serpent had lied?

"I am glad I struck him," the Reverend Cecil told himself again and again; "that brought it home to him. He was quite cowed. He could do nothing but bow and cringe away. Yes, I am glad."

But the girl? The serpent had asked him to be gentle with her—had dared to ask him. He could think of no way gentle enough for dealing with this crisis. The habit of prayer caught him. He prayed for guidance.

Then quite suddenly he saw what to do.

"That will be best," he said; "she will feel that less."

He rang and ordered the fly from the Peal of Bells, went to his room to change his old coat for a better one, since appearances must be kept up, even if the heart be breaking. His thin hair was disordered, and his tie, he noticed, was oddly crumpled, as though strange hands had been busy with his throat. He put on a fresh tie, smoothed his hair, and went down again. As he passed, he lingered a moment outside her door.

Betty watching with red eyes and swollen lips saw him enter the fly, saw him give an order, heard the door bang. The old coachman clambered clumsily to his place, and the carriage lumbered down the drive.

"Oh, how cruel he is! He might have spoken to me now! I suppose he's going to keep me waiting for days, as a penance. And I haven't really done anything wrong. It's a shame! I've a good mind to run away!"

Running away required consideration. In the meantime, since he was out of the house, there was no reason why she should not go downstairs. She was not a child to be kept to her room in disgrace. She bathed her distorted face, powdered it, and tried to think that the servants, should they see her, would notice nothing.

Where had he gone? For no goal within his parish would a hired carriage be needed. He had gone to Sevenoaks or to the station. Perhaps he had gone to Westerham—there was a convent there, a Protestant sisterhood. Perhaps he was going to make arrangements for shutting her up there! Never!—Betty would die first. At least she would run away first. But where could one run to?

The aunts? Betty loved the aunts, but she distrusted their age. They were too old to sympathise really with her. They would most likely understand as little as her step-father had done. An Inward Monitor told Betty that the story of the fortune-telling, of the seven stolen meetings with no love-making in them, would sound very unconvincing to any ears but those of the one person already convinced. But she would not be shut up in a convent—no, not by fifty aunts and a hundred step-fathers!

She would go to Him. He would understand. He was the only person who ever had understood. She would go straight to him and ask him what to do. He would advise her. He was so clever, so good, so noble. Whatever he advised would be right.

Trembling and in a cold white rage of determination, Betty fastened on her hat, found her gloves and purse. The mackintosh she remembered had been left in the shed. She pictured her step-father trampling fiercely upon it as he told Mr. Vernon what he thought of him. She took her golf cape.

At the last moment she hesitated. Mr. Vernon would not be idle. What would he be doing? Suppose he should send a note? Suppose he had watched Mr. Underwood drive away and should come boldly up and ask for her? Was it wise to leave the house? But perhaps he would be hanging about the church yard, or watching from the park for a glimpse of her. She would at least go out and see.

"I'll leave a farewell letter," she said, "in case I never come back."

She found her little blotting-book—envelopes, but no paper. Of course! One can't with dignity write cutting farewells on envelopes. She tore a page from her diary.

"You have driven me to this," she wrote. "I am going away, and in time I shall try to forgive you all the petty meannesses and cruelties of all these years. I know you always hated me, but you might have had some pity. All my life I shall bear the marks on my soul of the bitter tyranny I have endured here. Now I am going away out into the world, and God knows what will become of me."

She folded, enveloped, and addressed the note, stuck a long hat-pin fiercely through it, and left it, patent, speared to her pin-cushion, with her step-father's name uppermost.

"Good-bye, little room," she said. "I feel I shall never see you again."

Slowly and sadly she crossed the room and turned the handle of the door. The door was locked.

Once, years ago, a happier man than the Reverend Cecil had been Rector of Long Barton. And in the room that now was Betty's he had had iron bars fixed to the two windows, because that room was the nursery.

That evening, after dinner, Mr. Vernon sat at his parlour window looking idly along the wet bowling-green to the belt of lilacs and the pale gleams of watery sunset behind them. He had passed a disquieting day. He hated to leave things unfinished. And now the idyll was ruined and the picture threatened—and Betty's portrait was not finished, and never would be.

"Come in," he said; and his landlady heavily followed up her tap on his door.

"A lady to see you, Sir," said she with a look that seemed to him to be almost a wink.

"A lady? To see me? Good Lord!" said Vernon. Among all the thoughts of the day this was the one thought that had not come to him.

"Shall I show her in?" the woman asked, and she eyed him curiously.

"A lady," he repeated. "Did she give her name?"

"Yes, Sir. Miss Desmond, Sir. Shall I shew her in?"

"Yes; shew her in, of course," he answered irritably.

And to himself he said:

"The Devil!"

CHAPTER VI.

THE CRIMINAL.

If you have found yourself, at the age of eighteen, a prisoner in your own bedroom you will be able to feel with Betty. Not otherwise. Even your highly strung imagination will be impotent to present to you the ecstasy of rage, terror, resentment that fills the soul when locked door and barred windows say, quite quietly, but beyond appeal: "Here you are, and here, my good child, you stay."

All the little familiar objects, the intimate associations of the furniture of a room that has been for years your boudoir as well as your sleeping room, all the decorations that you fondly dreamed gave to your room a cachet—the mark of a distinctive personality—these are of no more comfort to you than would be strange bare stone walls and a close unfamiliar iron grating.

Betty tried to shake the window bars, but they were immovable. She tried to force the door open, but her silver buttonhook was an insufficient lever, and her tooth-brush handle broke when she pitted it in conflict against the heavy, old-fashioned lock. We have all read how prisoners, outwitting their gaolers, have filed bars with their pocket nail-scissors, and cut the locks out of old oak doors with the small blade of a penknife. Betty's door was only of pine, but her knife broke off short; and the file on her little scissors wore itself smooth against the first unmoved bar.

She paced the room like a caged lioness. We read that did the lioness but know her strength her bars were easily shattered by one blow of her powerful paw. Betty's little pink paws were not powerful like the lioness's, and when she tried to make them help her, she broke her nails and hurt herself.

It was this moment that Letitia chose for rapping at the door.

"You can't come in. What is it?" Betty was prompt to say.

"Mrs. Edwardes's Albert, Miss, come for the Maternity bag."

"It's all ready in the school-room cupboard," Betty called through the door. "Number three."

She resisted an impulse to say that she had broken the key in the lock and to send for the locksmith. No: there should be no scandal at Long Barton—at least not while she had to stay in it.

She did not cry. She was sick with fury, and anger made her heart beat as Vernon had never had power to make it.

"I will be calm. I won't lose my head," she told herself again and again. She drank some water. She made herself eat the neglected breakfast. She got out her diary and wrote in it, in a handwriting that was not Betty's, and with a hand that shook like totter-grass.

"What will become of me? What has become of him? My step-father must have done something horrible to him. Perhaps he has had him put in prison; of course he couldn't do that in these modern times, like in the French revolution, just for talking to some one he hadn't been introduced to, but he may have done it for trespassing, or damage to the crops, or something. I feel quite certain something has happened to him. He would never have deserted me like this in my misery if he were free. And I can do nothing to help him—nothing. How shall I live through the day? How can I bear it? And this awful trouble has come upon him just because he was kind to another artist. The world is very, very, very cruel. I wish I were dead!" She blotted the words and locked away the book. Then she burnt that farewell note and went and sat in the window-seat to watch for her step-father's return.

The time was long. At last he came. She saw him open the carriage door and reach out a flat foot, feeling for the carriage step. He stepped out, turned and thrust a hand back into the cab. Was he about to hand out a stern-faced Protestant sister, who would take her to Westerham, and she would never be heard of again? Betty set her teeth and waited anxiously to see if the sister seemed strong. Betty was, and she would fight for her liberty. With teeth and nails if need were.

It was no Protestant sister to whom the Reverend Cecil had reached his hand. It was only his umbrella. Betty breathed again.

Well, now at least he'll come and speak to me: he must come himself; even he couldn't give the key to the servants and say: "Please go and unlock Miss Lizzie and bring her down!"

Betty would not move. "I shall just stay here and pretend I didn't know the door was locked," said she.

But her impatience drove her back to the caged-lioness walk and when at last she heard the key turn in the door she had only just time to spring to the window-seat and compose herself in an attitude of graceful defiance.

It was thrown away.

The door only opened wide enough to admit a dinner tray pushed in by a hand she knew. Then the door closed again.

The same thing happened with tea and supper.

It was not till after supper that Betty, gazing out on the pale watery sunset, found it blurred to her eyes. There was no more hope now. She was a prisoner. If He was not a prisoner he ought to be. It was the only thing that could excuse his silence. He might at least have gone by the gate or waved a handkerchief. Well, all was over between them, and Betty was alone in the world. She had not cried all day, but now she did cry.

Vernon always prided himself on having a heart for any fate, but this was one of the interviews that one would rather have avoided. All day he had schooled himself to resignation, had almost reconciled himself to the spoiling of what had promised to be a masterpiece. Explications with Betty would brush the bloom off everything. Yet he must play the part well. But what part? Oh, hang all meddlers!

"Miss Desmond," said the landlady; and he braced his nerves to meet a tearful, an indignant or a desperate Betty.

But there was no Betty to be met; no Betty of any kind.

Instead, a short squarely-built middle-aged lady walked briskly into the room, and turned to see the door well closed before she advanced towards him.

He bowed with indescribable emotions.

"Mr. Eustace Vernon?" said the lady. She wore a sensible short skirt and square-toed brown boots. Her hat was boat-shaped and her abundant hair was screwed up so as to be well out of her way. Her face was square and sensible like her shoulders, and her boots. Her eyes dark, clear and near sighted. She wore gold-rimmed spectacles and carried a crutch-handled cane. No vision could have been less like Betty.

Vernon bowed, and moved a chair towards her.

"Thank you," she said, and took it. "Now, Mr. Vernon, sit down too, and let's talk this over like reasonable beings. You may smoke if you like. It clears the brain."

Vernon sat down and mechanically took out a cigarette, but he held it unlighted.

"Now," said the square lady, leaning her elbows on the table and her chin on her hands, "I am Betty's aunt."

"It is very good of you to come," said Vernon helplessly.

"Not at all," she briskly answered. "Now tell me all about it."

"There's nothing to tell," said Vernon.

"Perhaps it will clear the ground a little if I say at once that I haven't come to ask your intentions, because of course you haven't any. My reverend brother-in-law, on the other hand, insists that you have, and that they are strictly dishonourable."

Vernon laughed, and drew a breath of relief.

"I fear Mr. Underwood misunderstood—" he said, "and—"

"He is a born misunderstander," said Miss Julia Desmond. "Now, I'm not. Light your cigarette, man; you can give me one if you like, to keep you in countenance. A light—thanks. Now will you speak, or shall I?"

"You seem to have more to say than I, Miss Desmond."

"Ah, that's because you don't trust me. In other words, you don't know me. That's one of the most annoying things in life: to be really an excellent sort, and to be quite unable to make people see it at the first go-off. Well, here goes. My worthy brother-in-law finds you and my niece holding hands in a shed."

"We were not," said Vernon. "I was telling her fortune—"

"It's my lead now," interrupted the lady. "Your turn next. He being what he is—to the pure all things are impure, you know—instantly draws the most harrowing conclusions, hits you with a stick.—By the way, you behaved uncommonly well about that."

"Thank you," said Vernon, smiling a little. It is pleasant to be appreciated.

"Yes, really very decently, indeed. I daresay it wouldn't have hurt a fly, but if you'd been the sort of man he thinks you are—However that's neither here nor there. He hits you with a stick, locks the child into her room—What did you say?"

"Nothing," said Vernon.

"All right. I didn't hear it. Locks her in her room, and wires to my sister. Takes a carriage to Sevenoaks to do it too, to avoid scandal. I happen to be at my sister's, on my way from Cairo to Norway, so I undertake to run down. He meets me at the station, and wants me to go straight home and blackguard Betty. But I prefer to deal with principals."

"You mean—"

"I mean that I know as well as you do that whatever has happened has been your doing and not that dear little idiot's. Now, are you going to tell me about it?"

He had rehearsed already a form of words in which "Brother artists" should have loomed large. But now that he rose, shrugged his shoulders and spoke, it was in words that had not been rehearsed.

"Look here, Miss Desmond," said he, "the fact is, you're right. I haven't any intentions—certainly not dishonourable ones. But I was frightfully bored in the country, and your niece is bored, too—more bored than I am. No one ever understands or pities the boredom of the very young," he added pensively.

"Well?"

"Well, that's all there is to it. I liked meeting her, and she liked meeting me."

"And the fortune-telling? Do you mean to tell me you didn't enjoy holding the child's hand and putting her in a silly flutter?"

"I deny the flutter," he said, "but—Well, yes, of course I enjoyed it. You wouldn't believe me if I said I didn't."

"No," said she.

"I enjoyed it more than I expected to," he added with a frankness that he had not meant to use, "much more. But I didn't say a word of love—only perhaps—"

"Only perhaps you made the idea of it underlie every word you did speak. Don't I know?" said Miss Desmond. "Bless the man, I've been young myself!"

"Miss Betty is very charming," said he, "and—and if I hadn't met her—"

"If you hadn't met her some other man would. True; but I fancy her father would rather it had been some other man."

"I didn't mean that in the least," said Vernon with some heat. "I meant that if I hadn't met her she would have gone on being bored, and so should I. Don't think me a humbug, Miss Desmond. I am more sorry than I can say that I should have been the means of causing her any unhappiness."

"'Causing her unhappiness,'—poor little Betty, poor little trusting innocent silly little girl! That's about it, isn't it?"

It was so like it that he hotly answered:

"Not in the least."

"Well, well," said Miss Desmond, "there's no great harm done. She'll get over it, and more's been lost on market days. Thanks."

She lighted a second cigarette and sat very upright, the cigarette in her mouth and her hands on the handle of her stick.

"You can't help it, of course. Men with your coloured eyes never can. That green hazel—girls ought to be taught at school that it's a danger-signal. Only, since your heart's not in the business any more than her's is—as you say, you were both bored to death—I want to ask you, as a personal favour to me, just to let the whole thing drop. Let the girl alone. Go right away."

"It's an unimportant detail, and I'm ashamed to mention it," said Vernon, "but I've got a picture on hand—I'm painting a bit of the Warren."

"Well, go to Low Barton and put up there and finish your precious picture. You won't see Betty again unless you run after her."

"To tell the truth," said Vernon, "I had already decided to let the whole thing drop. I'm ashamed of the trouble I've caused her and—and I've taken rooms at Low Barton."

"Upon my word," said Miss Desmond, "you are the coldest lover I've ever set eyes on."

"I'm not a lover," he answered swiftly. "Do you wish I were?"

"For Betty's sake, I'm glad you aren't. But I think I should respect you more if you weren't quite so arctic."

"I'm not an incendiary, at any rate," said he, "and that's something, with my coloured eyes, isn't it?"

"Well," she said, "whatever your temperature is, I rather like you. I don't wonder at Betty in the least."

Vernon bowed.

"All I ask is your promise that you'll not speak to her again."

"I can't promise that, you know. I can't be rude to her. But I'll promise not to go out of my way to meet her again." He sighed.

"As, yes—it is sad—all that time wasted and no rabbits caught." Again Miss Desmond had gone unpleasantly near his thought. Of course he said:

"You don't understand me."

"Near enough," said Miss Desmond; "and now I'll go."

"Let me thank you for coming," said Vernon eagerly; "it was more than good of you. I must own that my heart sank when I knew it was Miss Betty's aunt who honoured me with a visit. But I am most glad you came. I never would have believed that a lady could be so reasonable and—and—"

"And gentlemanly?" said the lady. "Yes—it's my brother-in-law who is the old woman, poor dear! You see, Mr. Vernon, I've been running round the world for five and twenty years, and I've kept my eyes open. And when I was of an age to be silly, the man I was silly about had your coloured eyes. He married an actress, poor fellow—or rather, she married him, before he could say 'knife.' That's the sort of thing that'll happen to you, unless you're uncommonly careful. So that's settled. You give me your word not to try to see Betty?"

"I give you my word. You won't believe in my regret—"

"I believe in that right enough. It must be simply sickening to have the whole show given away like this. Oh, I believe in your regret!"

"My regret," said Vernon steadily, "for any pain I may have caused your niece. Do please see how grateful I am to you for having seen at once that it was not her fault at all, but wholly mine."

"Very nicely said: good boy!" said Betty's aunt. "Well, my excellent brother-in-law is waiting outside in the fly, gnashing his respectable teeth, no doubt, and inferring all sorts of complications from the length of our interview. Good-bye. You're just the sort of young man I like, and I'm sorry we haven't met on a happier footing. I'm sure we should have got on together. Don't you think so?"

"I'm sure we should," said he truly. "Mayn't I hope—"

She laughed outright.

"You have indeed the passion for acquaintance without introduction," she said. "No, you may not call on me in town. Besides, I'm never there. Good-bye. And take care of yourself. You're bound to be bitten some day you know, and bitten badly."

"I wish I thought you forgave me."

"Forgive you? Of course I forgive you! You can no more help making love, I suppose—no, don't interrupt: the thing's the same whatever you call it—you can no more help making love than a cat can help stealing cream. Only one day the cat gets caught, and badly beaten, and one day you'll get caught, and the beating will be a bad one, unless I'm a greater fool than I take myself for. And now I'll go and unlock Betty's prison and console her. Don't worry about her. I'll see that she's not put upon. Good night. No, in the circumstances you'd better not see me to my carriage!"

She shook hands cordially, and left Vernon to his thoughts.

Miss Desmond had done what she came to do, and he knew it. It was almost a relief to feel that now he could not try to see Betty however much he wished it—however much he might know her to wish it. He shrugged his shoulders and lighted another cigarette.

Betty, worn out with crying, had fallen asleep. The sound of wheels roused her. It seemed to rain cabs at the Rectory to-day.

There were voices in the hall, steps on the stairs. Her door was unlocked and there entered no tray of prisoner's fare, no reproachful step-father, no Protestant sister, but a brisk and well-loved aunt, who shut the door, and spoke.

"All in the dark?" she said. "Where are you, child?"

"Here," said Betty.

"Let me strike a light. Oh, yes, there you are!"

"Oh, aunt—has he sent for you?" said Betty fearfully. "Oh, don't scold me, auntie! I am so tired. I don't think I can bear any more."

"I'm not going to scold you, you silly little kitten," said the aunt cheerfully. "Come, buck up! It's nothing so very awful, after all. You'll be laughing at it all before a fortnight's over."

"Then he hasn't told you?"

"Oh, yes, he has; he's told me everything there was to tell, and a lot more, too. Don't worry, child. You just go straight to bed and I'll tuck you up, and we'll talk it all over in the morning."

"Aunty," said Betty, obediently beginning to unfasten her dress, "did he say anything about Him?"

"Well, yes—a little."

"He hasn't—hasn't done anything to him, has he?"

"What could he do? Giving drawing lessons isn't a hanging matter, Bet."

"I haven't heard anything from him all day—and I thought—"

"You won't hear anything more of him, Betty, my dear. I've seen your Mr. Vernon, and a very nice young man he is, too. He's frightfully cut up about having got you into a row, and he sees that the only thing he can do is to go quietly away. I needn't tell you, Betty, though I shall have to explain it very thoroughly to your father, that Mr. Vernon is no more in love with you than you are with him. In fact he's engaged to another girl. He's just interested in you as a promising pupil."

"Yes," said Betty, "of course I know that."

CHAPTER VII.

THE ESCAPE.

"It's all turned out exactly like what I said it was going to, exactly to a T," said Mrs. Symes, wrapping her wet arms in her apron and leaning them on the fence; "if it wasn't that it's Tuesday and me behindhand as it is, I'd tell you all about it."

"Do the things good to lay a bit in the rinse-water," said Mrs. James, also leaning on the fence, "sorter whitens them's what I always say. I don't mind if I lend you a hand with the wringing after. What's turned out like you said it was going to?"